The 20-year-old Colombian singer checks off a career milestone this week as he earns his first No. 1 on a Billboard chart with “Vagabundo,” his collaboration with Sebastian Yatra and Manuel Turizo.
The song rises 7-1 to crown the Latin Airplay chart dated September 2.
“Vagabundo” climbs with a 34% gain in audience impressions, to 9.2 million, earned in the U.S. in the week ending August 24, according to Luminate.
The song, released via Universal Latino/UMLE on May 12, also arrives at the summit on Latin Pop Airplay (hopping 2-1).
“Vagabundo” earns Beele his first champ on his third appearance on Latin Airplay.
He reached a No. 36 high previously with another Turizo team-up, “+Linda,” which also credited Dalex, Arcangel and De La Ghetto in 2021.
Yatra, meanwhile, picks up his 11th ruler on Latin Airplay. The new champ arrives after “Tacones Rojos” ruled for one week in February 2022.
Turizo captures his seventh No. 1, and third of the year, following “La Bachata,” and “Merengue” with Marshmello, both with one week in charge.
The 52-year-old Mexican singer has collected his 10th No. 1 on Billboard’s Latin Airplay chart as “No Es Que Me Quiera Ir” rises 13-1 to lead the August 5-dated survey.
The song follows the two-week champ “Caballero,” his first career No. 1 this decade (Feb. 2020).
“No Es Que Me Quiera Ir” conquers Latin Airplay after it gained 9.1 million in audience impressions, a 50% rise from the week prior, earned in the U.S. during the July 21-27 tracking week, according to Luminate.
The song’s main supporters include Univision stations, KSCA Los Angeles and WOJO Chicago, as monitored by Mediabase, which provides Luminate data for Billboard charts.)
The ranchera singer, released May 19 and written by Eden Muñoz, ejects Prince Royce’s “Me EnRD” from the lead after its one term at No. 1, as the bachata dips 1-5 with 17% drop in audience impressions, to 8.4 million.
Further, “No Es Que Me Quiera Ir” earns Universal Music Latino/UMLE its second No. 1 in 2023, after the label dominated the chart with Karol G and Shakira’s “TQG” for two weeks between May and July.
As mentioned, with “No Es Que Me Quiera Ir” capturing the crown on Latin Airplay, Fernández scores his 10th ruler, the second-most among regional Mexican acts, trailing Marco Antonio Solis who continues to lead with 11 champs on his Latin Airplay account.
Plus, “No Es Que Me Quiera Ir” becomes his first win since “Cabaellero” in 2020. In between he’s placed five top 10s, for a total of 23 top 10s since “A Pesar de Todo” reached No. 10 high in December 1994.
Here’s a full recap of Fernández’s 10 leaders dating back to his first in 1997:
Peak, Title, Artist, Weeks at No. 1 Oct. 18, 1997, “Si Tú Supieras,” six
Dec. 27, 1997, “En El Jardín,” featuring Gloria Estefan, six
March 14, 1998, “No Se Olvidar,” eight
July 18, 1998, “Yo Nací Para Amarte,” five
Aug. 21, 1999, “Loco,” one
Dec. 1, 201, “Tantita Pena,” six
Oct. 23, 2004, “Me Dedique A Perderte,” two
Feb. 06, 2010, “Se Me Va La Voz,” one
Jan. 04, 2020, “Caballero,” two
Aug. 05, 2023, “No Es Que Me Quiera Ir,” one
Notably, “Que Me Quiera Ir” marks a new milestone achievement for singer-songwriter Eden Muñoz, who captures his first No. 1 on Latin Airplay as a songwriter. Previously he scored a No. 2 high as a songwriter through Banda Carnaval’s “Esa Vez Soy Yo” (Jan. 2020).
Elsewhere, “No Es Que Me Quiera Ir” advances 7-1 on Regional Mexican Airplay as the week’s Greatest Gainer. Fernández wins his sixth champ, the fifth-most among regional Mexican soloists.
The 29-year-old Argentine rapper and singer and Santa Fe Klan have each scored their first No. 1 on Billboard’s Regional Mexican Airplay chart as “Tú y Tú,” with Los Ángeles Azules, rises 3-1 to lead the May 20-dated survey.
The new leader yields both Cazzu and Santa Fe Klan’s first champ in their maiden chart appearance.
“Tú y Tú,” released via SeiTrack/Disa/UMLE on March 10, takes over Regional Mexican Airplay in its eighth week after a 28% boost in audience impressions, to 8.5 million, earned in the U.S. during the May 5-11 tracking week, according to Luminate.
As “Tú y Tú” rises to the top of the ranking, Cazzu and Santa Fe Klan become the first artists to claim a No. 1 in their maiden chart performance among the nine tracks that have crowned Regional Mexican Airplay in 2023.
The last artist to pick up a first No. 1 in a first attempt was Mario Bautista, as “Brindo” with Banda El Recodo de Cruz Lizárraga led for one week on June 11, 2022.
Previously, Eden Muñoz completed the deed with “Chale!” (May 21, 2022).
“Tú y Tú” ascends 3-1 and sends Grupo Marca Registrada and Grupo Frontera’s “Di Que Sí” to No. 6 after its three-week domination, with a 39% dip in audience (to 5.2 million).
“Tú” also brings Los Ángeles Azules back to No. 1. The cumbia sonidera ensemble last ranked first through the three-week ruler “Nunca Es Suficiente,” with Natalia Lafourcade, in early 2019. In between, the group collected five top 10s, including the No. 2-peaking “Amor a Primera Vista,” with Belinda and Lao Ebratt, featuring Horacio Palencia, in August 2019.
Elsewhere, “Tú” continues its progress on the all-genre Latin Airplay chart, reaching its No. 5 high.
Before “Eres Ese Algo,” “50 y Cincuenta” earned the norteño ensemble its maiden champ on any airplay chart last August. In between the band scored a No. 38 high through “Mejor Ni Me La Nombren,” with Neto Bernal (Aug. 27).
“Eres Ese Algo” shoots to No. 1 on Regional Mexican Airplay in its 14th week on the chart.
It takes the lead boosted by 28% gain in audience impressions, to 10 million, earned in the U.S. in the week ending February 16, according to Luminate. The increase secures the track the Greatest Gainer honors of the week.
The song is the second single of Al Derecho y Al Reverso, the seven-track set released on October 14 via Azteca/Fonovisa/UMLE, which reached No. 10 high on Regional Mexican Albums on the January 21-dated ranking.
In addition to bringing La Maquinaria its second airplay No. 1, “Eres Ese Algo” also secures the Azteca label its third ruler on Regional Mexican Airplay, among its 72 chart entries spanning 12 years. Prior to “50 y Cincuenta” and “Eres Ese Algo” by La Maquinaria, Azteca scored its first leader, also last August, through La Fiera de Ojinaga’s “Luna de Miel.”
Beyond its Regional Mexican Airplay coronation, “Eres Ese Algo” ascends the all-genre Latin Airplay list, rallying 10-4, besting La Maquinaria Norteña’s previous peak of No. 9 with “50 y Cincuenta.”
“Eres” was written by Keith Nieto, founding member of the Chihuahua-based band.
The Puerto Rican artist is starting off the new year with a new career success as “Gatúbela,” with Karol G, captures first place on Billboard’s Latin Rhythm Airplay chart dated January 7.
The song gives the reggaetón singer his first champ as a soloist on any airplay chart.
“Gatúbela,” produced by DJ Maff, reaches the summit with a 3-1 jump, generating 7 million in audience impressions, up 1%, earned in the U.S. in week ending December 29, according to Luminate.
The track was released on August 26 via Universal Music/UMLE and reaches a No. 1 in its 18th week.
Maldy, one-half of veteran reggaetón duo Plan B, scores his first chart-topper on any airplay ranking a decade after he earned a first Latin Rhythm Airplay entry. He reached a No. 21 high prior with “La Formula Sigue,” with Zion, Arcangel, Lennox, Chencho, and RKM & Ken-Y, in 2012.
During his Plan B era, Maldy went as high as No. 4 with “Mi Vecinita” in 2014.
Karol G, meanwhile, enters a tie for the eighth-most No. 1s on Latin Rhythm Airplay.
She matches Don Omar, Nicky Jam and Yandel, all with 14 leaders.
Here’s the scoreboard since the list begun in 2005:
34, Daddy Yankee
34, J Balvin
28, Ozuna
19, Bad Bunny
19, Maluma
19, Wisin
19, Wisin & Yandel
14, Don Omar
14, Karol G
14, Nicky Jam
14, Yandel
There’s no doubtAlejandro Fernández knows how to create hit music…
The 51-year-old Mexican singer, nicknamed El Potrillo, has reached No. 1 on Billboard’s Regional Mexican Airplay chart with “Nunca Dudes En Llamarme,” his collaboration with La Arrolladora Banda El Limón de Rene Camacho.
The track rises from No. 3 to the summit on the chart dated September 17.
“Nunca Dudes En Llamarme” takes the Greatest Gainer honors of the week boosted by a 35% gain in audience impressions, to 6.54 million, earned in the U.S. in the week ending Sept. 11, according to Luminate.
The new champ, released July 15 via UMLE, reaches the penthouse in its eighth week on the chart, after its top 20 debut (at No. 16 on the July 30-dated ranking).
“Nunca Dudes En Llamarme” gives La Arrolladora its 17th No. 1 among 45 chart appearances. The band concurrently enters a tie with Intocable for the fourth-most.
Let’s take a look at the leaderboard:
22, Calibre 50
18, Banda El Recodo de Cruz Lizarraga
18, Banda MS de Sergio Lizarraga
17, Intocable
17, La Arrolladora Banda el Limon de Rene Camacho
16, Conjunto Primavera
16, Los Tigres del Norte
Meanwhile, Fernández scores his first champ in over a year – his fifth in total. He clocked his last No. 1 through another team-up: “Duele,” with Christian Nodal, in April 2021.
Elsewhere, “Nunca Dudes En Llamarme” takes La Arrolladora to the upper region on the all-genre Latin Airplay ranking with a 13-8 lift.
With the move, the Sinaloans claim their 22nd top 10, the fifth-most among regional Mexican acts. Plus, Fernández captures his 21st, also the fifth-most among Latin pop acts.
The Mexican American band has scored its first No. 1 on a Billboard radio chart as “50 y Cincuenta” ascends from No. 3 to rule the Regional Mexican Airplay chart dated Aug. 20.
It’s their first leader spanning a decade of career entries.
“50 y Cincuenta,” released via Azteca/Fonovisa/UMLE on June 10, arrives at the summit in its ninth week.
It evicts Christian Nodal’s “Vivo En El 6,” which falls to No. 5 after its three-week reign, with a 7% gain in audience impressions, to 6.1 million, earned in the U.S. in the week ending August 14, according to Luminate.
“We are extremely grateful for the support of our fans,” the band tells Billboard. “The excitement is as great and as it is gratifying when one of our songs becomes so popular it reaches No. 1 on a Billboard chart.”
While La Maquinaria claim their first radio No. 1, the band secured its first champ almost a decade ago, when the album Vives En Mi debuted and peaked atop the Regional Mexican Albums chart in 2013.
“50 y Cincuenta,” composed by Keith Nieto, Cesar Valdivia and Alfaro Aylín, is the first single from the group’s forthcoming EP, Al Derecho y Al Reverso, slated for a November release. Plus, the new champ lands amidst La Maquinaria Norteña’s eponymous 2022 24-date tour, which kicked off July 1 in San Pedro de Chiautzingo, Mexico.
“50” also gives the New Mexico-based group its first No. 1 in its 26th visit to the chart. The band’s maiden appearance, “Ayer y Hoy,” reached the top 40 in 2011. La Maquinaria has since clocked 11 top 10s, including “Con Honor a Ti,” featuring Grupo Firme, in 2020 and “Amores Van y Vienen,” with La Nueva Estrategia,” in January (both reached No. 6, their previous highest-charting songs until “50 y Cincuenta” climbed higher).
“Thanks to our team for their professionalism,” the group add. “Without you our growth as a band wouldn’t be possible.”
For Nieto, “50” concurrently grants him his first leader as a producer on Regional Mexican Airplay. He clocked a No. 5 through La Fiera de Ojinaga’s “En Otro Canal” in October 2020.
While La Maquinaria reaches a new level of recognition with its first win among regional Mexican stations, “50” also gifts the group its highest-charting entry on the all-genre Latin Airplay chart, pushing 11-9; also its first top 10 since its maiden visit in 2013. Previously the group notched a No. 17 with “Con la Boca Abierta” in 2019.
The Regional Mexican band has notched its record-extending 22nd No. 1 on Billboard‘s Regional Mexican Airplay chart as “Miranos Ahora” rises 4-1 on the June 18-dated ranking.
Calibre 50 continues to have the most No. 1s since the chart’s launch in 1994.
In second place are Banda El Recodo de Cruz de Lizárraga and Banda MS de Sergio Lizárraga, each with 17 No. 1s.
“Míranos Ahora” was released on March 11 via Andaluz/Disa/UMLE. It takes the No. 1 spot thanks to a 13% boost in audience impressions, to 7 million, earned in the U.S. in the week ending June 12, according to Luminate.
The song trades places with “Brindo” by Mario Bautista and Banda El Recodo de Cruz Lizárraga as it dips 1-4.
With the new No. 1, Calibre 50 improves its career totals to 22 No. 1s on Regional Mexican Airplay.
Here’s a look at the leaderboard:
22, Calibre 50
17, Banda El Recodo de Cruz de Lizárraga
17, Banda MS de Sergio Lizárraga
16, Conjunto Primavera
16, Intocable
16, La Arrolladora Banda El Limón de René Camacho
16, Los Tigres del Norte
“Míranos Ahora” arrives atop the tally after Calibre 50 last led with “Si Te Pudiera Mentir,” which topped the chart for two weeks in January.
The band also makes progress on the all-genre Latin Airplay chart as “Míranos Ahpra” ascends 15-7.
The move earns Calibre 50 its 25th top 10, the most among Regional Mexican groups, and the second-most among all regional Mexican acts, trailing only Marco Antonio Solis’ 27 top 10s.
The 36-year-old Colombian singer has notched his fourth No. 1 on Billboard’s Top Latin Albums chart as Josedebuts atop the September 25-dated tally.
The set, released on September 10 via Sueños Globales/Universal MusicLatino/UMLE, starts with 27,000 equivalent album units earned in the U.S. in the week September 16, according to MRC Data.
Jose marks J Balvin’s sixth visit to the all-Latin genre Top Latin Albums chart, all of which have hit the top 10.
The rhythmic singer-songwriter first earned a No. 10 high with La Familia, his first studio album. A trio of No. 1s followed: Energíain 2016, two-week ruler Vibras(2018) and Oasis, with Bad Bunny, the eight-week leader starting July 2019. Colores, his fifth studio album and immediate predecessor to Jose, reached a No. 2 high in April 2020.
As Jose starts with 27,000 overall units, it becomes the second-largest debut week in 2021 after Anuel & Ozuna’s Los Dioses(29,000 in its opening week). In terms of largest week overall this year, Bad Bunny’s El Último Tour del Mundocontinues at the helm with 38,000 units.
The 27,000-unit arrival for Jose easily marks Balvin’s best week, by units earned, for a solo album. His previous best week came through Colores‘ first full tracking week on the chart, when it earned 24,000 units on the April 4, 2020-dated chart. (Among all of Balvin’s albums, Oasis, his collaborative effort with Bad Bunny, holds his best week — with its 36,000 unit start on the July 13, 2019-dated chart.)
Out of Jose’s 27,000 units, 25,000 stem from streaming activity which equates to 33.8 million U.S. streams of the set’s tracks. The remainder 2,000-unit sum derives from album sales and track equivalent album units.
As Jose arrives, five of the set’s 24 tracks debut on Hot Latin Songs, which blends airplay, digital sales and streaming data. Let’s take a look:
No. 11, “Una Nota,” with Sech
No. 33, “Te Acuerdas de Mi,” with Yandel
No. 46, “La Venganza,” with Jhay Cortez
No. 48, “Perra,” with Tokischa
No. 49, “Billetes de 100,” with Myke Towers
Eight other tracks preceded the album on the all-metric chart: “Un Día (One Day)” (No. 1 peak and five-time ruler in 2020), “Otra Noche Sin Ti” (No. 5 peak, May 2021), “7 de Mayo” (No. 48 debut and peak (May 22-dated list), “Qué Más Pues?” (No. 14 peak, July 310-dated survey), “Otro Fili” (No. 26 debut and peak (June 26-dated chart), “Poblado (remix),” (No. 11 debut and peak, July 3), “In Da Getto” (peaks at No. 5 on the current chart), “Que Locura” (No. 41 debut and peak, August 28).
Jose concurrently starts at No. 1 on Latin Rhythm Albums and at No. 12 on the overall Billboard 200 chart, his fifth entry there.
The late Mexican American singer, known as la Reina de la Musica Tejana, returns to Billboard’s Latin Pop Albumschart dated December 19 with her latest soundtrack Selena: The Series, Music From The Netflix’s Original Series.
It’s Selena’s first entry and Top 10 since 2016 following the former No. 1 greatest hits compilation Lo Mejor De… (April 2016).
As Selena:The SeriesSoundtrack debuts at No. 8, Selena captures her sixth top 10, dating back to the 44-week ruler Dreaming of You(it debuted at No. 1 in August 1995).
Selena: The Series Soundtrack opens with 1,000 equivalent album units earned in the week ending Dec. 10, according to Nielsen Music/MRC Data, most of which stem from streaming activity. The first nine episodes of Selena: The Series premiered on Netflix on December 4.
The Latin Pop Albums chart ranks the most popular Latin pop albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).
Selena:The Series soundtrack, which was released December 4 via Netflix/Capitol Latin/UMLE, net 1,000 SEA which equates to 1.2 million on-demand U.S. streams for the album’s songs in its opening week.
With The Series arriving in the current chart week, Selena also generates popularity with other efforts. Her last live set, Live, The Last Concert: Houston, Texas 1995, an April 2001 one-week chart ruler, re-enters at No. 7 after previously hitting No. 10 last holiday season.
Concurrently, Selena’s all-time favorite Ones(2002), moves closer to Shakira’s El Dorado’s 63-week No. 1 record holder, holding strong atop the list in its 61st week.
Elsewhere, The Series’s 20-track set sees six of its songs debut or re-enter the Latin Digital Song Sales chart. Let’s take a look:
Rank, Title
No. 4, “Como La Flor”
No. 8, “Baila Esta Cumbia”
No. 10, “Que Creías” (debut)
No. 19, “Besitos” (debut)
No. 21, “La Carcacha”
No. 24, “Dame Un Beso” (debut)
The song rises 7-1 to crown the Latin Airplay chart dated September 2.
“Vagabundo” earns Beele his first champ on his third appearance on Latin Airplay.
