Bruno Mars Earns Third Week at No. 1 on Billboard’s Global Charts with ROSÉ-Collaboration “APT.”

Bruno Mars hasn’t left the penthouse just yet…

The 39-year-old part-Puerto Rican Grammy-winning artist’s ROSÉ-collaboration “APT.” remains at the summit on both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a third week.

Bruno Mars, RoseTwo weeks earlier, the song debuted as each artist’s second leader on each ranking. 

“APT.,” released October 18, tops the Global 200 for a third week with 162.2 million streams (down 22% week-over-week) and 14,000 sold (down 21%) worldwide November 1-7.

The week before, the duet logged 207.5 million streams, a frame after it debuted with 224.5 million, becoming the first title since the chart started to have logged at least 200 million streams globally in multiple weeks.

The song introduces ROSÉ’s solo studio album, rosie, due December 6.

Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year. It drew 119.6 million streams (down 5%) worldwide Nov. 1-7 and has tallied over 100 million streams globally in each of the last 10 weeks – surpassing The Kid LAROI and Justin Bieber’s “Stay” (nine straight triple-digit weeks in August-October 2021) for the longest such streak since the chart began.

“APT.” concurrently rules Global Excl. U.S. for a third week, with 145.1 million streams and 10,000 sold (down 22% in each metric) outside the U.S. November 1-7.

As on the Global 200, “Die With a Smile” holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 16, 2024) will update on Billboard.com tomorrow, Nov. 12. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Logs Fifth Week at No. 1 on Billboard’s Global Charts with Lady Gaga-Collab “Die With a Smile”

Bruno Mars is still celebrating a global hit…

The 38-year-old part-Puerto Rican Grammy-winning artist’s collaboration with Lady Gaga, “Die With a Smile,” has tallied a fifth total and consecutive week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno MarsThe song is a stand-alone single by Mars and Gaga.

“Die With a Smile” rules the Global 200 with 117.8 million streams (up less than 1% week-over-week) and 9,000 sold (down 2%) worldwide September 20-26. The song is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began.

Notably, the duet has drawn over 100 million streams globally in each of the last four weeks – the most such frames for a song this year; it one-ups Sabrina Carpenter’s “Please Please Please” (three weeks, June-July) and Kendrick Lamar’s “Not Like Us” (three, May-July).

Plus, “Die With a Smile” has gained in streams in each of its six Global 200 chart weeks, having started (at No. 2) with 75.2 million worldwide on the Aug. 31 survey and rising, respectively each week, to 97.2 million, 105.8 million, 111.4 million, 117.4 million and 117.8 million. It’s the first non-holiday song to link as many as four consecutive weeks of 100 million streams with gains in each week since The Kid LAROI and Justin Bieber’s “Stay” did so for four frames in August-September 2021.

“Die With a Smile” leads Global Excl. U.S. with 93.9 million streams (up 1%) and 5,000 sold (down 2%) outside the U.S. September 20-26.

As on the Global 200, the team-up became Lady Gaga and Bruno Mars’ first No. 1 each since the list launched.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Scores Fourth Week at No. 1 on Billboard Global 200 & Billboard Global Excl. U.S. Charts with Lady Gaga-Collab “Die With a Smile”

Bruno Mars is still smiling at top the charts…

The 38-year-old part-Puerto Rican Grammy-winning artist’s collaboration with Lady Gaga, “Die With a Smile,” has notched a fourth total and consecutive week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno Mars“Die With a Smile” tops the Global 200 with 117.4 million streams (up 5% week-over-week) and 9,000 sold (up 1%) worldwide September 13-19. The ballad, released August 16, is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began in September 2020.

Notably, the duet has drawn over 100 million streams globally in each of the last three weeks. It joins only Sabrina Carpenter’s “Please Please Please” (three weeks, June-July) and Kendrick Lamar’s “Not Like Us” (three, May-July) as the only songs to achieve three such weeks this year.

Plus, “Die With a Smile” has gained in each of its chart weeks, having started with 75.2 million on the August 31 survey and rising, respectively each week, to 97.2 million, 105.8 million, 111.4 million and 117.4 million; it’s the first non-holiday song to link at least three consecutive weeks of 100 million streams with gains in each week since The Kid LAROI and Justin Bieber’s “Stay” did so for four straight frames in August-September 2021.

“Die With a Smile” leads Global Excl. U.S. with 92.9 million streams (up 8%) and 6,000 sold (up 2%) outside the U.S. September 13-19. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

“Die With a Smile” leads Global Excl. U.S. with 92.9 million streams (up 8%) and 6,000 sold (up 2%) outside the U.S. Sept. 13-19. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Mana to Headline This Year’s BottleRock Napa Valley Festival

Mana is preparing to (bottle)rock in Napa Valley.

The legendary Mexican Grammy– and Latin Grammy-winning pop-rock will headline this year’s BottleRock Napa Valley, alongside the likes of Pearl Jam, Ed Sheeran and Stevie Nicks.

ManaThe Northern California music and culinary festival will take place May 24-26.

But they aren’t the only Latinx act set to perform…

Columbian pop star Kali Uchis, Latino American singer-songwriter Stephen Sanchez and Colombian musical ensemble Monsieur Periné will also perform at BottleRock..

Other performers include rapper Megan Thee Stallion, desert rock outfit Queens of the Stone Age and The Kid LAROI, along with Dominic Fike, St. VincentNorah JonesThe Offspring and My Morning Jacket.

The BottleRock announcement traditionally serves as a talent preview of what’s ahead for festival bookings.

Co-owned and operated by Live Nation and Napa Vally’s Lattitude 38, the festival has enjoyed tremendous success since it was taken over in 2014 by Lattitude 38 partners David Graham, Justin Dragoo and Jason Scoggins. Napa’s food and wine scene has always been key to the DNA of the festival, but musically, finding BottleRock’s sweet spot has long been a passion of Graham and talent buyer Tom Hoppa.  

Graham often relies on outside advice and suggestions from his partners at Live Nation and spends a lot of time speaking with managers to better understand the artists’ own vision for their career. The result is a lineup highlighting a variety of genres and acts at different points in their career.

BottleRock will take place in the heart of the City of Napa at the Napa Valley Expo on May 24-26, 2024.

Three-day general admission tickets begin at $456 per person — all in pricing — and go on sale at 10am Pacific on Tuesday, January 9 on their website.   

Karol G Among Artists Appearing on Official “Barbie” Soundtrack

Karol G is getting all dolled up…

The lineup of artists featured on the official soundtrack for Greta Gerwig’s highly anticipated film Barbie has been revealed, with the 32-year-old Colombian singer and songwriter making the list.

Karol GNo word yet on the track name for Karol G’s single.

But she isn’t the only Latinx artist set to appear on the soundtrack.

Ice Spice, who recently joined voices with Taylor Swift on the “Karma Remix,” will also form part of the Barbie The Album soundtrack. Both Ice Spice and PinkPantheress are credited, perhaps signifying that their joint hit “Boy’s A Liar Pt. 2” has a place on Barbie’s pink-tastic playlist.

Other confirmed artists are Charli XCX, Lizzo, Nicki Minaj, FIFTY FIFTY, Dominic Fike, GAYLE, Ava Max, Khalid, The Kid LAROI and more.

Dua Lipa — the film’s resident pop star who’s portraying Mermaid Barbie in the project —previously announced her participation on the soundtrack, contributing the song “Dance The Night,” which arrived late last week.

More surprising, though, is that another of the film’s stars is also billed as a featured artist: Ryan Gosling, who’s playing Ken opposite Margot Robbie’s titular character.

The news comes in the form of a very on-brand poster shared by the soundtrack’s official Instagram, showing Robbie in character reading a pink-tinted newspaper (Barbie News, obviously) with the names of the project’s musicians printed in twisty, hot pink letters. “More Barbies & Kens to be announced…” it teases at the bottom.

The faux newspaper also directs readers to a new website called BarbieTheAlbum.com, on which limited edition vinyls and cassettes for the soundtrack are now available for preorder.

Barbie fans have quite the variety of different-colored options to choose from, including the “Candy Floss” vinyl, the “Cotton Candy” vinyl, the “Pink Bloom” vinyl and more.

According to Rolling Stone, the album was executively produced by Mark Ronson.

The soundtrack drops along with the Barbie film on July 21.

Peso Pluma Celebrating Historic Selection to Spotify RADAR Program

Peso Pluma is on the radar

The 23-year-old Mexican singer/songwriter, at the center of today’s Regional Mexican music wave, is officially part of the Spotify RADAR program, which is dedicated to spotlighting and supporting emerging artists at all stages of their development.

Peso Pluma“It’s pretty big to me because I’m the first Mexican artist to do this. I’m so proud and very thankful,” says Peso Pluma of his selection. “It’s big for the country, the genre and the industry in general. We’re doing pretty good and we’re going to keep working to share our music.”

In the past, the program has provided a platform for artists across the globe, including The Kid LAROI, Zach Bryan, Doechii, Quevedo, PinkPatheress, and over 500 others since its start in in 2020.

For many, Peso Pluma appeared out of nowhere. “Ella Baila Sola,” Eslabon Armado’s smash hit with Peso Pluma, was as explosive a collaboration in the Spanish-language music space. Peso Pluma quickly became the de facto face of a movement overnight, much to his own surprise.

“I knew this was gonna happen, but I didn’t know at what level and what speed,” he tells Billboard. “I knew I was gonna do good in Mexico and the Spanish-speaking countries, but this went worldwide [so fast]. I’m thankful for that.”

For his early fans, Peso Pluma has been creating earworm collaborative anthems for a handful of years, through early hits like “El Belicón alongside Raúl Vega  – which went viral on social media and brought in 10 million views on YouTube in a single month – and projects including his debut set, Ah y Qué?

To date, “Ella Baila Sola” has secured a number of firsts, most notably becoming the first regional Mexican song to reach the top 10 of the Hot 100 chart — peaking at No. 5 – and the first to top Billboard‘Streaming Songs chart in its 10-year history.

Peso Pluma and Eslabon Armado also broke a number of Spotify records, becoming the all-time most-streamed música mexicana track in one day globally and the most streamed Latin track in the U.S in one single day last month.

“Música mexicana is no longer regional – it’s global,” says Spotify head of U.S. Latin artist partnerships Eddie Santiago, noting the genre’s growth of 431% over the last five years. “It’s been incredible supporting Peso Pluma’s meteoric rise, and look forward to this next phase of his career.”

While the effect of “Ella Baila Sola” has led to unprecedented global attention on the regional Mexican space, it’s important to note that the regional Mexican genre isn’t exactly a genre. Encompassing an array of unmistakably Mexican styles of music, including norteño, corridos, banda, rancheras, mariachi and more, regional Mexican serves as an overarching umbrella term for a set of genres that had never before been afforded nuance on a mainstream level.

Growing up on artists like Ariel Camacho, Peso Pluma, born Hassan Laija, developed his love for música mexicana as a kid spending his early years growing up in Guadalajara, Jalisco, Mexico. Later, the influence of hip-hop and reggaeton also found their way into the songs he’d write. Today, he painstakingly stitches together 19th century Mexican sounds with modern genres, bringing both to the Spotify stage ahead of his upcoming debut album, and a single that he’s been teasing on social media.

So what does Peso Pluma want to do next?

“I just wanna go to the Grammys and win something, you know? There’s too many things I wanna accomplish,” says the artist. “I want to have my album be welcomed by the people, I want it to have the same streams as singles do. I’m showing another part of la doble p to people.”

Mariah Carey’s “All I Want for Christmas Is You” Continues Reign on Billboard Global 200 & Billboard Global Excl. U.S. Charts

Mariah Carey is still a global sensation this holiday season…

The 52-year-old half-Venezuelan American Grammy-winning singer’s “All I Want for Christmas Is You” holds at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Mariah CareyThe insta-classic Christmas song adds a 12th total week at No. 1 on the former and a seventh week atop the latter, dating to the charts’ inceptions two years ago.

“All I Want for Christmas Is You” holds at No. 1 on the Billboard Global 200 with 108.1 million streams (up 16%) and 17,000 sold (up 6%) worldwide in the December 16-22 tracking week. The modern holiday classic, released in 1994, adds a 12th week at the summit, and fourth this holiday season, after it led for four weeks each over the 2020 and 2021 holidays.

With 12 weeks atop the Global 200, Carey’s “Christmas” passes The Kid LAROI and Justin Bieber’s “Stay” (11, 2021) for the sole second-longest reign since the chart began, trailing only Harry Styles’ “As It Was” (15, beginning this April).

Elsewhere in the Global 200’s top 10, José Feliciano’s 1970 carol “Feliz Navidad” dashes 13-10 (50 million streams, up 22%; 5,000 sold, up 18%, worldwide); it hit a No. 9 high in the 2020 holiday season.

“All I Want for Christmas Is You” also continues atop the Billboard Global Excl. U.S. chart, with 65.1 million streams (up 14%) and 6,000 downloads sold (up 11%) in territories outside the U.S. December 16-22. The song adds a seventh total week at No. 1, and third this Yuletide season, after it ruled for a week during the 2020 holidays and for three frames over last year’s holiday season.

The two global charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bad Bunny: This Year’s Most-Streamed Artist Globally on Spotify

It’s a second consecutive year at the top for Bad Bunny.

Spotify has revealed its annual end-of-year list of the platform’s most-streamed artists, songs, albums and podcasts, with the 27-year-old Puerto Rican Latin trap and reggaeton superstar named the most-streamed artist globally.

Bad Bunny

Bad Bunny notched more than 9.1 billion streams on the platform globally to top the list ahead of Taylor SwiftBTSDrake and Justin Bieber.

In the United States, Drake dominated all artists on the platform, while Swift, Juice WRLDKanye West and Bad Bunny rounded out the top five.

The most-streamed song of the year globally was Olivia Rodrigo’s “drivers license,” which racked up more than 1.1 billion streams worldwide. Lil Nas X’s “Montero (Call Me By Your Name)” earned second place, followed by The Kid Laroi and Bieber’s “Stay,” Rodrigo’s “good 4 u” and Dua Lipa’s “Levitating” feat. DaBaby.

Rodrigo dominated the top two spots on the U.S. list with “drivers license” and “good 4 u,” marking the first time a woman has ever done so. Doja Cat’s “Kiss Me More” feat. SZAGlass Animals’ “Heat Waves” and “Levitating” rounded out the top five.

Rodrigo’s dominance extended to the global and U.S. albums tally, with her debut album Sour finishing in first place on both charts.

For additional details on Wrapped 2021, visit Spotify’s For the Record blog.