The 58-year-old Cuban-American actor and musician is set as a lead opposite Danny Pino and Michael Chiklis inHotel Cocaine,MGM+’s upcoming crime thriller from creator Chris Brancato.
Hotel Cocaine is the story of Roman Compte (Pino), a Cuban expatriate who fought against Fidel Castro in the Bay of Pigs invasion and re-made his life in Miami. He is general manager of the Mutiny Hotel, the glamorous epicenter of the Miami cocaine scene of late ‘70s and early ‘80s. The Mutiny Hotel was Casablanca on cocaine, a glitzy nightclub, restaurant and hotel frequented by Florida businessmen and politicians, international narcos, CIA and FBI agents, models, sports stars and musicians.
Vazquez will play Nestor Cabal, Roman Compte’s (Pino) brother and one of the biggest suppliers of cocaine to a coke-hungry Miami population. He’s dangerous, funny, wily, and seeking reunion with his long-lost brother.
Chiklis plays Agent Zulio who will stop at nothing to shut down the drug trade, even if it means using innocent civilians to accomplish his ends.
Brancato serves as executive producer and showrunner. Guillermo Navarro will direct the pilot episode and executive produce the series, with Michael Panes and Alfredo Barrios Jr. also serving as executive producers.
The eight-episode series from MGM+ Studios, in partnership with MGM Television, will begin production in May in the Dominican Republic, and is slated to premiere in early 2024.
Vazquez will next be seen in the HBO Max limited series White House Plumbers, opposite Woody Harrelson and Justin Theroux. He was most recently seen on season 3 of the MGM+ series Godfather of Harlemopposite Forest Whitaker and in the Emmy-nominated Apple TV+ series, Severance, directed by Ben Stiller.
His other credits include Jason Bateman’s HBO series The Outsider, ABC’sPromised Land, Netflix’s Russian Doll, TNT miniseriesI Am The Night and HBO’s Succession, among others.
His film work includesBooks of Blood, Last Flag Flying, Gringo, TrafficandThe Infiltrator.
The 46-year-old Puerto Rican reggaeton singer earns his first No. 1 on Billboard’s Latin Rhythm Airplay chart with “Punto 40,” his collaboration with Rauw Alejandro.
“Punto 40,” which rises to the top on the January 28-dated ranking, is the second single from Alejandro’s Saturno that debuted at No. 2 on Top Latin Albums last November.
The song climbs from No. 6 following a 26% gain in audience impressions, to 7.6 million, earned in the U.S. in the week ending Jan. 19, according to Luminate.
“Punto 40” gives Baby Rasta his first chart-topper among 20 career entries. The new champ outdoes his previous highest ranking to date, “Amor Prohibido,” with Gringo, which reached a No. 6 high in 2014.
With its ascent, “Punto 40” also sends Feid’s “Normal” to No. 2 after one week in charge (6 million in audience, down 20%).
Alejandro, meanwhile, captures his 10th leader, all dating back just to 2020 with the two-week ruler “TBT,” with Sebastián Yatra and Manuel Turizo. Plus, “Punto 40” arrives eight months after his last, “Te Felicito,” with Shakira, in May 2022.
Here’s a look at the hitmaker’s leaderboard:
Peak, Title, Artist, Weeks at No. 1 June 27, 2020, “TBT,” with Sebastian Yatra, & Manuel Turizo, two
Sept. 12, 2020, “Tattoo,” with Camilo, one
Jan. 23, 2021, “La Nota,” with Manuel Turizo & Myke Towers, one
March 27, 2021, “Baila Conmigo,” with Selena Gomez, one
May 29, 2021, “Vacío,” with Luis Fonsi, one
July 3, 2021, “Todo De Ti,” seven
March 5, 2022, “Cúrame,” one
July 2, 2022, “Desesperados,” with Chencho Corleone, one
May 7, 2022, “Te Felicito,” with Shakira, one
Jan. 28, 2023, “Punto 40,” with Baby Rasta
Over on the all-genre Latin Airplay chart, “Punto Rasta” ascends to a new No. 4 high. With the lift Baby Rasta ensures his highest peak to date.
The Academy of Motion Picture Arts & Sciences has released its annual list of invitations to join the organization, with the 26-year-old Mexican actress and UNESCO Goodwill Ambassador for Indigenous Peoples among the 819 extended an invite.
Aparicio, one of Timemagazine’s100 most influential people in the world in 2019,earned an Oscar nod in the Best Actress category for her performance in Alfonso Cuarón‘s 2018 Spanish-language drama Roma. With the nomination for her actig debut, she became the first Indigenous American woman and the second Mexican woman to receive a Best Actress Oscar nomination.
But Aparcio isn’t the only Latino/a to make the list…
Other invitees in the Actors branch include Bobby Cannavale, who appeared in The Irishman, Overboard’s Eva Longoria, Knives Out star Ana de Armas and Gringo actor Yul Vazquez.
Invitees in the Music branch include Andrea Guerra (Hotel Rwanda) and Cuban-American jazz trumpeter Arturo Sandoval, who worked on the music for Clint Eastwood’s films Richard Jewell and The Mule.
The Directors branch sent out invitations to Latino filmmakers Icíar Bolláin (Spanish), Felipe Cazals (Mexican), Sebastián Cordero (Ecuadorian), Luis Estrada (Mexican), Alejandro Landes (Colombian-Ecuadorian),Jorge Alí Triana (Colombian) and Andrés Wood (Chilean).
This year’s new class demonstrates The Academy’s commitment to erasing the stigma of not being inclusive, particularly in terms of women, international members and underrepresented ethnic/racial communities.
The organization reports this year’s class breakdown is 49% international, 45% women, and 36% underrepresented ethnic/racial.
The overwhelming number of those invited to join the Academy end up accepting.
The total active membership in 2019 was 8,946, with 8,733 eligible to vote. Total membership including active, voting and retired was 9,794. Today’s additions will take the membership count past the 10,000 mark.
AMPAS says members can voluntarily disclose their race/ethnicity, sex or can choose “prefer not to.” So, demo stats may not be 100% accurate. AMPAS also “recognizes and respects” the personal choice in identification, but doesn’t track LGBTQ+ or differently abled, although a source says, while protecting privacy and not forcing answers, they are “working towards it.” In other words this is no longer your father’s Academy.
“We take great pride in the strides we have made in exceeding our initial inclusion goals set back in 2016, but acknowledge the road ahead is a long one,” said Academy CEO Dawn Hudson. “We are committed to staying the course.”
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.
Here’s a look at some of this year’s Latino invitees:
Actors Yalitza Aparicio – “Roma” Bobby Cannavale – “The Irishman,” “The Station Agent” Ana de Armas – “Knives Out,” “Blade Runner 2049” Eva Longoria – “Overboard,” “Harsh Times” Yul Vazquez – “Gringo,” “Last Flag Flying”
Casting Directors Libia Batista – “Eres Tú Papá?,” “Viva” Javier Braier – “The Two Popes,” “Wild Tales” Eva Leira – “Pain and Glory,” “Biutiful” Yesi Ramirez – “The Hate U Give,” “Moonlight” Yolanda Serrano – “Pain and Glory,” “Biutiful”
Directors Icíar Bolláin – “Even the Rain,” “Take My Eyes” Felipe Cazals – “El Año de la Peste,” “Canoa: A Shameful Memory” Sebastián Cordero – “Europa Report,” “Crónicas” Luis Estrada – “The Perfect Dictatorship,” “Herod’s Law” Alejandro Landes – “Monos,” “Porfirio” Jorge Alí Triana – “Bolívar Soy Yo,” “A Time to Die” Andrés Wood – “Araña,” “Violeta Went to Heaven”
Documentary Cristina Amaral – “Um Filme de Verão (A Summer Film),” “Person” Violeta Ayala – “Cocaine Prison,” “The Bolivian Case” Julia Bacha – “Naila and the Uprising,” “Budrus” Almudena Carracedo – “The Silence of Others,” “Made in L.A.” Paola Castillo – “Beyond My Grandfather Allende,” “Genoveva” Paz Encina – “Memory Exercises,” “Paraguayan Hammock” Mariana Oliva – “The Edge of Democracy,” “Piripkura” Iván Osnovikoff – “Los Reyes,” “La Muerte de Pinochet (The Death of Pinochet)” Tiago Pavan – “The Edge of Democracy,” “Olmo and the Seagull” Bettina Perut – “Los Reyes,” “La Muerte de Pinochet (The Death of Pinochet)” Marta Rodriguez – “Our Voice of Earth, Memory and Future,” “Campesinos (Peasants)”
Executives Ozzie Areu Barbara Peiro Frank Rodriguez Mimi Valdes
Film Editors Alejandro Carrillo Penovi – “Heroic Losers,” “The Clan” Alex Marquez – “Snowden,” “Savages”
Makeup Artists and Hairstylists Mari Paz Robles – “I Dream in Another Language,” “Cantinflas” David Ruiz Gameros – “Tear This Heart Out,” “Amores Perros” Susana Sánchez – “The Liberator,” “Goya’s Ghosts”
Marketing and Public Relations Inma Carbajal-Fogel Emmanuelle Castro Fernando Garcia Dustin M. Sandoval
Music Andrea Guerra – “The Pursuit of Happyness,” “Hotel Rwanda” Arturo Sandoval – “Richard Jewell,” “The Mule”
Producers Edher Campos – “Sonora, the Devil’s Highway,” “The Golden Dream” Nicolas Celis – “Roma,” “Tempestad” Alex Garcia – “Kong: Skull Island,” “Desierto” Enrique López Lavigne – “The Impossible,” “Sex and Lucia” Álvaro Longoria – “Everybody Knows,” “Finding Altamira” Mónica Lozano – “I Dream in Another Language,” “Instructions Not Included” Gabriela Maire – “Las Niñas Bien (The Good Girls),” “La Caridad (Charity)” Luis Manso – “Champions,” “Binta and the Great Gabriela Rodríguez – “Roma,” “Gravity” Mar Targarona – “Secuestro (Boy Missing),” “The Orphanage” Luis Urbano – “Letters from War,” “Tabu”
Production Design Sandra Cabriada – “Instructions Not Included,” “The Mexican” Estefanía Larraín – “A Fantastic Woman,” “Neruda”
Short Films and Feature Animation José David Figueroa García – “Perfidia,” “Ratitas” Oscar Grillo – “Monsters, Inc.,” “Monsieur Pett” Otto Guerra – “City of Pirates,” “Wood & Stock: Sexo, Orégano e Rock’n’Roll” Isabel Herguera – “Winter Love,” “Under the Pillow” Summer Joy Main-Muñoz – “Don’t Say No,” “La Cerca” Juan Pablo Zaramella – “Luminaris,” “The Glove”
Sound David Esparza – “The Magnificent Seven,” “The Equalizer”
Visual Effects Leandro Estebecorena – “The Irishman,” “Kong: Skull Island”
Members-at-Large Daniel Molina Carlos Morales Jesse Torres
