Cristina Gallego Signs with Verve for Representation in All Areas

Cristina Gallego is going global…

Verve has signed the Colombian filmmaker, and will rep her in all areas as she moves to widen her reach and continue her passion for telling untold stories from a female perspective.

Cristina Gallego

Gallego co-directed Birds of Passage, which premiered in the Directors’ Fortnight section at the 2018 Cannes Film Festival, was selected as the Colombian entry and made the shortlist for the Best Foreign Language Film at the 91st Academy Awards. The film is not a traditional Colombian drug-running story; it follows the journey of a Wayuu Indian family as they forego their traditions and fall into the drug trade.

Gallego was at the forefront of the creative process and wanted to subvert the genre that has typically been very macho by focusing on stories from the female members of the family and community. She directed the film with Ciro Guerra, her ex-husband; she produced the acclaimed 2015 film Embrace of the Serpent, which Guerra directed and which landed them their first foreign-language Oscar nomination. It was the first Colombian film to be nominated in the category. That led to Birds of Passage, a 10-year journey.

Most recently Gallego was in production on Cortes, a massive event miniseries for Amazon that she was executive producing and attached to direct multiple episodes of. Written by Steve Zaillian and starring Javier Bardem, this project was unfortunately a COVID-19 casualty and was shut down by the streamer back in September.

Gallego’s other producing credits include Wajib, the Palestinian official submission to the 90th Academy Awards and Ruben Blades is Not My Name, Panama’s submission to the 91st Academy Awards.

Colombia Selects Alejandro Landes’ “Monos” as Its Pick for the Oscar’s International Feature Film Race

Alejandro Landes is representing Colombia…

The 39-year-old Brazil-born Colombian-Ecuadorian film director’s latest project, the Spanish-language survival thriller Monos, has been selected as Colombia’s selection for the International Feature Film race at the 92nd Academy Awards.

Alejandro Landes

The film centers on a young group of soldiers and rebels training on a remote mountain in Latin America with an American hostage (Julianne Nicholson).

Moisés AriasSofia BuenaventuraDeiby RuedaKaren Quintero and Laura Castrillón star in the film, which Landes co-wrote with Alexis Dos Santos.

Monos

The film won a World Cinema Dramatic Special Jury Awardat this year’s Sundance Film Festivalin Park City, Utah. 

The news comes as Neon and co-distributor Participant Media prepare to release the film theatrically in the U.S. on September 13.

Colombia has only seen one film nominated in what was formerly known as the Best Foreign Language Film category. That was Ciro Guerra’s Embrace of the Serpent in 2015, the year Hungary’s Son of Saulwon the Oscar.

Ciro Guerra’s “Birds of Passage” Selected as Colombia’s Official Entry for the Foreign Language Film Oscar Race

Ciro Guerra is hoping for Oscar passage again…  

The 37-year-oldColombian film director and screenwriter’s Birds of Passage, a sprawling epic about the erosion of tradition in pursuit of material wealth, has been selected as Colombia’s official entry for the Foreign Language Film Oscar race, according to distributor The Orchard.

Ciro Guerra & Cristina Gallego

The film is directed by Cristina Gallego and Guerra — the respective producer and director of 2015’s Embrace of the Serpent, the first Colombian film ever to be nominated for an Academy Award.

Birds of Passage premiered as the opening-night selection of the Directors’ Fortnight at the Cannes Film Festival in May.

Tracing the origins of the Colombian drug trade as it slowly corrupts a native Wayúu family, Birds of Passage stars Jose Acosta, Carmiña Martínez and Natalia Reyes (the upcoming Terminator reboot).

The film will screen at the Toronto Film Festival and is set for release by The Orchard on Wednesday, February 13th in New York and Los Angeles, with a national rollout to follow.

“We are incredibly humbled and honored to again be the Colombian selection for entry to the Academy Awards, especially with a film that is so personal to our country’s history and narrative,” said Gallego and Guerra. “We are very grateful to La Academia Colombiana de Artes y Ciencias Cinematográficas, which has supported us throughout our careers. It is with great pride that we bring this film to a global audience.”

The Orchard Picks Up North American Rights to Ciro Guerra & Cristina Gallego’s “Birds of Passage”

Ciro Guerra’s latest film is migrating to the United States…

The Orchard has picked up North American rights to the 37-year-old Colombian filmmaker and screenwriter’s latest film Birds of Passage, co-directed by Cristina Gallego.

Ciro Guerra

The family saga details the impact of drug trafficking on an indigenous family and its culture starting in the 1970s.

“This film was always conceived as a theatrical experience, and there’s really no better way to appreciate it than in the cinema,” said co-directors Gallego, Guerra and producer Katrin Pors. “We are very happy that audiences will have the opportunity to see it the way it was intended, and that we have found a passionate distributor that loves and defends the art of cinema as much as we do.”

Birds of Passage swept us up immediately into an engrossing familial drama surrounded by a world bursting with stunning color and sound,” added Paul Davidson, The Orchard’s EVP of Film and Television. “Cristina and Ciro have delivered something altogether special and unique that we are honored to be a part of.”

The company has yet to set a theatrical release for the film.

Guerra previously produced and directed Embrace of the Serpent, the first Colombian film ever to be nominated for an Academy Award.

Sebastián Lelio’s “A Fantastic Woman” Makes Oscars Shortlist for Best Foreign Language Film

Sebastián Lelio is one step closer to a special date with Oscar

The Academy of Motion Picture Arts and Sciences has whittled through 92 submissions to come up with its shortlist of nine titles to advance in the Best Foreign Language Film category this year, with the 43-year-old Argentinian-born Chilean filmmaker still in the running.

Sebastián Lelio

Lelio’s A Fantastic Woman, Chile’s pick to enter the race for the Best Foreign Language Film Oscar, joins other favorites like Ruben Ostlund’s The Square (Sweden) and Loveless from Russia’s Andrey Zvyagintsev in advancing to the next round.

Each of those was nominated for a Golden Globe earlier this week. As was Fatih Akin’s Germany terrorism drama In The Fade, which has seen its street cred solidified by the Academy with tonight’s shortlist inclusion.

The final five Academy Award nominations in the race will be announced along with the rest of the categories on January 23.

Films also making the cut include Berlinale Golden Bear winner On Body And Soul from resurgent Turkish director Ildikó Enyedi; and Venice favorites Foxtrot, from Israel’s Samuel Maoz, and The Insult by Franco-Lebanese helmer Ziad Doueiri.

The last Spanish-language film to earn a nomination in the Best Foreign Language Film category was Ciro Guerra’s Embrace of the Serpent (representing Colombia) in 2015.

The Last Spanish-language film to win the Oscar in the category was Juan José Campanella’s The Secret in Their Eyes (representing Argentina) in 2009. 

In 2012, Chile earned its first and only Oscar nomination in the category with Pablo Larrain’s No, which starred Gael Garcia Bernal.

Here’s this year’s complete shortlist:

Chile, A Fantastic Woman, Sebastián Lelio, director;
Germany, In the Fade, Fatih Akin, director;
Hungary, On Body and Soul, Ildikó Enyedi, director;
Israel, Foxtrot, Samuel Maoz, director;
Lebanon, The Insult, Ziad Doueiri, dirctor;
Russia, Loveless, Andrey Zvyagintsev, director;
Senegal, Félicité, Alain Gomis, director;
South Africa, The Wound, John Trengove, director;
Sweden, The Square, Ruben Östlund, director.

Ciro Guerra Executive-Producing Netflix’s First Colombian Original Series

Ciro Guerra is (net)flixing out about a Colombian first…

The 36-year-old Colombian filmmaker and screenwriter is set to executive produce Netflix’s first Colombian original series.

Ciro Guerra

Guerra, who received an Oscar nomination for his film Embrace of the Serpent, will work with Narcos producer Dynamo on the project, which will debut worldwide in 2019.

Written by Carlos Contreras, the as-yet untitled series will follow a young detective and her partner deep into the Amazon, on the border of Brazil and Colombia, to investigate a series of bizarre murders. They soon realize that there’s more mystery to the jungle than the deaths, as they encounter an enigmatic indigenous tribe with an incredible secret that they will take great risks to protect.

Composed of eight hour-long episodes and shot entirely in 4K, the series will showcase the country’s geographic diversity and magnificent landscapes, as well as the region’s complex social and environmental climate.

“We are thrilled to be launching our first Colombian original, featuring great Colombian filmmakers and producers,” said Erik Barmack, Vice President of International Originals. “From 2011, we have been committed to providing a great service in Colombia, and this show, with local talent, will add to our incredible slate of originals throughout Latin America.”

“This is a great opportunity to expand the reach of our local stories and share them with global audiences. Netflix is an extraordinary platform that we are thrilled to collaborate with, and we think this new show will be a great first step in that direction,” added Guerra.

The new series joins a growing slate of original productions being filmed in Latin America, including Ingobernable, Club de Cuervos, La Casa de las Flores, Edha, Narcos, Samantha!, O Mecanismo, O Matador, 3% and Coisa Mais Linda, among others.

Production is slated to begin summer 2018.

Celis Producing First TV Series, “Monstruos Perfectos”

Nicolas Celis is ready for the small screen…

The 30-year old Mexican film producer is preparing for his first television series, Monstruos Perfectos, which recently received development support from the Mexican Film Institute (IMCINE) under the new TV series support scheme launched in late 2016.

Nicolas Celis

Meanwhile, Celis’ Pimienta Films, one of Mexico’s leading production outfits, is completing production on Alfonso Cuaron’s “Roma,” his first picture lensed in Mexico since “Y Tu Mama Tambien,” and “Birds of Passage,” from Colombia’s Oscar nominated Ciro Guerra (“Embrace of the Serpent”).

Monstruos Perfectos is set in Mexico and will be produced by Pimienta, with external producers Marion d’Ornato and Enrique M. Rizo. Rizo has worked with Celis as second assistant director on Semana Santa, and as production manager on Tempestad, Soy Nero and The Untamed.

“This will be my first experience in TV,” Celis revealed to Variety, although he refrained from outlining the story. “I’m really happy to jump aboard. For me this is completely new world. I really love that IMCINE is exploring new content opportunities. We want to make a TV series that’s much more cinematic, than TV series produced in Mexico so far.”

Celis said that it’s been great to work with Cuaron on Roma, having previously worked with his brother, Carlos, on “Rudo y Cursi,” early in his career, and having been one of the producers on the 2015 pic Desierto, by his son, Jonas.

“Roma” chronicles a year in the life of a middle-class family in Mexico City in the early 1970s and is produced by Cuaron, Celis, Gabriela Rodriguez (“Gravity”), and exec produced by Participant Media.

Roma is Celis’ first period movie. Its 1970s setting was prior to his own birth – in 1986 – which he says provoked some wisecracks during the shoot. “For me it’s been my most challenging and interesting project so far. I’m a big fan of Alfonso’s work since a kid and I loved that he wanted me to work on his new film.”

Guerra’s Birds of Passage is also set in the 1970s and is produced by Colombia’s Ciudad Lunar (Cristina Gallego and Katrin Pors), as well as Celis and Argentine producers MC Productions and Buffalo Films, with Colombia’s Caracol TV also on board.

Celis previously worked with Pors on The Untamed. “Working with Katrin has been a great discovery,” said Celis. “We’re trying to work with her on our next projects.”

Guerra to Direct Film Adaptation of J.M. Coetzee’s Award-Winning Book “Waiting For The Barbarians”

Ciro Guerra isn’t Waiting for his Hollywood crossover…

The 35-year-old Colombian film director and screenwriter is partnering with actor Mark Rylance and producer Michael Fitzgerald to adapt J.M. Coetzee’s award-winning book Waiting For The Barbarians for the big screen.

Ciro Guerra

Coetzee, a Nobel Prize winner for literature, adapted the novel, which the Nobel Prize committee called “a political thriller in the tradition of Joseph Conrad, in which the idealist’s naiveté opens the gates to horror.”

Waiting For The Barbarians, which first was published in 1980 and quickly amassed honors, follows a magistrate (to be played by the Oscar-winning Rylance) of a far-flung border outpost as the reckless behavior of the “Empire” he serves threatens to trigger a Barbarian invasion. He begins to question imperialism when he saves a young ‘barbarian’ (one of the indigenous people in the country) and realizes that all is not what it appears to be. After mounting a harrowing escape, he is arrested by his own people and thrown in jail only to escape and eventually become an inspiration and leader to others.

The book, which is considered Coetzee’s master work, won both the James Tait Black Memorial Prize and the Geoffrey Faber Memorial Prize for fiction. It has been brought to the stage before (Phillip Glass composed a two-act opera for it) but never to the big screen. Coetzee, who is South African but lives in Australia, is one of the most respected authors of this century.

Fitzgerald is the one who pulled the prestigious project together with Rylance and Guerra.

Guerra is currently in pre-production on Birds of Passage which is in pre-production to shoot in the deserts of Colombia in January. The film is the follow-up to his award-winning film Embrace of the Serpent.

Guerra’s “Embrace of the Serpent” Sweeps Platino Ibero-American Film Awards

Ciro Guerra continues to slither his way to the awards stage…

The 35-year-old film director and screenwriter’s critically acclaimed Embrace of the Serpent, which earned an Academy Award nomination, swept the 3rd Platino Ibero-American Film Awards on Sunday night in Uruguay, taking home seven of the eight categories for which it was nominated.

Ciro Guerra's Embrace of the Serpent

Although the awards had no clear favorite, Embrace of the Serpent, with Ixcanul, had scored the most nominations and its plaudit sweep did not seem to surprise many.

Shot in widescreen in 35 mm and in black and white Serpent claimed best picture, director, editing (Etienne Boussac, Cristina Gallego), art direction (Angélica Perea), original music (Nascuy Linares), cinematography (the film was shot by David Gallego) and sound (Carlos García, Marco Salavarría).

The story of Karamakate, a shaman who is the last survivor of his tribe and asked, 30 years apart, by two explorers – based on the figures of Theodor Koch-Gruenberg and Richard Evans Schultes – to help them discover the yakuna plant, Embrace of the Serpent charts the devastation of the Amazon by colonial powers, whether Colombian rubber companies or a crazed Spanish priest, but more particularly the loss of indigenous knowledge as whole peoples disappeared under the influx of invasion.

“The ravages of colonialism cast a dark pall over the stunning South American landscape in Embrace of the Serpent, he latest visual astonishment from the gifted Colombian writer-director Ciro Guerra,” Variety wrote in its Cannes Film Festival review.

Ciro Guerre’s third movie has won a string of significant festival, Academy and pan Latin American awards, including a Mexican Silver Ariel, Fénix Film Awards, and plaudits at the Mar del Plata and Palm Springs fests, among others.

Platino acting awards went to two Argentine talents who most certainly deserve wider recognition, Dolores Fonzi, star of Santiago Mitre’s Cannes Critics’ Week winner Paulina, who plays a young lawyer who refuses to compromise her principles when raped while working as a rural teacher, and Guillermo Francella, who portrays a real-life family patriarch and psychopath in Pablo Trapero’s The Clan, who continues for personal profit Argentina’s Dirty War practice of kidnapping and murder after the fall of Argentina’s military junta.

A third Argentine actor, Ricardo Darin, took the Platino Lifetime Achievement Award.

“We have the talent. We just need to have confidence in ourselves,” Darin said on stage, receiving the plaudit. ”That’s why we and Ibero-America need these awards,” he added.

A searing but crafted indictment of the tribulations of a young pregnant and unmarried girl in rural Guatemala, Berlin Silver Bear winner Ixcanul, the feature debut of Jayro Bustamante, once more confirmed its audience appeal, at least with the who have seen it, taking the Platinos’ Audience Award, plus best first feature.

BEST PICTURE
“Embrace of the Serpent,” (Colombia, Argentina, Venezuela)

BEST DIRECTOR
Ciro Guerra (“Embrace of the Serpent”)

BEST ACTOR
Guillermo Francella (“The Clan,” Argentina, Spain)

BEST ACTRESS
Dolores Fonzi (“Paulina,” Argentina)

ORIGINAL MUSIC
Nascuy Linares (“Embrace of the Serpent”)

BEST ANIMATION MOVIE
“Capture the Flag,” (Enrique Gato, Spain)

BEST DOCU FEATURE
“The Pearl Button,” (Patricio Guzmán, Chile, Spain)

BEST SCREENPLAY
Pablo Larraín, Guillermo Calderón, Daniel Villalobos (“The Club”)

FIRST FEATURE
“Ixcanul” (Jayro Bustamante, Guatemala, France)

EDITING
Etienne Boussac, Cristina Gallego (“Embrace of the Serpent”)

ART DIRECTION
Angélica Perea (“Embrace of the Serpent”)

BEST CINEMATOGRAPHY
David Gallego (“Embrace of the Serpent”)

SOUND
Carlos García, Marco Salavarría (“Embrace of the Serpent”)

LIFETIME ACHIEVEMENT AWARD
Ricardo Darín

PLATINO AWARD FOR FILM AND EDUCATION IN VALUES
“The Second Mother,” (Anna Muylaert, Brazil)

AUDIENCE AWARDS

FEATURE
“Ixcanul,” (Guatemala, France)

ACTRESS
Penélope Cruz (“Ma ma,” Spain)

ACTOR
Ricardo Darín (“Truman,” Spain, Argentina)

Pablos’ “Las Elegidas” Picks Up Five Ariel Awards

David Pablos is the chosen one…

The 32-year-old Mexican filmmaker’s Las Elegidas, a drama about a teenage girl forced into prostitution, proved to be the big winner at the 58th Ariel Awards, Mexico’s version of the Oscars.

David Pablos

Produced by Canana Films, Gael Garcia Bernal and Diego Luna’s production company, Las Elegidas earned Pablos the Best Director and Best Original Screenplay awards.

The film, which had its world premiere last year in the Cannes Film Festival‘s Un Certain Regard, was also named Best Picture.

In all, writer-director Pablos’ film won five Ariels on Saturday night in Mexico City, including cinematography and breakthrough performance for actress Nancy Talamantes.

Also winning five awards was Gloria, Christian Keller‘s biopic about controversial Mexican pop icon Gloria Trevi. Gloria won best actor and actress for performances by Marco Perez (Amores Perros) and Sofia Espinosa.

Best Ibero-American picture went to Ciro Guerra‘s Amazon jungle-set Embrace of the Serpent, which made history last year when it became Colombia’s first film to ever receive an Oscar nomination.

Lifetime achievement awards were handed to veteran filmmaker Paul Leduc and Rosita Quintana, an actress known for her work during Mexico’s golden age of cinema.

Here’s the complete list of winners:

Best Picture: Las Elegidas
Director: David Pablos (Las Elegidas)
Actor: Marco Perez (Gloria)
Actress: Sofia Espinosa (Gloria)
Supporting Actor: Noe Hernandez (600 Millas)
Supporting Actress: Adriana Paz (Hilda)
Breakthrough Performance (Actor): Martin Castro (El Jeremias)
Breakthrough Performance (Actress): Nancy Talamantes (Las Elegidas)
Cinematography: Las Elegidas
Original Screenplay: Las Elegidas
Adapted Screenplay: Un Monstruo de Mil Cabezas
Ibero-American Picture: El Abrazo de la Serpiente
Documentary: El Hombre Que Vio Demasiado
Animated Picture: La Increible Historia del Nino de Piedra
First Work: 600 Millas
Production Design: Mexican Gangster
Costume Design: Mexican Gangster
Makeup: Gloria
Original Score: El Hombre Que Vio Demasiado
Sound: Gloria
Editing: Gloria
Special Effects: Mexican Gangster
Visual Effects: Mexican Gangster
Short Fiction Film: Tremulo
Short Documentary: Ausencias
Short Animated Film: Zimbo