Chile Enters Fernando Guzzoni’s “Blanquita” into Oscars Best International Film Race

Fernando Guzzoni may be contending for an Academy Award…

Chile has submitted the 39-year-old film director and scriptwriter’s Blanquita as its official entry for the Best International Film race at the Oscars.

Fernando GuzzoniGuzzoni’s film explores a real-life child prostitution scandal that rocked the country in the early 2000s.

The film was chosen as Chile’s official entry by members of the Chilean Film Academy, in its third selection since its creation in 2018.

“Once again we are witnessing both the quality and diversity of our cinema, as well as the criteria and commitment of our partners: 70% of them voted in this process, the most participatory since we as an Academy have been in charge of choosing the film that represents Chile at the Oscars”, said the body’s executive director Josefina Undurraga.

Blanquita, Fernando Guzzoni Blanquita world premiered in the Horizons section of the Venice Film Festival this year, winning the best screenplay prize for Guzzoni.

Big screen debutant Laura López stars as an 18-year-old resident of a foster home, who is a key witness in a trial against powerful politicians and businessmen implicated in a child sex scandal. As questions are asked, her role in the scandal becomes unclear.

Award-winning veteran actor Alejandro Goic co-stars as a priest who runs the home where the young woman lives. Other cast members include Amparo Noguera, Marcelo Alonso and Daniela Ramirez.

The feature is inspired by the real-life early 2000s Spiniak Case involving a paedophilia ring run by an entrepreneur and sports club owner, which provided services to a number of high-placed politicians and businessmen.

The case divided Chile as it went through the courts, with doubts being cast on the testimony of key witness who was caught up in the ring as a minor and accused two senators of abusing her.

Guzzoni spent a year investigating the case in-depth before writing his screenplay.

“I am very honored that Blanquita is Chile’s representative at the Oscars and grateful for the support of all my colleagues at the Film Academy,” said Guzzoni.

“The film puts forward in a thriller key an urgent issue about impunity and structural injustice in our country, therefore, it combines audience vocation and a story with high social sensitivity,” he continued.

“We believe that the film being awarded in Venice, the great reception from critics and the support of our international partners and distributors will allow us to carry out a campaign that seeks to make Blanquita’s message visible and position the film in the best possible way.”

Blanquita is Guzzoni’s fourth feature after La ColorinaCarne de Perro and Jesús, about a troubled, teenager who turns to violence in search of thrills.

Blanquita is a powerful and current movie, which should make an impression on the Academy members. I can’t wait for them to see it,” said New Europe CEO Naszewski.

Chile won the Oscar for best international film in 2018 with Sebastían Lelio’s A Fantastic Woman, while Pablo Larrain’s No was nominated for the 2012-13 race and Maite Alberdi’s The Mole Agent was nominated in the Best Documentary category last year.

The deadline for the Best International Film category closed on October 3, with around 85 titles being publicly declared so far. Last year, there were submissions from 93 countries.

Pablo Larrain’s “No” Earns Another Film Festival Award

Pablo Larrain’s No, Chile’s Foreign Oscar hopeful starring Gael Garcia Bernal, continues to win praise throughout the world…

Pablo Larrain

The 36-year-old Chilean filmmaker’s latest film, which won the Art Cinema Award at the 2012 Cannes Film Festival, has claimed the 1st Choral Award for Fiction Films at the Havana New Latin American Film Festival.

Based on a true story, No stars Bernalas a brash young Chilean advertising executive who spearheads a campaign that helps topple Chilean military dictator Augusto Pinochet’s regime

Also from Chile, Andres Wood’s Violeta Went to Heaven came in second in the same competition, and also won Best Art Direction, while the 3rd Choral Award went to Claudio AssisRat Fever from Brazil.

The Jury granted a Special Prize for Carlos Sorin’s Fishing Days (Argentina) and a Special Mention for Brazil/France co-production Once Upon a Time Was I, Verônica, directed by Marcelo Gomes

The fest’s First Film competition was topped by William Vega’s La Sirga (Colombia), followed by Alejandro Fadel’s The Wild Ones (Argentina) which also picked the Choral Award for Best Artistic Contribution. The 3rd Choral prize went to Fernando Guzzoni’s Dog Flesh (Chile)

Local documentary El evangelio según Ramiro by Juan Carlos Calahorra picked the 1st Choral in the Documentary competition, while Maria Veronica Ramirez’s Anima Buenos Aires topped the Animation category.

The FIPRESCI Award went to Nicolas Pereda’s Greatest Hits (Mexico)

Here’s the complete list of awards:

FICTION

Short Films
Jury Mention: Detras del espejo – Julio O. Ramos (Peru)

Choral Award to Best Short Film: Los anfitriones – Miguel Angel Moulet (Cuba)

Feature Length Films

First Choral Award: No – Pablo Larrain (Chile, USA, Mexico)

Second Choral Award: Violeta Went to Heaven – Andres Wood (Chile, Argentina, Brazil)

Third Choral Award: Rat Fever – Claudio Assis (Brazil)

Special Jury Prize: Fishing Days – Carlos Sorin (Argentina)

Jury Mention: Once Upon a Time Was I, Veronica – Marcelo Gomes (Brazil, France)

Best Direction: Michel Franco – After Lucia (Mexico)

Best Script: Eduardo del Llano and Daniel Díaz Torres – La película de Ana (Cuba)

Best Actor: Andres Crespo – Pescador (Ecuador, Colombia)

Best Actress: Laura de la Uz – La película de Ana (Cuba)

Best Editing: Pablo Trapero and Nacho Ruiz Capillas – White Elephant (Argentina, Spain, France)

Best Original Score: Jacobo Lieberman, Leonardo Heiblum – The Delay (Uruguay, Mexico)

Best Soundtrack: Gilles Laurent – Post Tenebras Lux (Mexico, France, Germany, The Netherlands)

Best Cinematography: Alexis Zabe – Post Tenebras Lux (Mexico, France, Germany, The Netherlands)

Best Art Direction: Rodrigo Bazaes – Violeta Went to Heaven (Chile, Argentina, Brazil)

Best Film about Latin America by a non-Latin American filmmaker: Here and There – Antonio Mendez Esparza (USA, Spain, Mexico)

FIRST FILMS

First Choral Award: La Sirga – William Vega (Colombia, France, Mexico)

Second Choral Award: The Wild Ones – Alejandro Fadel (Argentina)

Third Choral Award: Dog Flesh – Fernando Guzzoni (Chile)

Mention: El limpiador – Adrian Saba (Peru)

Choral Award to the Best Artistic Contribution: The Wild Ones – Alejandro Fadel (Argentina)

ANIMATED FILMS

First Choral Award: Anima Buenos Aires – Maria Veronica Ramirez (Argentina)

Second Choral Award: Luminaris – Juan Pablo Zaramella (Argentina)

Third Choral Award: Fat Bald Short Man – Carlos Osuna (Colombia, France)

Special Jury Prize: Selkirk, el verdadero Robinson Crusoe – Walter Tournier (Uruguay, Argentina, Chile)

Mention: La luna en el jardin – Adanoe Lima and Yemelí Cruz (Cuba)

DOCUMENTARY FILMS

First Choral Award: El evangelio segun Ramiro – Juan Carlos Calahorra (Cuba)

Second Choral Award: Con mi corazon en Yambo – Fernanda Restrepo (Ecuador)

Third Choral Award: Cuentos sobre el futuro – Patricia Bustos (Chile)

Best Film about Latin America by a non-Latin American filmmaker: Escenas previas – Aleksandra Maciuszek (Cuba, Poland)

Special Prize: De agua dulce – Damian Sainz (Cuba)