International Salsa Museum (ISM) Launching First-Ever Exhibition Honoring La Lupe

La Lupe is being feted in the Big Apple.

The International Salsa Museum (ISM) has announced a first-ever exhibition celebrating the late Afro-Cuban artist known as the Queen of Latin Soul.

La LupeLa Lupe, whose full name is Lupe Victoria Yolí Raymond, was a Cuban singer of boleros, guarachas and Latin soul who was known for her energetic, sometimes controversial performances.

Held during the 2023 New York International Salsa Congress (NYISC), the three-day pop-up and fan experience will also commemorate the centennial of the King of Mambo, Tito Puente.

“ISM is honored that the estates of these seminal artists of early Latin music believe in our mission,” said Willy Rodriguez, co-founder and executive director of ISM, in a statement. “It’s important to educate the public on their legacies while humanizing the persons behind the curtains.”

As part of the tribute, Puente’s son, Tito Puente Jr. will form part of a panel discussion about the past, present, and future of salsa with ISM and former Billboard Latin Artist on the Rise, Luis Figueroa.

He will also perform with his orchestra.

The exhibition and pop-up, fan experience will open September 1 at the New York Marriott Marquis in Times Square.

For ticketing information, and more, click here

Google Honors the Late Tito Puente with Special Google Doodle

Tito Puente’s legacy lives on… with a special doodle.

In celebration of Hispanic Heritage Month, Google is commemorating the late Puerto Rican musician, songwriter, bandleader, and record producer, known as the King of Latin Music, with a charming new Doodle video, created by New York-based Puerto Rican illustrator Carlos Aponte.

Tito Puente“Tito was part of my musical experience growing up in Puerto Rico. My aunt introduced me to Tito Puente via La Lupe, a famous singer in Puerto Rico and New York,” says the illustrator. “Tito was like a Svengali for talents like Celia Cruz. He was a household name. So Tito was part of my Puerto Rican soundtrack.”

Featuring the lively “Ran Kan Kan,” the animated clip takes viewers back to Puente’s childhood at 110th Street and Third Avenue in Spanish Harlem, where the budding artist bangs on pots and pans in his room bedecked with a Puerto Rican flag. It follows Puente’s various stints as a musician, showing him as a U.S. Navy ship’s bandleader (he served during World War II) up to him ruling over New York City nightlife as the undisputed King of the Timbales.

Tito Puente, Google DoodleThe Google Doodle also celebrates the one-year anniversary of the Tito Puente Monument, which was unveiled in his hometown of East Harlem, New York, on this day (Oct. 10), located on the northern end of Central Park.

In 2000, the same year the musical legend died, 110th Street was renamed Tito Puente Way.

Born Ernesto Antonio Puente Jr. on April 20, 1923, in Spanish Harlem to Puerto Rican parents, the young Nuyorican musician grew up surrounded by the rich Latin diversity the city is known for. He led his first orchestra in the late ‘40s, and by the 1950s, he became an unrivaled master of timbales and vibraphone. In 1969, he was bestowed the key to New York City.

In his lifetime, he released an immense discography that includes more than 100 full-length albums that showcased his propulsive dance rhythms and jubilant brass melodies. He penned timeless hits such as “Oye Como Va,” which was famously covered by Santana, “Mambo Gozón” (1958), “La Guarachera” (1966) with Celia Cruz, and many more. In the late ‘60s, Tito Puente joined New York’s maverick troupe Fania All-Stars, also starring Eddie Palmeri, Ricardo Ray and Bobby Cruz.

His journey began with “Ran Kan Kan,” his first recorded track, which is featured in the Google Doodle. In 1992, “Ran Kan Kan” entered the top 10 of Billboard‘s Dance Club Songs chart. In 2010, “Guantanamera” by Celia Cruz, featuring Puente, landed at No. 2 on the World Digital Song Sales chart. In 1995, Puente was given the Billboard Latin Music Lifetime Achievement Award.

Last year, Google Doodles honored Latin culture independence days, celebrating Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica and Mexico. Another Doodle celebrated a Chilean holiday with a drawing of a huemul, represented on the country’s national shield.

Illustrator Aponte has also provided artwork for the Latin Recording AcademyThe New Yorker and The New York Times. He currently teaches drawing at the Fashion Institute of Technology. With his Doodle, he hopes people will take away this message: “Love what you do, train, study, and be the best you can be. If you excel, everything else will fall into place. There are no shortcuts. Those who make it easily don’t last long. Tito was a perfect example; he was the best!”

Rosalía Making Acting Debut in Pedro Almodovar’s New Film “Dolor y Gloria”

Rosalía is having an Almodovar moment…

The 24-year-old Spanish singer, who released her new single “Piensa en tu Mirá” earlier this week, is busy filming her debut acting role in the new movie from director Pedro Almodovar.

Rosalía & Pedro Almodovar

Rosalía will appear alongside Penelope Cruz in Almodovar’s Dolor y Gloria, which features Antonio Banderas in a leading role.

Rosalia, who is experiencing growing fame as the voice of a new generation, is also expected to be the cornerstone of the movie’s soundtrack as well.

Almodovar is best known for his strong female characters, but his appreciation for female voices surpasses that of any contemporary director. In the past, he’s honored Chavela Vargas and La Lupe through his movies, and brought BuikaEstrella Morente and Luz Casals to new audiences. Now it’s Rosalía’s turn.

“When I was little I watched Pedro’s movies with my mother and my sister and the women featured in them seemed from another world and at the same time so familiar,” Rosalía wrote on an Instagram post accompanied by photos of her first day of shooting. “My life has always been about singing, playing, dancing, acting and I can truthfully say that I dreamed about doing something like this since I was a little girl.”

Almodovar burst onto the international scene in the 1980s, as Spain emerged from a cultural slumber of a 40-year dictatorship, with films that declared the emergence of a new movement from the underground while caricaturing the constricts of traditional Spanish society.

The videos for Rosalía’s “Piensa en tu Mirá” and her previous single “Malamente” were created by Canada, a Barcelona production company known for its bold work. They also embrace typical Spanish iconography, but from a 21st century perspective, contrasting flamenco and bullfighting imagery with cars, motorcycles, guns and other images that are constants in the visual language of urban music.

Rosalía’s increasing presence in Spain’s audiovisual scene also extends to television: she sings the theme song of the second season of Paquita Salas, which caught on as a web series and premiered this summer on Netflix. The show, described as a “tragicomedy” by Brays Efe — who plays the brazen actors’ agent Paquita — is a direct heir to the irreverent, and distinctly Spanish, legacy of Almodovar.

Nieves Starring in the Latino-Themed Off-Broadway Musical “I Like It Like That”

Tito Nieves likes it like that…

The 58-year-old Puerto Rican salsa singer is starring in the new off-Broadway musical I Like It Like That.

Tito Nieves

“We didn’t have politicians or other idols to look up to [in those days],” explains David Maldonado, producer and co-writer of the new musical. “There were not many Latino athletes around. The idols became Eddie Palmieri and Hector Lavoe…. Music artists were the most important figures. Music became like the religion of the masses.”

The show, now playing at the Puerto Rican Traveling Theater in New York, includes songs from the repertoire of Palmieri and Lavoe, Ruben Blades, Willie Colon, Joe Cuba, Tito Puente, El Gran Combo de Puerto Rico, La Lupe and more.

I Like It Like That takes its title from the song that was a Billboard chart hit for Pete Rodriguez in 1967. Thirty years later, the bugalú cornerstone was revived in a hit cover by Nieves, who stars as family patriarch Roberto Rodriguez in the new musical.

Featuring a seven-piece band, the theater production is a “historical musical journey” that Maldonado describes as a social chronicle of New York in the ’70s, as well as a sing-and-dance-along showcase for the great music of the period that came out of the city’s Latino neighborhoods. The play chronicles life in the barrio in those decadent days in New York.

“We were going bankrupt,” says Maldonado, who grew up in Brooklyn. “Garbage all over the place, potholes, civil unrest…”

Maldonado describes I Like It Like That as being “about social conscience. Some people want to escape, and others want to fight for the hood, which most people called ‘the ghetto.’”

He notes that in addition to the music, the language used in the play accurately reflects the period.

“It is in Spanglish,” he says. “Mostly English. I wasn’t doing that because I was trying to get a wider audience, although I do appreciate that. It was because at that time, there was salsa, but everyone was speaking English. The music was in Spanish, but if you look at those albums, the liner notes were in English.”

Maldonado and co-writer Waddys Jáquez (who also directs the play) tell the story of the Rodriguez family in East Harlem, using salsa, bugalú and bolero classics to advance the story.

Characters were created from those described in songs like Blades’ “Paula C,” and song lyrics were used to set the action and inspire the dialog, says Maldonado. The musical also includes original songs.

I Like It Like That promises to appeal to fans of the Celia Cruz musical Celia, and Quien Mató a Hector Lavoe; both shows also produced by Maldonado, which combined social chronicle with musical tribute.