Miranda Notches His Third No. 1 on Billboard’s Tropical Songs Chart

Ismael Miranda is having a banner year…

The 65-year-old Puerto Rican salsa singer and Fania All Stars member has earned his third No. 1 on Billboard’s Tropical Songs chart as his latest single “Bajo, Piano & Bongo” moves up 2-1.

Ismael Miranda

The song, featuring Bobby Valentin, Richie Ray and Roberto Roena, is Miranda’s second chart-topper this year. He previously topped the chart with “Son 45” in February.

With the climb, Miranda claims the most No. 1s on Billboard’s Tropical Songs chart for a member of Fania All-Stars, the legendary salsa group formed by Fania Records in 1968. Miranda breaks out of a tie with Celia Cruz (two No. 1s).

The airplay increase also scores Valentin, who plays bass on the track, and Roena (bongos) — each longtime members of Fania All-Stars as well — their first chart-topper. Richie Ray, an iconic salsa musician known as El Embajador del Piano (The Piano Ambassador), who has collaborated with Fania All-Stars throughout his career, also scores his first No. 1 on the list.

“Bajo, Piano & Bongo” was written and produced by salsa superstar Victor Manuelle, who currently ties Marc Anthony for the record for most No. 1s on the chart (25). When asked about creating this song, Manuelle shared with Billboard, “It’s one of the most important songs that I’ve composed, and was a challenge writing a song for stars of their status.”

It’s the second track to crown the chart from Miranda’s latest album, Son 45, which peaked at No. 3 on the Tropical Albums chart. The set’s title track, an ode to his 45-year career, reached the top on the chart dated February 21.

Manuelle says “reaching No. 1 lets us know that there is still an audience that values good salsa.”

Fania Records Signs with Creative Artists Agency

Fania Records is experiencing a resurgence…

A half-century after its founding, the iconic Latin music label is capping off its 50th anniversary by signing with the Creative Artists Agency (CAA), according to The Hollywood Reporter.

Fania Records

Founded in New York City in 1964 by Dominican Republic-born bandleader Johnny Pacheco and attorney Jerry Masucci, Fania Records went on to represent artists including Hector Lavoe, Willie Colon, Celia Cruz, Ray Barretto, Ismael Miranda, Ruben Blades, Cheo Feliciano and Roberto Roena. That impressive roster help cement the label’s status as the definitive home for genres like Latin big band, Afro-Cuban jazz, boogaloo, salsa and Latin R&B.

Masucci became Fania’s sole owner in 1967 (Pacheco stayed on as artistic director), and when he died in 1997, the label, which had fallen dormant for decades, became entangled in probate court.

Miami-based Emusica Entertainment Group purchased Fania’s assets from Masucci’s estate for a reported $9 million to $12 million in 2005 (ownership was later transferred to Codigo Group). The new management got to work sorting through its newly acquired catalog (it eventually unearthed almost 3,000 albums, 3,000 compositions and approximately 10,000 master tracks) and remastering and reissuing them for a new generation of listeners.

The new Fania has been adroit at adapting to changing times. In 2013, the label resumed profitability with approximately a quarter-million albums sold, most of them via digital download. In April, the label partnered with Spotify to launch a dedicated Latin-music app, a first for the genre. The app makes Fania’s entire digital catalog available for streaming, along with visually rich artist pages and a timeline of the label’s 50-year history.

This year, Fania also issued digital compilation albums and DJ remixes and partnered with Central Park’s SummerStage program for a concert series that married its classic tunes with “new school artists,” including DJ Turmix, Canyon Cody, Timothy Brownie and Whiskey Barons.

“Fania has evolved into a robust entertainment brand,” Codigo CMO Michael Rucker said in a statement. “CAA, with its breadth and depth of expertise in harnessing the power of pop culture, will guide us as we move forward into new creative and business territory and introduce us to a broader fan base.”