Tag Archives: Para Siempre

Alejandro Fernández Earns 13th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Un Millón de Primaveras (Plaza de Toros La México)”

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It’s Lucky No. 13 for Alejandro Fernández

The 54-year-old Mexican singer and two-time Latin Grammy winner claims his 13th No. 1 on Billboard’s Regional Mexican Airplay chart, as “Un Millón de Primaveras (Plaza de Toros La México),” rises 2-1 on the list dated July 5.

Alejandro Fernández,The live recording is a cover of his late father Vicente Fernández’s 2007 song of the same name.

“It’s an immense honor and a privilege to bring you my father’s music and feel that his legacy lives on in all of us,” Fernández tells Billboard. “That was the reason for [the Vicente tribute] De Rey a Rey. The fact that fans have received it with such affection and seeing them singing these songs at the top of their lungs in their homes, in their cars, and at my concerts is something very special… especially right now.”

“Un Millón de Primaveras (Plaza de Toros La México)” leads with 6.7 million audience impressions earned in the United States during the June 20-26 tracking week, according to Luminate; that’s a 16% growth from the week prior.

“Un Millón de Primaveras” is a live take by Fernández of his father, Vicente Fernández’s fourth single from the late singer-songwriter’s 79th studio album, Para Siempre. It became his longest-leading No. 1 album, dominating the Regional Mexican Albums chart for 18 weeks between 2007-09.

With 13 career No. 1s on Regional Mexican Airplay, Fernández ties Gerardo Ortiz for the second-most champs among solo performers.

They both trail Christian Nodal, who continues to dominate with 17 No. 1s. (Overall, Calibre 50 leads with 27 champs).

“I deeply thank the public and the radio promoters for taking this song to No. 1,” Fernández adds. “Thank you very much.”

Here’s Fernández’s collection of rulers on Regional Mexican Airplay dating to 2020:

Title, Artist, Peak Date, Weeks at No. 1
“Caballero,” Jan. 11, 2020, one
“Te Olvidé,” April 25, 2020, two
“Decepciones,” with Calibre 50, Oct. 24, 2020, one
“Duele,” with Christian Nodal, April 24, 2021, one
“Nunca Dudes En Llamarme,” with La Arrolladora Banda El Limón, Sept. 17, 2022, one
“No Es Que Me Quiera Ir,” Aug. 5, 2023, one
“Difícil Tu Caso,” Nov. 18, 2023, one
“La Cumbia Triste,”, with Los Angeles Azules, April 13, 2024, one
“Cobijas Ajenas,”, with Alfredo Olivas, June 8, 2024, one
“La Tóxica,”, with Anitta, Sept. 21, 2024, one
“No Me Se Rajar,” Jan. 18, 2025, one
“Un Bendito Día,” wth Yuridia, April 26, 2025, one
“Un Millón De Primaveras (Plaza De Toros La México),” July 5, 2025

“Un Millón de Primaveras” joins two other Fernández’s tracks on the tally: “Me Está Doliendo,” with Carin León, soars from No. 29 to No. 12, for a new peak. Plus, “Un Bendito Día,” with Yuridia, a one-week ruler in April, holds at No. 37 for a third week.

Kany García Performs for NPR’s Tiny Desk Concert Series

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Kany García is embracing a tiny but impressive moment…

The 40-year-old Puerto Rican singer and songwriter is the latest Latin star to perform for NPR’s Tiny Desk Concert series.

Kany GarciaThe intimate setting is fitting for García’s personal, deep lyrics which touch on love, heartbreak and beyond.

She kicked off her nearly 17-minute set with the gorgeous “Para Siempre” from her 2018 album Soy Yo. After that, she transitioned into “Búscame,” included on Mesa Para Dos (2020), explaining the meaning behind the song: “There’s so many songs that I wrote about relationship, sadness and all those kind of things and I never write songs about the people that I always feel like home, that people that I owe them a lot of things so this is a song for them.”

Love and heartbreak weren’t the only topics she touched on. The Latin Grammy-winning artist also paid tribute to immigrants across the world with her poignant “Mundo Inventado,” which loosely translates to an invented world. “This is a very special song for me because it’s a song that I’m talking about immigrants and as you know, they are people who have never given up in many parts of the world,” García introduced the song. “And thanks to the all the immigrants I think we make cities, countries and all these places a better place.”

After singing those songs, each one from a different album, she ended with one from her latest set, El Amor Que Merecemos. The empowering and liberating flamenco-tinged pop song “DPM (De Pxta Madre)” closed her set, which she prefaced with a few words: “It’s a phrase that we always use like for many things. Like, ‘F–k I won the lottery’ or ‘F–k I have a very bad day.’ This is song is about when you realize that all the people that are mean to you, they are no longer in your life and you’re grateful for that so you are [feeling] de puta madre.”

Other Latin stars that have recorded Tiny Desk Concerts include Karol G, Carla Morrison, Carin Leon, Farruko and Tokischa, among others.

Silvana Estrada Becomes First-Ever Latin Artist to Sign with Glassnote Records

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Silvana Estrada is shattering a glass(note) door…

The 23-year-old Mexican singer-songwriter and multi-instrumentalist has become the first Latin artist signed to Glassnote Records.

Silvana-Estrada

Estrada, who joins the indie label’s roster that includes award-winning artists like Phoenix and Mumford & Sons, signed with Glassnote after a quick visit to New York back in February.

“After meeting the team, and a spontaneous performance, both parties left mesmerized,” according to a statement issued by Glassnote. “She officially joined the Glassnote family shortly after.”

Born and raised in Veracruz, Mexico and inspired by artists like Billie Holiday and Sarah Vaughan, Estrada began her musical career at a young age experimenting with different instruments — both her parents were luthiers.

“My music is made of who I am,” she says. “When I wasn’t hearing musicians playing snippets of classical pieces to try out the sound of the instruments, I was listening to my parents singing traditional Mexican songs or Latin American popular music. To me, being a singer or composer was just a normal job.”

Her deep and impressive vocals are at the forefront of her coming-of-age, intimate songs that have caught the attention of Natalia Lafourcade and Mon Laferte, who performed “La Llorona” with Estrada at Mexico City’s Teatro Metropolitan in 2018.

The Glassnote announcement comes ahead of Estrada’s Spanish-language cover of the CHVRCHES hit “Forever,” the Spanish-language “Para Siempre,” released on Friday, August 28. Marchita, her new full-length album, produced by Gustavo Guerrero, will be released by Glassnote Music.

“I’m making the music that I honestly want to do,” says Silvana, who can seem as susceptible to the power of her voice as her audiences are. “I sing my songs and I feel good. And the miraculous thing is that they make the people who hear them feel good too.”