Sebastián Lelio is one step closer to a special date with Oscar…

The Academy of Motion Picture Arts and Sciences has whittled through 92 submissions to come up with its shortlist of nine titles to advance in the Best Foreign Language Film category this year, with the 43-year-old Argentinian-born Chilean filmmaker still in the running.

Lelio’s A Fantastic Woman, Chile’s pick to enter the race for the Best Foreign Language Film Oscar, joins other favorites like Ruben Ostlund’s The Square (Sweden) and Loveless from Russia’s Andrey Zvyagintsev in advancing to the next round.

Each of those was nominated for a Golden Globe earlier this week. As was Fatih Akin’s Germany terrorism drama In The Fade, which has seen its street cred solidified by the Academy with tonight’s shortlist inclusion.

The final five Academy Award nominations in the race will be announced along with the rest of the categories on January 23.

Films also making the cut include Berlinale Golden Bear winner On Body And Soul from resurgent Turkish director Ildikó Enyedi; and Venice favorites Foxtrot, from Israel’s Samuel Maoz, and The Insult by Franco-Lebanese helmer Ziad Doueiri.

The last Spanish-language film to earn a nomination in the Best Foreign Language Film category was Ciro Guerra’s Embrace of the Serpent (representing Colombia) in 2015.

The Last Spanish-language film to win the Oscar in the category was Juan José Campanella’s The Secret in Their Eyes (representing Argentina) in 2009. 

In 2012, Chile earned its first and only Oscar nomination in the category with Pablo Larrain’s No, which starred Gael Garcia Bernal.

Here’s this year’s complete shortlist:

Chile, A Fantastic Woman, Sebastián Lelio, director;
Germany, In the Fade, Fatih Akin, director;
Hungary, On Body and Soul, Ildikó Enyedi, director;
Israel, Foxtrot, Samuel Maoz, director;
Lebanon, The Insult, Ziad Doueiri, dirctor;
Russia, Loveless, Andrey Zvyagintsev, director;
Senegal, Félicité, Alain Gomis, director;
South Africa, The Wound, John Trengove, director;
Sweden, The Square, Ruben Östlund, director.