Lin-Manuel Miranda’s “Hamilton” Cast Album Added to Library of Congress’ National Recording Registry

Lin-Manuel Miranda’s smash Broadway musical has earned a place in the Registry.

The 45-year-old Puerto Rican award-winning actor, composer, lyricist, producer, director and playwright’s cast album for his Tony Award-winning Broadway sensation Hamilton: An American Musical is among this year’s 25 additions to the National Recording Registry, which is administered by the Library of Congress.

HamiltonThis year’s selections span 102 years, from 1913 (a recording of “Aloha ‘Oe” by Hawaiian Quintette) to 2015 (Miranda’s Hamilton cast album).

Hamilton (2015) is the first Broadway cast album that was released since Sweeney Todd in 1979 to be selected.

The album, like the musical, has been a best-selling phenomenon, receiving Diamond certification (meaning 10 million copies sold) from the RIAA in 2023.

Produced by The Roots members Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter, the album preserves the musical’s original Broadway cast, and released September 25, 2015, via Atlantic Records.

Freddy Fender’s country/pop smash “Before the Next Teardrop Falls” (1975) has also been added to the Registry.

The late Mexican American singer’s song is one of three songs on the Registry to reach No. 1 on the Billboard Hot 100.

“Before the Next Teardrop Falls” topped that chart for two weeks.

The single — which features verses sung in both English and Spanish — broke boundaries in the music industry by becoming a crossover hit, reaching No. 1 on both the Hot Country Songs chart and the Billboard Hot 100.

Fender’s emotive performance and heartfelt delivery turned the song into a classic, showcasing the power of Latin voices in country music — a genre that initially had limited representation from Hispanic artists.

Vicente Fernández’s enduring ranchera classic “El Rey” (1973), one of the most recognizable songs in Regional Mexican music, joined the roster of Latin recordings in the Registry.

The late Mexican singer and actor’s iconic song appears on his 1973 album, El Ídolo de México, and it was written by José Alfredo Jiménez in 1971.

With its kingly themes of resilience and pride, “El Rey” has become emblematic of Chente’s enduring legacy, even inspiring a 2022 Netflix bioseries of the same name that celebrates his life and career. The mariachi singer — who died in 2021 — remains one of Mexico’s most celebrated musical figures, and his induction into the Registry further solidifies his enduring legacy.

More than 2,600 nominations were made by the public this year.

Under the terms of the National Recording Preservation Act of 2000, the Librarian of Congress, with advice from the National Recording Preservation Board, selects 25 titles each year that are “culturally, historically, or aesthetically significant.”

Recordings become eligible for the Registry 10 years after release, compared to 25 years for the Grammy Hall of Fame. (Which means the Hamilton cast album won’t be eligible there for another 15 years.)

“These are the sounds of America – our wide-ranging history and culture,” Librarian of Congress Carla Hayden said in a statement. “The Library of Congress is proud and honored to select these audio treasures worthy of preservation.”

Industry veteran Robbin Ahrold serves as chair of the National Recording Preservation Board. “This year’s National Recording Registry list is an honor roll of superb American popular music from the wide-ranging repertoire of our great nation,” he said in a statement.

These 25 recordings bring the number of titles on the Registry to 675. This represents just a tiny fraction of the Library’s vast recorded sound collection of nearly four million items.

Here’s the complete list of 2025 additions to the National Recording Registry. They are listed in chronological order by release date.

  • “Aloha ‘Oe” – Hawaiian Quintette (1913, Victor)
  • “Sweet Georgia Brown” – Brother Bones & His Shadows (1949, Tempo)
  • “Happy Trails” – Roy Rogers and Dale Evans (1952, RCA Victor)
  • Radio Broadcast of Game 7 of the 1960 World Series – Chuck Thompson (1960)
  • Harry Urata Field Recordings (1960-1980)
  • Hello Dummy! – Don Rickles (1968, Warner Bros.)
  • Chicago Transit Authority – Chicago (1969, Columbia)
  • Bitches Brew – Miles Davis (1970, Columbia)
  • “Kiss An Angel Good Mornin’” – Charley Pride (1971, RCA Victor)
  • “I Am Woman” – Helen Reddy (1972, Capitol)
  • “El Rey” – Vicente Fernández (1973, CBS)
  • Goodbye Yellow Brick Road – Elton John (1973, MCA)
  • “Before the Next Teardrop Falls” – Freddy Fender (1975, ABC/Dot)
  • I’ve Got the Music in Me – Thelma Houston & Pressure Cooker (1975, Sheffield Lab)
  • The Kӧln Concert – Keith Jarrett (1975, ECM)
  • Fly Like an Eagle – Steve Miller Band (1976, Capitol)
  • Nimrod Workman Collection (1973-1994)
  • Tracy Chapman – Tracy Chapman (1988, Elektra)
  • My Life – Mary J. Blige (1994, Uptown/MCA)
  • Microsoft Windows Reboot Chime – Brian Eno (1995)
  • “My Heart Will Go On” – Celine Dion (1997, 550 Music/Epic)
  • Our American Journey – Chanticleer (2002) (album, Warner Classics International)
  • Back to Black – Amy Winehouse (2006 album, Republic/Universal Music)
  • Minecraft: Volume Alpha – Daniel Rosenfeld (2011 album, self-released)
  • Hamilton: An American Musical – Original Broadway Cast Album (2015 album, Atlantic)

Amazon Prime Releases Trailer for Justina Machado’s New Series “The Horror of Dolores Roach”

Justina Machado is bringing the Horror…

Amazon Prime has released the official trailer for its new series The Horror of Dolores Roach, starring the 50-year-old Puerto Rican actress, premiering on July 7.

Justina Machado The trailer for the eight-episode series previews the capabilities of Dolores Roach’s “magic hands.”

The Amazon Original based on the Spotify podcast of the same name and created by Aaron Mark’s one-woman play Empanada Loca, is a contemporary Sweeney Todd-inspired story.

Machado plays Dolores Roach, a woman just released after an unjust 16-year prison sentence, and she returns to a gentrified Washington Heights.

Dolores reunites with an old stoner friend, Luis (Alejandro Hernández), who lets her live and work as a masseuse in the basement under his empanada shop. When the promise of her newfound stability is quickly threatened, “Magic Hands” Dolores is driven to shocking extremes to survive.

Mark created, wrote and directed the original podcast and penned the series’ pilot script.

The new series comes from Mark, who also serves as co-showrunner and executive producer with Dara Resnik, alongside executive producers Daphne Rubin-Vega; Jason Blum, Chris McCumber, Jeremy Gold, and Chris Dickie for Blumhouse Television; Dawn Ostroff, Mimi O’Donnell, and Justin McGoldrick for Spotify; Gloria Calderón Kellett for GloNation Studios; and Roxann Dawson, who directed the pilot.

The Horror of Dolores Roach also stars Kita Updike, K. Todd Freeman, Jean Yoon, Marc Maron, Judy Reyes and Jeffery Self.

Maron is set to play “Gideon Pearlman”, Luis and Dolores’ Long Island-based landlord who is the new owner of the building where they reside and is the home of Empanada Loca. Yoon will play “Joy,” who has owns the laundromat next door, while Reyes will play “Marcie,” who runs the neighborhood weed business and becomes Dolores’ nemesis.

Blumhouse to Premiere Justina Machado’s “The Horror of Dolores Roach” in July Via Prime Video

Justina Machado is bringing the horror…

Blumhouse will premiere its new series The Horror of Dolores Roach, starring the 50-year-old Puerto Rican actress, on July 7 via Prime Video.

Justina MachadoThe 8-episode series—based on the hit Gimlet podcast series of the same name—tells the story of Dolores Roach (Machado), a recently released prisoner who after 16 years returns to find a severely-gentrified Washington Heights with $200 and the clothes on her back. Her boyfriend missing, her family long gone, Dolores reunites with an old stoner buddy, Luis (Alejandro Hernandez), who gives her room and board and lets her give massages for cash in the basement under his dilapidated storefront Empanada Loca, the only remnant of her former life.

When the promise of her newfound stability is quickly threatened, “Magic Hands Dolores” is driven to shocking extremes to survive, and in the face of unexpected professional success, Dolores and Luis become dangerously symbiotic, and Luis must unleash his own peculiar predilections.

Kita Updike, K. Todd Freeman, Jean Yoon, Judy Reyes and Jeffery Self also star.

Written and directed by podcast creator Aaron Mark, The Horror of Dolores Roach originally was developed by Mark as a one-woman play starring Daphne Rubin-Vega. It is a grotesque Sweeney Todd-inspired tale of eat or be eaten — a macabre urban legend of love, betrayal, weed, gentrification, cannibalism, and survival of the fittest.

Mark and Dara Resnik will serve as co-showrunners and executive produce. EPs also include Rubin-Vega; Jason Blum, Chris McCumber, and Jeremy Gold for Blumhouse Television; Dawn Ostroff, Mimi O’Donnell, and Justin McGoldrick for Spotify Studios, alongside Gloria Calderón Kellett for GloNation Studios and Roxann Dawson who directs the pilot.

Judy Reyes Joins Cast of Amazon’s Series “The Horror of Dolores Roach”

Judy Reyes is embracing the horror…

The 54-year-old Dominican American actress has joined the cast of Amazon’s The Horror of Dolores Roach in a recurring role.

Judy ReyesReyes is part of a roster of new cast additions that includes Marc MaronJean Yoon and Jeffery Self.

They join series lead Justina Machado, who plays the titular masseuse Dolores Roach, as well as previously announced Alejandro Hernandez, Kita Updike and K. Todd Freeman.

Reyes will play Marcie, who runs the neighborhood weed business. At first she offers Dolores an opportunity to work for her, but when Dolores declines she quickly becomes her nemesis.

The 8-episode series—based on the hit Gimlet podcast series of the same name— tells the story of Dolores Roach, a recently released prisoner who after 16 years returns to find a severely-gentrified Washington Heights with $200 and the clothes on her back. Her boyfriend missing, her family long gone, Dolores reunites with an old stoner buddy, Luis, who gives her room and board and lets her give massages for cash in the basement under his dilapidated storefront Empanada Loca, the only remnant of her former life.

When the promise of her newfound stability is quickly threatened, “Magic Hands Dolores” is driven to shocking extremes to survive, and in the face of unexpected professional success, Dolores and Luis become dangerously symbiotic, and Luis must unleash his own peculiar predilections.

Written and directed by podcast creator Aaron Mark, The Horror of Dolores Roach originally was developed by Mark as a one-woman play starring Daphne Rubin-Vega. It is a grotesque Sweeney Todd-inspired tale of eat or be eaten — a macabre urban legend of love, betrayal, weed, gentrification, cannibalism, and survival of the fittest.

Mark and Dara Resnik will serve as co-showrunners and executive produce. Executive producers also include Rubin-Vega; Jason Blum, Chris McCumber, and Jeremy Gold for Blumhouse Television; Dawn Ostroff, Mimi O’Donnell, and Justin McGoldrick for Spotify, alongside Gloria Calderón Kellett for GloNation Studios and Roxann Dawson who directs the pilot.

Justina Machado to Star in Amazon Studios’ Pilot “The Horror of Dolores Roach”

It’s a scary time for Justina Machado

Amazon Studios has given a formal pilot order to The Horror of Dolores Roach, starring the 48-year-0ld Puerto Rican actress.

Justina Machado

Based on the hit Gimlet podcast and written and directed by podcast creator Aaron Mark, The Horror of Dolores Roach originally was developed by Mark as a one-woman play starring Daphne Rubin-Vega.

It’s a grotesque Sweeney Todd-inspired tale of eat or be eaten — a macabre urban legend of love, betrayal, weed, gentrification, cannibalism and survival of the fittest.

“Magic Hands” Dolores Roach (Machado) is released from prison after 16 years and returns to a severely gentrified Washington Heights with $200 and the clothes on her back. With her boyfriend missing, her family long gone and her apartment now occupied by strangers, Dolores finds respite in the dilapidated storefront Empanada Loca around the corner — the only remnant of her former life.

Roxann Dawson is attached to direct and executive produce the pilot, which has been casting for the past four months. The project, in development at Amazon since 2020, hails from Blumhouse Television, which won the rights to adapt the podcast in 2019 in a competitive situation, and Spotify.

Mark penned the pilot script and will executive produce alongside Home Before Dark co-creator Dara Resnik and Rubin-Vega. Jason Blum, Chris McCumber and Jeremy Gold of Blumhouse Television and Chris Giliberti and Justin McGoldrick of Spotify also will executive produce.

Machado most recently starred in the One Day at a Time reimagining, garnering multiple award nominations and winning two Imagen Awards for her role.

She previously shared in a SAG Award for her role in the Emmy-winning HBO series Six Feet Under.

Her other television credits include Jane the Virgin and Queen of the South.

Her work in film includes Blumhouse Productions’ The Purge: Anarchy, Netflix’s All Together Now and the indie Pedro.

On stage, Machado made her Broadway debut in the Tony-winning musical In the Heights, created by and starring Lin-Manuel Miranda.

Cervantes to Star in the Chicago Production of “Hamilton”

Miguel Cervantes is helping bring Broadway’s hottest musical to the Windy City.

The Latino actor has landed the lead role of Alexander Hamilton for the upcoming Chicago production of Lin-Manuel Miranda’s Tony Award-winning musical Hamilton.

Miguel Cervantes

Cervantes previously appeared on Broadway in If/ThenAmerican Idiot and The 25th Annual Putnam County Spelling Bee.

Karen Olivo, a Tony winner for the 2009 Broadway revival of West Side Story and an original castmember of Miranda’s breakout musical, In the Heights, will play Anjelica Schuyler. The role of King George III will be played by stage veteran Alexander Gemignani, who starred as Jean Valjean in the 2009 revival of Les Miserables and has also appeared on Broadway in Violet, AssassinsSunday in the Park with George and Sweeney Todd.

The Chicago staging of Hamilton will feature former American Idol contestant Ari Asfar as Eliza Schuyler Hamilton, Chris Lee as Lafayette and Jefferson, Joseph Morales as Cervantes’ alternate, Jose Ramos as John Laurens and Phillip Hamilton, Wallace Smith as Hercules Mulligan and James Madison, and Samantha Marie Ware as Peggy Schuyler and Maria Reynolds. Both Lee and Morales are alumni of the In the Heights national tour.

Casting for the joint lead role of Aaron Burr in Chicago has not yet been announced.

Performances of Hamilton begin Sept. 27 at Chicago’s PrivateBank Theatre, marking the first production of the show beyond New York.

A separate touring production kicks off next March in San Francisco, while a London production will also begin in 2017.

Hamilton has been the biggest smash to hit Broadway in decades, winning 11 Tony Awards and selling out for months in advance. The show’s cumulative box office since it began performances at the Richard Rodgers Theatre on July 13 last year has hit $88 million.