Manuel Turizo is hip-shaking his way to the top of the charts…
The 23-year-old Colombian singer’s Marshmello collaboration “El Merengue” has risen to No.1 on Billboard’s Latin Airplay chart dated June 10.
“El Merengue” jumps from No. 2 despite a 5% dip in audience impressions, to 10.4 million, earned in the U.S. in the week ending June 1, according to Luminate.
It ousts Grupo Frontera and Bad Bunny’s “Un x100to” after its three-week command, sending it to No. 2, likewise with a decline on weekly impressions (falls 11% to 10.36 million).
“El Merengue” is just the second tropical tune to lead the overall tally this year, after Romeo Santos and Rosalia’s “El Pañuelo” headed the February 25-dated ranking.
Turizo, meanwhile, cements his airplay No. 1 growth with six champs spanning almost six years. Previously, he topped Latin Airplay with another tropical track: “La Bachata” (one week in October 2022).
As “El Merengue” tops Latin Airplay, Marshmello becomes the first artist unfamiliar to the Latin genre to occupy the top slot in 2023. Congolese French singer and rapper Gims (born Gandhi Alimasi Djuna) last completed the deed as “Arhbo (Music From The FIFA World Cup Quatar 2022),” with Ozuna, took over Latin Airplay for three weeks last December.
Beyond its Latin Airplay coronation, “El Merengue” wins a second term at its No. 5 high on Hot Dance/Electronic Songs in its 13th week in the top 10, encompassing its entire run in the chart so far.
There’s only one place Bad Bunnygoes… the top of the charts.
The 29-year-old Puerto Rican Grammy-winning superstar’s “Where She Goes” has debuted at No. 1 on the Billboard Global 200 chart dated June 3.
“Where She Goes” launches atop the Billboard Global 200 with 71 million streams and 3,000 sold worldwide May 19-25, following its May 18 release.
The Spanish-language song arrives as his third No. 1 on the chart, after “Un x100to,” with Grupo Frontera, for two weeks earlier in May, and “Dakiti,” with Jhay Cortez (now Jhayco), for three weeks in November-December 2020.
Bad Bunny becomes the first soloist with three Global 200 No. 1s; overall, he’s second only to BTS, with six. Justin Bieber, BLACKPINK, Drake, Olivia Rodrigo and Taylor Swift each boast two.
“Where She Goes” marks Bad Bunny’s first Global 200 entry with no accompanying artists since he released his LP Un Verano Sin Ti, which dominated the U.S.-based Billboard 200 for 13 weeks in May-October 2022.
Eslabon Armado and Peso Pluma’s “Ella Baila Sola” dips to No. 2 on the Global 200 after three weeks at No. 1, having become the chart’s first leader for the regional Mexican genre.
The Billboard Global 200, which started in September 2020, ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
Following his smash cumbia-norteña hit collaboration “un x100to” with Grupo Frontera, the 29-year-old Puerto Rican Grammy-winning singer/songwriter has just-released the Jersey club cut “Where She Goes.”
The English-titled, Spanish-language song sees Bad Bunny playing with dynamism with a subtle dembow rhythm, courtesy of super producer MAG.
Looking like a swaggering frontiersman armed with a cowboy buckle to boot, Bad Bunny rides around in a vintage Rolls-Royce in the Stillz-directed music video. He then appears on top of a tree amid the desert, and there’s also a scene that projects a Burning Man vibe with a tribe of people surrounding a massing bonfire.
Special guests include Brazilian soccer legend Ronaldinho, Frank Ocean, Lil UziVert,Dominic Fike, Sabrina Lada and more.
Lil Uzi Vert, who is also featured doing his famous TikTok dance, is an appropriate guest, as the “Just Wanna Rock” hitmaker helped spark Jersey club’s rise in 2022, a genre that is permeating the New York drill scene.
Bad Bunny is the first artist in Latin music to embrace the East Coast sound. Jersey club first originated in Newark, New Jersey, in the early new millennium.
“Baby, tell me the truth if you forgot about me/ I know it was only one night, that we’re not going to repeat,” Bunny croons in the opening verse against a dramatic, ominous electronic sound. “In you I wanted to find what I lost in someone else/ Your pride doesn’t want to speak to me, so we’re going to compete.”
Two days before the song’s arrival, Bad Bunny teased the new track on social media, introducing its first 42 seconds.
Although he mentioned a possible break in last December’s cover story, Bad Bunny proceeds to be at the forefront of pop culture. This year, he became the first Spanish-speaking artist to headline Coachella and made waves at the Met Gala. He also continues to churn out a bevy of No. 1 hits on Billboard‘s charts.
Grupo Frontera have earned a place in music history…
The Regional Mexican group has achieved a feat unseen on Billboard’s Latin Airplay chart in more than a decade, becoming the first act to place two Regional Mexican songs at No. 1 in a single year.
The group claims the first such double win since Banda El Recodo de Cruz Lizárraga in 2009.
Grupo Frontera’s “Un x100to,” with Bad Bunny, hits No. 1 on the Latin Airplay chart dated May 20 due to a 20% boost in audience impressions, to 10.7 million, in the United States in the week ending May 11, according to Luminate.
The quintet secured its first champ on Latin Airplay as “Bebe Dame,” with Fuerza Regida, capped the March 25-dated ranking.
The last regional Mexican act to post two No. 1s on the tally in the same year was Banda El Recodo de Cruz Lizárraga, whose “Te Presumo” and “Me Gusta Todode Ti” ruled for six and five weeks beginning the February 28 and December 26, 2009-dated lists, respectively.
Since Latin Airplay launched in November 1994, Grupo Frontera logs just the fifth instance of an act notching two regional Mexican No. 1s in a single year. Marco Antonio Solis first achieved the feat in 1996 and is the only artist to have earned the honor twice.
Here’s the full list below:
Acts With 2 Regional Mexican No. 1s on Latin Airplay in a Single Year: Grupo Frontera, 2023: “Un x100to,” with Bad Bunny, “Bebe Dame,” with Fuerza Regida
Banda El Recodo de Cruz Lizárraga, 2009: “Me Gusta Todo De Ti,” “Te Presumo”
Conjunto Primavera, 2007: “Basta Ya,” “Ese”
Marco Antonio Solis, 1997: “La Venia Bendita,” “Así Como Te Conocí”
Marco Antonio Solis, 1996: “Recuerdos, Tristeza Y Soledad,” “Que Pena Me Das”
Bad Bunny, meanwhile, captures his 21st Latin Airplay champ, the seventh-most among all acts since the chart’s inception in 1994. J Balvin leads with 35 No. 1s, followed by Enrique Iglesias and Ozuna (32 each), Daddy Yankee (28), Maluma and Wisin (22 each).
Expanding on the regional Mexican genre’s momentum, as Grupo Frontera reached the No. 1 slot with “Bebe Dame” in March, the quintet brought back the format to Latin Airplay’s top spot following a three-year gap, after La Adictiva Banda San José de Mesillas’ “Escondidos” crowned for one week on January 18, 2020.
This decade, so far, four regional Mexican songs have secured a spot at No. 1. “Escondidos” succeeded Alejandro Fernández’s “Caballero,” which began its two-week reign on the Jan. 4, 2020, chart, prior to Grupo Frontera’s two leaders this year.
Looking back to the Latin Airplay chart’s 1994 inception, the ’90s dispensed the most regional Mexican chart-toppers in a single decade: 18 (despite the chart debuting nearly halfway through the decade), led by the likes of Solis, Rocio Durcal, Alejandro Fernández, Juan Gabriel, Los Tigres del Norte and Selena. Almost as many – 17 – ruled during the 2000s, while nine led in the ‘10s, continuing a rich legacy for the genre.
The 2020s are on pace for around 12 regional Mexican No. 1s by the end of the decade, although the genre’s unprecedented heights on the Billboard Hot 100, led by “Un x100to” and Eslabon Armado and Peso Pluma’s “Ella Baila Sola” – the first regional Mexican top 10s ever on the chart, where they currently rank at Nos. 7 and 4, respectively – suggest an even greater ceiling.
A new wave of acts is fusing mariachi, norteño, banda, sierreño and corridos, as well as collaborating with artists, such as Bad Bunny, generally outside the genre.
In a one-minute video posted on his TikTok account Monday, May 15, the 29-year-old Puerto Rican Grammy-winning artist is in a vibrant room, rocking an all-black leather outfit and his natural curls as he shares a clip of new EDM-tinged single.
“Check this out,” he says in Spanish before pressing play.
A dramatic melody then begins, backed by Bad Bunny’s signature deep vocals.
“Baby, tell me the truth if you forgot about me/ I know it was only one night, that we’re not going to repeat/ In you I wanted to find what I lost in someone else/ Your pride doesn’t want to speak to me, so we’re going to compete,” he passionately chants in the opening verse.
Then, the rhythm transitions to a Jersey Club-inspired beat (a hybrid of house and hip-hop), where he continues, “I don’t like to lose, tell me what you’re doing to do.”
In the caption, he asked his over 31 million followers, “Tell me if you like it and I’ll send it to you via WhatsApp :)”
The upcoming single comes on the heels of his collaboration on Grupo Frontera hit “un x100to,” which marked his first time dipping his toes in the norteño-cumbia realm. The song earned Grupo Frontera its highest debut on Billboard’s Hot Latin Songs chart, entering at No. 3 on the April 29-dated ranking, and later hitting No. 1 on both the Latin Airplay chart and Billboard Global Excl. U.S. chart.
Last year, the artist born Benito Antonio Martínez Ocasio told Billboard his plans of taking a break in 2023, but would still release music.
“I’m taking a break. 2023 is for me, for my physical health, my emotional health to breathe, enjoy my achievements,” he said. “We’re going to celebrate. Let’s go here, let’s go there, let’s go on the boat. I have a couple of sporadic commitments, and I’ll go to the studio, but there’s no pressure. Remember yourself, cabrón. You’ve worked your a– off.”
The 29-year-old Puerto Rican superstar’s Grupo Frontera-collaboration “Un x100to” rises to No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts dated May 6.
It’s the second leader for Bad Bunny on each list and the first for Grupo Frontera.
The track is the second Global 200 No. 1 and first Global Excl. U.S. leader for the Regional Mexican genre — as it dethrones the first such No. 1 on the former chart: Eslabon Armado and Peso Pluma’s “Ella Baila Sola” jumped to the top of the Global 200 a week earlier.
Meanwhile, thanks to “Un x100to,” “Ella Baila Sola” and Yng Lvcas and Peso Pluma’s “La Bebe,” Regional Mexican (and Spanish-language) songs rank at Nos. 1, 2 and 3 simultaneously on both charts for the first time since the surveys began in September 2020.
Grupo Frontera and Bad Bunny’s “Un x100to” leaps from No. 5 to No. 1 on the Billboard Global 200, with 110.2 million streams (up 64%) and 4,000 sold (down 13%) worldwide April 21-27.
Bad Bunny adds his second, after “Dákiti,” with Jhay Cortez (now Jhayco), led for three weeks in November-December 2020.
It’s also the fifth all-Spanish-language leader on the list, after “Ella Baila Sola”; Karol G and Shakira’s “TQG,” which ruled for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (four weeks, 2022); and “Dakiti.”
“Ella Baila Sola” drops to No. 2 on the Global 100, although up 9% to 104.2 million streams and 5% to 3,000 sold worldwide.
Yng Lvcas and Peso Pluma’s “La Bebe” holds at its No. 3 Global 200 best.
Grupo Frontera and Bad Bunny’s “Un x100to” concurrently climbs 4-1 on the Billboard Global Excl. U.S. chart, with 82.3 million streams (up 73%) and 1,000 sold (up 17%) outside the U.S. April 21-27.
Grupo Frontera earns its first Global Excl. U.S. No. 1, while Bad Bunny tallies his second, after “Dakiti” (five weeks, November-December 2020).
“Un x100to” becomes the Global Excl. U.S. chart’s first Regional Mexican No. 1.
It’s additionally the sixth all-Spanish-language leader on the ranking, after Karol G and Shakira’s “TQG,” which reigned for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (six weeks, 2022); Anitta’s “Envolver” (one, 2022); “Dakiti”; and Maluma and The Weeknd’s “Hawái” (one, 2020).
Peso Pluma ranks at Nos. 2 and 3 on Global Excl. U.S.: “Ella Baila Sola,” with Eslabon Armado, holds at its No. 2 high and “La Bebe,” with Yng Lvcas, keeps at No. 3, also after reaching No. 2.
As on the Global 200, thanks to “Un x100to,” “Ella Baila Sola” and “La Bebe,” Regional Mexican, and Spanish-language, songs rank at Nos. 1-3 simultaneously for the first time since the Global Excl. U.S. chart originated.
The Billboard Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
The 29-year-old Puerto Rican Grammy-winning superstar’s Grupo Frontera-collaboration “un x100to” debuts at No. 3 on Billboard’s Hot Latin Songs chart, giving el Conejo Malo his 60th top 10 on the chart, extending his record among all acts.
It’s the highest debut on the chart for Grupo Frontera and the band’s fourth top 10 single.
“Un x100to” was released on April 17 via Rimas Entertainment, a surprise not only for fans, but for Grupo Frontera as well.
Bad Bunny’s vocals were incorporated as Edgar Barrera, composer of the song, revealed his participation as a surprise the day the norteño group shot the music video.
“We did not hear Bad Bunny’s part in the song until the day of the video,” Adelaido “Payo” Solis III, lead vocalist, shared during an interview with Zane Lowe on Apple Music 1. “So when that part comes out and we were shooting the video, I froze. Having a song with Bad Bunny is just something that… It’s unexplainable.”
“Un x100to” starts at No. 3 on Hot Latin Songs, largely due to its surge in streams.
As mentioned, because the song came with the track’s music video on April 17, it joins the upper region of the multimetric ranking with only four days of activity for its chart debut. According to Luminate, it generated 20 million official U.S. streams during the April 14-20 tracking week.
That opening sum yields a No. 7 on the overall Streaming Songs chart, a first top 10 for Grupo Frontera there, and an equal No. 3 debut on Latin Streaming Songs.
“Un x100to” also registered 4,000 downloads in the same period, prompting a No. 1 launch on Latin Digital Song Sales. There, it becomes the third champ for Grupo Frontera and Bad Bunny’s 13th chart topper.
Over on the all-genre Billboard Hot 100 chart, Grupo Frontera’s new single makes its top 20 debut, at No. 15, the highest ranking for the Rio Grande Valley-based group. For Bad Bunny, it becomes his highest chart appearance since “Moscow Mule” debuted and peaked at No. 4 in May 2022.
Back on Hot Latin Songs, “un x100to” marks Grupo Frontera’s fourth top 10. It follows “Bebe Dame,” with Fuerza Regida, which led for two weeks (January 21 and March 4-dated lists).
Elsewhere, Grupo Frontera also earns career highs on both global charts. “Un x100to” bows at No. 5 on the Billboard Global 200 with 67 million streams, while it shoots to a No. 4 start on the Global Excl. U.S. with 48 million earned during the same period.
The news of the collaboration’s debut across Billboard charts arrives on the heels of Grupo Frontera’s El Comienzo Tour, which kicked off in San Antonio, Texas, on April 20 and will take the sextet through the U.S. with its last stop on Nov. 25 in Los Angeles.
The Regional Mexican group has joined voices with Bad Bunny to release the single “un x100to” on Monday, April 17, marking the first collaboration between the two acts, and a new twist for el Conejo Malo.
Produced and composed by Latin hitmakers Edgar Barrera and MAG, the romantic cumbia–norteño narrates the story of a person who misses their ex and makes an important phone call with one percent of battery left on their phone.
The Spanish-language ballad’s lyrics translate to: “I have only 1% left, and I’ll use it to say I’m so sorry/ If they’ve seen me in the disco with someone else, it’s just wasting my time/ Baby, I can’t lie to you; That story that they saw me all happy, that’s not true/ Nothing makes me laugh anymore, only when I see the photos and videos I see of you.”
The official music video shows the group and Bad Bunny performing the song in front of an isolated ranch in a desert.
Born Benito Antonio Martínez Ocasio, Bad Bunny first teased the track on his TikTok account on Sunday, April 16, where he’s seen singing part of the nostalgic lyrics and flaunting his cumbia-dancing skills.
Although he’s a longtime fan of Regional Mexican music, his new track with Grupo Frontera is only his second regional Mexican collab.
Prior to this, he worked with Natanael Cano for a remix of “Soy el Diablo,” a corrido.
Over the weekend, after he headlined Coachella, he also posted a video singing along to Cano’s “AMG” in collaboration with Peso Pluma and Gabito Ballesteros.
“El Merengue” jumps from No. 2 despite a 5% dip in audience impressions, to 10.4 million, earned in the U.S. in the week ending June 1, according to Luminate.
