Carlos Vives Earns Ninth No. 1 on Billboard’s Tropical Airplay Chart with Camilo Collaboration “Baloncito Viejo”

Carlos Vives is celebrating another chart-topper…

The 60-year-old Colombian singer, songwriter and actor’s collaboration with Camilo, “Baloncito Viejo” has reached No. 1 on Billboard’Tropical Airplay chart as the song rises 2-1 on the June 11-dated ranking.

Carlos Vives, Camilo,

The move puts Vives back atop the tally. He last scored a champ in August 2019 when “Si Me Das Tu Amor,” with Wisin, climbed 3-1 in its 20th week.

He registers his ninth No. 1 on the chart, meanwhile, Camilo secures his second.

“Baloncito Viejo” jumps from No. 2 after a 42 percent surge in audience impressions, to 9.1 million, earned in the U.S. in the week ending June 5, according to Luminate.

The duo sends another pair to the runner-up slot: Prince Royce and Maria Becerra’s “Te Espero” dips 1-2 with 8.5 million impressions after its two-week reign.

“Baloncito Viejo,” released March 2 via Sony Music Latin/WK, leads in 13th week. It’s the fourth track in 2022 to have landed at the summit in at least 10 weeks or more.

Here’s the recap:

Weeks to No. 1, Title, Artist, Peak Date
12, “Te Espero,” Prince Royce & Maria Becerra, May 28
13, “Baloncito Viejo,” Carlos Vives & Camilo, June 11
17, “Mala,” Marc Anthony, March 12
17 weeks, “La Fama,” Rosalia Featuring The Weeknd, May 14

Over on Latin Airplay, “Baloncito Viejo” barely misses the top, climbing 10-2 in its 10th week.

It’s the closest Vives has been to No. 1 since also “Si Me Das Tu Amor” gifted him his 15th win in 2019. It’s a different setting for Camilo as he last captured a No. 1 less than a year ago when “Millones” ruled the overall Latin survey for one week in July 2021.

“Baloncito Viejo” concurrently makes progress on Latin Pop Airplay. It rises 2-1 as the Greatest Gainer of the week.

Becky G & Karol G’s “Mamiii” Track Hits No. 1 on Six Billboard Latin Charts

It’s a hot mami-ment for Becky G and Karol G.

The 25-year-old Mexican American singer/rapper and the 31-year-old Colombian singer’s sew single “Mamiii” has hit No. 1 on two new Billboard Latin charts.

Becky G & Karol G

A week after conquering the Latin Pop Airplay chart (dated March 19), their first collaboration takes over the all-genre Latin Airplay chart as it jumps 3-1 on the March 26-dated ranking. It concurrently ascends 2-1 on Latin Rhythm Airplay.

With the move, “Mamiii” now tops six Latin charts concurrently: Hot Latin SongsLatin AirplayLatin Pop AirplayLatin Rhythm Airplay, Latin Digital Song Sales, and Latin Streaming Songs.

The previous instance of that six-chart simultaneous domination occurred almost three years ago when Daddy Yankee’s “Con Calma,” featuring Snow, topped all six of the May 25, 2019-dated tallies and the surveys dated June 15-29, 2019.

“Mamiii” ascends to lead Latin Airplay with an 11% increase in audience impressions, to 8.97 million, earned in the U.S. in the week ending March 20, according to MRC Data.

Karol G adds a 13th No. 1 in her 22nd appearance, the second-most for a woman after Shakira’s 15 leaders. Meanwhile, Becky G captures her fourth No. 1.

With the latest success, ‘Mamiii” joins a group of four other tracks which have ruled all six Latin charts concurrently in the last five years. Here’s a recap of the champs:

Title, Artist, Date Reached No. 1
“Chantaje,” Shakira featuring Maluma, Jan. 14, 2017
“Despacito,” Luis Fonsi and Daddy Yankee, featuring Justin Bieber, March 25, 2017; April 8, 2017, April 22 – July-1, 2017
“Mi Gente,” J Balvin and Willy Williams, featuring Beyoncé, Oct. 21, 2017; Nov. 4-25, 2017
“Con Calma,” Daddy Yankee, featuring Snow, May 25, 2019; June 15-29, 2019
“Mamiii,” Becky G & Karol G, March 26, 2022

Thanks to its growing airplay across Latin stations in the U.S., “Mamiii” holds strong at the summit on the all-metric Hot Latin Songs chart despite a dip in both streams and digital sales for the tracking week ending in March 17. On the former, it registered 11.3 million U.S. clicks with a 2% decline, which removes it from the top 10 on the overall Streaming Songs survey (9-17) but enough to continue at the lead on Latin Streaming Songs. On the latter, it likewise holds steady at the penthouse with a little over 1,000 downloads sold.

Adding to Karol G’s triumph “Mamiii” becomes the first song to rule the hybrid Hot Latin Songs chart and three airplay charts (Latin Airplay, Latin Pop Airplay, and Latin Rhythm Airplay) in over two years. Who did it prior? Well, herself, as “Tusa,” with Nicki Minaj, led all four rankings on the Feb. 15, 2020-dated list.

Becky G’s Collaboration with Karol G, “Mamiii,” Reaches No. 1 on Billboard’s Latin Pop Airplay Chart

Becky G is celebrating a pop-tastic honor…

The 25-year-old Mexican American singer, rapper and actress has scored a No. 1 on Billboard’s Latin Pop Airplay chart with “Mamiii,” her collaboration with Karol G, jumping from No. 3 on the chart to lead the March 19-dated survey.

Becky G & Karol GThe rise to the summit comes four weeks after the song debuted in the top spot on the Billboard Hot Latin Songs chart, giving Becky G her first No. 1 on Billboard’s the chart.

The new win trails two other Latin charts where the tune concurrently rules for a fourth week: Latin Digital Song Sales and Latin Streaming Songs.

On the former, it leads with 1,700 downloads sold, despite a 17% dip in sales, in the week ending March 10, according to MRC Data. On the latter, it holds at the summit despite a 10% decline in streams: the track logged 11.5 million U.S. streams in the same tracking period.

Back on Latin Pop Airplay, “Mamiii” reigns in its fifth week thanks to a 25% gain in audience impressions, to 8 million, earned in the week ending March 13.

It marks the fastest ascent in over a year. Rauw Alejandro’s “Todo De Ti” was the last champ to hit No. 1 quicker, with just four weeks before its coronation in June 2021.

Among female artists, Becky G and Karol G’s sprint to the speediest rise to No. 1 list since Shakira when “La Bicicleta,” her collaboration with Carlos Vives, took four weeks to reach the top spot in 2016.

In total, “Mamiii” becomes the 35th of 307 Latin Pop Airplay No. 1s to reach the penthouse in five weeks or better.

While Becky G scores her second No. 1 on Latin Pop Airplay (after “Sin Pijama,” with Natti Natasha, in 2018), Karol G clocks her sixth.

Here’s a recap of Karol G’s No. 1s:

Song Title, Artist, Weeks at No. 1, Date Reached No. 1
“Créeme,” with Maluma, one, March 2, 2019
“China,” with Anuel AA, Daddy Yankee, Karol G, Ozuna and J Balvin, two, Oct. 12, 2019
“Tusa,” with Nicki Minaj, 15, Feb. 15, 2020
“Ay, Dios Mio!” one, Oct. 10, 2020
“Location,” four, April 3, 2021
“Mamiii,” Becky G x Karol G, March 19

Enrique Iglesias Reclaims Record for Most No. 1s on Billboard Latin Airplay Chart with “Me Pasé,” Featuring Farruko

Enrique Iglesias is back in the lead…

The 46-year-old Spanish singer, songwriter, record producer, philanthropist and actor has recaptured his record for the most No. 1s on Billboard’s Latin Airplay chart as “Me Pasé,” featuring Farruko, ascends 4-1 on the October 2-dated survey.

Enrique Iglesias

With 32 No. 1s on the almost 27-year list, Iglesias pushes ahead of J Balvin for the most leaders. The latter notched his 31st leader as he locked up the No. 1 spot with “In Da Getto,” with Skrillex, on the September 11-dated tally.

“Me Pasé” takes over atop Latin Airplay thanks to a 26% boost in audience impressions, to 11.3 million, in the U.S. in the week ending September 26, according to MRC Data.

Notably, Iglesias has held the record for the most No. 1s on the Latin Airplay chart almost continuously since 1996, when he achieved his fifth No. 1, then passing Selena (who had a leading four No. 1s at that point).

The Latin Airplay chart began only two years earlier, in 1994. Since then, Iglesias has held the most No. 1s on the list except for a brief time earlier this year, when J Balvin tied with him for the most, when the former notched his 31st No. 1 on the September 11 chart with “In Da Getto.”

With “Me Pasé” at the summit, Farruko reaches his highest Latin Airplay ranking in 2021 as he’s scored two No. 3 high tracks (“Perfecta,” with Luis Fonsi, January 2; and “Pepas,” September 25).

Besides conquering Latin Airplay, Iglesias and Farruko also rule Latin Pop Airplay as “Me Pasé” lifts 2-1. Iglesias improves his career total to 25 No. 1s, extending his lead far ahead of second-place Shakira, with 19. Farruko captures his sixth leader.

Meanwhile, Final (Vol. 1), Iglesias’ 11th studio album, debuts at No. 2 on Latin Pop Albums. It’s his first studio effort since 2014’s No. 1 Sex and Love, and it earns him a 12th top 10. In between, Iglesias secured a No. 2 high with a Greatest Hits (2019) set, which has remained steady in the tally’s top 10 during all but one week of its 103-week run.

The 11-track Final (Vol. 1) includes five tracks that were originally released between 2015 and 2018 but were not previously released on an Iglesias album. Among them are a pair of No. 1s on Hot Latin Songs: “El Perdón,” with Nicky Jam, and “Duele El Corazón,” with Wisin.

“I took a pause in between albums because I was touring and because I wanted to enjoy the success of my previous album,” Iglesias tells Billboard. “I have never stopped writing and going to the studio though. The plan was to release the album at the beginning of last year, but once COVID hit, it delayed everything, obviously.”

Final, released September 17 via Sony Music Latin, starts with 4,000 equivalent album units earned in the week ending Sept. 23rd. Out of the 11-track set’s opening sum, 3,000 derive from streaming activity, which equates to 5 million U.S. streams of the set’s tracks. The remaining 1,000-unit sum stems from album sales and track equivalent album units.

“The biggest challenge was not being able to have everyone in the same studio and trying to follow all the precautions,” Iglesias continues. “We were trying to finish all the production aspects of the songs, which we managed to do being careful. Everyone involved wanted to see this bulk of work out and we managed to finish the process during COVID to have it ready so we could put it out now.”

On the overall Top Latin Albums chart, Final arrives at No. 12, also the Spaniard’s first appearance with a studio set since 2014. “When I work on an album, I start with 50 songs!” Iglesias adds. “Then it becomes 30, 20…so on. So, through the process, I relate to every single one in a way. I always say that if I’m going to put any music out, it must be something that I like and be willing to sing every single night, for years if needed. It’s hard to handpick just one, but I really enjoy ‘Chasing the Sun.’ It talks about staying young and staying positive. It’s a song that always puts me in a good mood.”

As Final arrives, one track launches on the all-metric Hot Latin Songs chart: “Pendejo” at No. 33. The set, however, was preceded by five songs, one of which ruled the tally for 30 weeks in 2015. Here’s the recap:

Title, Artist (if other than Iglesias), Peak Date, Peak Position
“El Perdón,” with Nicky Jam, March 21, 2015, No. 1 (30 weeks atop)
“Duele El Corazón,” with Wisin, May 14, 2016, No. 1 (14-week lead)
“Súbeme La Radio,” featuring Zion & Lennox and Descemer Bueno, April 22, 2017, No. 2
“El Baño,” featuring Bad Bunny, Jan. 27, 2018, No. 8
“Me Pasé,” featuring Farruko, Oct. 2, No. 15

Kali Uchis’ “Telepatia” Reaches No. 1 on Billboard’s Rhythmic Airplay Chart

Kali Uchis is celebrating the rhythm(ic)…

The 27-year-old Colombian American singer has scored her first No. 1 on Billboard’s Rhythmic Airplay chart as “Telepatia” moves up from the runner-up spot to lead the list dated August 14.

Kali Uchis

The single’s rise makes it the most-played song on monitored rhythmic U.S. radio stations, according to MRC Data.

“Telepatia” rises to No. 1 as it essentially held steady in plays in the week ending August 8, as measured by MRC Data. The previous champ, Roddy Ricch’s “Late at Night,” vacated the top spot after it declined 2% in plays.

Uchis also wraps a slow-but-steady journey on the list: “Telepatia” reaches the summit in its 17th week on the chart, second only to the 18-week wait for Yung Bleu’s “You’re Mines Still,” featuring Drake, among 2021 No. 1s.

Uchis, who hails from Alexandria, Va., achieves her first Rhythmic Airplay No. 1 on her second chart appearance. Her only previous appearance on the chart came through a featured role on Tyler, The Creator’s “See You Again” in 2017, which cracked the chart in the anchor position — No. 40 — and lasted two weeks.

In line with its Rhythmic coronation, “Telepatia” has secured new benchmarks for Uchis’ career in multiple areas since its November 2020 release.

After the tune gained traction on TikTok in early 2021, a rush of streams powered it to No. 10 on the Streaming Songs chart in March. That activity sparked the track’s Billboard Hot 100 entrance that month and its official promotion as a single. Radio airplay, then, kicked up and helped “Telepatia” achieve a No. 25 best on the Hot 100 in July.

In addition to conquering rhythmic radio, “Telepatia” ruled the Latin Airplay chart for one week in July and earned a No. 11 high on Pop Airplay. Simultaneous success at the three formats pushes the song into the top 10 on the all-genre Radio Songs chart, where it steps 11-10 through a 3% gain in audience to 40.7 million in listenership in the week ending August 6, according to MRC Data.

While “Telepatia” represents Kali Uchis’ solo breakthrough, the singer-songwriter made her first Billboard chart splashes in featured roles on songs across multiple genres, among them, the Gorillaz’s “She’s My Collar,” a No. 36 hit on Hot Rock Songs, Juanes’ “El Ratico,” a No. 10 success on Latin Pop Airplay and the Adult R&B Airplay chart-topper “Get You” in tandem with Daniel Caesar. The lattermost title led for one week and earned Uchis her first Grammy nomination, for best R&B performance.

Sebastian Yatra & Myke Towers’ “Pareja del Año” Reaches No. 1 on Three Billboard Latin Charts

It’s a triple for Sebastian Yatra and Myke Towers.

The 26-year-old Colombian singer/songwriter and the 27-year-old Puerto Rican singer top Billboard’s Latin AirplayLatin Pop Airplay and Latin Rhythm Airplay charts this week (dated August 14) with their hit collaboration “Pareja del Año.”

Sebastian Yatra & Myke Towers

The single reaches the summit on all three radio rankings with 9.4 million airplay audience impressions (up 56%), according to MRC Data.

The track earns Yatra his ninth No. 1 on Latin Airplay and his second of the year. It’s Towers his sixth, and his fifth of the year.

Here’s a look back at each of their respective No. 1s:

Sebastian Yatra’s Latin Airplay No. 1s
“Robarte Un Beso” with Carlos Vives (2018)
“Ya No Tiene Novio” with Mau Y Ricky (2018)
“Un Ano” with Reik (2019)
“Runaway” with Daddy Yankee, Jonas Brothers & Natti Natasha (2019)
“Date La Vuelta” with Luis Fonsi & Nicky Jam (2019)
“Bonita” with Juanes (2019)
“TBT” with Rauw Alejandro & Manuel Turizo (2020)
“Chica Ideal” with Guaynaa (2021)
“Pareja del Año” with Myke Towers (2021)

Myke Towers’ Latin Airplay No. 1s
“Caramelo” with Ozuna & Karol G (2020)
“Mi Nina” with Los Legendarios & Wisin (2021)
“La Nota” with Manuel Turizo & Rauw Alejandro (2021)
“Travesuras” with Nio Garcia, Casper Magico, Ozuna, Wisin, Yandel, & Flow La Movie (2021)
“Bandido” with Juhn (2021)
“Pareja del Año” with Sebastian Yatra (2021)

“Pareja del Año,” Towers’ fifth Latin Airplay No. 1 of 2021, breaks a tie with Rauw Alejandro for the most among all acts this year.

“Pareja del Ano” concurrently rises 14-11 on the latest Hot Latin Songs ranking.

Camilo Earns Fifth No. 1 on Billboard’s Latin Airplay Chart with “Millones”

It’s a handful for Camilo

The 28-year-old Colombian singer, songwriter and record producer has notched his fifth No. 1 on Billboard’s Latin Airplay chart as “Millones” rises 5-1 on the survey dated July 24.

Camilo

“Millones” is Camilo’s second No. 1 as a soloist, without an accompanied acIt’s Camilo’s fifth win since he notched a first leader in June 2020; all one-week rulers. Here’s a look:

Title, Artists (if other than Camilo), Peak date
“Si Me Dices Que Sí,” with Reik & Farruko, June 27, 2020
“Tattoo,” with Rauw Alejandro, Sept. 12, 2020
“Vida de Rico,” Jan. 30
“Despeinada,” with Ozuna, Feb. 6
“Millones,” July 24

“Millones” also leaps to the top on Latin Pop Airplay, a fourth No. 1 on the chart following the four-week reign by “Despeinada,” with Ozuna, starting January 9, 2020.

“Millones” is the fourth single from Mis ManosCamilo’s second top five debut on Top Latin Albums (March 20-dated survey).

Micro TDH Signs Exclusive Record Deal with Warner Music Latina

Micro TDH is ready to break out…

The 22-year-old Venezuelan singer has signed an exclusive record deal with Warner Music Latina.

Micro TDH

The agreement between Warner and the Latin music newcomer will further develop the artist’s musical career, including the release of his upcoming studio album.

“Micro TDH is the new face of the Urban Latin music movement and I am sure that one day he will be recognized as one of the best Latin songwriters of all time,” said Iñigo Zabala, president of Warner Music Latin America & Iberia in a statement. “It is an incredible privilege to work with such a multifaceted and talented artist.”

Managing director Gabriela Martinez agrees, calling Micro one of the most sought-after young acts. “With his incomparable talent, charisma, unique sound, and our vision we will work hard to grow his music,” she adds.

With over two million followers on Instagram, Micro TDH is a singer-songwriter who has caught the attention of music lovers with his soulful hip-hop fusions and raw lyrics about love, heartbreak, and life lessons, overall.

He first got on the international radar with his collaboration on Piso 21’s feel-good track “Te Vi,” which peaked at No. 28 on Billboard’s Hot Latin Songs chart dated May 11, 2019. After collaborating with artists like Lenny TavarezGreeicyJustin Quiles, and Colombian hitmaker Ovy on the Drums, Micro is currently making the rounds with his Myke Towers-assisted “El Tren,” which recently entered the Latin Pop Airplay chart.

“I hope this is the beginning of something very big. We are here to make history with our music and leave a mark in the industry,” Micro, who’s nominated for best artist Andean region at the 2021 Premios Heat, expressed.

Luis Fonsi Earns Ninth No. 1 on Billboard’s Latin Pop Airplay Chart with Rauw Alejandro-Collab “Vacío”

Luis Fonsi is on Cloud Nine

The 43-year-old Puerto Rican singer’s single “Vacío” featuring Rauw Alejandro takes over the top spot on BillboardLatin Pop Airplay chart as the song rises from No. 3 on the May 8-dated survey.

Luis Fonsi & Rauw Alejandro

The song jumps 3-1 boosted by a 21% lift in audience impressions, to 6.7 million, earned in the week ending May 2, according to MRC Data.

Luis Fonsi earns his ninth No. 1 on the chart after “Perfecta” with Farruko reigned for two weeks starting in December 2020.

Rauw picks up his third, and second of the year, following “Baila Conmigo,” his two-week champ alongside Selena Gómez (March 13-dated list).

“Vacío” is the fourth male co-billed duet to top BillboardLatin Pop Airplay chart in 2021, one of which, as previously mentioned, also includes Luis Fonsi: “Perfecta,” with Farruko (Jan. 2).

In between, two other dual male pairings took the crown: Ozuna and Camilo’s “Despeinada” (four weeks starting Jan. 9-dated list) and Sebastian Yatra and Guaynaa’s “Chica Ideal” (three-week champ starting February 2).

“Vacío” is among a handful of songs of late to find reception among both Latin pop and Latin rhythmic audiences and radio. It continues its ascent on the Latin Rhythm Airplay chart (9-7) to become the fifth Latin pop song No. 1 of 2021 to make it to the top 10 of the Latin Rhythm Airplay chart, following four other titles which led Latin Pop Airplay before: Ozuna and Camilo’s “Despeinada,” Sebastian Yatra and Guaynaa’s “Chica Ideal,” Selena Gomez and Rauw Alejandro’s “Baila Conmigo” and Karol G, Anuel AA and J Balvin’s “Location.”

“Vacío” concurrently enters the top 10 on the all-genre Latin Airplay chart with a 14-9 hike. Luis Fonsi ups his career count to 19 top 10s, while Rauw clams his sixth. “Vacío” was written by Fonsi, Andres TorresMauricio RengifoOmar Alfanno and Rauw.

Mana Releases Revamped Version of “Eres Mi Religion” Featuring Jesse & Joy’s Joy Huerta

Mana is bringing a little Joy to one of its hit singles…

The legendary Mexican rock band has joined voices with Joy Huerta of Latin Grammy-winning Mexican duo Jesse & Joy for a revamped version of “Eres Mi Religion,” nearly 19 years after its original release.

Mana & Joy Huerta

“My loves, Maná invited me to be part of this song and it was impossible for me to resist,” Joy expressed on Instagram.

“Eres Mi Religion” is a timeless love anthem about finding your soul mate and being devoted to them.

Conserving the original’s essence, the 2021 version of “Eres Mi Religion” is still a romantic rock song. What’s different is its gospel-like intro and more instrumentation, likes the cajón. Notable is Joy’s powerhouse vocal throughout the track, beautifully harmonizing with Fher Olvera.

On the Billboard charts, the track peaked at No. 17 on Hot Latin Songs chart dated January 4, 2003, and at No. 10 on the Latin Pop Airplay chart dated January 4, 2003, earning the Mexican rock group its 10th top 10 at the time (the group has a total of 26).

It’s the latest re-do for Mana.

For two years now, the band has been sporadically releasing new versions of some of their biggest hits. In 2019, they released “Rayando el Sol” featuring Spanish crooner Pablo Alborán and “No Ha Parado de Llover” in collaboration with Sebastian Yatra.