It’s an enchanting five for Lin-Manuel Miranda…
Walt Disney Records’ Encanto soundtrack, containing eight original songs written by the 42-year-old Puerto Rican Tony Award-winning star and produced by Mike Elizondo, spends its fifth nonconsecutive week at No. 1 on the Billboard 200 albums chart, becoming the soundtrack with the most weeks atop the chart since Disney’s own Frozen ruled for 13 nonconsecutive weeks in 2014.
With their totals at No. 1 (so far), Frozen and Encanto boast the most, and second-most, weeks at No. 1, respectively, among soundtracks in the 21st century.
Encanto earned 110,000 equivalent album units in the U.S. in the week ending February 10 (down 2%), according to MRC Data.
Of Encanto’s 110,000 equivalent album units earned, SEA units comprise 91,000 (down 3%, equaling 134.82 million on-demand official streams of the set’s songs), album sales comprise 17,000 (up 5%) and TEA units comprise 2,000 (down 28%).
Encanto continues to be powered largely by streaming activity for its songs, including its five top 40-charting hits on the Billboard Hot 100: “We Don’t Talk About Bruno” (which spent its second week atop the February 12-dated chart), “Surface Pressure,” “The Family Madrigal,” “What Else Can I Do?” and the Academy Award-nominated “Dos Oruguitas.”
Notably, Encanto is one of only six soundtracks to spend at least five weeks at No. 1 on the Billboard 200 in the last 30 years. Before Encanto, there was Frozen (13 weeks, 2014), Titanic (16, 1998), Waiting to Exhale (five, 1996), The Lion King (10, 1994-95) and the Whitney Houston-led The Bodyguard (20, 1992-93). (Before that, the last soundtrack with at least five weeks at No. 1 was Prince’s Batman in 1989, with six weeks at No. 1.) The soundtrack — and overall album — with the most weeks at No. 1 is West Side Story, with 54 weeks atop the list in 1962-63.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
