Freddie Prinze Jr. has locked up his summer plans…
The 48-year-old part-Puerto Rican actor has officially joined Sony‘s I Know What You Did Last Summer sequel film, reprising the role of Ray Bronson from the original 1997 movie and its 1998 follow-up.
Prinze Jr and his co-star Jennifer Love Hewitt has been negotiating their return to the franchise continuation project when it was confirmed to be in development in early 2023. Hewitt is reportedly still very much in negotiations to reprise the role of Julie James.
The previously announced cast includes Chase Sui Wonders, Madelyn Cline, Sarah Pidgeon, Tyriq Withers and Jonah Haur-King.
Plot details for this latest installment are unknown.
Jennifer Kaytin Robinson is directing the latest installment of the horror film franchise, written by Sam Lansky and Kaytin Robinson from a draft by Leah McKendrick. Neal Moritz is producing.
Sony Pictures will release the film in theaters on July 18, 2025.
The original film follows four young friends (played by Prinze Jr., Hewitt, Sarah Michelle Gellar, Ryan Phillippe) bound by a tragic accident who are reunited when they find themselves being stalked by a hook-wielding maniac in their small seaside town.
I Know What You Did Last Summer, loosely based on the Lois Duncan novel of the same name, was a hit that led to the development of the sequel I Still Know What You Did Last Summer, which premiered in 1998.
A direct-to-video third installment of the franchise titled I’ll Always Know What You Did Last Summer (2006) is considered a stand-alone sequel as the story diverged from the first two installments and had no original cast reprising their roles.
In 2021, Prime Video premiered the I Know What You Did Last Summer TV series from Sara Goodman based on the Duncan novel produced by Amazon Studios and Sony Pictures Television. The series, which ran for one season, starred Madison Iseman, Bill Heck and Brianne Tju among others.
Gigi Zumbado will be bringing the thrill next Valentine’s Day.
Sony will be releasing Spyglass’ horror romantic comedy Heart Eyes, starring the Cuban American Actress, on February 7, 2025.
In addition to Zumbado, the Josh Ruben-directed movie stars Olivia Holt and Mason Gooding, with Devon Sawa and Jordana Brewster.
The film’s description reads: When the Heart Eyes Killer strikes Seattle, a pair of co-workers pulling overtime on Valentine’s Day are mistaken for a couple by the elusive couple-hunting killer. Now they must spend the most romantic night of the year running for their lives.
The script was written by Phillip Murphy,
Zumbado’s previous credits include Hightown, The Rookie, Bridge & Tunnel and Promised Land.
The 37-year-old Afro-Puerto Rican actor will star in Amazon MGM Studios’ forthcoming film The Blufffrom director Frank E. Flowers.
Cruz Cordova, who starred in The Lord of the Rings: The Rings of Power, is part of a roster of new cast additions that includes Safia Oakley-Green and Vedanten Naidoo.
The trio joins an ensemble led by Priyanka Chopra Jonas and Karl Urban.
The parts they’ll be playing are under wraps.
Written by Flowers and Joe Ballarini, the film set in the 19th century Caribbean follows a former female pirate (Chopra Jonas) who must protect her family when the mysterious sins of her past catch up to her.
Recently landing a Critics’ Choice Award nomination for his performance as Arondir on Prime Video’s The Lord of the Rings: The Rings of Power, which is heading into its second season, Cordova has also previously been seen in Paramount+’s Finestkind, HBO’s miniseries The Undoing, Focus Features’ Mary Queen of Scots and Sony’s remake of Miss Bala.
Wagner Moura is stilling winning the war at the U.S. box office…
The 47-year-old’s Brazilian actor, director and filmmaker’s latest film, Civil War, is No. 1 at the box office for a second week in a row, fending off three new releases to retain the top spot on North American charts.
Alex Garland’s film, starring Moura and Kirsten Dunst as a journalist and photojournalist who traverse a violently divided United States, added $11.12 million in its second weekend of release.
It has earned $44.8 million in its two weeks on the big screen and already stands as one of A24’s top five highest-grossing movies of all time. With a $50 million price tag, it’s also the indie distributor’s most expensive film to date.
Though it was a close race, Civil War charged ahead of a trio of newcomers — Universal’s vampire horror film Abigail, director Guy Ritchie’s The Ministry of Ungentlemanly Warfare and Sony and Crunchyroll’s anime adventure Spy x Family Code: White.
The 22-year-old half-Colombian American Golden Globe-winning starlet’s The Hunger Games” prequel The Ballad of Songbirds and Snakes emerged victorious in a busy box office weekend.
The Lionsgate film, which brings audiences back to the dystopia of Panem for the first time in nearly a decade, collected $44 million from 3,776 North American theaters and $98 million globally in its first weekend of release.
While initial ticket sales didn’t recapture the spark of the original franchise, which propelled Jennifer Lawrence to global stardom and inspired three sequels, they were enough to win the weekend over three fellow newcomers, Universal and DreamWorks Animation’s threequel Trolls Band Together, Sony’s gory thriller Thanksgiving and director Taika Waititi’s sports comedy Next Goal Wins.
Although The Ballad of Songbirds and Snakes opened significantly lower than its predecessors — each of the four Hunger Games installments launched to at least $100 million at the domestic box office — analysts believe the film is well positioned in its theatrical run. It cost $100 million to produce, more than the first Hunger Games but substantially less than the three sequels (with the final 2015 adventure costing $160 million).
“This is a very good opening for an action-adventure prequel,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “On average, prequels start with approximately half of the previous film’s opening, and this weekend’s figure is close to that.”
Zegler and The Gilded Age actor Tom Blyth star in The Ballad of Songbirds and Snakes, based on the 2020 novel by author Suzanne Collins. It’s a standalone film in the $3 billion Hunger Games franchise, which takes place six decades before Katniss Everdeen bravely volunteered as tribute.
The story centers on a young Coriolanus Snow, who later becomes the tyrannical president of the dystopian Panem, as well as District 12 tribute, Lucy Gray Baird, whom he mentors in the 10th annual Hunger Games. Reviews have been mixed, with 60% on Rotten Tomatoes and a “B+” CinemaScore. Audiences were mostly young women; 65% were female and 73% were between the ages of 18-34.
It likely benefitted from a late-breaking boost in publicity (SAG-AFTRA granted the film an interim agreement days before the strike ended on November 9), which allowed the cast — including Viola Davis, Peter Dinklage and Euphoria star Hunter Schafer — the opportunity to promote the film before it arrived in theaters.
Alejandro Sanz is getting an all-star welcome at Sony Music Latin-Iberia.
The 54-year-old Spanish award-winning singer-songwriter was serenaded by Kany García, Camilo and Evaluna, among other artists, serenaded at an event hosted by Sony Music during Latin Grammy Week in Sevilla, Spain, officially welcoming Sanz to his new label.
Producer Javier Limón, a close friend of Sanz’s, hosted the event along with Afo Verde, Chairman and CEO of Sony Music Latin-Iberia, and José María Barbat, president of Sony Music Iberia.
“We’re here on an unforgettable night because we have the opportunity to celebrate the arrival of Alejandro Sanz to our great Sony Music family,” said Verde, who signed Sanz to Sony this past June.
”We know the extraordinary artist that’s inside you. We know of your drive and passion for your work, your curiosity for new artists, the support you give those who are starting off, your generosity with your colleagues, your commitment to causes of fairness and the value of your friendship,” added Barbat.
Camilo, Evaluna, Niña Pastori, Kany García, J·Noa, Darumas, Yerai Cortés and Montse Cortés performed some of Sanz’s emblematic songs, including “Amiga Mía” (J Noa), “Cuando nadie me ve” (Kany García) and “Desde cuando” (Camilo y Evaluna). The honoree enjoyed the evening from a table set in a semi private area, from which he could see the performances.
Other artists, including Malú, Ana Mena, Arde Bogotá, Omar Montes, Reik, Nicki Nicole, Kenia OS and María José Llergo, were also at the event ,which took place in Hacienda Azahares.
This year, Sanz is nominated for a Latin Grammy for song of the year for “Nasa” alongside Camilo, and record of the year for “Correcaminos” with Danny Ocean.
Sanz thanked his “Dear Sony family” for the warm welcome. “It’s been a beautiful night to get together again and begin this new stage, in addition to a prelude to a week where we’ll celebrate music. Let’s enjoy and celebrate!” he said.
The Mexican actor and Spanish-language star, best known for his roles in telenovelas like Amarte Asi, has signed with William Morris Endeavor (WME) for representation in all areas.
Ochmann’s credits include El Señor de los Cielosand its spinoff El Chema (Telemundo Network’s highest-rated show),
Ochmann’s feature Friends Till Death(Amigos Hasta La Muerte), in which he starred and produced, debuted this past August in the top 10 on Amazon in the U.S. and was #1 in 30 countries worldwide.
Earlier this year, his film All the Places(A Todas Partes), produced by Sony for Netflix, was #6 among all movies on Netflix U.S. and debuted at #1 across Latin America.
Ochmann recently wrapped season two of the TV show Las Bravas F.C.for HBO Max.
Feature film credits include Y Como Es El, the top-grossing Mexican film of 2022, and Hazlo Como Hombreand Ya Veremos, which also were hits in Mexico.
As a producer, Ochmann has a first-look deal with streamer VIX+, a joint venture between Mexican media giant Televisa and US-based network Univision.
Next up, Ochmann is attached to star in action-comedy Operation Mother’s Day. Ochmann and Larry Robinson are producing with Argentinian director Ariel Winograd attached.
The 43-year-old Latina film, television and theatre director and Emily in Paris helmer will direct Freeland, her first English-language film.
The film will be co-written with Chilean scribe Julio Rojas, creator of podcast sensation Caso 63 and a co-writer on Pablo Fendrik’s El Refugio.
Nicolas Celis, who earned an Academy Award nod for producing Roma, will serve as the lead producer of Freeland.
The project was put together by producer Nestor Hernández, a former Sony and HBO development executive for Latin America who attended the San Sebastian Film Festival in September to present the project.
MadAvenue PR director Eva Herrero serves as an executive producer on the film.
“We have long been following Katina Medina Mora’s remarkable career and her impressive accomplishments over such a short time span,” remarked Celis who has been attending Iberseries to take part in a panel and to meet with contacts.
“I am also more than thrilled to be working with Rojas and alongside Hernández,” he said. “At Pimienta Films, we are increasingly focused on producing globally appealing films with talented and influential creators like Katina,” he noted.
“Nicolas is not only one of the most recognized producers in Mexico, but for me, is one of the few whose work has both narrative and artistic value.” said Medina Mora, adding: “Collaborating with him is something I have been waiting for a long time. I am certain that his involvement with ‘Freeland’ will bring many strengths to the project.”
In “Freeland,” based on Rojas’ eponymous novel, Nicolas, a 17-year-old living in a seemingly idyllic village, shocks his school when he asserts that the Earth is round in a world where a creationist revolution has rewritten history. He’s sent to a reeducation reformatory called Hotel Roma, where he falls in love with Hipatia, the daughter of political prisoners. Together, they plan to escape to Freeland’s border in a totalitarian dystopia of the mid-2030s.
“It is an honor for me that Pimienta and Nicolas Celis have chosen to lead this project. I have been a great admirer of the work of Julio, Katina and Nicolas himself for years. I feel like I am part of something truly unique,” said Hernandez.
The 24-year-old Mexican singer-songwriter, a rising Latin music pop star, has re-signed her recording deal with Sony Music Mexico and 5020 Records, the new Sony imprint based out of Miami.
“I’m thrilled to continue growing along with my label, Sony Music Mexico, and with 5020 Records to develop my career at an international level. I’m very excited about everything that’s coming,” said Os. The singer signed her new deal out of 5020’s offices in Miami.
In a Latin arena currently dominated by urban and regional Mexican music, Os has been an unlikely pop success, garnering over 5 million subscribers to her YouTube channel and currently has over 7 million listeners on Spotify. A sensation on TikTok, Os’ hit “Malas decisiones” generated over 8.4 million creations on the platforms.
Os (real name Kenia Guadalupe Flores Osuna) has released two albums on Sony, Cambios de Luna (2022) and K3 (2023), which was also released in vinyl format in Mexico. The former was accompanied by a short documentary that played successfully in movie theaters in Mexico.
“We’re very happy with what we’ve accomplished so far with Kenia, the new Mexican pop star,” said Roberto Lopez, president of Sony Music Mexico.
“Kenia is a unique artist, with an artistic and entrepreneurial vision,” said Rafael Arcaute, co president of 5020 Records. “We are inspired by her power and dedication to her career.”
“She’s an exceptional artist who combines talent, vision and professionalism,
added 5020 co president Bruno Duarte. “It’s an honor for us to extend this relationship.”
Os recently won three Premios Juventud, which are voted on by fans, including New female generation and Best Fandom. She also has multiple nominations to the MTV MIAW 2023 awards.
The 37-year-old half-Mexican American R&B singer scales a massive skyscraper and breaks through the building’s glass window in the visual for Sony’s “For the Music” campaign.
The Grammy winner came up with the concept.
“There were a few things that myself and my creative advisor, Franc Fernandez, have been tossing around in general in order to build out some of the storytelling, and this one just felt like it could be a fun opportunity to not only push myself but to also push the brand [and] how far Sony’s willing to go for artists,” Miguel explains to Billboard. “That was pretty much the way we came up with [the concept]. It didn’t take much time because we had already had it in the bank of ideas.”
Directed by Liam McRae, the one-minute visual symbolizes the multiplatinum-selling singer’s next era in music and Sony’s commitment to supporting artists like Miguel in breaking through “creative barriers” and connecting directly with their fans. “I think across the board that’s been the intention,” Miguel said. “To hopefully give my fans new ways to appreciate my music and creativity and this is one of them. It was exciting to be able to do this. Not too many people can say they scaled a building!”
Miguel will be the first artist “For the Music” will support with brand campaigns for Sony’s WF-1000XM5 headphones and X-Series wireless speakers.
Sony’s new platform aims to foster various collaborations with artists, including creating specialty content, activations and memorable experiences for music fans and allowing artists’ input on Sony products and tools such as 360 Reality Audio and 360 Virtual Mixing Environment to improve content creation and listening experiences on headphones, wireless speakers and other products.
Fans will hear a new track from Miguel’s upcoming album in the Sony visual. “The song is called ‘Number 9.’ It’s about completion and new beginnings,” he explained. “It’s my intention to push beyond creative bounds and discover new places to go as a musician and an artist. Sony was intent on honoring artists’ creative vision and the song is about ending the old, starting new, and the cylindrical nature of change. I think all of that comes to a head in this very short visual. It’s powerful. It sets the tone for what’s to come, I’m excited for people to see it.”
“I’ve never done commercials for anyone, but this felt like such an authentic collaboration. We were on the same page about really pushing the boundaries about what’s expected of both our brands and what they represent. It’s exciting to be the first one to be able to express themselves through this medium with a partner as supportive of a vision as they were. It was really dope.”
As part of the collaboration, Sony and Miguel will partner on various giveaways, VIP experiences and sweepstakes, including a chance for five lucky fans to receive a VIP invite to his upcoming album and “For the Music” campaign release party in Los Angeles.
“Sony’s audio team has long supported artists because at its core, Sony represents passion for music, for listeners and creators,” added Jordy Freed, Sony’s head of brand and business development and partner marketing and strategy. “This passion drives our existing products and services, as well as newly launched products, from our consumer WF-1000XM5 headphones to professional studio headphones such as the MDR-MV1 to sound technologies such as 360 Virtual Mixing Environment and 360 Reality Audio. These exciting new activities mark the perfect time to formalize our continued support for creators, celebrate artistry, and create a tangible platform to empower their visions and reach music fans wide.”
Sony has partnered with other Sony Music artists in the past including SZA, Khalid and Tate McRae. Miguel’s collaboration comes ahead of his forthcoming album.
“I think the biggest, most relatable way of describing the overall tone [of the album] is that I took a snapshot of my life and realized that it was about the violent and beautiful nature of change. The most exciting thing about that is it gives me the opportunity to have really intimate and vulnerable moments that I don’t think I’ve ever been able to have with my fans.”
“This album is maximalism. It’s intimate, dynamic, manic at times, but it’s all very, very much the fringe of my creativity and I’m excited to even push beyond that. I think it marks the beginning of a very prolific era in my career and my expression.”