Lin-Manuel Miranda’s “Hamilton” Cast Album Added to Library of Congress’ National Recording Registry

Lin-Manuel Miranda’s smash Broadway musical has earned a place in the Registry.

The 45-year-old Puerto Rican award-winning actor, composer, lyricist, producer, director and playwright’s cast album for his Tony Award-winning Broadway sensation Hamilton: An American Musical is among this year’s 25 additions to the National Recording Registry, which is administered by the Library of Congress.

HamiltonThis year’s selections span 102 years, from 1913 (a recording of “Aloha ‘Oe” by Hawaiian Quintette) to 2015 (Miranda’s Hamilton cast album).

Hamilton (2015) is the first Broadway cast album that was released since Sweeney Todd in 1979 to be selected.

The album, like the musical, has been a best-selling phenomenon, receiving Diamond certification (meaning 10 million copies sold) from the RIAA in 2023.

Produced by The Roots members Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter, the album preserves the musical’s original Broadway cast, and released September 25, 2015, via Atlantic Records.

Freddy Fender’s country/pop smash “Before the Next Teardrop Falls” (1975) has also been added to the Registry.

The late Mexican American singer’s song is one of three songs on the Registry to reach No. 1 on the Billboard Hot 100.

“Before the Next Teardrop Falls” topped that chart for two weeks.

The single — which features verses sung in both English and Spanish — broke boundaries in the music industry by becoming a crossover hit, reaching No. 1 on both the Hot Country Songs chart and the Billboard Hot 100.

Fender’s emotive performance and heartfelt delivery turned the song into a classic, showcasing the power of Latin voices in country music — a genre that initially had limited representation from Hispanic artists.

Vicente Fernández’s enduring ranchera classic “El Rey” (1973), one of the most recognizable songs in Regional Mexican music, joined the roster of Latin recordings in the Registry.

The late Mexican singer and actor’s iconic song appears on his 1973 album, El Ídolo de México, and it was written by José Alfredo Jiménez in 1971.

With its kingly themes of resilience and pride, “El Rey” has become emblematic of Chente’s enduring legacy, even inspiring a 2022 Netflix bioseries of the same name that celebrates his life and career. The mariachi singer — who died in 2021 — remains one of Mexico’s most celebrated musical figures, and his induction into the Registry further solidifies his enduring legacy.

More than 2,600 nominations were made by the public this year.

Under the terms of the National Recording Preservation Act of 2000, the Librarian of Congress, with advice from the National Recording Preservation Board, selects 25 titles each year that are “culturally, historically, or aesthetically significant.”

Recordings become eligible for the Registry 10 years after release, compared to 25 years for the Grammy Hall of Fame. (Which means the Hamilton cast album won’t be eligible there for another 15 years.)

“These are the sounds of America – our wide-ranging history and culture,” Librarian of Congress Carla Hayden said in a statement. “The Library of Congress is proud and honored to select these audio treasures worthy of preservation.”

Industry veteran Robbin Ahrold serves as chair of the National Recording Preservation Board. “This year’s National Recording Registry list is an honor roll of superb American popular music from the wide-ranging repertoire of our great nation,” he said in a statement.

These 25 recordings bring the number of titles on the Registry to 675. This represents just a tiny fraction of the Library’s vast recorded sound collection of nearly four million items.

Here’s the complete list of 2025 additions to the National Recording Registry. They are listed in chronological order by release date.

  • “Aloha ‘Oe” – Hawaiian Quintette (1913, Victor)
  • “Sweet Georgia Brown” – Brother Bones & His Shadows (1949, Tempo)
  • “Happy Trails” – Roy Rogers and Dale Evans (1952, RCA Victor)
  • Radio Broadcast of Game 7 of the 1960 World Series – Chuck Thompson (1960)
  • Harry Urata Field Recordings (1960-1980)
  • Hello Dummy! – Don Rickles (1968, Warner Bros.)
  • Chicago Transit Authority – Chicago (1969, Columbia)
  • Bitches Brew – Miles Davis (1970, Columbia)
  • “Kiss An Angel Good Mornin’” – Charley Pride (1971, RCA Victor)
  • “I Am Woman” – Helen Reddy (1972, Capitol)
  • “El Rey” – Vicente Fernández (1973, CBS)
  • Goodbye Yellow Brick Road – Elton John (1973, MCA)
  • “Before the Next Teardrop Falls” – Freddy Fender (1975, ABC/Dot)
  • I’ve Got the Music in Me – Thelma Houston & Pressure Cooker (1975, Sheffield Lab)
  • The Kӧln Concert – Keith Jarrett (1975, ECM)
  • Fly Like an Eagle – Steve Miller Band (1976, Capitol)
  • Nimrod Workman Collection (1973-1994)
  • Tracy Chapman – Tracy Chapman (1988, Elektra)
  • My Life – Mary J. Blige (1994, Uptown/MCA)
  • Microsoft Windows Reboot Chime – Brian Eno (1995)
  • “My Heart Will Go On” – Celine Dion (1997, 550 Music/Epic)
  • Our American Journey – Chanticleer (2002) (album, Warner Classics International)
  • Back to Black – Amy Winehouse (2006 album, Republic/Universal Music)
  • Minecraft: Volume Alpha – Daniel Rosenfeld (2011 album, self-released)
  • Hamilton: An American Musical – Original Broadway Cast Album (2015 album, Atlantic)

Alejandro Fernández Earns Seventh No. 1 on Billboard’s Regional Mexican Airplay Chart with “Difícil Tu Caso”

Alejandro Fernández’s difficulties are paying off…

The 52-year-old Mexican singer has earned his seventh No. 1 on Billboard’s Regional Mexican Airplay chart as “Difícil Tu Caso” advances from No. 3 to lead the November 18-dated ranking.

Alejandro FernándezThe ranchera ballad checks into the penthouse as the Greatest Gainer for the week with a 28% boost in audience impressions, to 7.85 million, earned in the U.S. in the week ending November 9, according to Luminate.

“Dificil Tu Caso” unseats Maná and Eden Muñoz’s “Amor Clandestino,” after the song’s one week in command. It drops 1-5 with 4.8 million impressions, down 28%.

“Difícil Tu Caso,” composed by Edgar Barrera, Luis Mejía and Iván Gámez, grants Fernández his seventh champ, the second-most for a male soloist in the 2020s decade. The song was released September 1 and hits No. 1 on Regional Mexican Airplay in its 10th week.

Here’s the list of all artists with the most champs on Regional Mexican Airplay this decade where Calibre 50 paces the race:

10, Calibre 50
9, Grupo Firme
8, Banda MS de Sergio Lizárraga
8, Christian Nodal
7, Alejandro Fernández
5, Grupo Frontera

“Difícil Tu Caso” follows one other No. 1 in 2023, “No Es Que Me Quiera,” which likely topped Regional Mexican Airplay for one week in August. Here are all of Fernández’s No. 1s since his first in 2020:

Peak, Title, Artist, Weeks at No. 1
Jan. 11, 2020, “Caballero,” 1
April 25, 2020, “Te Olvidá,” 2
Oct. 24, 2020, “Decepciones,” with Calibre 50, 1
April 24, 2021, “Duele,” with Christian Nodal, 1
Sept. 17, 2022, “Nunca Dudes En Llamarme,” with La Arrolladora Banda El Limón De Rene Camacho, 1
Aug. 5, 2023, “No Es Que Me Quiera Ir,” 1
Nov. 18, 2023, “Difícil Tu Caso,” 1

“Difícil” also continues its successful rise on the all-Latin genre Latin Airplay tally, with a 9-5 jump, its second week in the top 10.

Felipe Peláez Releases First-Ever Ranchera “Magia”

Felipe Peláez is spreading the magic

The 47-year-old Colombian-Venezuelan vallenato superstar has released the new single “Magia.”

Felipe PeláezOn the track, Peláez dips his toes in his first-ever ranchera track, which is the first track from his upcoming album Un Sueno Llamado Ranchera.

If “Magia” is any indication, the set will be made up entirely of captivating ranchera tunes laced with his passionate and signature vocals.

In true Pelaez fashion, “Magia” highlights the incomparable, life-changing magic of love through its lyrics.

Penned by the artist, the traditional mariachi song is a love poem that best showcases Peláez’s versatility to adapt music in genres of all kinds.

Adriel Favela Releases New Single “En Este Amor”

Adriel Favela is opening up about love

The 30-year-old Mexican American singer has released the new single “En Este Amor.”

Adriel FavelaIn the track, Favela trades his signature sierreño sound for mariachi.

In the heartfelt ranchera, penned by Gussy Lau and Tamayo Aguilera, Favela opens up about a love that could no longer be, because the other person showed no effort and interest.

His powerful vocals belt out passionate lyrics about having the strength to forget his ex.

“Everything has been a happy accident because this song was aimed at another person, but at the end of the day, God has a purpose for us all and the song conveyed a lot,” he says in a statement. “I loved it! It has a beautiful essence which I think will differentiate itself from everything we’ve done before, and we’ve obviously put a lot of heart into it and we hope the audience receives it the same way.”

Jessi Uribe Earns First No. 1 on Billboard’s Regional Mexican Airplay Chart with Luis R Conriquez-Collab “Si Ya Hiciste El Mal”

It’s a special first for Jessi Uribe

The 35-year-old Colombian singer has secured his first No. 1 on Billboard’Regional Mexican Airplay chart dated November 19 as “Si Ya Hiciste El Mal,” his first collaborative effort with Luis R Conriquez, rises 2-1.

Jessi UribeUribe is one of the forerunners of Colombian ranchero, a branch of regional Colombian music that borrows from Mexican mariachi, ranchera and corrido formats.

He becomes the second Colombian singer-songwriter to score a No. 1 on Regional Mexican Airplay in 2022: As “Si Ya Hiciste el Mal” hits No. 1, it sends Camilo, a core Latin pop Colombian artist, to No. 2 as “Alaska,” with Grupo Firme dips after its one-week command (chart dated November 12).

“Honestly, I’m extremely happy and grateful,” Uribe tells Billboard. “It’s a dream fulfilled. I have been a regional Mexican music lover since childhood, I am singer of regional Colombian music and to be the first one to achieve this, is an honor. Thanks to Luis, my team, and the listeners who have given us so much love.”

“Si Ya Hiciste el Mal” climbs from the runner-up spot after a 3% increase in audience impressions, to 7.1 million, earned in the U.S. in the week ending November 13, according to Luminate.

The song gives Uribe his first leader on an airplay chart. He previously scored a No. 6 best with “El Alumno,” with Joss Favela, in May. Meanwhile, Conriquez clocks his second ruler: “JGL,” with La Adictiva, topped Regional Mexican Airplay for one week (September 10).

“Working with Jessie was a beautiful experience,” Conriquez tells Billboard. “We traveled to Colombia to record the song and our bonding was beyond great.”

Further, thanks to its radio reception, “Si Ya Hiciste el Mal” debuts at No. 50 on the multimetric Hot Latin Songs chart. It earns Uribe his first chart appearance. Conriquez claims his ninth entry.

The track also makes progress on the all-genre Latin Airplay chart jumping 10-8, the closest Conriquez has been to the top after another No. 8 high (“JGL” in the Sept. 10-dated ranking).

Banda Los Recoditos Earns Seventh No. 1 on Billboard’s Regional Mexican Airplay Chart with “Fuerte No Soy”

It’s Lucky No. 7 for Banda Los Recoditos.

The Mexican Banda group has claimed its seventh No. 1 on Billboard’s Regional Mexican Airplay chart as their single “Fuerte No Soy” leads the list dated October 15.

Banda Los RecoditosThe track, a norteño cover of Intocable’s 1999 release, advances from No. 3 where it held for two weeks.

“Fuerte No Soy” pushes to No. 1 thanks to a 21% boost in audience impressions, to 7.1 million, earned in the U.S. in the week ending October 9, according to Luminate.

“Fuerte No Soy” was written by Ricky Muñoz and Marco A. Pérez over two decades ago and released by Intocable as a norteño track via Capitol Latin. In addition to scoring a No. 13 high on Regional Mexican Airplay in 2000, the track was part of Intocable’s Contigo album, which crowned Regional Mexican Albums for two weeks in 1999.

Banda Los Recoditos’ cover of “Fuerte No Soy,” a ranchera, was released via El Recodo/ Fonovisa/UMLE on July 8. It lands at the summit in its ninth week and evicts Gerardo Ortiz’s “Modo Crudo” which falls to No. 13 after one week in charge (3.4 million in audience, down 52%).

“Fuerte No Soy” gives Los Recoditos their seventh champ within 29 chart appearances. The band’s second offering, “Ando Bien Pedo,” ruled for 12 weeks in 2010.

Further, “Fuerte No Soy” hits No. 1 just sixth months after the band’s last entry, “Me Siento a Todo Dar,” topped the chart for one week.

Elsewhere, the song makes progress on the all-genre Latin Airplay chart, advancing 12-8. It earns the band its 13th top 10 there.

Univision & Televisa to Produce Vicente Fernández Biopic Series Based on Olga Womat’s Book “El Último Rey”

The late Vicente Fernández’s life story is headed to the small screen…

Univision and Televisa are joining forces to produce a biopic series inspired by the legendary Mexican singer, actor and film producer.

Vicente Fernández

The new series will be based on the book El Último Rey, penned by journalist Olga Womat, for which Televisa reached an agreement with Editorial Planeta to acquire the rights, according to a statement from Univision and Televisa.

Without revealing many details about the series, like the release date or cast, the announcement comes a month after the death of the ranchera icon, who died December 12 in a hospital in his native Guadalajara. The cause of death was complications following surgery for a cervical spine injury after a fall last August. Fernández had remained hospitalized since then in stable but serious condition.

Univision and Televisa’s series on Fernández isn’t the only one that will see the light of day.

The Idol of the People, starring Mexican singer and actor Jaime Camil, is a Caracol TV production that will air on that Colombian television network and for which Netflix has acquired world rights outside of Colombia.

A cultural icon to generations, the Jalisco-born artist was known for his swooning rancheras, like “Hermoso Cariño” and “Acá Entre Nos,” and timeless folk anthems that he serenaded fans with for decades. The Mexican cultural icon also holds the record for the most top 10s on Billboard’s Regional Mexican Albums chart to date, with a total of 49.

Over on the all-metric Hot Latin Songs tally — a blend of airplay, streams and digital sales — Fernández holds the record for the most entries for a regional Mexican solo act, with a total of 61.

Following his death, the catalog of songs by the man known as the “Charro de Huentitán’s” increased 721% globally in the days, according to reports to MRC Data. Collectively, his songs generated 97.3 million on-demand streams on December 12 and 13, compared to the 11.9 million streams accrued on December 10 and 11.

Born February 17, 1940, Fernández began his career singing on the streets of his hometown Guadalajara and went on to record more than 50 albums, starred in more than 2 dozen telenovelas and Mexican films, and became a touring titan always going onstage with his iconic traje de charro that included ornate sombreros and embroidered jackets.

Angela Aguilar Releases New Ranchera Ballad “Ahí Donde Me Ven”

Angela Aguilar is pulling on the heartstrings…

The 17-year-old Mexican-American singer has released her new single “Ahí Donde Me Ven.”

Angela Aguilar

Following her country-tinged regional pop song “En Realidad,” which became a viral hit on TikTok, Aguilar has taken it down a notch for her new single.

This time, she trades Western-inspired dance melodies for a more heartfelt ranchera ballad.

Her strong and crisp vocals bring to life a song about a woman who’s positive and powerful on the outside but hurt and vulnerable on the inside.

“You see me but I’ve had love disappointments/ I don’t show off my falls but that’s something else/ I’ve felt that I’m dying many times/ But I overcome the crisis in any way/ But I’ve never suffered so much for love,” she sings in the chorus.

On this romantic mariachi track, Angela flaunts a maturity that goes well beyond her years in both her lyrics and vocals.

Natalia Jiménez Teams Up with Banda MS for Love Anthem “Qué Bueno Tenerte”

Natalia Jiménez is teaming up with Banda MS once again…

After previously recording a reimagined version of Banda MS’ “El Color de Tus Ojos” two years ago, the 39-year-old Spanish Grammy and Latin-Grammy-winning singer-songwriter and the Mexican band have now gifted fans with “Qué Bueno Tenerte.”

Natalia Jiménez

The true love anthem was penned by Omar Angulo Robles and produced by Sergio Lizárraga, Banda MS and Jimenez’s manager.

“Singing again with Banda MS gives me immense pleasure,” Jimenez said about “Qué Bueno Tenerte.” “Meeting them again and presenting an unpublished song is a pleasure since they are the most international banda in Mexico.”

 

The track is the first single from her upcoming album México De Mi Corazón II, which is the sequel to her ranchera project from 2019.

Reik & Christian Nodal Team Up for Heartfelt Ranchera Single “Poco

Reik is switching genres…

The Mexican pop rock band has joined voices with Christian Nodal, who recently earned his first Grammy nomination, for “Poco.”

Reik

The heartfelt ranchera single is about finally overcoming a breakup.

“From a kiss to kiss my broken heart has been able to heal/ I want to tell you that to forget you, very little is needed,” read part of the lyrics, composed by Andres Torres, Mauricio Rengifo and Camilo.

A melancholic music video, directed by Fernando Lugo in Guadalajara, shows the two musical acts in different settings in the Mexican city.

Reik’s lead singer Jesus Navarro says, “Poco” is a genuine collaboration that finds the middle point of both artists — both vocally and melodically.