Tag Archives: Encanto

Lin-Manuel Miranda Wins Advanced Imaging Society’s Lumiere Award for “We Don’t Talk About Bruno”

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Lin-Manuel Miranda is AIS-ing it…

The Advanced Imaging Society has revealed the winners of its 12th annual Lumiere Awards, with the 42-year-old Puerto Rican multi-hypenate among the honorees.

Lin-Manuel Miranda Miranda won Best Original Song for his record-breaking, chart-topping single “We Don’t Talk About Bruno,” which he penned as part of the soundtrack for Disney Animation’s Encanto. The animated film won the award for best animation

The Lumiere Awards are given to honor distinguished creative and technical achievement in film and television.

The ceremony took place during a gala luncheon at the Beverly Hills Hotel.

Guillermo del Toro, whose Nightmare Alley from Searchlight Pictures won for Best Audio – Theatrical, also was there to receive the Gene Kelly Visionary Award.

Here’s a complete list of winners:

Best Feature Film – Live Action
Dune (Warner Bros.)

Best Motion Picture – Musical
West Side Story (20th Century Studios)

Best Documentary
The Beatles: Get Back (Disney+)

Best Feature Film – Animated
Encanto (Disney)

Best Original Song
“We Don’t Talk About Bruno” from Encanto (Disney Animation)

Best Musical Scene or Sequence
West Side Story, “The Dance at the Gym” (20th Century Studios)

Best Scene or Sequence in a Feature Film
No Time To Die (MGM/UA Releasing)

Best Use of High Dynamic Range – Live Action
Dune (Warner Bros.)

Best Audio – Theatrical
Nightmare Alley (Searchlight)

Best Episodic – Live Action
Squid Game (Netflix)

Best Episodic – Animated
Arcane (Netflix)

Best Use of High Dynamic Range – Episodic
Foundation (Apple TV+)

Best Audio – Episodic
WandaVision (Disney+)

Best Use of AR
Expo Dubai Xplorer

Best Use of VR
Machu Picchu and the Spirit of the Condor

Best 2D to 3D Conversion
Shang Chi: The Legend of the Ten Rings (Disney)

Governor’s Cinema Award
Spider-Man: No Way Home (Sony / Marvel)

Sir Charles Wheatstone Award
Epic Games’ Unreal Engine

Voices For The Earth Award
Adam McKay, Don’t Look Up

Gene Kelly Visionary Award
Guillermo del Toro

Harold Lloyd Award
Denis Villeneuve

Germaine Franco to Take Part in ASCAP Experience’s ““Worldly Women in Music” Panel Discussion

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Germaine Franco is ready to inspire fellow worldly women…

The Latina award-winning film composer, who was the first woman to score a Disney animated feature film with Encanto, will be among the panelists for “Worldly Women in Music,” a special discussion on March 8 as ASCAP Experience kicks off its 2022 program.

Germaine FrancoFranco will be among three of the industry’s leading composers and songwriters, part of the PRO’s celebration of Women’s History Month.

She’ll appear alongside Cuban-born Pulitzer Prize winning composer Tania León; and 2016 ASCAP London Songwriter of the Year Amy Wadge.

The celebrated panelists will explore what it takes to make music that crosses borders and cultural boundaries, with Billboard Executive Editor, West Coast and Nashville, Melinda Newman serving as moderator.

The session coincides with International Women’s Day, and kicks of ASCAP’s monthly virtual sessions, which are created to “inspire, educate and connect aspiring songwriters and composers everywhere.”

“We are so excited to launch ASCAP Experience with three phenomenal composers as part of our ‘Women Create Music’ campaign,” comments ASCAP CEO Elizabeth Matthews. “We believe that celebrating the achievements of our members through our “Women Create Music” campaign can help create change and ultimately, more opportunity for women in the music industry.”

Details of more ASCAP Experience sessions will be announced shortly, including sessions covering NFTs, exclusive conversations with chart-topping music creators, and more.

Due to the health crisis, ASCAP’s flagship event flipped for the first time to a virtual event in 2020, and again in 2021. Last year, ASCAP Experience’s virtual panels reached over 41,000 views across real-time and on-demand streaming. Those figures equate to a 39% increase in attendance and 53% increase in RSVPs vs. the previous year, reps say.

Franco received a Golden Globes nomination for Best Original Score, an SCL Award nomination for Outstanding Original Score, an Annie Awards nomination for Best Music in a Feature, and an Oscar nomination for Best Original Score for her work on Encanto.

She is the first Latina to join the music branch of the Academy of Motion Picture Arts and Sciences and to receive an Oscar nomination for Best Original Score.

Leon is an acclaimed composer of both large scale and chamber works. She is also renowned as a conductor, educator, and advisor to arts organizations. She won the 2021 Pulitzer Prize for Music for Stride.

Tyler Alvarez to Star in Netflix’s Workplace Comedy Series “Blockbuster”

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Tyler Alvarez is the new kid on the block(buster)… 

The 24-year-old Puerto Rican and Cuban-American actor has joined the cast of Blockbuster, Netflix’s upcoming single-camera workplace comedy.

Tyler AlvarezAlvarez is part of a roster of new cast additions that includes Madeleine Arthur and Olga Merediz as series regulars. JB Smoove and Kamaia Fairburn have also joined the cast in recurring roles.

They join previously announced leads Randall Park and Melissa Fumero.

Blockbuster, from Universal Television, is a 10-episode ensemble comedy that takes place in the last Blockbuster Video store in America. It explores what it takes – and, more specifically, who it takes – for a small business to succeed against all odds.

Alvarez will play Carlos. As a first-generation son of immigrants, he learned English by watching movies, and they quickly became his love language. He dreams of being a filmmaker, but can’t help but feel like he owes it to his parents to live the American life they planned for him.

Merediz will play Connie. She works at Blockbuster to make friends, not money. She’s the unintentionally blunt mother figure to not just the employees, but many of the Blockbuster regulars.

The series is created by Vanessa Ramos, with David Caspe and Jackie Clarke also serving as writers/executive producers. John Davis and John Fox executive produce for Davis Entertainment. Payman Benz will direct and co-executive produce four episodes, including the pilot.

Alvarez’s previous credits include Never Have I Ever and American Vandal.

Merediz previously appeared in In the Heights and Encanto.

Carolina Gaitán & Her “Encanto” Cast Mates Log Fifth Week at No. 1 on Billboard Hot 100 with “We Don’t Talk About Bruno”

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Make that five in a row for Carolina Gaitán…

The 37-year-old Colombian actress and singer and her fellow Encanto cast mates are celebrating a fifth week atop the Billboard Hot 100 chart with their smash hit “We Don’t Talk About Bruno,” from the hit Disney animated film.

EncantoThe song, by Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast (all singing as the characters that they voice in the movie), extends its mark for the most weeks at No. 1 on the Hot 100 ever for a hit from a Disney movie.

The single now claims more weeks on top than the other two leaders from Disney films combined.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data.

Adassa & Fellow “Encanto” Cast Mates’ “We Don’t Talk About Bruno” Logs Second Week at No. 1 on Billboard Global 200

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Adassa’s global domination continues…

The 35-year-old Afro-Colombian singer and her Encanto cast mates’ “We Don’t Talk About Bruno” has notched a second week at No. 1 on the Billboard Global 200.

EncantoThe track, which also features Carolina Gaitán, Mauro Castillo, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast, from Disney’s hit animated film.

“We Don’t Talk About Bruno,” which Lin-Manuel Miranda solely wrote and co-produced with Mike Elizondo, drew 65.3 million streams (down 6%) and sold 12,900 (down 32%) worldwide in the Feb. 4-10 tracking week.

On the U.S. charts, the track tallies a third week at No. 1 on the U.S.-based Billboard Hot 100, while its parent album, the Encanto soundtrack, logs a fifth week at No. 1 on the U.S.-based Billboard 200.

The chart ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by MRC Data. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Carolina Gaitán & Her “Encanto” Cast Members Make Disney History with “We Don’t Talk About Bruno” Track’s Third Week at No. 1 on Billboard Hot 100

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Carolina Gaitán is still a woman on top…

The 37-year-old Colombian actress and singer and her Encanto cast mates’ track “We Don’t Talk About Bruno” tops the Billboard Hot 100 singles chart for a third week.

Encanto

The ensemble track – by Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast (all singing as the characters that they voice in the hot animated film) – ties for the most weeks at No. 1 on the Hot 100 ever for a hit from a Disney movie, animated or live-action, matching the three-week reign of “All for Love,” by Bryan Adams, Rod Stewart and Sting, from The Three Musketeers, in 1994.

“We Don’t Talk About Bruno” tallied 35.6 million U.S. streams (down 5%), 5.5 million radio airplay audience impressions (up 53%) and 8,400 downloads sold (down 38%) in the February 4-10 tracking week, according to MRC Data.

The song was aided by 69-cent discount pricing in the iTunes Store the prior two weeks.

The track tops the Streaming Songs chart for a sixth week and holds at No. 2 on Digital Song Sales, three weeks after it topped the latter list.

As “We Don’t Talk About Bruno” tops the Hot 100 for a third week, its parent album, the Encanto soundtrack, crowns the Billboard 200 albums chart for a fifth week (and fourth in a row), with 110,000 equivalent album units (down 2%).

Encanto and “We Don’t Talk About Bruno” mark the first soundtrack and corresponding song to have led the Billboard 200 and Hot 100 simultaneously for at least three weeks in over 26 years, since Dangerous Minds and Coolio’s “Gangsta’s Paradise,” featuring L.V., aligned atop the respective rankings dated September 9, 16 and 23, 1995.

 

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data.

Adassa & Her “Encanto” Cast Mates Notch Fourth Week at No. 1 on UK Singles Chart with “We Don’t Talk About Bruno”

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Make that four weeks in a row for Adassa…

The 35-year-old Afro-Colombian-American urban reggaeton singer and her Encanto cast mates’ “We Don’t Talk About Bruno” leads the U.K. singles chart for a fourth week, powered by streaming.

Encanto

“We Don’t Talk About Bruno” racks up another 59,900 chart sales including 8.5 million streams, as it extends its magical streak, according to the Official Charts Company.

“We Don’t Talk About Bruno” is the first original Disney recording to rule the Official U.K. Singles Chart, and with each cycle at the top, it’s creating more history.

The track also features the vocals of Carolina Gaitán, Mauro Castillo, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast as their characters in the animated film.

Meanwhile, another Encanto tune, “Surface Pressure” by Jessica Darrow, lifts 4-3, for a new peak.

Lin-Manuel Miranda’s “Encanto” Soundtrack Reaches Fifth Week at No. 1 on Billboard 200 

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It’s an enchanting five for Lin-Manuel Miranda…

Walt Disney Records’ Encanto soundtrack, containing eight original songs written by the 42-year-old Puerto Rican Tony Award-winning star and produced by Mike Elizondo, spends its fifth nonconsecutive week at No. 1 on the Billboard 200 albums chart, becoming the soundtrack with the most weeks atop the chart since Disney’s own Frozen ruled for 13 nonconsecutive weeks in 2014.

Encanto

With their totals at No. 1 (so far), Frozen and Encanto boast the most, and second-most, weeks at No. 1, respectively, among soundtracks in the 21st century.

Encanto earned 110,000 equivalent album units in the U.S. in the week ending February 10 (down 2%), according to MRC Data.

Of Encanto’s 110,000 equivalent album units earned, SEA units comprise 91,000 (down 3%, equaling 134.82 million on-demand official streams of the set’s songs), album sales comprise 17,000 (up 5%) and TEA units comprise 2,000 (down 28%).

Encanto continues to be powered largely by streaming activity for its songs, including its five top 40-charting hits on the Billboard Hot 100: “We Don’t Talk About Bruno” (which spent its second week atop the February 12-dated chart), “Surface Pressure,” “The Family Madrigal,” “What Else Can I Do?” and the Academy Award-nominated “Dos Oruguitas.”

Notably, Encanto is one of only six soundtracks to spend at least five weeks at No. 1 on the Billboard 200 in the last 30 years. Before Encanto, there was Frozen (13 weeks, 2014), Titanic (16, 1998), Waiting to Exhale (five, 1996), The Lion King (10, 1994-95) and the Whitney Houston-led The Bodyguard (20, 1992-93). (Before that, the last soundtrack with at least five weeks at No. 1 was Prince’s Batman in 1989, with six weeks at No. 1.) The soundtrack — and overall album — with the most weeks at No. 1 is West Side Story, with 54 weeks atop the list in 1962-63.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Lin-Manuel Miranda Earns Guild of Music Supervisors Awards Nomination

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Lin-Manuel Miranda is a Guild-y pleasure…

The Guild of Music Supervisors has unveiled the nominees for its 12th annual award ceremony, with the 42-year-old Puerto Rican Tony Award-winning star earning a  nod.

Lin-Manuel MirandaMiranda is nominated in the Best Song Written and/or Recorded for a Film category for “Dos Oruguitas.” The Oscar-nominated track, performed by Sebastián Yatra, is featured in Disney’s Encanto.

Mary Ramos is nominated in the Best Music Supervision for Film Budgeted Over $25 Million for her work on Being The Ricardos.

Kid Cudi is nominated in the Best Song Written and/or Recorded for a Film category for “Guns Go Bang,” the single he cowrote with Jeymes Samuel and Shawn Carter (Jay Z). Kid Cudi and Jay Z perform the track for the film The Harder They Fall.

Bruno Mars is nominated in the Best Song Written and/or Recorded for a Film category for co-writing “Fire In The Sky” from Shang-Chi and The Legend of the Ten Rings. Mars cowrote the song with Anderson .Paak, who performs the song for the film, Son Tzu, Rogét Chahayed, Wesley Singerman, Taylor Dexter and Alissia Benveniste.

Janet Lopez is nominated in the Best Music Supervision – Television Comedy or Musical category for her work on Season 1 of HBO’s The White Lotus.

Stephanie Diaz-Matos and Eric Medina are nominated in the Best Music Supervision – Reality Television category for their work on Sweet Life: Los Angeles – Season 1.

Demi Lovato is nominated in the Best Song Written and/or Recorded for Television category for co-writing “Anyone,” which was performed by the cast of Zoey’s Extraordinary Playlist.

The Guild of Music Supervisors awards celebrating outstanding achievement in the craft of music supervision in film, television, games, documentaries, advertising, and trailers.

Prolific songwriter Diane Warren will receive the Guild of Music Supervisors’ Icon Award at the ceremony taking place virtually on March 20th, with 45-year music industry veteran claiming the Legacy Award.

The Guild of Music Supervisors is a non-profit organization that was founded in 2010 with the goal of preserving and promoting the critical role of the music supervisor within all forms of media.

This year’s full list of nominees can be found below.

FILM

Best Music Supervision for Film Budgeted Over $25 Million

Mary Ramos – Being The Ricardos
Tom MacDougall – Encanto
Michelle Silverman – The Harder They Fall
Linda Cohen – The Tender Bar
Steven Gizicki – Tick, Tick… Boom!

Best Music Supervision for Film Budgeted Under $25 Million

Pierre-Marie Dru – Annette
Julianne Jordan, Justine von Winterfeldt – Barb And Star Go To Vista Del Mar
Becky Bentham – Everybody’s Talking About Jamie
John Houlihan – The Eyes Of Tammy Faye
Tracy McKnight – Flag Day

Best Music Supervision for Film Budgeted Under $10 Million

Victoria Beard, Sean Mulligan – Blue Bayou
Katie Colley, Sean Mulligan – The Hating Game
Alexandra Eckhardt – Passing
Mandi Collier, Frankie Pine – Sylvie’s Love
Rob Lowry – The Ultimate Playlist Of Noise

Best Music Supervision for Film Budgeted Under $5 Million

Andrea von Foerster – Happily
Jen Malone – Malcolm & Marie
Matthew Hearon-Smith – Red Rocket
Henrik Hawor, Silje Katralen, Goran Obad, Emilie Sørensen – The Worst Person In The World
Mandi Collier, Jen Malone, Nicole Weisberg – Zola

Best Song Written and/or Recorded for a Film

“Guns Go Bang” from The Harder They Fall
Songwriters: Jeymes Samuel, Scott Mescudi, Shawn Carter
Performers: Kid Cudi, Jay-Z
Music Supervisor: Michelle Silverman

“My Father’s Daughter” from Flag Day
Songwriters: Glen Hansard, Eddie Vedder
Performers: Eddie Vedder, Glen Hansard, Olivia Vedder
Music Supervisor: Tracy McKnight

“Dos Oruguitas” from Encanto
Songwriter: Lin-Manuel Miranda
Performer: Sebastián Yatra
Music Supervisor: Tom MacDougall

“Fire In The Sky” from Shang-Chi And The Legend Of The Ten Rings
Songwriters: Anderson .Paak, Bruno Mars, Son Tzu, Rogét Chahayed, Wesley Singerman, Taylor Dexter, Alissia Benveniste
Performer: Anderson .Paak
Music Supervisor: Dave Jordan

“Be Alive” from King Richard
Songwriters: Beyoncé, Dixson
Performer: Beyoncé
Music Supervisor: Susan Jacobs

TELEVISION

Best Music Supervision – Television Drama

Sarah Bridge – The Crown – Season 4
Kevin Edelman – Cruel Summer – Season 1
Jen Ross – Genius: Aretha – Season 3
Liza Richardson – Lovecraft Country – Season 1
Iain Cooke – It’s A Sin – Season 1

Best Music Supervision – Television Comedy or Musical

Jason Alexander, Justin T. Feldman – Dave – Season 2
Matt Biffa – Sex Education – Season 3
Janet Lopez – The White Lotus – Season 1
Jen Ross – Zoey’s Extraordinary Playlist – Season 2
Jonathan McHugh – Blindspotting – Season 1

Best Music Supervision – Reality Television

Peter Davis – The Challenge: All Stars – Season 1
Sarah Bromberg, Stephanie Diaz-Matos, Eric Medina – Sweet Life: Los Angeles – Season 1
Jason Markey – Fboy Island – Season 1
Jon Ernst – Siesta Key – Season 4

Best Music Supervision – Television Movie

Nicki Richards – American Pie Presents: Girls’ Rules
Laura Webb, Lindsay Wolfington – To All The Boys: Always And Forever
Mikki Itzigsohn, Willa Yudell – The Voyeurs

Best Song Written and/or Recorded for Television

Title: “Look At Us”
Songwriters: Mike Aaberg, Joseph Epperson, Lauren Evans, Mounir Ghantous, Tony Ghantous, Goapele K. Mohlbane, Faraji Wright
Performers: Goapele (feat. Rexx Life Raj)
Program: Homeroom
Music Supervisor: Julie Glaze Houlihan

Title: “F*** The Pain Away”
Songwriter: Merrill Nisker (aka Peaches)
Performers: The Moordale Singers and Oli Julian
Program: Sex Education
Episodes 302 and 307
Music Supervisor: Matt Biffa

Title: “Beginning Middle End”
Songwriters: Leah Nobel, Quinn Redmond
Performer: Leah Nobel
Program: To All The Boys: Always And Forever
Music Supervisors: Laura Webb, Lindsay Wolfington

Title: “Change”
Songwriters: Ronald Colson, Jeff Gitelman, David Harris, Maxx Moore, Gabriella Wilson
Performer: H.E.R.
Program: We The People
Episode 101 – “Active Citizenship”
Music Supervisor: Jen Ross

Title: “Anyone”
Songwriters: Badriia Ines Bourelly, Dayyon Alexander Drinkard, Demi Lovato, Eyelar Mirzazadeh, Jay Mooncie, Samuel Elliot Roman
Performers: Cast of Zoey’s Extraordinary Playlist (Skylar Astin)
Program: Zoey’s Extraordinary Playlist
Episode 209 – “Zoey’s Extraordinary Mystery”
Music Supervisor: Jen Ross

DOCUMENTARIES

Best Music Supervision for a Documentary

Jonathan Hecht – Dear Rider
Tracy McKnight – Rebel Hearts
Maureen Crowe, Janet Billig Rich – Sisters On Track
Gary Welch – The Sparks Brothers
Angela Asistio – Val

Best Music Supervision in a Docuseries

Ian Broucek, Kevin Writer – Amend: The Fight For America
Aminé Ramer – HBO Music Box Series: “Mr. Saturday Night,” “Woodstock 99: Peace, Love, And Rage,” “Juice WRLD: Into the Abyss,” “DMX: Don’t Try To Understand,” “Jagged,” “Listening to Kenny G”
James Cartwright – The Lady And The Dale
Jon Ernst – Last Chance U: Basketball
Iain Cooke – 1971: The Year Music Changed Everything

TRAILERS

Best Music Supervision in a Trailer

Will Quiney – CODA
Toddrick Spalding – King Richard
Holly Williamson – The Matrix Resurrections
Natalie Wali – Spencer
Gregory Sweeney – Scenes From A Marriage

ADVERTISING

Best Music Supervision in Advertising (Synch)

Jonathan Wellbelove – Apple – “iPhone 12 – Fumble”
Sunny Kapoor, Mike Ladman – Meta – “Skate Nation Ghana”
Jonathan Hecht, Mike Ladman, Brandy Ricker, Sarah Tembeckjian – Reform Alliance – “Technically Illegal”
Jeremy Daw, JT Griffith – Nike – “Together Again”
Josh Marcy, Liz Pfriem – Apple – “Privacy On iPhone – Tracked”

Best Music Supervision in Advertising (Original Music)

Neil Cleary, Kristen Hosack – Lexus – “Lexus Sparks Campaign”
Jennie Armon, Matt Nelson – YouTube Originals – “Life In A Day 2020: Strangers On The Road”
Kurt Steinke – Venus – “Venus – The Pube Song”
Jonathan Hecht, Sarah Tembeckjian – New Orleans Jazz & Heritage Foundation, The Trombone Shorty Foundation – “Rise And Shine”
Josh Marcy, Nicole Palko – Apple – “Start Up | A Song Made From 45 Years Of Apple Sounds”

VIDEO GAMES

Best Music Supervision in a Video Game

Venus Bentley, Steve Schnur – Battlefield 2042
Simon Landry, Greig Newby, Eduardo Vaisman – Far Cry 6
Raphaella Lima, Cybele Pettus, Ben Werdegar – FIFA 22
Tony Mesones, Ivan Pavlovich, David Scott – Grand Theft Auto Online: The Contract
Glenn Herweijer, Ben Sumner – Life Is Strange: True Colors

“Moana” Star Auliʻi Cravalho’s “How Far I’ll Go” Breaks Into YouTube’s Billion Views Club

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Oh how far Auliʻi Cravalho has gone…

The 21-year-old part-Puerto Rican singer/actress, who rose to acclaim after voicing the lead character in Disney’s Moana, has earned a spot in YouTube’s coveted Billion Views Club.

Auli’i CravalhoCravalho entered the club with the official video for “How Far I’ll Go,” her signature power ballad for the acclaimed animated film.

According to a statement from YouTube, an impressive number of people have been watching Cravalho’s beloved character embark on her big sea adventure in the past 12 months, with the video averaging more than 350,000 views a day.

With its new milestone, “How Far I’ll Go” now matches the billion views status of fellow Moana track “You’re Welcome,” performed by Dwayne “The Rock” Johnson’s cocky but lovable demigod, Maui.

The world has loved the music of Moana since it came out six years ago: “How Far I’ll Go” — which is performed by Alessia Cara — peaked at No. 56, while “You’re Welcome” reached a high of No. 65 on the Billboard Hot 100 chart in 2017.

The soundtrack — which features music written by Oscar-nominated Encanto composer Lin-Manuel Miranda — made history for weeks spent at No. 1 on Billboard’s soundtracks chart.

Disney is finding similar love for its latest animated project, Encanto, and the songs sung by its cast of magical characters. Also composed by Miranda, “We Don’t Talk About Bruno” just topped the Hot 100 chart for the second week in a row, and is currently the music behind a couple of wildly popular TikTok trends.

The full soundtrack has sat atop the Billboard 200 for four weeks and counting.