Juan Gabriel’s “Amor Eterno” Added to Library of Congress’ National Recording Registry

One of the late Juan Gabriel’s most iconic songs is being preserved…

The Library of Congress has added the late Mexican singer/songwriter’s “Amor Eterno” to its National Recording Registry, which designates recordings worthy of preservation “based on their cultural, historical or aesthetic importance in the nation’s recorded sound heritage.”

Juan GabrielGabriel’s heartrending ballad, which he wrote the in memory of his deceased mother, has long been a staple in the singer’s native Mexico and across Latin America.

Gabriel died in 2016 at the age of 66, but his son, Ivan Gabriel Aguilera, said his father would have been thrilled to see one of his most famous songs be enshrined in the registry. Aguilera talked with the Library about the song’s induction into the registry in Spanish.

“I believe that future generations – that’s what he always wanted – that they see his music and make it relatable to their lives as well. He would always say that ‘as long as the public, people, keep singing my music, Juan Gabriel will never die,’ and it’s nice to see that happening here,” Aguilera said. “It’s something wonderful for us. It’s such a great honor. It’s a great honor for my dad. I think that for his legacy it is something great. As you say, he’s going to be immortalized there in the Library of Congress.”

But Juan Gabriel isn’t the only Latinx artist to have a song added to this year’s registry.

The late Héctor Lavoe’s 1978 single “El Cantante” was also among the 25 songs selected.

El Cantante” is the signature song of the late Puerto Rican salsa singer and first single of the album Comedia. The song was written by Rubén Blades and produced by Willie Colón. 

The 2006 movie about Lavoe’s life starring Marc Anthony and Jennifer LopezEl Cantante, takes its title from the song.

Among the 25 selected this year are ABBA’s “Dancing Queen,” Blondie’s “Parallel Lines,” The Notorious B.I.G.’s “Ready to Die,” Green Day’s “Dookie” and The Chicks’ “Wide Open Spaces.”

Members of the public can submit nominations for the registry on the Library’s website. Almost 2,900 were submitted this year.

The latest entrants to the registry bring its total number of titles to 650.

This year’s list, with includes singles and albums:

  • “Clarinet Marmalade,” Lt. James Reese Europe’s 369th U.S. Infantry Band (1919)
  • “Kauhavan Polkka,” Viola Turpeinen and John Rosendahl (1928)
  • Wisconsin Folksong Collection (1937-1946)
  • “Rose Room,” Benny Goodman Sextet with Charlie Christian (1939)
  • “Rudolph, the Red-Nosed Reindeer,” Gene Autry (1949)
  • “Tennessee Waltz,” Patti Page (1950)
  • “Rocket ‘88,’” Jackie Brenston and His Delta Cats (1951)
  • “Catch a Falling Star” / ”Magic Moments,” Perry Como (1957)
  • “Chances Are,” Johnny Mathis (1957)
  • “The Sidewinder,” Lee Morgan (1964)
  • “Surrealistic Pillow,” Jefferson Airplane (1967)
  • “Ain’t No Sunshine,” Bill Withers (1971)
  • “This is a Recording,” Lily Tomlin (1971)
  • “J.D. Crowe & the New South,” J.D. Crowe & the New South (1975)
  • “Arrival,” ABBA (1976)
  • “El Cantante,” Héctor Lavoe (1978)
  • “The Cars,” The Cars (1978)
  • “Parallel Lines,” Blondie (1978)
  • “La-Di-Da-Di,” Doug E. Fresh and Slick Rick (MC Ricky D) (1985)
  • “Don’t Worry, Be Happy,” Bobby McFerrin (1988)
  • “Amor Eterno,” Juan Gabriel (1990)
  • “Pieces of Africa,” Kronos Quartet (1992)
  • “Dookie,” Green Day (1994)
  • “Ready to Die,” The Notorious B.I.G. (1994)
  • “Wide Open Spaces,” The Chicks (1998)

Bizarrap Teams Up with Milo J to Release New EP That Includes “BZRP Music Session #57”

Bizarrap is back with a new collaboration and a new EP…

The 25-year-old Argentine DJ and record producer has teamed up with Milo J to release his latest collaboration “BZRP Music Session #57.”

Bizarrap & MIlo JIn addition, Bizarrap shared a five-song EP en dormir sin Madrid, featuring one of Argentina’s most exciting artists to watch.

Before releasing the new collaboration, Bizarrap went on Instagram Live to share his thoughts about Milo J. He said he wanted to clarify that the music session arose because of his great connection with the 16-year-old Argentinean rapper in the studio. He says he’s the youngest artist who’s done a music session with him. Biza also says he was mind-blown over the quality of Milo’s talent to create music.

As a result, instead of releasing one music session, Bizarrap shared a total of five tracks that he recorded over three months with Milo J. The final product: en dormir sin Madrid, an EP that also includes: “Toy en el Mic,” “No soy Eterno,” “Fruto,” and “Penas de Antaño.”

BZRP Music Session #57” features a synth-heavy beat with Milo J’s baritone vocals. The music session is warmly hued, different from Biza’s signature blue-hued sessions. The beat changes to a trap-influenced beat carried throughout the session’s first part.

In the second song, named “Toy en el Mic,” Milo J echoes Peso Pluma’s music session. The track highlights a flamenco-influenced meshed-in trap melody that captures more of Milo’s vocal versatility.

The third single, titled “No soy Eterno,” features a deep, pulsating melody with Milo J singing about heartbreak. The video shows the emerging rapper in a deserted landscape. Other clips show fireworks in the background as he raps about a breakup.

The fourth song, “Fruto,” features a piano-driven intro with a bass-heavy beat categorized by its bouncing BPM switch-ups. Moreover, the intro samples the iconic “El Día De Mi Suerte” by Willie Colón and Héctor Lavoe.

The final track, “Penas de Antaño,” closes with a sentimental feature by Milo. This time, he talks about his personal emotions while the visuals show candid clips of his musical journey. Overall, the five-part BZRP music session – and new joint EP – captures five different faces of a young, versatile artist who appears ready to take the spotlight.

Milo J, born Camilo Joaquín Villarruel, began his career only two years ago. However, it appears that he’s quickly becoming one of the most exciting artists to watch.

Celia Cruz to Become First Afro-Latina Depicted on U.S. Quarter

The late Celia Cruz is still making money moves…

The face of the legendary Cuban singer will be depicted on a U.S. quarter, according to the United States Mint.

Celia CruzWidely known as the Queen of Salsa, Cruz was chosen along with four other exemplary women from history to be featured on the U.S. quarter as part of the American Women Quarters Program in 2024. She’ll also make history as the first Afro-Latina to appear on the coin.

Cruz, who is considered one of the most influential Latin singers of all time and a cultural icon, is remembered for her lively expression of “¡Azúcar!,” and for her highly influential body of work consisting of 37 albums.

The other honorees include Patsy Takemoto Mink, the first women of color to serve in the U.S. Congress; Dr. Mary Edwards Walker, women’s rights advocate and Civil War era surgeon; poet, activist, and lawyer Pauli Murray; and Native American writer, composer, educator Zitkala-Ša.

The four-year program “celebrates the accomplishments and contributions made by women of the United States,” states the official website.

From joining La Sonora Matancera in the early ’50s up until her death in 2003 due to cancer, Cruz was unquestionably one of the most exuberant performers of Latin music. Her larger-than-life onstage presence coupled with her captivating charisma made her a legend in Latin America and beyond.

In the 1970s, she became a leading force in salsa music and joined Fania All Stars alongside Johnny Pacheco, Willie Colón, Tito Puente and other icons of the genre, a cultural phenomenon that took place in New York City and beyond.

She later explored other tropical genres such as merengue and reggaetón. Some of her most memorable hits in history include “La Vida Es Un Carnaval,” “La Negra Tiene Tumbao,” and “Químbara” also featuring Johnny Pacheco.

She never lip-synched, and when asked to do it for TV performances, she refused. Cruz was also incredibly influential for many of today’s Latin stars. Her last 2003 album, Regalo del Alma, remained at No. 1 on the Top Latin Albums chart for three weeks.

“I’ve never thought of retiring. I’m healthy, I’m rolling, I’m rolling. I remember Celia Cruz,” reggaetón pioneer Ivy Queen previously told Billboard, who has long idolized and emulated Cruz. “Her last Premios Lo Nuestro performance, she had cancer. She walked from her chair to the stage, she sang, and … she sang. That’s what I’m doing. F–k it. She did it, I’m gonna do it.”

Although Cruz died two decades ago, her legacy continues to appear in various corners of pop culture.

Last year, the estate of the salsa legend partnered with Archetype-IO to release her first NFT collection, which debuted in Art Basel 2022. In 2016, an 80-part series about her life became available for streaming on Netflix, titled Celia, by Telemundo.

For each year commencing in 2022 and running through 2025, the U.S. mint will issue five new reverse designs, and the obverse of the coin will still feature George Washington, but with a slightly different design from the previous quarter program.

This year celebrates Bessie Colemen, Edith Kanaka’ole, Eleanor Roosevelt, Jovita Idar and Maria Tallchief.

Record Store Day 2021 to Include Vinyl Release of Celia Cruz & Willie Colón’s “Celia Y Willie”

Celia Cruz’s lasting presence will be felt over the summer…

Record Store Day 2021 is planning two-day “drops” on June 12 and July 17 of exclusive titles, including music by the late Cuban singer.

Celia Cruz x Willie Colon, Celia y Willie

Craft Recordings has announced 12 exclusive vinyl releases for RSD, including a 40th-anniversary reissue of Celia Cruz and Willie Colón’s Celia Y Willie.

RSD typically occurs on a Saturday in the spring at various independent record stores, drawing customers with the promise of unique and limited-edition albums released exclusively to indie stores for the holiday.

But the festivities can’t quite bounce back to the way things were with the ongoing coronavirus pandemic. With small businesses slowly opening back up, the RSD website has created an organized list of 450 titles — 50 more than usual — for music lovers to use as a shopping guide at select indie music retailers. Stores will allow for in-store shopping with either normal/reduced foot traffic or by appointment, curbside pickup, local delivery and/or online shopping depending on the location, which can be checked here.

RSD’s first releases include Lady Gaga‘s Chromatica on exclusive yellow vinyl; Amy Winehouse‘s Remixes as its own LP collection for the first time; Prince‘s The Truth as a first-time LP release and first-time independent release on purple vinyl; Tom Petty‘s Angel Dream reimagined on LP for the 25th anniversary of the She’s The One soundtrack; and Ariana Grande‘s k bye for now (swt live) on double-CD and as a triple-LP. This marks the first time the live-album component of Grande’s 2019 Sweetener Tour is being released in physical form after the pop star released the LP digitally on December 23, 2019.

Spreading RSD over two days in two different months in

the summer gives vinyl pressing plants and distribution companies ample time to produce the titles and provides indie stores more flexibility to prepare budgets and place orders so customers can shop for the records they’re looking for on both days as opposed to one massive release day.

RSD organizers were forced to postpone its 2020 edition due to COVID. Last year’s three-part drop (staged on August 29, September 26 and October 24) helped generate 1.95 million in CD and vinyl album sales at indie stores in the U.S. — with 1.41 million of that in vinyl album sales, according to MRC Data.

Gloria Estefan Featured in Hip Hop Public Health’s Bilingual COVID-19 Health Awareness Campaign “20 Segundos o Más”

Gloria Estefan is promoting proper hygiene during the ongoing coronavirus pandemic…

While more and more U.S. states lift the quarantine orders and open up businesses, the 62-year-old Cuban singer has joined forces with fellow Latin artists to remind everyone COVID-19 is still a serious problem. You can Check this out to know how to be safe and avoid COVID-19 or any health issue.

Gloria Estefan

Estefan and other artists are taking part in the Hip Hop Public Health’s20 Segundo o Más” campaign, a new bilingual PSA song and video by Doug E. Fresh, producer DJ TedSmoothDoseLeisleyToby Love and Fabián.

20 Segundos O Mas

It’s the follow up to the HHPH’s successful “20 Seconds or More” education and awareness campaign launched in Spring.

Set to the beat of Willie Colon and Hector Lavoe’s classic salsa track “La Murga,” the song fuses Latin rhythms and hip hop beats, encouraging the Latin community throughout the U.S. to follow the hand-washing and other protocols necessary to stop the spread of COVID-19.

“DJ TedSmooth and I purposely selected the song’s universally loved Latin hook, the big horns backing the classic Willie Colón and Héctor Lavoe masterpiece, ‘La Murga.’ This catchy hook combined with the information in the song will definitely get people to dance and hopefully adhere to our message of hope, vitality and taking care of themselves and each other,” Doug E. Fresh said in an official statement. “Once again, Hip Hop Public Health is bringing together art, science and social media innovation to help fight the COVID-19 health pandemic.” If you had any fitness related issue then visit to our Helath Blog and get all the details. Naturopathic medicine, оr naturopathy, іѕ аn alternative type оf medicine thаt hаѕ bееn аrоund fоr hundreds оf years. Based оn thе principle оf using thе healing powers оf nature, naturopathic practitioners work tо heal ailments оr illnesses bу understanding a person аѕ a whоlе. Thіѕ аrtісlе describes the uѕеѕ аnd lіmіtаtіоnѕ оf three types оf ultrаѕоund including abdominal ultrаѕоund, vascular ultrasound and Sоnоhуѕtеrоgrарhу. What is Abdominal Ultrasound? that you get it here. Thе lіѕt оf оrgаnѕ and соndіtіоnѕ ѕuіtаblе fоr іnvеѕtіgаtіоn by аbdоmіnаl ultrasound іѕ еxtеnѕіvе. Thіѕ means thаt thеу dо nоt work оn just curing a person оr relieving thеm оf thеіr symptoms; thеу work tо understand thе mind, bоdу аnd spirit оf a person іn order tо fіnd оut exactly thе right remedy fоr whаt thеу need. You can visit homepage for more about the naturotherapy treatments.

Dominican DJ TedSmooth (Teddy Rafael Mendez) added: “It was an honor to collaborate with Hip Hop Public Health and my old friend Doug E. Fresh on this track for mi gente. Latino roots and culture run deep, and to have legends like Lisa LisaDJ Camilo and Greg Lamond with some of the new voices out here coming together to protect our people against the coronavirus is an incredibly meaningful experience. I know we can make a difference together.”

While the campaign is focusing on communities in the U.S. most impacted by COVID-19, HHPH is also conducting outreach and sharing the video and education campaign components in communities across Latin America, including Mexico, the Dominican Republic, Venezuela, Colombia and Peru, among others.

The four-minute music video features guest appearances by more than 30 community influencers and activists committed to making a difference through creative expression, civic duty and medicine, including Gloria and Emilio Estefan, N.O.R.E., Lisa Lisa, Chris TuckerDJ EnvyAmara La Negra and many more.

The video reinforces proper hand-washing techniques and other safety protocols like social distancing and wearing a mask.

Fat Joe Releases Bilingual Hip-Hop Track “Yes” with Cardi B & Anuel AA

Fat Joe has said Yes to a new hit…

The 49-year-old Puerto Rican and Cuban American rapper has joined voices with Cardi B and Anuel AA to release a surprise song. 

Fat Joe, Cardi B & Anuel AA

The trio took over streaming platforms on Friday after releasing their first song together “Yes,” a powerful hip-hop tune that honors the 1972 Héctor Lavoeand Willie Colónhit “Aguanilé.” 

What does aguanilé means? It’s a Yoruba word (a language from Nigeria in West Africa) that in salsa it stems from the Afro-Cuban religion called Santería, which basically asks for the purification of earthly possessions. 

In the song, Fat Joe, Cardi B, and Anuel AA use the word as a steady chorus.

Meanwhile, the song’s lyrics are about how life is on the New York streets. 

Fat Joe and Cardi B sing about power and the money, with Cardi rhyming, “La Cardi, Bardi/ Never been stressed by a ho, no/ Never been pressed by a bitch (by a bitch) Murder and the money on my mind (on my mind),” while Anuel AA adds his unique bad boy style in Spanish.

Kany Garcia to Be Honored at This Year’s La Musa Awards

Kany Garcia is seriously A-Muse-d!

The Latin Songwriters Hall of Fame has announced its honorees for the 2019 La Musa Awards, with the 26-year-oldPuerto Rican singer and songwriter making the list.

Kany Garcia

Garcia, a three-time Latin Grammy winner, will be awarded the Elena Casals La Musa Award.

Garcia has penned all the songs for her albums. And she’s also written songs for other artists like Ha*AshEdnita NazarioPedro CapóFabiola and Chayanne.

José José, referred to as El Príncipe de la Canción, will receive the Living Legend Award, The 71-year-old Mexican crooner, who began his musical career in his early teens, has released more than 30 albums, his last Tenampa in 2001. 

Jesús López, chairman & CEO for Universal Music Latin Americaand the Iberian Peninsula, will receive the Desi Arnaz Pioneer Award, while music executive Nestor Casonuwill be honored with the Ralph S. Peer Publisher Award

Additional honorees will be announced in the upcoming weeks.

In addition to unveiling the first wave of honorees, LSHOF has also announced that Spotify is returning as the official title sponsor of the awards ceremony. According to an official statement, the “continuing partnership aligns with Spotify’s unparalleled commitment to supporting and highlighting Latin music and songwriters on its global platform.”

In May, Ivy QueenWillie ColónMichael SullivanChico Novarro, and Armando Larrinaga were announced as the five songwriters who will be inducted at the prestigious hall this year. 

The 2019 group of inductees, which were selected by the general public from a previously announced list of 24 nominated songwriters and composers, is comprised of some of the greatest performers, lyricists, and musicians in Latin music today.

The 2019 honorees will be officially inducted at the seventh annual La Musa Awards ceremony and gala, taking place October 24 at the James L. Knight Centerin Miami.

Tickets for the 7th annual La Musa Awards are now on sale via Ticketmaster.com.

Gilberto Santa Rosa to Serve as NYC Puerto Rican Day Parade Grand Marshall

Gilberto Santa Rosa is set to have a grand old time at this year’s NYC Puerto Rican Day Parade.

The 54-year-old Puerto Rican singer and bandleader, known as “El Caballero de la Salsa,” will serve as the grand marshall of the annual parade on June 11.

Gilberto Santa Rosa

Santa Rosa is a Grammy and Latin Grammy winner, who has been active in the music industry for approximately forty years.

But Santa Rosa isn’t the only superstar participating in this year’s parade.

Iris Chacón, the 67-year-old showgirl who came to fame in the 1970s as “the Puerto Rican bombshell” has been named godmother of the parade.

Ozuna will appear as the parade’s Rising Star, salsa singer Ismael Rivera has been named a Puerto Rican Day ambassador, and Latin alternative duo BuscaBulla will also join the parade.

This year’s Puerto Rican Day Parade marks the 60th time that “la parada” fills Manhattan’s Fifth Avenue with tropical music and Puerto Rican pride. Previous grand marshalls include Marc Anthony and Ricky MartinCalle 13’s Rene Perez was crowned king of the parade in 2014.

Olympic gold medal gymnast Laurie Hernández, actress Lana Parrilla (Once Upon a Time) and 14-time MLB All-Star Iván Rodríguez will also participate in this year’s parade.

The event will also reference recent politics: it will honor former political prisoner Oscar López Rivera, who was pardoned by President Barack Obama in January after 35 years in federal prison, as National Freedom Hero. And this year’s parade coincides with 100 years since all Puerto Ricans were granted U.S. citizenship by a law enacted by President Woodrow Wilson.

“In this monumental year, we are showcasing our collective achievement and the legacy we have built by working in solidarity,” Puerto Rican Day Parade Board Chair Board Chair Lorraine Cortés-Vázquez said at a press conference. “And we will discuss key challenges that Puerto Rico is facing to help inform and engage our community. We also honor legendary figures and the next generation of stars that are already accomplished in their own right.”

Two music festivals preceding the parade will turn June 9-11 into a full throttle Puerto Rican party weekend.

The 2017 Soulfrito festival will feature a line-up of  “club bangers and Latin trap” that includes urban stars Farruko, Zion y Lennox , Bad Bunny, Cosculluela and Ivy Queen starts the party in Brooklyn on Friday, June 9, at the Barclays Center.

Willie Colon, Eddie Palmieri and Tito Nieves lead the incredible line-up of the 33rd New York Salsa Festival, which takes place Saturday, June 10, also at the Barclay Center. Jerry Rivera, Grupo Niche, Fruko y Sus Tesos, Tito Rojas and DLG are also among the artists scheduled to perform.

Nieves Starring in the Latino-Themed Off-Broadway Musical “I Like It Like That”

Tito Nieves likes it like that…

The 58-year-old Puerto Rican salsa singer is starring in the new off-Broadway musical I Like It Like That.

Tito Nieves

“We didn’t have politicians or other idols to look up to [in those days],” explains David Maldonado, producer and co-writer of the new musical. “There were not many Latino athletes around. The idols became Eddie Palmieri and Hector Lavoe…. Music artists were the most important figures. Music became like the religion of the masses.”

The show, now playing at the Puerto Rican Traveling Theater in New York, includes songs from the repertoire of Palmieri and Lavoe, Ruben Blades, Willie Colon, Joe Cuba, Tito Puente, El Gran Combo de Puerto Rico, La Lupe and more.

I Like It Like That takes its title from the song that was a Billboard chart hit for Pete Rodriguez in 1967. Thirty years later, the bugalú cornerstone was revived in a hit cover by Nieves, who stars as family patriarch Roberto Rodriguez in the new musical.

Featuring a seven-piece band, the theater production is a “historical musical journey” that Maldonado describes as a social chronicle of New York in the ’70s, as well as a sing-and-dance-along showcase for the great music of the period that came out of the city’s Latino neighborhoods. The play chronicles life in the barrio in those decadent days in New York.

“We were going bankrupt,” says Maldonado, who grew up in Brooklyn. “Garbage all over the place, potholes, civil unrest…”

Maldonado describes I Like It Like That as being “about social conscience. Some people want to escape, and others want to fight for the hood, which most people called ‘the ghetto.’”

He notes that in addition to the music, the language used in the play accurately reflects the period.

“It is in Spanglish,” he says. “Mostly English. I wasn’t doing that because I was trying to get a wider audience, although I do appreciate that. It was because at that time, there was salsa, but everyone was speaking English. The music was in Spanish, but if you look at those albums, the liner notes were in English.”

Maldonado and co-writer Waddys Jáquez (who also directs the play) tell the story of the Rodriguez family in East Harlem, using salsa, bugalú and bolero classics to advance the story.

Characters were created from those described in songs like Blades’ “Paula C,” and song lyrics were used to set the action and inspire the dialog, says Maldonado. The musical also includes original songs.

I Like It Like That promises to appeal to fans of the Celia Cruz musical Celia, and Quien Mató a Hector Lavoe; both shows also produced by Maldonado, which combined social chronicle with musical tribute.

Fania Records Signs with Creative Artists Agency

Fania Records is experiencing a resurgence…

A half-century after its founding, the iconic Latin music label is capping off its 50th anniversary by signing with the Creative Artists Agency (CAA), according to The Hollywood Reporter.

Fania Records

Founded in New York City in 1964 by Dominican Republic-born bandleader Johnny Pacheco and attorney Jerry Masucci, Fania Records went on to represent artists including Hector Lavoe, Willie Colon, Celia Cruz, Ray Barretto, Ismael Miranda, Ruben Blades, Cheo Feliciano and Roberto Roena. That impressive roster help cement the label’s status as the definitive home for genres like Latin big band, Afro-Cuban jazz, boogaloo, salsa and Latin R&B.

Masucci became Fania’s sole owner in 1967 (Pacheco stayed on as artistic director), and when he died in 1997, the label, which had fallen dormant for decades, became entangled in probate court.

Miami-based Emusica Entertainment Group purchased Fania’s assets from Masucci’s estate for a reported $9 million to $12 million in 2005 (ownership was later transferred to Codigo Group). The new management got to work sorting through its newly acquired catalog (it eventually unearthed almost 3,000 albums, 3,000 compositions and approximately 10,000 master tracks) and remastering and reissuing them for a new generation of listeners.

The new Fania has been adroit at adapting to changing times. In 2013, the label resumed profitability with approximately a quarter-million albums sold, most of them via digital download. In April, the label partnered with Spotify to launch a dedicated Latin-music app, a first for the genre. The app makes Fania’s entire digital catalog available for streaming, along with visually rich artist pages and a timeline of the label’s 50-year history.

This year, Fania also issued digital compilation albums and DJ remixes and partnered with Central Park’s SummerStage program for a concert series that married its classic tunes with “new school artists,” including DJ Turmix, Canyon Cody, Timothy Brownie and Whiskey Barons.

“Fania has evolved into a robust entertainment brand,” Codigo CMO Michael Rucker said in a statement. “CAA, with its breadth and depth of expertise in harnessing the power of pop culture, will guide us as we move forward into new creative and business territory and introduce us to a broader fan base.”