Camilo Villegas Wins Butterfield Bermuda Championship in Late Daughter’s Memory

It’s a bittersweet victory for Camilo Villegas.

The 41-year-old Colombian professional golfer has ended a long and emotional drought after coming up with key birdies down the stretch on Sunday for a 6-under 65 to win the Butterfield Bermuda Championship.

Camilo VillegasIt’s Villegas’ his first victory since losing his 22-month-old daughter to cancer in 2020.

Villegas went shot for shot with Alex Noren for five hours until all he had left was a tap-in for par for his first PGA Tour title since 2014.

He stood erect, lightly pumping his fist, and then looked skyward before Latin players rushed onto the green to celebrate. Villegas grabbed one bottle of bubbly and took a swig.

More than going nine years without winning, Villegas and his wife coped with the death of Mia, who died of brain cancer in the summer of 2020. Villegas was lost on the course and finished last year at No. 654 in the world.

Now he has a two-year exemption and returns to the Masters and PGA Championship for the first time since 2015. His wife began a foundation in Mia’s name, and their son, Mateo, was born in December.

“It’s tough to put into words right now. Wow, what a ride, man,” Villegas said. “I love this game. This game has given me so many great things, and in the process, it kicks your butt. Life has given me so many great things and in the process it kicks your butt, too.”

He look skyward again and said, “I’ve got my little one up there watching.”

Villegas finished at 24-under 260 to win by two shots over Noren, who never recovered from two mistakes around the turn and closed with a 68.

Villegas split time between the Korn Ferry Tour and whatever events he could get in on the PGA Tour, neither with much success. He kept grinding on his game and then watched it come together at the right time.

He was a runner-up last week in Mexico. He was a winner in Bermuda, his fifth tour title.

Noren, who started the final round with a one-shot lead, went 48 consecutive holes without a bogey until he made back-to-back bogeys at the turn. The Swede went from a one-shot lead to a one-shot deficit, and he never caught up.

Noren hit his wedge to 7 feet on the 15th, only for Villegas to hit the top of the pin and have the ball settle a foot away for matching birdies. Both missed good birdie chances on the par-3 16th along the ocean.

The turning point came at the par-5 17th, which played into the wind for the final round. Noren came up short and left below the green and played his pitch to low and strong, the ball running through the green onto the fringe. Villegas went into the bunker and quickly blasted out to about 18 inches for birdie. That became a two-shot lead when Noren missed his birdie putt.

He felt small consolation that Villegas simply outplayed him. Noren also could appreciate the joy Villegas felt from the hand life has dealt him.

“My wife is close to his wife and I know what he’s been through, and it’s terrible what happened to him and his family, so I’m so happy for him,” Noren said. “I’ve got kids of my own and I can’t imagine. So I’m very, very happy for him and the way he played and the way he’s handled his life after. It’s remarkable.”

Colombia Selects Gamboa’s “Mateo” as the Country’s Representative in the Foreign Language Category for the 2015 Oscars

Maria Gamboa could possibly have a date with Oscar in the near future…

The Colombian filmmaker’s Mateo will be Colombia’s bet for a nomination in the Foreign Language category at the 2015 Academy Awards. The news was announced this week by the Colombian Film Academy on its Facebook account and confirmed by the film’s press agency LBV.

Maria Gamboa's Mateo

A winner of screenplay and first feature awards at the Miami Film Festival this year, Mateo was one of the three finalists to represent Colombia at the Oscars, together with Oscar Ruiz Navia‘s Los hongos  winner of a special jury prize in Locarno this year — and Ruben Mendoza‘s Dust on the Tongue, which topped Colombia’s main film event, the Cartagena Film Festival. The 378 members of the academy participated in the voting of the final slate, preselected by its board of directors.

“Both the crew and the people from Magdalena Medio who participated in this project, we all feel honored and happy to be able to represent Colombia,” Gamboa said in a statement. “We’re thrilled that there’s a recognition to Mateo’s story of peace and reconciliation, which offers a more human and truthful vision, so different from the way this crucial topic is usually presented.”

A Colombia/France co-production starring Carlos Hernandez and Felipe Botero, Mateo tells the story of a 16-year-old boy who faces a dilemma about the direction his life will take when his corrupt uncle asks him to infiltrate a local Barrancabermeja theater group to uncover its members’ political activities.

No local films have ever been picked for an Oscar nomination. But the recently reborn Colombian film industry has been expanding in number and size ever since the passing of the first film law in 2003 which poured funds into film production, the new Bogota Audiovisual Market and new co-production and shooting incentives.

Coimbra’s “A Wolf at the Door” Wins Big at the Miami Film Fest

Fernando Coimbra is the Wolf of Miami…

The Brazilian filmmaker’s A Wolf at the Door was the big winner at the Miami Film Fest’s awards night ceremony held over the weekend.

Fernando Coimbra's A Wolf at the Door

The Brazilian film, a dark thriller that premiered at the Toronto Film Festival last year, took home the fest’s Knight Competition, with Grand Jury prizes for Best Film and Best Director for Coimbra.

The film is being distributed by Paul Hudson‘s Outsider Pictures, which is aiming for a July release date in the U.S.

Spanish actress Nora Navas picked the Grand Jury Best Performance for her work in Mar Coll’s We All Want What’s Best For Her (Spain).

The Jordan Alexander Ressler Screenwriting Award went to Maria Gamboa’s Mateo (Colombia/France).

The festival, which closed Sunday, screened 141 films from 39 countries.

“We are humbled by the community’s overwhelming response to this year’s film festival,” said Dr. Eduardo J. Padrón, president of the Miami Dade College, which runs the event. “It serves to strengthen the college’s commitment to providing quality cultural arts programming for all to enjoy.”

Here’s the full awards list:

KNIGHT COMPETITION ($40,000 in prizes courtesy of James L. & John S. Knight Foundation)

FICTION

Knight Grand Jury Prize: A Wolf at the Door (Brazil, directed by Fernando Coimbra).

Grand Jury Best Performance: Nora Navas, for We All Want What’s Best For Her (Spain, directed by Mar Coll).

Grand Jury Best DirectorFernando Coimbra, forA Wolf at the Door (Brazil).

Jordan Alexander Ressler Screenwriting Award:Mateo, written by Maria Gamboa (Colombia/France).

Jury:

Enrique Lopez Lavigne- Producer, Apaches Entertainment

Augustine Chiarino- Producer, Control Z Films

Alejandro Brugues – Director, Juan of the Dead

DOCUMENTARY

Knight Grand Jury Prize (ex aequo):

Finding Vivian Maier, directed by Charlie Siskel and John Maloof (USA); and

The Overnighters, directed by Jesse Moss (USA).

Jury:

Ross Kaufman – Filmmaker, Red Light Films (USA)

Adrian Bausch – Filmmaker (USA)

Laura Kim – Founder, Inside Job

LEXUS IBERO-AMERICAN OPERA PRIMA COMPETITION:

Winner: Mateo directed by Maria Gamboa (Colombia/France)

Honorable Mention:We are Mari Pepa, directed by Samuel Kishi Leopo (Mexico).

PAPI SHORTS COMPETITION, PRESENTED BY MACY’S:

Best Short Film: A Big Deal, directed by Yoyo Yao (China)

Honorable Mention:Skin directed by Cédric Prévost (France).

MIAMI ENCUENTROS presented by Moviecity

Aurora (Chile, produced by Florencia Larrea, directed by Rodrigo Sepulveda)

MIAMI FUTURE CINEMA CRITICS AWARD

To Kill A Man (Chile / France, directed by Alejandro Fernández Almendras).

REEL MUSIC VIDEO ART COMPETITION PRESENTED BY MTV Latin America and Tr3s

Winner: ‘Around the Lake’ (“Autour Du Lac”) directed by Noémie Marsily & Carl Roosens of Belgium. The music video was performed by Carl et les hommes-boîtes.

SIGNIS AWARD

Belle, directed by Amma Asante, “for its multi-layered depiction of the challenges to the value of human life and dignity wherever a profit-driven system makes commodification of persons acceptable. Masterly crafted, the film lifts up a variety of issues of conscience which still confront us today.”