Tag Archives: Encanto

Adassa to Perform “Encanto” Hit “We Don’t Talk About Bruno” at Academy Awards Show

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It’s official… Adassa has a date with Oscar.

The 35-year-old urban singer is set to perform the chart-topping single “We Don’t Talk About Bruno” alongside her Encanto voice cast mates.

Encanto

The 94th annual Academy Awards, another key movie song not mentioned in their release.

“We Don’t Talk About Bruno” will be performed on the awards show even though it wasn’t even submitted by Disney and songwriter Lin-Manuel Miranda for consideration in the category.

Miranda is a nominee for another tune from the same film, “Dos Oruguitas,” which will be performed by Sebastian Yatra.

The performance is reportedly planned to be a major highlight of the awards show and is being advertised as the first live performance of the smash hit song.

In addition to Adassa, other Encanto cast members set to take the stage to perform the song include Stephanie Beatriz, Mauro Castillo, Carolina Gaitan, and Diane Guerrero, along with Becky G and Luis Fonsi performing “We Don’t Talk About Bruno.”

“If there is a song that unites people this year [it is this one], and that is kind of the epitome to me of what movies can do, because people of all stripes, ethnicities, ages, color, background, around the world [are singing it] ad nauseum, and we are going to help them out so they sing it a little bit more. Our apologies to the parents,” Packer laughed.

The 94th Academy Awards will be held on Sunday at the Dolby Theatre and will be televised live on ABC at 8:00 pm EDT/5:00 pm PDT and in more than 200 territories worldwide.

American Sign Language (ASL) provided by Certified Deaf Interpreters, and live closed captioning and audio description will be available during the live broadcast.

Lin-Manuel Miranda Wins Guild of Music Supervisors Award for “Encanto” Track “Dos Oruguitas”

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Lin-Manuel Miranda has wormed his way to a special award…

The 42-year-old Puerto Rican songwriter, composer & lyricist’s Encanto single “Dos Oruguitas” has won Best Song Written and/or Recorded for a Film at the GMS Awards, presented by the Guild of Music Supervisors.

Lin-Manuel MirandaMiranda’s “Dos Oruguitas,” performed by Sebastian Yatra, is nominated for an Academy Award in the Best Original Song category. So this win could prove that the Hamilton musical creator is gaining momentum in the Oscar race in the closing days of Oscar balloting? (The final-round voting period for the Oscars runs from March 17-22.)

However, Miranda’s chief rival for the Oscar, Billie Eilish and Finneas’ “No Time to Die” from the James Bond film of the same name, wasn’t nominated in this category. Many believe Eilish and Finneas’ single is still the song to beat for the Academy Awards.

While the Oscar for best original score is presented only to the songwriter, the GMS award in this equivalent category is presented to the songwriter, the artist (in this case, Yatra) and the music supervisor (in this case, Tom MacDougall).

In the television categories, Janet Lopez won the Best Music Supervision – Television Comedy or Musical award for her work on Season 1 of The White Lotus, while Stephanie Diaz-Matos and Eric Medina were among the winners in the Best Music Supervision – Reality Television category for their work on Season 1 of Sweet Life: Los Angeles.

In the video game categories, Raphaella Lima was among the winners in the Best Music Supervision in a Video Game category for her work on FIFA 22.

The Guild of Music Supervisors is a nonprofit that was founded in 2010 with the goal of promoting the role of the music supervisor in all forms of media.

The GMS Awards don’t have categories to honor film scorers. Their focus is on music supervision in film, television, documentaries, trailers, advertising and video games. For more information on the ceremony, visit GMSAwards.com.

Here’s the complete list of winners for the 12th Annual Guild of Music Supervisors Awards:

FILM

Best song written and/or recorded for a film:
“Dos Oruguitas” from Encanto — songwriter: Lin-Manuel Miranda; performer: Sebastián Yatra; music supervisor: Tom MacDougall

Best music supervision for film budgeted over $25 million:
Steven Gizicki – Tick, Tick… Boom!

Best music supervision for film budgeted under $25 million:
Julianne Jordan, Justine von Winterfeldt – Barb and Star Go to Vista Del Mar

Best music supervision for film budgeted under $10 million:
Mandi Collier, Frankie Pine – Sylvie’s Love

Best music supervision for film budgeted under $5 million:
Mandi Collier, Jen Malone, Nicole Weisberg – Zola

TELEVISION

Best music supervision – television drama:
Liza Richardson – Lovecraft Country – Season 1

Best music supervision – television comedy or musical:
Janet Lopez – The White Lotus – Season 1

Best music supervision – reality television:
Sarah Bromberg, Stephanie Diaz-Matos, Eric Medina – Sweet Life: Los Angeles – Season 1

Best music supervision – television movie:
Laura Webb, Lindsay Wolfington – To All the Boys: Always and Forever

Best song written and/or recorded for television:
“F*** The Pain Away” — songwriter: Merrill Nisker (aka Peaches); performers: The Moordale Singers and Oli Julian; program: Sex Education episodes 302 and 307; music supervisor: Matt Biffa

DOCUMENTARIES

Best music supervision for a documentary:
Angela Asistio – Val

Best music supervision in a docuseries:
Aminé Ramer – HBO Music Box Series: Mr. Saturday Night, Woodstock 99: Peace, Love, and Rage, Juice WRLD: Into the Abyss, DMX: Don’t Try to Understand, Jagged, Listening to Kenny G

TRAILERS

Best music supervision in a trailer:
Toddrick Spalding – King Richard

ADVERTISING

Best music supervision in advertising (synch):
Jonathan Wellbelove – Apple – “iPhone 12 – Fumble”

Best music supervision in advertising (original music):
Jonathan Hecht, Sarah Tembeckjian – New Orleans Jazz & Heritage Foundation, The Trombone Shorty Foundation – “Rise And Shine”

VIDEO GAMES

Best music supervision in a video game:
Raphaella Lima, Cybele Pettus, Ben Werdegar – FIFA 22

Carolina Gaitán & Her “Encanto” Cast Mates May Perform “We Don’t Talk About Bruno” at Academy Awards

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Carolina Gaitán could have a date with Oscar…

The Academy Awards are heralding the “first live performance of ‘We Don’t Talk About Bruno,’” a song performed by the 37-year-old Colombian actress and singer and her Encanto cast mates, for the awards show on Sunday, March 27.

Encanto“We Don’t Talk About Bruno,” from Disney’s chart-topping Disney animated film Encanto topped the Billboard Hot 100 for five consecutive weeks, an astonishing showing for a multi-character theatrical piece.

The song is performed by Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the cast of Encanto on the soundtrack, which is currently in its ninth nonconsecutive week at No. 1 on the Billboard 200.

Another of Lin-Manuel Miranda’s songs from Encanto, “Dos Oruguitas,” is competing for best original song at the Oscars.

The Academy hasn’t officially announced that all five best original song nominees will be performed on the show, but that is widely expected. If they are, on top of the performance of “We Don’t Talk About Bruno,” the show will have a strong music focus.

If the Oscars are able to book all of the original performers, Sebastián Yatra would perform “Dos Oruguitas,” Beyoncé would perform “Be Alive” from King Richard, Van Morrison would perform “Down to Joy” from Belfast, Billie Eilish would perform No Time to Die from the film of the same name, and Reba McEntire would perform “Somehow You Do” from Four Good Days.

Lin-Manuel Miranda’s “Encanto” Soundtrack Notches Ninth Week at No. 1 on Billboard 200

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Lin-Manuel Miranda’s on Cloud Nine…

The 42-year-old Puerto Rican composer/lyricist’s soundtrack for Disney’s Encanto soundtrack has logged a ninth nonconsecutive week at No. 1 on the Billboard 200 chart dated March 19.

EncantoThe soundtrack contains eight original songs written by Miranda, including the chart-topping “We Don’t Talk About Bruno,” and produced by Mike Elizondo that were recorded by the voice cast, and 27 score pieces composed by Germaine Franco.

The set earned 72,500 equivalent album units in the U.S. in the week ending March 10 (down 9%), according to MRC Data.

In addition, Encanto has surpasses 1 million equivalent album units earned in the U.S., as the latest tracking week brings its to-date sum to 1.03 million. The soundtrack album was released on November 19, before the film arrived in U.S. theaters on November 24. The film was released via the Disney+ streaming service a month later (December 24). The album spent its first week at No. 1 on the January 15, 2022-dated chart.

In the last five years, only two albums have spent at least nine weeks at No. 1 on the Billboard 200: Encanto and Morgan Wallen’s Dangerous: The Double Album (10 weeks in 2021).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Of Encanto’s 72,500 equivalent album units earned, SEA units comprise 63,000 (down 8%, equaling 93.03 million on-demand official streams of the set’s songs), album sales comprise 8,000 (down 14%) and TEA units comprise 1,500 (down 12%).

Lindsey Olivares Claims Two Annie Awards for Netflix’s “The Mitchells vs. The Machines”

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Lindsey Olivares is celebrating a big night…

The Latina production designer, character designer and caricature artist claimed two awards at the 49th annual Annie Awards, which honor the year’s best in animated fare across movies, television and video games.

Lindsey OlivaresOlivares, the production designer and lead character designer on Netflix’s The Mitchells vs. The Machines, took home the award for Character Design, Feature for her work on the acclaimed animated film, which was named Best Feature.

Olivares also was along the design team winning the Production Design, Feature award for The Mitchells vs. The Machines.

The Annies are presented by ASIFA-Hollywood.

The The Mitchells vs. The Machines victory in the Best Feature race gives it front-runner status leading up to the Oscars next month. Last year, eventual Animated Feature Oscar winner Soul from Pixar won the top Annie Awards prize, the 14th time in 20 years the society and the Academy have matched their top picks.

Lin-Manuel Miranda and Germaine Franco won in the Music, Feature category for their score/soundtrack work on Walt Disney Animation Studios’ Encanto.

Evan Monteiro won the award for Character Design, TV for his work on Arcane, while Sebastian Trujillo among the animation team on Shang-Chi and the Legend of the Ten Rings that claimed the Character Animation, Live Action prize.

Gustavo Santaolalla won alongside Tim Davies in the Music, TV category for their work on Netflix’s Maya and the Three.

Hugo Covarrubias won in the Short Subject category for Bestia, which he co-wrote with Martín Erazo.

Here’s the full list of winners:

Best Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix

Independent Feature
Flee
Neon, Final Cut For Real, Sun Creature, Vivement Lundi !, MostFilm, Mer Film, VICE, Left Hand Films, Participant

Directing, Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix
Directors: Mike Rianda, Jeff Rowe

Directing, TV
Arcane
Episode: The Monster You Created
A Riot Games and Fortiche Production for Netflix
Directors: Pascal Charue, Arnaud Delord, Barthelemy Maunoury

Storyboarding, Feature
Encanto
Walt Disney Animation Studios
Storyboard Artist: Jason Hand

Storyboarding, TV
Arcane
Episode: When These Walls Come Tumbling Down
A Riot Games and Fortiche Production for Netflix
Storyboard Artist: Simon Andriveau

General TV Production
Arcane
Episode: When These Walls Come Tumbling Down
A Riot Games and Fortiche Production for Netflix

Children’s TV Production
Maya and the Three
Episode: The Sun and the Moon
A Netflix Series

Preschool TV Production
Ada Twist, Scientist
Episode: Twelve Angry Birds
Laughing Wild, Higher Ground Productions, Wonder Worldwide, Netflix

Writing, Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix
Writers: Mike Rianda, Jeff Rowe

Writing, TV
Arcane
Episode: The Monster You Created
A Riot Games and Fortiche Production for Netflix
Writers: Christian Linke, Alex Yee

Voice Acting, Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix
As ‘Katie Mitchell’: Abbi Jacobson

Voice Acting, TV
Arcane
Episode: When These Walls Come Tumbling Down
A Riot Games and Fortiche Production for Netflix
As ‘Jinx’: Ella Purnell

Editing, Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix
Editorial Team: Greg Levitan, Collin Wightman, T.J. Young, Tony Ferdinand, Bret Allen

Editing, TV
What If…?
Episode: What If…Ultron Won?
Marvel Studios
Editorial Team: Joel Fisher, Graham Fisher, Sharia Davis, Basuki Juwono, Adam Spieckermann

Animated Effects, Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix
FX Team: Christopher Logan, Man-Louk Chin, Devdatta Nerurkar, Pav Grochola, Filippo Maccari

Animated Effects, TV
Arcane
Episode: Oil and Water
A Riot Games and Fortiche Production for Netflix
FX Team: Guillaume Degroote, Aurélien Ressencourt, Martin Touzé, Frédéric Macé, Jérôme Dupré

Character Animation, Feature
Encanto
Walt Disney Animation Studios
Animator: Dave Hardin

Character Animation, TV
Arcane
Episode: The Monster You Created
A Riot Games and Fortiche Production for Netflix
Animator: Léa Chervet

Character Animation, Live Action
Shang-Chi and the Legend of the Ten Rings
Marvel Entertainment, Weta Digital
Animation Team: Karl Rapley, Sebastian Trujillo, Richard John Moore, Merlin Bela Wassilij Maertz, Pascal Raimbault

Character Animation, Video Game
Ratchet & Clank: Rift Apart
Insomniac Games
Animation Team: Insomniac Games Animation Team

Character Design, Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix
Designer: Lindsey Olivares

Character Design, TV
Arcane
Episode: Some Mysteries Better Left Unsolved
A Riot Games and Fortiche Production for Netflix
Designer: Evan Monteiro

Music, Feature
Encanto
Walt Disney Animation Studios
Score: Germaine Franco, Lin-Manuel Miranda

Music, TV
Maya and the Three
Episode: The Sun and the Moon
A Netflix Series
Score: Tim Davies, Gustavo Santaolalla

Sponsored Production
A Future Begins
Nexus Studios

Special Production
Namoo
Baobab Studios

Production Design, Feature
The Mitchells vs. The Machines
Sony Pictures Animation for Netflix
Design Team: Lindsey Olivares, Toby Wilson, Dave Bleich

Production Design, TV
Arcane
Episode: Happy Progress Day!
A Riot Games and Fortiche Production for Netflix
Design Team: Julien Georgel, Aymeric Kevin, Arnaud Baudry

Short Subject
Bestia
by Hugo Covarrubias and co-written with Martín Erazo.
Trebol 3 Producciones, MALEZA Estudio

Student Film
Night of the Living Dread
Student director: Ida Melum
Student producer: Danielle Goff
School: National Film and Television School, UK

Winsor McCay Award
Ruben Aquino
Lillian Schwartz
Toshio Suzuki

Special Achievement Award
Glen Vilppu

Ub Iwerks Award
Python Foundation

June Foray Award
Renzo & Sayoko Kinoshita

Lin-Manuel Miranda’s “Encanto” Soundtrack Reaches No. 1 on Australia’s Albums Chart

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Lin-Manuel Miranda is celebrating success Down Under…

The 42-year-old Puerto Rican composer/lyricist’s Encanto soundtrack tops the Australian albums chart in its eleventh week.

Encanto

The soundtrack to the Disney animated film earns its first ARIA Chart crown, with three songs from the album impacting the singles survey: “We Don’t Talk About Bruno” (No. 8), “Surface Pressure” (No. 22) and “The Family Madrigal” (No. 50).

Encanto completes its climb to the summit after debuting at No. 29 at the start of January, before lifting into the Top 10 for the first time in its second week, and staying there ever since.

Germaine Franco Wins SCL Awards Prize from Society of Composers & Lyricists for Disney’s “Encanto” Score

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Germaine Franco is celebrating a special recognition…

The Latina composer’s Oscar-nominated score for Encanto won outstanding original score for a studio film at the third annual SCL Awards, which are presented by the Society of Composers & Lyricists this week at the Skirball Cultural Center in Los Angeles.

Germaine Franco

Franco’s score was competing with three other Academy Award-nominated scores — Nicholas Britell’s Don’t Look Up, Hans Zimmer’s Dune, and Jonny Greenwood’s The Power of the Dog. 

Franco, the first woman to score a Disney animated feature film, is vying to become the first Latina to win an Oscar for best original score.

Scott Mescudi, aka Kid Cudi, also has reason to smile.

The 38-year-old half-Mexican American rapper, singer, songwriter and record producer won outstanding original song for a musical/comedy alongside Nicholas Britell, Ariana Grande and Taura Stinson.

Kid Cudi and the gang won for penning “Just Look Up” from the Netflix film Don’t Look Up.

Meanwhile Cristabel Tapia de Veer took home the outstanding original score for television.

The Chilean-born Canadian film and television score composer, arranger, producer and multi-instrumentalist won for his work on AppleTV’s The White Lotus.

The awards were presented about five weeks later than originally planned. They were set to be presented on February 1, but the show was postponed in early January due to the spread of the Omicron variant. With the postponement, the show lost its original host, Emmy winner Darren Criss. Aloe Blacc hosted in his place.

Awards were presented across seven categories for music in visual media (film, TV, streaming, interactive).

The Society of Composers & Lyricists (SCL) is the primary organization for professional film, television, video game, and musical theater composers and lyricists. The organization is focused on education and addressing the creative, technological, legal, newsworthy issues affecting the music for visual media community.

For more information, visit the SCL’s website or go to thescl.com/scl-awards/.

Here’s the complete list of winners:

Outstanding original score for a studio film:
Germaine Franco, Encanto, Walt Disney Pictures

Outstanding original score for an independent film:
Daniel Hart, The Green Knight, A24

Outstanding original song for a musical/comedy:
Nicholas Britell, Ariana Grande, Scott Mescudi, Taura Stinson, “Just Look Up,” Don’t Look Up, Netflix

Outstanding original song for a drama/documentary
Billie Eilish, Finneas O’Connell, “No Time to Die,” No Time to Die,  MGM/United Artists

Outstanding original score for television:
Cristabel Tapia de Veer, The White Lotus, Apple

Outstanding original score for interactive media:
Hildur Guđnadóttir & Sam Slater, Battlefield 2042, Digital Illusions CE, Electronic Arts

David Raksin award:
Stephanie Economou, Jupiter’s Legacy, Netflix

Spirit of collaboration award:
Recipients: composer Carter Burwell and filmmakers Joel Coen & Ethan Coen

Carolina Gaitán & Her “Encanto” Cast Mates Log Seventh Week at No. 1 on the UK Singles Chart with “We Don’t Talk About Bruno”

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Carolina Gaitán is still making a splash across the pond…

The 37-year-old Colombian actress and singer and her fellow Encanto cast mates are celebrating a seventh week at No. 1 in the United Kingdom with their hit single from the Disney animated film, “We Don’t Talk About Bruno.”

Encanto“We Don’t Talk About Bruno,” the longest-running No. 1 this year so far, became the first original Disney cut to lead the Official U.K. Singles Chart.

The song, by Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast (all singing as the characters that they voice in the movie), was written by Lin-Manuel Miranda.

The track was recently named Best Song Written for a Film by the Latino Entertainment Journalists Association (LEJA).

Encanto continues to make a big impression on the chart with “Surface Pressure” down 3-5 this week, and “The Family Madrigal” down 8-10.

Stephanie Beatriz Among Latino Entertainment Journalists Association’s Film Award Honorees

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Stephanie Beatriz is the LEJA choice…

The Latino Entertainment Journalists Association (LEJA) has revealed the winners of its annual awards, with the 40-year-old Colombian and Bolivian American actress among this year’s honorees.

Stephanie BeatrizBeatriz took home the Best Voice or Motion Capture Performance for her role as Mirabel Madrigal in Disney’s hit animated film Encanto, which was named Best Animated Film by the association.

The chart-topping single “We Don’t Talk About Bruno,” which she performs alongside fellow voice cast members Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz and Diane Guerrero, was named Best Song Written for a Film. The track was written by Lin-Manuel Miranda.

Encanto

Meanwhile, the Encanto score, by Germaine Franco – the first Latina to be nominated for an Oscar for original score – was named Best Musical Score.

Oscar-hopeful Ariana DeBose, already a SAG Award winner, was named Best Supporting Actress.

The 31-year-old half-Puerto Rican actress/singer/dancer continued her winning ways for her scene-stealing role as Anita in Steven Spielberg’s West Side Story.

Spanish Oscar-winning actress Penelope Cruz was named Best Actress in a Leading Role for the work in Pedro Almodovar’s Spanish-language film Parallel Mothers, which took home the Best Foreign Language Film prize.

Anthony Ramos and his fellow In The Heights cast members won the Best Ensenble Casting award.

The LEJA membership also selected Miranda as the recipient of the Latino Activism Award. Meanwhile, John Leguizamo was honored with the 2022 Rita Moreno Lifetime Achievement Award, recognizing the actor, producer and comedian as a tireless force in the Latino community. The Latino Breakout Award was bestowed on West Side Story star Rachel Zegler.

The Latino Entertainment Journalists Association is committed to developing and celebrating Latino voices among all areas and backgrounds of the entertainment industry.

Here’s the full list of winners:

Best Picture
“The Power of the Dog” (Netflix)

Best Director
Jane Campion, “The Power of the Dog” (Netflix)

Best Actor in a Leading Role
Andrew Garfield, “Tick, Tick … Boom!” (Netflix)

Best Actress in a Leading Role
Penélope Cruz, “Parallel Mothers” (Sony Pictures Classics)

Best Actor in a Supporting Role
Troy Kotsur, “CODA” (Apple Original Films)

Best Actress in a Supporting Role
Ariana DeBose, “West Side Story” (20th Century Studios)

Best Voice or Motion Capture Performance
Stephanie Beatriz, “Encanto” (Walt Disney Pictures)

Best Animated Film
“Encanto” (Walt Disney Pictures)

Best Foreign Language Film
“Parallel Mothers” (Sony Pictures Classics) (Spain)

Best Documentary Film
“Flee” (Neon)

Best Original Screenplay
“C’mon C’mon” (A24)

Best Adapted Screenplay
“The Power of the Dog” (Netflix)

Best Ensemble Casting
“In the Heights” (Warner Bros)

Best Production and Set Design
“Dune” (Warner Bros)

Best Cinematography
“Dune” (Warner Bros)

Best Costume Design
“Cruella” (Walt Disney Pictures)

Best Editing
“The Power of the Dog” (Netflix)

Best Hair and Makeup
“Cruella” (Walt Disney Pictures)

Best Sound Design
“Dune” (Warner Bros)

Best Visual Effects
“Dune” (Warner Bros)

Best Musical Score
“Encanto” (Walt Disney Pictures)

Best Stunt Design
“No Time to Die” (MGM/United Artists Releasing)

Best Song Written for a Film
“We Don’t Talk About Bruno” from “Encanto” (Walt Disney Pictures)

Lin-Manuel Miranda’s “Encanto” Soundtrack Notches Eighth Week at No. 1 on Billboard 200

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Americans are still enchanted by Lin-Manuel Miranda’s latest Disney project…

The Encanto film soundtrack, which contains eight original songs written by the 42-year-old Puerto Rican multi-hyphenate, remains at No. 1 on the Billboard 200 chart for an eighth nonconsecutive week.

EncantoThe set earned 80,000 equivalent album units in the U.S. in the week ending March 3 (down 11%), according to MRC Data, for the chart dated March 12.

Of Encanto’s 80,000 equivalent album units earned, SEA units comprise 68,000 (down 11%, equaling 101.16 million on-demand official streams of the set’s songs), album sales comprise 10,000 (down 16%) and TEA units comprise 2,000 (down 10%).

In the last five years, only three albums have spent at least eight weeks at No. 1 on the Billboard 200: Encanto, Morgan Wallen’s Dangerous: The Double Album (10 weeks), and Taylor Swift’s Folklore (eight weeks).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by MRC Data. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.