Alejandro Escovedo Earns First Entry on a Billboard Latin Chart with “La Cruzada”

Alejandro Escovedo is celebrating a special first…

The 69-year-old Mexican American rock musician has notched his first entry on any Billboard Latin chart as La Cruzada, with Don Antonio, arrives at No. 8 on the Latin Pop Albums chart (dated November 7) with 1,000 equivalent album units earned in the week ending October 29, according to Nielsen Music/MRC Data.

La Cruzada is the Spanish version of Escovedo’s 2018 album The Crossing, with Don Antonio, which bowed at No. 6 on the Heatseekers Albums chart and at No. 28 on the Rock Albums Sales charts in September 2018.

Alejandro is a member of the storied Escovedo music family, which includes his brothers Pete and Coke, and niece Sheila E.

“It’s been a while since I was on the charts,” Escovedo tells Billboard from his home in Austin, Texas. “To have this record on the chart is very rewarding, such a beautiful thing for me. It seems my whole lifetime has led to this record. This is kind of the epitome of what I always wanted to do and express. I love the concept of an album, I love the storytelling of an album, this one gave me an opportunity to fully express in a way that I don’t think I had in previous records.”

Escovedo’s The Crossing, with Italian band Don Antonio -fronted by multi-instrumentalist Antonio Garmantieri, was co-written with Garmantieri and recorded in Emilia-Romagna, Italy. Its Spanish version, La Cruzada, was released via Yep Roc/Redeye and pressed on red, white and green striped double vinyl exclusively for Record Store Day.

Two years after the release of its original English version, La Cruzada secures a spot on the Latin charts. “I thought the message had to be heard,” Escovedo adds. “My father was born in Saucillo, Mexico and crossed the border in 1907 when he was 12. I come from a musical family, my brother Pete and Coke Escovedo played for Santana, and Sheila E is my niece. The story of The Crossing and La Cruzada is really about my family, my father.”

He continues, “When (Donald) Trump came down the escalator and announced that some Mexicans were rapists and drug dealers I really took a stand, of course, as a lot of us probably did. I thought this is something that needs to be addressed. I’ve always tried to tell my Dad’s story, but I’ve never had a large Latin audience because I come from rock-and-roll, punk rock, and I sing in English.”

About La Cruzada’s 1,000 limited copies, Escovedo adds: “The record was just going to be a Record Store Day release in vinyl with the special packaging. Then the label was supposed to put it out as a general release for everyone on CD and vinyl, but because of Covid our tour was cancelled, and the release of the record was delayed. Not sure where that hangs right now with but hopefully with this Billboard attention they see there’s potential for a larger audience.”

“We used the same backing tracks we recorded for The Crossing,” Escovedo adds. “We translated the lyrics and Alex Ruiz, lead singer of band Del Castillo, recorded the vocals in Spanish at Rick del Castillo’s studio. I did some of the background vocals with him. I wanted Alex’s voice, though, I thought he could articulate the words in a way I probably wouldn’t because my Spanish isn’t that great.”

About the production of The Crossings Escovedo remembers: “My wife and I flew to Italy and spent a month making this record out there with Don Antonio. The distance somehow gave me the way of seeing the story and America in a different eye. Traveling is something I recommend, to see the world through other people’s eyes, to have a different view point.”

The album tells the tale of two boys — Diego from Mexico and Salva from Italy — who meet while working in a restaurant in Galveston, Texas to chase their American rock-and-roll dreams. La Cruzada gets the same treatment en español and earns Escovedo and Don Antonio their first top 10 on any Latin chart.

“It’s crazy!” Escovedo muses. “When my manager Randy gave me the news, it just went over my head and I didn’t understand it. I thought, ‘Oh, we’re going to do an interview with Billboard on the record,’ which I thought was wonderful, any attention is great. Then at the end of the conversation I said, ‘Tell me that again, what happened with the record?’ and he says: ‘You are No. 8 — in the top 10 — on the Latin Pop Albums chart.’ I flipped out; that’s something that’s never happened for me and this is a real blessing for us, it brought a lot of joy to another wise strange and dark and uncertain day.”

Vicente Fernández Returns to the Billboard Latin Airplay Charts After 8-Year Absence

It only took eight years… But Vicente Fernández is back on Billboard music charts.

The 80-year-old legendary Mexican singer, known as El Rey de la Música Ranchera, has earned a spot on the Latin Airplay chart for the first time in eight years as “Ya No Insistas Corazón” arrives at No. 48 on the October 24 survey.

Vicente Fernández

It’s Fernández’s first visit since the No. 20 peak of “El Vestido Blanco” in 2012.

“Ya No Insistas Corazón,” produced by Fernández’s longtime collaborator Francisco Javier Ramírez López, is the first cut from his upcoming album. The song is a cover of the Juan Gabriel-penned tune, first released by Gabriel in 1976.

“Ya No Insistas Corazon” arrives with a robust 77% gain in audience impressions, to 3 million, earned in the week ending October 18, according to Nielsen Music/MRC Data.

 

The song marks Fernández’s 39th entry on Latin Airplay, dating back to his first top 10 “No, No y No” in 1994.

The Latin Airplay arrival helps “Ya No Insistas” enter the top 20 for the first time on the Regional Mexican Airplay chart, at No. 19, after the song debuted at No. 36 on the October 17-dated list.

Prince Royce Replaces Himself at No. 1 on Billboard’s Tropical Airplay Chart

Prince Royce is his own replacement…

The 31-year-old Dominican American bachata singer has replaced himself at No. 1 on the Tropical Airplay chart.

Prince Royce

On the October 24-dated survey, his latest single “Lotería” climbs 2-1, bumping his own “Carita de Inocente” down 1-2.

“Carita de Inocente” had earlier set the record for the most weeks at No. 1, and its total weeks atop the list now stand at 29.

“It feels great to have the top two Tropical Airplay songs in the country and I’m so thankful to everyone at radio and the fans who keep embracing my music and bachata,” Royce tells Billboard.

The last time an artist ranked first and second in the same chart week was Marc Anthony with “Lo Que Te Di” at No. 1 and “Parecen Viernes” at No. 2 (January 25-dated lists).

The last act, however, to replace himself at No. 1 was Nicky Jam in January 2018. Romeo Santos’ “Bella y Sensual,” which features Jam and Daddy Yankee, ceded its five-week reign to “Cásate Conmigo,” his collaboration with Silvestre Dangond (Jan. 27, 2018-dated list).

“Lotería” leads the list dated October 24, advancing from the runner-up position, thanks to a 34% gain in audience impressions, to 4 million, earned in the week ending October 18, according to Nielsen Music/MRC Data.

The tune helps the bachata singer-songwriter up his career No. 1 count to 19, extending his third-most record in the chart’s 26-year history. Royce stands just behind Marc Anthony with 32 No. 1s and Victor Manuelle with 28.)

“Lotería” is from Royce’s Alter Ego album, which debuted at No. 1 on the Top Latin Albums chart (dated February 22). The tune was produced by Royce alongside D’lesly “Dice” Lora and written by Royce, Lora, Yonathan “Mickey” Then and Ronald “Dae” López.

Over on Latin Airplay, “Lotería” enters the top 25, hiking 34-24.

Camilo Surpasses J Balvin to Become Most-Followed Latin Artist on TikTok

Camilo is a TikTok king…

The Colombian singer-songwriter first started using TikTok in 2019 to promote his Pedro Capó-assisted single “Tutu.” But in March, following the release of his track “Favorito,” he decided to become more active on the platform — and go all-in on dance challenges.

Camilo

In the span of five months over the course of the ongoing COVID-19 pandemic, Camilo increased his TikTok following by 10 million (his count jumped from 6 million to just over 16 million), surpassing J Balvin to become the most-followed Latin artist on the app.

His secret weapon? His wife, actress-singer Evaluna, 23.

“Whenever he has an idea or before he posts something, he asks for my opinion,” she says. “Everything posted on TikTok is a team effort.” She says that they usually plan a dance challenge long before a single release, dedicating a day to think of the choreography with help from their friend Paula Macher, who has over 1 million TikTok followers herself. “[She] knows all the latest trends and popular dance moves,” says Evaluna. “In the end, it helps push the song we’re promoting.”

Noel Nuez, TikTok’s director of operations for Spanish South America, believes that kind of collaboration has helped Camilo rake in new followers so quickly: “He’s surrounded by family and colleagues who are also well-integrated on TikTok themselves, which enables him to viralize across other top profiles and strengthen cross-profile storytelling.” Nuez says that in addition to “fully leveraging his creator network,” Camilo makes use of the app’s popular visual effects, like greenscreen, to “create a range of different content that incorporates his own music as a key component of the storytelling.”

Plus, Camilo doesn’t shy away from overpromotion, posting the same audioclip and dance challenge back to back to back. “The algorithm in TikTok is super different [from other social media platforms]: It doesn’t saturate your feed, and you don’t see all of my videos unless you enter my profile,” he says. He views each post as a new entry point for fans to reach his page, and so far it’s paying off.

In May, “Favorito” reached No. 25 on Billboard’s Hot Latin Songs chart, and Camilo’s collaboration with Rauw Alejandro on “Tattoo (Remix)” peaked at No. 7 on the same chart in September, garnering 64 million on-demand U.S. streams, according to Nielsen Music/MRC Data. (On TikTok, the latter track has been tagged to 2.8 million videos, several of which are from Camilo and Evaluna.)

Camilo believes that more than any other strategy though, the driver of his TikTok success is authenticity. “The songs that I post on TikTok and the videos that we share best represent who I am and have a level of engagement [that’s delivered] in a very honest and transparent way,” he says. “Pretending will always lead to failure.”

Cardi B’s “WAP,” Featuring Megan Thee Stallion, Returns to No. 1 Spot on Billboard Global 200 Chart

Cardi B is still ruling the roost…

The 27-year-old half-Dominican rap super star’s single “WAP,” featuring Megan Thee Stallion, rebounds for a third week at No. 1 on the Billboard Global 200 chart.

Cardi B & Megan Thee Stallion "WAP" Video

The track rises 2-1 for its third week atop the Billboard Global 200 with 76.3 million global streams (down 10% from a week earlier) and 11,000 global downloads sold (down 17%) in the week ending Oct. 1.

The chart (the latest of which is dated October 10) premiered last month and ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Nielsen Music/MRC Data. The Billboard Global 200 is inclusive of worldwide data, including the U.S.

Chart rankings are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Maluma Earns 18th No. 1 on Billboard’s Latin Airplay Chart with “Hawái”

Maluma is celebrating his 18th

The 26-year-old Colombian singer, whose real name is Juan Luis Londoño Arias, has earned his 18th No. 1 as his hit single “Hawái” rises to the summit on Billboard’s Latin Airplay chart.

Maluma, MichelobULTRA

Maluma, who recently released the two-part video for his “Pa Ti “and “Lonely” collaboration with Jennifer Lopez, now breaks away from a tie with Ricky Martin for the fifth-most leaders on the survey, which launched in 1994.

“Hawái” moves 2-1 with a 13% increase in audience impressions, to 12.2 million, earned in the week ending September 27, according to Nielsen Music/MRC Data.

The song, which is in its fourth week at No. 1 on the Hot Latin Songs chart (which ranks songs based on a blend of airplay, sales and streaming data), concurrently lands at No. 1 on the Latin Rhythm Airplay chart, where Maluma nabs his 16th leader.

Daddy Yankee Earns 80th Top 10 on Billboard’s Hot Latin Songs Chart with “Don Don,” Featuring Anuel AA & Kendo Kaponi

Daddy Yankee is pushing 80…

The 43-year-old Puerto Rican rap supserstar’s “Don Don,” featuring Anuel AA and Kendo Kaponi has debutedat No. 10 on Billboard’s Hot Latin Songs chart dated September 26.

Daddy Yankee

The song earns Daddy Yankee his 80th entry on the list — and places him in a tie with Ozuna for the second-most entries since the tally’s inception in 1986. Bad Bunny continues at the helm with 96 total entries.

“Don Don” was released on September 11 via El Cartel and produced byMambo Kingz and DJ Luian. Hot Latin Songs blends airplay, digital sales and streaming data.

“Don Don” arrives in the top 10 powered by streaming activity. The three-generational Puerto Rican collaboration logged 4 million U.S. clicks in the week ending September 17, according to Nielsen Music/MRC Data, yielding to a No. 8 debut on the Latin Streaming Songs chart.

Sales also helped boost the song’s debut: 2,000 downloads sold in the week ending September 17 and entering at No. 1 on Latin Digital Song Sales. With eight No. 1s on the tally Daddy Yankee ties with Ozuna for the third-most leaders, both trailing Shakira (11) and J Balvin (10).

While Kendo Kaponi secures his first Hot Latin Songs top 10, Anuel AA claims his 18th and Daddy Yankee stretches his third-most top 10s to 34.

With “Don Don”’s arrival, Daddy Yankee and Anuel each place two songs on the chart’s upper tier. The former remains at No. 2 for a second week with “Relación,” with Sech and J Balvin, featuring Rosalía and Farruko, while the latter places at No. 5 with “La Jeepeta,” with Nio García, Myke Towers, Brray and Juanka.

Cardi B’s “WAP,” Featuring Megan Thee Stallion Reigns on the Billboard Global 200 Chart for Second Week

Cardi B‘s global domination continues…

The 27-year-old half-Dominican American rap superstar’s “WAP,” featuring Megan Thee Stallion, leads the Billboard Global 200 tally for a second week.

Cardi B & Megan Thee Stallion "WAP" Video

“WAP” dominates with 93.2 million global streams (down from 100.9 million a week earlier) and 17,000 global downloads sold (down from 23,000) in the week ending September 17.

The chart, which premiered a week ago, ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Nielsen Music/MRC Data.

Chart rankings are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

BTS‘ “Dynamite” repeats at No. 2 on the Global 200 with 79.1 million streams (down from 83.4 million) and 29,000 sold (down from 36,000).

For a second straight frame, “WAP” was the most-streamed song of the week globally and “Dynamite” was the top-selling title.

Cardi B Rewrites Her Own History as “WAP” Notches Fourth Week at No. 1 on Billboard Hot 100

Cardi B is rewriting her own history…

The 27-year-old half-Dominican American rap superstar’s smash collaboration with Megan Thee Stallion, “WAP,” is spending a fourth week at No. 1 on the Billboard Hot 100 songs chart, dated September 26.

Cardi B & Megan Thee Stallion

With its fourth week at No. 1 on the Hot 100, Cardi B rewrites her longest career domination as a lead artist, as “WAP” surpasses the three-week reign of her debut No. 1 “Bodak Yellow (Money Moves)” in October 2017. She has also led with “I Like It,” with Bad Bunny and J Balvin (one week, July 2018), and as featured on Maroon 5‘s “Girls Like You” (seven weeks, September-November 2018).

“WAP,” released on Atlantic Records, notches a fifth week at No. 1 on the Streaming Songs chart with 41.5 million U.S. streams (down 14%) in the week ending September 17, according to Nielsen Music/MRC Data.

On Digital Song Sales, which it led for two weeks, “WAP” drops 2-3 with 12,000 downloads sold (down 25%) in the same span. The collab climbs 27-21 on Radio Songs with 32.6 million airplay audience impressions (up 21%) in the week ending September 20.

“WAP” logs a sixth week at No. 1 on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same multi-metric methodology as the Hot 100.

Cardi B’s “WAP,’ Featuring Megan Thee Stallion, Tops the First-Ever Billboard Global 200

Cardi B‘s “WAP” is a global phenomenom…

The 27-year-old half-Dominican American rap superstar’s single featuring Megan Thee Stallion tops the maiden Billboard Global 200 chart, dated September 19.

Cardi B & Megan Thee Stallion

As revealed on Billboard.com, MRC has launched the new global survey, which is powered by MRC Data/Nielsen Music.

“WAP” rules the initial Billboard Global 200 chart with 100.9 million global streams and 23,000 global downloads sold in the week ending September 10.

is disabled in your browser.</div></div>

BTS‘ “Dynamite” comes in at No. 2 on the Billboard Global 200 with 83.4 million streams and 36,000 sold.

Breaking down the chart’s metrics, “WAP” was the most-streamed song of the week globally and “Dynamite” was the top-selling title.

Maluma‘s all-Spanish-language “Hawái” (94 million streams, 3,000 sold) comes in at No. 4 on the chart, while Blackpink and Selena Gomez‘s “Ice Cream” comes in at No. 8.

The charts, inclusive of worldwide songs, ranks songs based on streaming and sales activity culled from more than 200 territories around the world.

Chart rankings are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales from full-service digital music retailers from around the world.