Gina Rodriguez Officially Signs on to Star in the Remake of Mexican Film “Miss Bala”

Gina Rodriguez has landed a royal role…

The 32-year-old Puerto Rican actress and Jane the Virgin star has officially signed on to star in Sony PicturesCatherine Hardwicke-directed drama Miss Bala, a remake of the Mexican entry for the Best Foreign Film Oscar in 2011. Rodriguez was considered a frontrunner for the role.

Gina Rodriguez

Rodriguez stars Gloria Meyer who, after her friend Suzu goes missing in Tijuana, finds herself a pawn in a dangerous game being played by the CIA, the DEA and a charismatic young crime boss.

Cordova will play Lino, a master manipulator and highly charismatic survivor who has gotten as far as he has through ballsy plays for power.

Meanwhile, Ismael Cruz Córdova has landed a role as Lino, a master manipulator and highly charismatic survivor who has gotten as far as he has through ballsy plays for power.

Gareth Dunnet-Alcocer is on board to adapt the script, which was written by original director Gerard Naranjo and Mauricio Katz.

Rodriguez recently wrapped the third season to her hit CW telenovela Jane the Virgin, which is set to return for a fourth. The Golden Globe winner is set to lend her voice to Netflix’s cartoon reboot Carman Sandiego, and will next be heard in Fox’s children’s story adaption Ferdinand and Sony’s animated Christmas film The Star, both slated for release this year.

Cordova’s credits include Ang Lee’s war drama Billy Lynn’s Long Halftime Walk and recurring roles on Season 4 of Showtime’s Ray Donovan as well as ABC’s The Catch.

Rodriguez Being Courted to Star in Catherine Hardwicke’s “Miss Bala” Remake

Gina Rodriguez may have found her next crowning project…

Catherine Hardwicke is in talks to direct Miss Bala, the remake of the Mexican film co-written and directed by Gerardo Naranjo, with the 32-year-old Puerto Rican actress and Jane the Virgin star being courted for the leading role.

Gina Rodriguez

Miss Bala, which earned an Academy Award nomination for Best Foreign Film, centers on a beauty pageant contestant who witnesses the brutality of a drug gang and is dragged into their dangerous business.

Kevin Misher and Pablo Cruz are producing, Andy Berman is executive producer. Gareth Dunnet-Alcocer is adapting the script by Naranjo and Mauricio Katz.

Rodriguez, who earned a Golden Globe for her performance in Jane the Virgin, rose to acclaim after starring the indie film Filly Brown. Her other film roles include Deepwater Horizon and Enter the Dangerous Mind.

Luna & Garcia Bernal Partner with A&E to Bring Mexican Medical Drama “Niño Santo” to the U.S.

Diego Luna and Gael García Bernal may soon have their first American television series.

A&E Network has teamed up with the Mexican actors/filmmakers and Steven Spielberg’s Amblin TV for Niño Santo, based on the Mexican spiritual medical drama series executive-produced by Luna and Garcia Bernal.

Gael Garcia Bernal & Diego Luna

The project has been put in fast-track development with an order for multiple scripts. A+E Studios is producing with Amblin TV and the original show’s producer Canana.

Niño Santo centers on a group of young doctors who are sent to vaccinate the locals in a remote village, where they encounter an unusual cult headed by an enigmatic faith healer. The curiosity of the doctors leads them to become involved with this group in the name of science. As they witness Niño’s “miracles,” they begin to weigh scientific impossibility against the possibility of faith.

The creative and producing team of the original series will be involved in the adaptation. Mauricio Katz and Pedro Peirano, who created the Mexican series with Pablo Cruz, will write the script.

“We are in constant pursuit of projects featuring great characters, compelling drama and the outstanding storytelling uniquely suited to the A&E brand, and Niño Santo fits all of those criteria,” said A&E EVP and General Manager David McKillop. “What sets this apart from other format adaptations is that we have the original creative team in place guiding the process to ensure their authentic vision remains intact for the American audience.”