Melanie Martinez’s “Portals” Debuts at No. 1 on Top Rock & Alternative Albums & Top Alternative Albums Charts

Melanie Martinez is back at the top of the album charts…

The 27-year-old Puerto Rican & Dominican American singer, a former The Voice contestant, has snagged the top debuts on Billboard’s rock and alternative album charts dated April 15.

Melanie MartinezMartinez’s Portals opens at No. 1 on both the Top Rock & Alternative Albums and Top Alternative Albums due to 142,000 equivalent album units earned, according to Luminate.

Of that sum, 99,000 units are via album sales, while 42,000 come from streaming units, with the remaining 1,000 from track equivalent albums.

The sales and streaming counts are the best for any album on Top Rock & Alternative Albums in 2023.

Martinez notches her first No. 1 on the chart since it shifted to a model allowing for alternative-leaning albums not necessarily within the rock genre.

On Top Alternative Albums, Portals becomes her third ruler, following K-12 in 2019 and Cry Baby in 2015.

On the all-genre Billboard 200, Portals starts at No. 2, Martinez’s best rank, surpassing the No. 3 debut and peak of K-12. She also earns her first leader on Top Album Sales.

The album spurs multiple appearances on the multi-metric Hot Rock & Alternative Songs chart, paced by Martinez’s “Void,” which vaults 40-5 in its second week on the tally. In the March 31-April 6 tracking week, “Void” earned 8.7 million official U.S. streams and 100,000 radio audience impressions and sold 1,000 downloads.

The former count gets Martinez onto the all-format Streaming Songs list for the first time, at No. 42.

In all, 13 Martinez songs reach Hot Rock & Alternative Songs, with the top debut of the group being “The Contortionist” at No. 10 (5.4 million streams).

Selena Gomez’s “Lose You to Love Me” Becomes Her First Solo Single to Surpass One Billion Spotify Listens

Selena Gomez has a billion reasons to smile…

The 30-year-old Mexican American singer’s blockbuster 2019 single “Lose You to Love Me” has surpassed a billion Spotify listens, a milestone she celebrated on Instagram on Wednesday (March 22).

Selena GomezIt’s Gomez’s first billion streams track as a solo artist and fourth total.

The streaming service announced the news on social media, tweeting, “All the love for @selenagomez ❤️ Congratulations for 1 Billion streams on Lose You to Love Me #BillionsClub.”

Spotify also posted about the landmark on Instagram, which the “Calm Down” singer re-shared on her IG Story.

“Grateful,” she wrote, adding a heart emoji.

Gomez’ previous entries include collaborations on “It Ain’t Me” with Kygo, “Wolves” with Marshmello and “Taki Taki” with DJ Snake, Ozuna and Cardi B.

Released as the lead single off the Only Murders in the Building star’s third studio album, Rare, “Lose You to Love Me” marked Gomez’s first No. 1 on the Billboard Hot 100.

It was a streaming powerhouse from the very beginning, becoming the singer’s first song to top Billboard’s Streaming Songs chart shortly after its release.

“When I wrote the song ‘Lose You to Love Me,’ I was kind of a mess,” she told Billboard in early 2020. “It was really difficult for me. And by the time we shot the music video at the end of the year, it had a completely different meaning, and it was so freeing. It was actually fun for me – I think, because I let it go, it actually meant that I let it go within myself as well. And I couldn’t have asked for a better way to close a chapter in my life.”

Karol G Makes History as “Mañana Será Bonito” Debuts at No. 1 on Billboard 200 Albums Chart

Karol G is celebrating a historic moment…

The 32-year-old Colombian singer and songwriter’s new album Mañana Será Bonito is making an unprecedented splash on the Billboard 200 albums chart dated March 11, as the set debuts atop the tally.

Karol GIt’s both the first No. 1 for the artist and the chart’s first No. 1 all-Spanish-language album by a female artist.

“I feel so very special. More than happiness I feel special,” Karol G tells Billboard, who spoke with her as the news was reported. “My last album did so well and had all those big hits, like ‘Bichota,’ so the bar was high. But I didn’t want to make music because I felt pressure. I wanted to make the music I wanted to make, and the fact that I’ve hit No. 1 with an album that is so personal is enormous.” 

Previously, only two all-Spanish albums led the list, both by Bad Bunny. (Un Verano Sin Ti in 2022 and El Ultimo Tour del Mundo in 2020).

Mañana Será Bonito earned 94,000 equivalent album units in the U.S. in the week ending March 2, according to Luminate. Its starting sum was largely powered by streaming activity.

Of Mañana Será Bonito’s 94,000 equivalent album units earned, SEA units comprise 83,000 (equaling 118.73 million on-demand official streams of the set’s 17 tracks), album sales comprise 10,000 and TEA units comprise 1,000. The album’s sales were largely powered by its digital download album (8,500), though there was a CD available in limited quantities, selling about 1,500 copies. The digital album was also offered in two alternative cover variants on Karol G’s official webstore.

Mañana Será Bonito logs the largest week, by equivalent album units earned, for a Latin album by a woman since the chart began measuring by units in December of 2014. (Latin albums are defined as those that have hit or are eligible for Billboard’s Top Latin Albums chart.) Further, as Mañana Será Bonito generated 118.73 million official on-demand streams for its songs, the set registers the biggest streaming week ever for a Latin album by a woman.

Mañana Será Bonito is also the first Latin album by a woman to reach No. 1 on the Billboard 200 since 1995, when Selena’s posthumously-released, mostly-Spanish effort Dreaming of You topped the list for one week. (The 13-song Dreaming of You album has six tracks in Spanish, five in English and two duets that blend English and Spanish.)

Only three mostly-non-English-language albums by women have reached No. 1 on the Billboard 200 – the all-Spanish Mañana Será BonitoDreaming of You and The Singing Nun’s all-French-language self-titled album in 1963.

Karol G made her Billboard chart debut in 2016 and has been a force on Billboard’s Latin genre charts ever since, notching 17 top 10 hits on the Hot Latin Songs chart – including five No. 1s (through the most recently published chart, dated March 4). On the Top Latin Albums list, she’s previously logged a trio of top two-charting sets, including one No. 1, her previous release, KG0516, in 2021.

Mañana Será Bonito is the fourth charting album for Karol G on the all-genre Billboard 200, but first to reach the top 10. She previously visited the list with KG0516 (No. 20 in 2021), Ocean (No. 54 in 2019) and Unstoppable (No. 192 in 2017). Preceding the release of the new album, Karol had logged five top 40-charting hit songs on the all-genre Billboard Hot 100, but with three of them coming in 2022: “Mamiii,” with Becky G (No. 15), “Provenza” (No. 25) and “Gatubela,” with Maldy (No. 37). Both “Mamiii” and “Provenza” became Karol’s first top 10-charting hits on the all-genre Streaming Songs chart, reaching Nos. 5 and 10, respectively. (Both “Provenza” and “Gatubela” are included on Mañana Será Bonito.)

With Karol G’s Mañana Será Bonito replacing SZA’s SOS at No. 1, it’s the first time a woman has replaced another woman atop the list in over a year. It last happened when a trio of leading ladies traded off the top spot from November 20, 2021-December 4, 2021. Summer Walker’s Still Over It debuted at No. 1 on the on November 20 chart, Taylor Swift’s Red (Taylor’s Version) then opened atop the list on November 27, and Adele’s 30 bowed at No. 1 on the December 4 chart.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Ice Spice Earns First No. 1 on Billboard’s Streaming Songs List

Ice Spice is a lyin’ queen…

In its third week on the chart, the 23-year-old half-Dominican American rapper and PinkPantheress’ single “Boy’s a Liar, Pt. 2” has risen to No. 1 on Billboard’s Streaming Songs list dated March 4.

Ice SpiceIn the February 17-23 tracking week, “Boy’s a Liar, Pt. 2” earned 33.7 million official U.S. streams, an 8% gain, according to Luminate.

It’s the first non-holiday song to rise to No. 1, rather than debuting there, since Steve Lacy’s “Bad Habit,” which spent its first week at No. 1 on the tally dated August 13, 2022, its fourth frame.

Between “Habit” and “Boy’s a Liar, Pt. 2,” Brenda Lee’s “Rockin’ Around the Christmas Tree” reached No. 1 for the first time on the January 7 survey, and all other rulers during that span were either returning No. 1s or debuted atop the list.

“Boy’s a Liar, Pt. 2” started at No. 4 on the February 18 ranking (20.2 million streams) and rose to No. 3 on February 25 (31.1 million) before its coronation.

It’s both PinkPantheress’ and Ice Spice’s first No. 1s on Streaming Songs, coming in both’s first appearance on the chart. They’re the first to reach No. 1 with their first song to appear since Kim Petras, whose “Unholy,” a co-lead with Sam Smith, debuted at No. 1 in October 2022.

“Boy’s a Liar, Pt. 2” is the first No. 1 by multiple acts all achieving their first leader with an initial entry since “We Don’t Talk About Bruno,” from Encanto, credited to Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast.

Concurrently, “Liar” rises 4-3 on the multi-metric Billboard Hot 100, a new peak.

Released February 3, the new edition of “Liar,” which adds Ice Spice on vocals, follows the original’s November 30 premiere.

Bad Bunny’s “Me Porto Bien,” with Chencho Corleone, Logs Milestone 20th Week at No. 1 on Billboard’s Hot Latin Songs Chart

Bad Bunny is still behaving well… And, he’s earning a place in Latin music history.

The 28-year-old Puerto Rican superstar and Chencho Corleone’s “Me Porto Bonito” has logged a milestone 20th week at No. 1 on BillboardHot Latin Songs chart dated October 8, becoming the 12th song to spend at least 20 weeks atop the tally in its 36-year history.

Bad BunnyThe song’s 20th week at No. 1 benefits from 8 million U.S. audience impressions earned in the week ending Sept. 29 (up 18%), according to Luminate. 

Meanwhile, though it dips 4% in streams to 12 million earned in the week ending September 29, it holds strong at No. 1 on the Latin Streaming Songs chart and moves 4-2 on the overall Streaming Songs chart.

On the sales front, “Me Porto Bonito” falls 14%, to 1,000 downloads sold, in the same tracking period.

As it drops 1-2 on Latin Digital Song Sales, it cedes the No. 1 spot to another one of Bad Bunny’s songs: “MIA,” featuring Drake — which last took over atop the chart for one week in October 2018.

As mentioned, “Me Porto Bonito” joins 11 other tracks that have held strong at No. 1 on Hot Latin Songs for at least 20 weeks or more since the chart’s inception in 1986.

Here’s the leaderboard:

Weeks At No. 1, Title, Artist
56, “Despacito” Luis Fonsi & Daddy Yankee, featuring Justin Bieber
41, “Bailando,” Enrique Iglesias featuring Descemer Bueno & Gente de Zona
30, “El Perdón,” Nicky Jam & Enrique Iglesias
27, “Dakiti,” Bad Bunny & Jhay Cortez
26, “Pepas,” Farruko
25, “La Tortura,” Shakira featuring Alejandro Sanz
24, “RITMO (Bad Boys for Life),” Black Eyed Peas & J Balvin
22, “Ginza,” J Balvin
20, “Me Porto Bonito,” Bad Bunny & Chencho Corleone
20, “Te Quiero, Flex”
20, “Me Enamora,” Juanes
20, “A Puro Dolor,” Son By Four

Further, Bad Bunny is the third act to have two different songs spend at least 20 weeks at No. 1 on Hot Latin Songs (he previously notched 27 weeks at No. 1 with “Dakiti,” with Jhay Cortez). Both Enrique Iglesias and J Balvin have also logged a pair of 20-week No. 1s. Iglesias did it with “Bailando” (41 in 2014-15, featuring Descemer Bueno and Gente de Zona) and “El Perdon” (30 in 2015, with Nicky Jam), while J Balvin ruled with “RITMO (Bad Boys for Life)” (24, 2020; with Black Eyed Peas) and “Ginza” (22, 2015).

Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber, has the most weeks at No. 1 on Hot Latin Songs, with 56 weeks in 2017-18.

Elsewhere, “Me Porto Bonito” rebounds to No. 4 on Latin Airplay for a second week (7-4). The track led the all-genre tally for one week on the Aug. 20-dated ranking.

Karol G Claims New Career Milestone on Billboard’s Hot Latin Songs Chart with “Provenza” & “MAMIII”

It’s a one-two punch for Karol G.

The 31-year-old Colombian singer/songwriter has claimed a new career milestone on Billboard’s Hot Latin Songs chart as her latest single, “Provenza,” debuts at No. 2 on the May 7-dated ranking.

Karol GStill holding the No. 1 spot with “Mamiii,” with Becky G, Karol G becomes only the second woman, after Selena, to hold Nos. 1 and 2 at the same time since 1995.

“Provenza,” Karol G’s 15th Hot Latin Songs top 10, begins with 11 million U.S. streams in the week ending April 28, according to Luminate. It opens as her fifth No. 1 on Latin Streaming Songs and her second top 10, at No. 10 (after “Mamiii”), on the overall Streaming Songs chart.

“Provenza” also sold 2,100 downloads and becomes her fifth No. 1 on Latin Digital Song Sales. It additionally jumps onto Latin Airplay at No. 18 with 5.3 million in audience.

Produced by Karol G’s longtime collaborator Ovy on the Drums, “Provenza” is a fusion of sounds with tropical and rhythmic elements peppered with afro-dance beats that pays tribute to a neighborhood in her native Medellín.

With “Provenza” arriving at No. 2 on Hot Latin Songs as “Mamiii” reigns for a 10th week, Karol G achieves a feat that no other woman had in over a quarter-century.

The last solo female with no accompanying artists to claim the top two spots together was the late Selena, when “Tú Sólo Tú” and “I Could Fall in Love” ranked at Nos. 1 and 2 respectively, on the September 9, 1995-dated tally (when Hot Latin Songs, now a blend of airplay, streaming and sales data, was based on monitored audience totals among Latin radio stations). Selena logged a total of six weeks at Nos. 1 and 2 with those titles beginning that July.

Previously this decade, Bad Bunny (two weeks) and The Black Eyed Peas (five) doubled up at Nos. 1 and 2 simultaneously on Hot Latin Songs, both in 2020.

Elsewhere, “Provenza” bows at No. 36 on the all-genre, multi-metric Billboard Hot 100, marking Karol G’s highest start as an unaccompanied act. It’s her fourth top 40 entry; “Mamiii” ranks at No. 20, after launching at a personal-best No. 15 in February.

Aventura’s “Volví,” Featuring Bad Bunny, Reaches No. 1 on Billboard’s Hot Latin Songs Chart

Aventura has officially returned to the top of the charts…

The Dominican-American bachata group leads Billboard’s Hot Latin Songs chart as its new single “Volví,” with Bad Bunny, rises 2-1 in its second week (August 21-dated survey). It’s Aventura’s third No. 1, and first since 2010’s “Dile Al Amor.”

Bad Bunny x Aventura

The bachata-rhythmic tune takes the lead of the airplay-, streaming-, and digital-blended list boosted by gains in both streams and airplay. “Volví” generated 14.6 million U.S. streams (up 25%) in the week ending August 12, according to MRC Data, enough to enter the all-genre Streaming Songs chart’s top 10 (a 16-10 leap that takes the Greatest Gainer honors). Concurrently, the song holds at No. 1 on Latin Streaming Songs for a second week.

“Volví,” a midnight release on August 3, was teased by both Bad Bunny and Aventura’s Romeo Santos on their Instagram accounts just hours before. The pair has since performed the song live for the first time on Saturday night (August 14) at the Hard Rock Stadium in Miami; the group’s first sold out date of its Inmortal stadium tour.

“Volví” grants Aventura its first No. 1 on the all-metric tally since the nine-week leader “Dile Al Amor” in 2010. Previously, the Dominicans led with “Por Un Segundo” (two weeks atop in 2009). Bad Bunny, meanwhile, captures his ninth No. 1, a lead following his first 2021 win: “Yonaguni,” which remained atop Hot Latin Songs for five weeks starting the June 19-dated tally.

“Volví” also reigns thanks to a lift on radio airplay: it pushes 50-31 on Latin Airplay with 3.5 million audience impressions (up 33%).

Kali Uchis’ “Telepatia” Reaches No. 1 on Billboard’s Rhythmic Airplay Chart

Kali Uchis is celebrating the rhythm(ic)…

The 27-year-old Colombian American singer has scored her first No. 1 on Billboard’s Rhythmic Airplay chart as “Telepatia” moves up from the runner-up spot to lead the list dated August 14.

Kali Uchis

The single’s rise makes it the most-played song on monitored rhythmic U.S. radio stations, according to MRC Data.

“Telepatia” rises to No. 1 as it essentially held steady in plays in the week ending August 8, as measured by MRC Data. The previous champ, Roddy Ricch’s “Late at Night,” vacated the top spot after it declined 2% in plays.

Uchis also wraps a slow-but-steady journey on the list: “Telepatia” reaches the summit in its 17th week on the chart, second only to the 18-week wait for Yung Bleu’s “You’re Mines Still,” featuring Drake, among 2021 No. 1s.

Uchis, who hails from Alexandria, Va., achieves her first Rhythmic Airplay No. 1 on her second chart appearance. Her only previous appearance on the chart came through a featured role on Tyler, The Creator’s “See You Again” in 2017, which cracked the chart in the anchor position — No. 40 — and lasted two weeks.

In line with its Rhythmic coronation, “Telepatia” has secured new benchmarks for Uchis’ career in multiple areas since its November 2020 release.

After the tune gained traction on TikTok in early 2021, a rush of streams powered it to No. 10 on the Streaming Songs chart in March. That activity sparked the track’s Billboard Hot 100 entrance that month and its official promotion as a single. Radio airplay, then, kicked up and helped “Telepatia” achieve a No. 25 best on the Hot 100 in July.

In addition to conquering rhythmic radio, “Telepatia” ruled the Latin Airplay chart for one week in July and earned a No. 11 high on Pop Airplay. Simultaneous success at the three formats pushes the song into the top 10 on the all-genre Radio Songs chart, where it steps 11-10 through a 3% gain in audience to 40.7 million in listenership in the week ending August 6, according to MRC Data.

While “Telepatia” represents Kali Uchis’ solo breakthrough, the singer-songwriter made her first Billboard chart splashes in featured roles on songs across multiple genres, among them, the Gorillaz’s “She’s My Collar,” a No. 36 hit on Hot Rock Songs, Juanes’ “El Ratico,” a No. 10 success on Latin Pop Airplay and the Adult R&B Airplay chart-topper “Get You” in tandem with Daniel Caesar. The lattermost title led for one week and earned Uchis her first Grammy nomination, for best R&B performance.

Cardi B’s “Up” Rises to No. 1 on Billboard Hot 100, A Historic Fifth Chart-Topper on the Chart

Things are still up for Cardi B

The 28-year-old half-Dominican American rap superstar’s latest single “Up” rises from No. 6 to No. 1 on the Billboard Hot 100 to spend its first week at the top of the chart.

Cardi B

The song, which becomes Cardi B’s fifth Hot 100 No. 1, debuted at No. 2 five weeks earlier and tallied three weeks at the runner-up spot before reaching the summit.

Cardi B performed “Up” as part of a medley, with Megan Thee Stallion, of their four-week 2020 Hot 100 No. 1 “WAP” on the 63rd annual Grammy Awards, broadcast on CBS, on March 14, which helped power the song’s ascent.

“Up” drew 22.7 million U.S. streams (down 5%) and 18,000 downloads sold (up 96%, good for the Hot 100’s top Sales Gainer award) in the week ending March 18, according to MRC Data. It also attracted 34.9 million radio airplay audience impressions (up 7%) in the week ending March 21.

The track rises 5-3 on the Streaming Songs chart, which it led for two weeks; 7-3 on Digital Song Sales, where it spent a week in the lead; and 17-14 on Radio Songs.

Here’s an updated look at Cardi B’s Hot 100 No. 1s:

Title, Weeks at No. 1, Date Reached No. 1
“Bodak Yellow (Money Moves),” three, Oct. 7, 2017
“I Like It,” with Bad Bunny & J Balvin, one, April 21, 2018
“Girls Like You,” Maroon 5 feat. Cardi B, seven, Sept. 29, 2018
“WAP,” feat. Megan Thee Stallion, four, Aug. 22, 2020
“Up,” one (to date) March 27, 2021

Cardi B extends her record for the most Hot 100 No. 1s among female rappers. (Of her five leaders, four have also topped the multi-metric Hot Rap Songs chart, all except Maroon 5‘s “Girls Like You,” on which she’s featured.)

Meanwhile, “Up” is Cardi B’s first Hot 100 No. 1 with no accompanying acts since “Bodak Yellow.” Thanks to the two leaders, Cardi B is the first female rapper with two Hot 100 No. 1s with no accompanying artists.

Dating to her first week atop the Hot 100 with “Bodak Yellow” (Oct. 7, 2017), Cardi B ties for the most No. 1s among all acts in the span since, matching the five each earned in that stretch by Drake and Ariana Grande.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data.

“Up” concurrently rebounds 5-1 and 4-1, respectively, for a fourth week each atop the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100.

“Up” is the first song by a solo female and no accompanying artists to top the Hot 100, Hot R&B/Hip-Hop Songs and Hot Rap Songs since Lizzo‘s “Truth Hurts” in 2019. Before that, Cardi B’s “Bodak Yellow” last earned the honor.

Cardi B’s “Up” Debuts at No. 1 on Billboard’s Streaming Songs Chart

Things continue lookin’ up for Cardi B

For the fourth time, the 28-year-old half-Dominican American rap superstar has logged the No. 1 track on Billboard’s Streaming Songs chart.

Cardi B

Up,” Cardi B’s latest single, debuts atop the list dated February 20, with 31.2 million U.S. streams in the tracking week ending February 11, according to MRC Data.

Cardi B first ruled the Streaming Songs chart with the two-week No. 1 “Bodak Yellow (Money Moves)” in 2017, and followed it up with the Bruno Mars collaboration “Finesse” (one week, 2018) and the 10-week rule of “WAP,” featuring Megan Thee Stallion last year.

Cardi B now ties Taylor Swift for the most Streaming Songs No. 1s among women.