Bad Bunny Makes Grammys History with Album of the Year Nod for “Un Verano Sin Ti

Bad Bunny is having a special Grammys moment…

The 2023 Grammy Awards nominations have been announced by the Recording Academy, with the 28-year-old Puerto Rican superstar earning a historic nod.

Bad BunnyBad Bunny’s 2022 album, Un Verano Sin Ti, has been nominated for Album of the Year — the first Spanish-language album to earn that honor in the organization’s 65-year history.

Un Verano Sin Ti, which spent 13 weeks at No. 1 on the Billboard 200 chart, is his fourth solo studio album.

Bad Bunny’s 23-song album is also the first to be nominated for Album of the Year at both the Grammys and the Latin Grammys.

In addition to Album of the Year, Bad Bunny is nominated for two other awards — Best Pop Solo Performance for his song “Moscow Mule” and Best Música Urbana Album for “Un Verano Sin Ti.

Bad Bunny previously won a Grammy for Best Latin Pop or Urban Album for YHLQMDLG in 2021 and Best Música Urbana Album for El Último Tour Del Mundo.

The awards show will take place on February 5 at Crypto.com Arena in Los Angeles.

Christina Aguilera, a five-time Grammy winner, has two chances to increase her career count…

The 41-year-old half-Ecuadorian American singer is nominated for Best Latin Pop Album and Best Immersive Audio Album for her Spanish-language album Aguilera.

Rosalia is nominated for two awards this year.

The 30-year-old Spanish singer and songwriter, who won a Grammy for Best Latin Rock, Urban or Alternative Album for El Mal Querer in 2020, is nominated in the same category this year for Motomami and Best Music Film for Motomami (Rosalía Tiktok Live Performance).

Other multiple nominees include Miguel Zenon and Danilo Perez. Meanwhile Disney’s Encanto is Grammy-nominated for compilation soundtrack, for Germaine Franco’s score, and for Lin-Manuel Miranda’s “We Don’t Talk About Bruno” song.

Other nominees this year include Camila Cabello, Louis C.K., Esperanza Spalding, Gustavo Dudamel and Miguel.

Here’s a look at the 2023 Grammy nominees:

Record of the Year
ABBA – Don’t Shut Me Down
Adele – Easy on Me
Beyoncé – Break My Soul
Brandi Carlile Featuring Lucius – You and Me on the Rock
Doja Cat – Woman
Harry Styles – As It Was
Kendrick Lamar – The Heart Part 5
Lizzo – About Damn Time
Mary J. Blige – Good Morning Gorgeous
Steve Lacy – Bad Habit

Album of the Year
ABBA – Voyage
Adele – 30
Bad Bunny – Un Verano Sin Ti
Beyoncé – Renaissance
Brandi Carlile – In These Silent Days
Coldplay – Music of the Spheres
Harry Styles – Harry’s House
Kendrick Lamar – Mr. Morale & the Big Steppers
Lizzo – Special
Mary J. Blige – Good Morning Gorgeous (Deluxe)

Song of the Year
Adele – Easy on Me
Beyoncé – Break My Soul
Bonnie Raitt – Just Like That
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – God Did
Gayle – ABCDEFU
Harry Styles – As It Was
Kendrick Lamar – The Heart Part 5
Lizzo – About Damn Time
Steve Lacy – Bad Habit
Taylor Swift – All Too Well (10 Minute Version) (The Short Film)

Best New Artist
Anitta
Domi & JD Beck
Latto
Måneskin
Molly Tuttle
Muni Long
Omar Apollo
Samara Joy
Tobe Nwigwe
Wet Leg

Best Pop Solo Performance
Adele – Easy on Me
Bad Bunny – Moscow Mule
Doja Cat – Woman
Harry Styles – As It Was
Lizzo – About Damn Time
Steve Lacy – Bad Habit

Best Pop Duo/Group Performance
ABBA – Don’t Shut Me Down
Camila Cabello Featuring Ed Sheeran – Bam Bam
Coldplay & BTS – My Universe
Post Malone & Doja Cat – I Like You (A Happier Song)
Sam Smith & Kim Petras – Unholy

Best Traditional Pop Vocal Album
Diana Ross – Thank You
Kelly Clarkson – When Christmas Comes Around…
Michael Bublé – Higher
Norah Jones – I Dream of Christmas (Extended)
Pentatonix – Evergreen

Best Pop Vocal Album
ABBA – Voyage
Adele – 30
Coldplay – Music of the Spheres
Harry Styles – Harry’s House
Lizzo – Special

Best Dance/Electronic Recording
Beyoncé – Break My Soul
Bonobo – Rosewood
David Guetta & Bebe Rexha – I’m Good (Blue)
Diplo & Miguel – Don’t Forget My Love
Kaytranada Featuring H.E.R. – Intimidated
Rüfüs Du Sol – On My Knees

Best Dance/Electronic Music Album
Beyoncé – Renaissance
Bonobo – Fragments
Diplo – Diplo
Odesza – The Last Goodbye
Rüfüs Du Sol – Surrender

Best Contemporary Instrumental Album
Brad Mehldau – Jacob’s Ladder
Domi & JD Beck – Not Tight
Grant Geissman – Blooz
Jeff Coffin – Between Dreaming and Joy
Snarky Puppy – Empire Central

Best Rock Performance
Beck – Old Man
The Black Keys – Wild Child
Brandi Carlile – Broken Horses
Bryan Adams – So Happy It Hurts
Idles – Crawl!
Ozzy Osbourne Featuring Jeff Beck – Patient Number 9
Turnstile – Holiday

Best Metal Performance
Ghost – Call Me Little Sunshine
Megadeth – We’ll Be Back
Muse – Kill or Be Killed
Ozzy Osbourne Featuring Tony Iommi – Degradation Rules
Turnstile – Blackout

Best Rock Song
Brandi Carlile – Broken Horses
Ozzy Osbourne Featuring Jeff Beck – Patient Number 9
Red Hot Chili Peppers – Black Summer
Turnstile – Blackout
The War on Drugs – Harmonia’s Dream

Best Rock Album
The Black Keys – Dropout Boogie
Elvis Costello & The Imposters – The Boy Named If
Idles – Crawler
Machine Gun Kelly – Mainstream Sellout
Ozzy Osbourne – Patient Number 9
Spoon – Lucifer on the Sofa

Best Alternative Music Performance
Arctic Monkeys – There’d Better Be a Mirrorball
Big Thief – Certainty
Florence and the Machine – King
Wet Leg – Chaise Lounge
Yeah Yeah Yeahs Featuring Perfume Genius – Spitting Off the Edge of the World

Best Alternative Music Album
Arcade Fire – WE
Big Thief – Dragon New Warm Mountain I Believe in You
Björk – Fossora
Wet Leg – Wet Leg
Yeah Yeah Yeahs – Cool It Down

Best R&B Performance
Beyoncé – Virgo’s Groove
Jazmine Sullivan – Hurt Me So Good
Lucky Daye – Over
Mary J. Blige Featuring Anderson .Paak – Here With Me
Muni Long – Hrs & Hrs

Best Traditional R&B Performance
Adam Blackstone Featuring Jazmine Sullivan – ’Round Midnight
Babyface Featuring Ella Mai – Keeps on Fallin’
Beyoncé – Plastic Off the Sofa
Mary J. Blige – Good Morning Gorgeous
Snoh Aalegra – Do 4 Love

Best R&B Song
Beyoncé – Cuff It
Jazmine Sullivan – Hurt Me So Good
Mary J. Blige – Good Morning Gorgeous
Muni Long – Hrs & Hrs
PJ Morton – Please Don’t Walk Away

Best Progressive R&B Album
Cory Henry – Operation Funk
Moonchild – Starfuit
Steve Lacy – Gemini Rights
Tank and the Bangas – Red Balloon
Terrace Martin – Drones

Best R&B Album
Chris Brown – Breezy (Deluxe)
Lucky Daye – Candy Drip
Mary J. Blige – Good Morning Gorgeous (Deluxe)
PJ Morton – Watch the Sun
Robert Glasper – Black Radio III

Best Rap Performance
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – God Did
Doja Cat – Vegas
Gunna & Future Featuring Young Thug – Pushin P
Hitkidd & Glorilla – F.N.F. (Let’s Go)
Kendrick Lamar – The Heart Part 5

Best Melodic Rap Performance
DJ Khaled Featuring Future & SZA – Beautiful
Future Featuring Drake & Tems – Wait for U
Jack Harlow – First Class
Kendrick Lamar Featuring Blxst & Amanda Reifer – Die Hard
Latto – Big Energy (Live)

Best Rap Song
DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – God Did
Future Featuring Drake & Tems – Wait for U
Gunna & Future Featuring Young Thug – Pushin P
Jack Harlow Featuring Drake – Churchill Downs
Kendrick Lamar – The Heart Part 5

Best Rap Album
DJ Khaled – God Did
Future – I Never Liked You
Jack Harlow – Come Home the Kids Miss You
Kendrick Lamar – Mr. Morale & the Big Steppers
Pusha T – It’s Almost Dry

Best Country Solo Performance
Kelsea Ballerini – Heartfirst
Maren Morris – Circles Around This Town
Miranda Lambert – In His Arms
Willie Nelson – Live Forever
Zach Bryan – Something in the Orange

Best Country Duo/Group Performance
Brothers Osborne – Midnight Rider’s Prayer
Carly Pearce & Ashley McBryde – Never Wanted to Be That Girl
Ingrid Andress & Sam Hunt – Wishful Drinking
Luke Combs & Miranda Lambert – Outrunnin’ Your Memory
Reba McEntire & Dolly Parton – Does He Love You (Revisited)
Robert Plant & Alison Krauss – Going Where the Lonely Go

Best Country Song
Cody Johnson – ’Til You Can’t
Luke Combs – Doin’ This
Maren Morris – Circles Around This Town
Miranda Lambert – If I Was a Cowboy
Taylor Swift – I Bet You Think About Me (Taylor’s Version) (From the Vault)
Willie Nelson – I’ll Love You Till the Day I Die

Best Country Album
Ashley McBryde – Ashley McBryde Presents: Lindeville
Luke Combs – Growin’ Up
Maren Morris – Humble Quest
Miranda Lambert – Palomino
Willie Nelson – A Beautiful Time

Best New Age, Ambient, or Chant Album
Cheryl B. Engelhardt – The Passenger
Madi Das, Dave Stringer & Bhakti Without Borders – Mantra Americana
Mystic Mirror – White Sun
Paul Avgerinos – Joy
Will Ackerman – Positano Songs

Best Improvised Jazz Solo
Ambrose Akinmusire – Rounds (Live)
Gerald Albright – Keep Holding On
John Beasley – Cherokee/Koko
Marcus Baylor – Call of the Drum
Melissa Aldana – Falling
Wayne Shorter & Leo Genovese – Endangered Species

Best Jazz Vocal Album
The Baylor Project – The Evening : Live At Apparatus
Carmen Lundy – Fade to Black
Cécile McLorin Salvant – Ghost Song
The Manhattan Transfer & The WDR Funkhausorchester – Fifty
Samara Joy – Linger Awhile

Best Jazz Instrumental Album
Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade – LongGone
Peter Erskine Trio – Live in Italy
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens – New Standards, Vol. 1
Wayne Shorter, Terri Lyne Carrington, Leo Genovese & Esperanza Spalding – Live at the Detroit Jazz Festival
Yellowjackets – Parallel Motion

Best Large Jazz Ensemble Album
John Beasley, Magnus Lindgren & SWR Big Band – Bird Lives
Remy Le Boeuf’s Assembly of Shadows – Architecture of Storms
Ron Carter & The Jazzaar Festival Big Band Directed by Christian Jacob – Remembering Bob Freedman
Steve Gadd, Eddie Gomez, Ronnie Cuber & WDR Big Band Conducted by Michael Abene – Center Stage
Steven Feifke, Bijon Watson & Generation Gap Jazz Orchestra – Generation Gap Jazz Orchestra

Best Latin Jazz Album
Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective – Fandango at the Wall in New York
Arturo Sandoval – Rhythm & Soul
Danilo Pérez Featuring The Global Messengers – Crisálida
Flora Purim – If You Will
Miguel Zenón – Música de las Américas

Best Gospel Performance/Song
Doe – When I Pray
Erica Campbell – Positive
Maverick City Music & Kirk Franklin – Kingdom
PJ Morton Featuring Zacardi Cortez, Gene Moore, Samoht, Tim Rogers & Darrel Walls – The Better Benediction
Tye Tribbett – Get Up

Best Contemporary Christian Music Performance/Song
Chris Tomlin – Holy Forever
Crowder & Dante Bowe Featuring Maverick City Music – God Really Loves Us (Radio Version)
Doe – So Good
For King & Country & Hillary Scott – For God Is With Us
Maverick City Music & Kirk Franklin – Fear Is Not My Future
Phil Wickham – Hymn of Heaven (Radio Version)

Best Gospel Album
Doe – Clarity
Maranda Curtis – Die to Live
Maverick City Music & Kirk Franklin – Kingdom Book One (Deluxe)
Ricky Dillard – Breakthrough: The Exodus (Live)
Tye Tribbett – All Things New

Best Contemporary Christian Music Album
Anne Wilson – My Jesus
Chris Tomlin – Always
Elevation Worship – Lion
Maverick City Music – Breathe
TobyMac – Life After Death

Best Roots Gospel Album
Gaither Vocal Band – Let’s Just Praise the Lord
Karen Peck & New River – 2:22
Keith & Kristyn Getty – Confessio – Irish American Roots
Tennessee State University – The Urban Hymnal
Willie Nelson – The Willie Nelson Family

Best Latin Pop Album
Camilo – De Adentro Pa Afuera
Christina Aguilera – Aguilera
Fonseca – Viajante
Rubén Blades & Boca Livre – Pasieros
Sebastián Yatra – Dharma +

Best Música Urbana Album
Bad Bunny – Un Verano Sin Ti
Daddy Yankee – Legendaddy
Farruko – La 167
Maluma – The Love & Sex Tape
Rauw Alejandro – Trap Cake, Vol. 2

Best Latin Rock or Alternative Album
Cimafunk – El Alimento
Fito Paez – Los Años Salvajes
Gaby Moreno – Alegoría
Jorge Drexler – Tinta y Tiempo
Mon Laferte – 1940 Carmen
Rosalía – Motomami

Best Regional Mexican Music Album (Including Tejano)
Chiquis – Abeja Reina
Christian Nodal – EP #1 Forajido
Marco Antonio Solís – Qué Ganas de Verte (Deluxe)
Natalia Lafourcade – Un Canto por México – El Musical
Los Tigres del Norte – La Reunión (Deluxe)

Best Tropical Latin Album
Carlos Vives – Cumbiana II
Marc Anthony – Pa’lla Voy
La Santa Cecilia – Quiero Verte Feliz
Spanish Harlem Orchestra – Imágenes Latinas
Tito Nieves – Legendario

Best American Roots Performance
Aaron Neville & The Dirty Dozen Brass Band – Stompin’ Ground
Aoife O’Donovan & Allison Russell – Prodigal Daughter
Bill Anderson Featuring Dolly Parton – Someday It’ll All Make Sense (Bluegrass Version)
Fantastic Negrito – Oh Betty
Madison Cunningham – Life According to Raechel

Best Americana Performance
Asleep at the Wheel Featuring Lyle Lovett – There You Go Again
Blind Boys of Alabama Featuring Black Violin – The Message
Bonnie Raitt – Made Up Mind
Brandi Carlile Featuring Lucius – You and Me on the Rock
Eric Alexandrakis – Silver Moon [A Tribute to Michael Nesmith]

Best American Roots Song
Anaïs Mitchell – Bright Star
Aoife O’Donovan & Allison Russell – Prodigal Daughter
Bonnie Raitt – Just Like That
Brandi Carlile Featuring Lucius – You and Me on the Rock
Robert Plant & Alison Krauss – High and Lonesome
Sheryl Crow – Forever

Best Americana Album
Bonnie Raitt – Just Like That…
Brandi Carlile – In These Silent Days
Dr. John – Things Happen That Way
Keb’ Mo’ – Good to Be…
Robert Plant & Alison Krauss – Raise the Roof

Best Bluegrass Album
The Del McCoury Band – Almost Proud
The Infamous Stringdusters – Toward the Fray
Molly Tuttle & Golden Highway – Crooked Tree
Peter Rowan – Calling You From My Mountain
Yonder Mountain String Band – Get Yourself Outside

Best Traditional Blues Album
Buddy Guy – The Blues Don’t Lie
Charlie Musselwhite – Mississippi Son
Gov’t Mule – Heavy Load Blues
John Mayall – The Sun Is Shining Down
Taj Mahal & Ry Cooder – Get on Board

Best Contemporary Blues Album
Ben Harper – Bloodline Maintenance
Edgar Winter – Brother Johnny
Eric Gales – Crown
North Mississippi Allstars – Set Sail
Shemekia Copeland – Done Come Too Far

Best Folk Album
Aoife O’Donovan – Age of Apathy
Janis Ian – The Light at the End of the Line
Judy Collins – Spellbound
Madison Cunningham – Revealer
Punch Brothers – Hell on Church Street

Best Regional Roots Music Album
Halau Hula Keali’i o Nalani – Halau Hula Keali’i o Nalani (Live at the Getty Center)
Natalie Ai Kamauu – Natalie Noelani
Nathan & The Zydeco Cha-Chas – Lucky Man
Ranky Tanky – Live at the 2022 New Orleans Jazz & Heritage Festival
Sean Ardoin & Kreole Rock and Soul Featuring The Golden Band From Tigerland – Full Circle

Best Reggae Album
Kabaka Pyramid – The Kalling
Koffee – Gifted
Protoje – Third Time’s the Charm
Sean Paul – Scorcha
Shaggy – Com Fly Wid Mi

Best Global Music Performance
Arooj Aftab & Anoushka Shankar – Udhero Na
Burna Boy – Last Last
Matt B & Eddy Kenzo – Gimme Love
Rocky Dawuni Featuring Blvk H3ro – Neva Bow Down
Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode – Bayethe

Best Global Music Album
Angélique Kidjo & Ibrahim Maalouf – Queen of Sheba
Anoushka Shankar, Metropole Orkest & Jules Buckley Featuring Manu Delago – Between Us… (Live)
Berklee Indian Ensemble – Shuruaat
Burna Boy – Love, Damini
Masa Takumi – Sakura

Best Children’s Music Album
Alphabet Rockers – The Movement
Divinity Roxx – Ready Set Go!
Justin Roberts – Space Cadet
Lucky Diaz and the Family Jam Band – Los Fabulosos
Wendy and DB – Into the Little Blue House

Best Audio Book, Narration, and Storytelling Recording
Jamie Foxx – Act Like You Got Some Sense
Lin-Manuel Miranda – Aristotle and Dante Dive Into the Waters of the World
Mel Brooks – All About Me!: My Remarkable Life in Show Business
Questlove – Music Is History
Viola Davis – Finding Me

Best Spoken Word Poetry Album
Amanda Gorman – Call Us What We Carry: Poems
Amir Sulaiman – You Will Be Someone’s Ancestor. Act Accordingly.
Ethelbert Miller – Black Men Are Precious
J. Ivy – The Poet Who Sat by the Door
Malcolm-Jamal Warner – Hiding in Plain View

Best Comedy Album
Dave Chappelle – The Closer
Jim Gaffigan – Comedy Monster
Louis C.K. – Sorry
Patton Oswalt – We All Scream
Randy Rainbow – A Little Brains, a Little Talent

Best Musical Theater Album
Original Broadway Cast – A Strange Loop
New Broadway Cast – Caroline, or Change
‘Into the Woods’ 2022 Broadway Cast – Into the Woods (2022 Broadway Cast Recording)
Original Broadway Cast – MJ the Musical
‘Mr. Saturday Night’ Original Cast – Mr. Saturday Night
Original Broadway Cast – Six: Live on Opening Night

Best Compilation Soundtrack for Visual Media
Various Artists – Elvis
Various Artists – Encanto
Various Artists – Stranger Things: Soundtrack From the Netflix Series, Season 4
Lorne Balfe, Harold Faltermeyer, Lady Gaga & Hans Zimmer – Top Gun: Maverick
Various Artists – West Side Story

Best Score Soundtrack for Visual Media (Includes Film and Television)
Germaine Franco – Encanto
Hans Zimmer – No Time to Die
Jonny Greenwood – The Power of the Dog
Michael Giacchino – The Batman
Nicholas Britell – Succession: Season 3

Best Score Soundtrack for Video Games and Other Interactive Media
Austin Wintory – Aliens: Fireteam Elite
Bear McCreary – Call of Duty®: Vanguard
Christopher Tin – Old World
Richard Jacques – Marvel’s Guardians of the Galaxy
Stephanie Economou – Assassin’s Creed Valhalla: Dawn of Ragnarök

Best Song Written for Visual Media
Beyoncé – Be Alive
Carolina Gaitán – La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto – Cast – We Don’t Talk About Bruno
Jessy Wilson Featuring Angélique Kidjo – Keep Rising (The Woman King)
Lady Gaga – Hold My Hand
Taylor Swift – Carolina
4*Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo & Grayson Villanueva – Nobody Like U

Best Instrumental Composition
Danilo Pérez Featuring The Global Messengers – Fronteras (Borders) Suite: Al-Musafir Blues
Geoffrey Keezer – Refuge
Miguel Zenón, José Antonio Zayas Cabán, Ryan Smith & Casey Rafn – El País Invisible
Tasha Warren & Dave Eggar – African Tales
Tasha Warren & Dave Eggar – Snapshots

Best Arrangement, Instrumental or A Cappella
Armand Hutton Featuring Terrell Hunt & Just 6 – As Days Go By (An Arrangement of the Family Matters Theme Song)
Danny Elfman – Main Titles
Kings Return – How Deep Is Your Love
Magnus Lindgren, John Beasley & The SWR Big Band Featuring Martin Auer – Scrapple From the Apple
Remy Le Boeuf – Minnesota, WI

Best Arrangement, Instruments and Vocals
Becca Stevens & Attacca Quartet – 2 + 2 = 5 (Arr. Nathan Schram)
Cécile McLorin Salvant – Optimistic Voices / No Love Dying
Christine McVie – Songbird (Orchestral Version)
Jacob Collier Featuring Lizzy McAlpine & John Mayer – Never Gonna Be Alone
Louis Cole – Let It Happen

Best Recording Package
Fann – Telos
Soporus – Divers
Spiritualized – Everything Was Beautiful
Tamsui-Kavalan Chinese Orchestra – Beginningless Beginning
Underoath – Voyeurist

Best Boxed or Special Limited Edition Package
Black Pumas – Black Pumas (Collector’s Edition Box Set)
Danny Elfman – Big Mess
The Grateful Dead – In and Out of the Garden: Madison Square Garden ’81, ’82, ’83
They Might Be Giants – Book
Various Artists – Artists Inspired by Music: Interscope Reimagined

Best Album Notes
Andy Irvine & Paul Brady – Andy Irvine / Paul Brady
Astor Piazzolla – The American Clavé Recordings
Doc Watson – Life’s Work: A Retrospective
Harry Partch – Harry Partch, 1942
Wilco – Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)

Best Historical Album
Blondie – Against the Odds: 1974 – 1982
Doc Watson – Life’s Work: A Retrospective
Freestyle Fellowship – To Whom It May Concern…
Glenn Gould – The Goldberg Variations: The Complete Unreleased 1981 Studio Sessions
Wilco – Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)

Songwriter of the Year, Non-Classical
Amy Allen
Laura Veltz
Nija Charles
The-Dream
Tobias Jesso Jr.

Best Engineered Album, Non-Classical
Baynk – Adolescence
Father John Misty – Chloë and the Next 20th Century
Harry Styles – Harry’s House
Robert Glasper – Black Radio III
Wet Leg – Wet Leg

Producer of the Year, Non-Classical
Boi-1da
Dahi
Dan Auerbach
Dernst “D’Mile” Emile II
Jack Antonoff

Best Remixed Recording
Beyoncé – Break My Soul (Terry Hunter Remix)
Ellie Goulding – Easy Lover (Four Tet Remix)
The Knocks & Dragonette – Slow Song (Paul Woolford Remix)
Lizzo – About Damn Time (Purple Disco Machine Remix)
Wet Leg – Too Late Now (Soulwax Remix)

Best Immersive Audio Album
Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene – Tuvayhun — Beatitudes for a Wounded World
The Chainsmokers – Memories…Do Not Open
Christina Aguilera – Aguilera
Jane Ira Bloom – Picturing the Invisible: Focus 1
Stewart Copeland & Ricky Kej – Divine Tides

Best Engineered Album, Classical
Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene – Tuvayhun — Beatitudes for a Wounded World
Anne-Sophie Mutter, Boston Symphony Orchestra & John Williams – Williams: Violin Concerto No. 2 & Selected Film Themes
Edwin Outwater & Chicago Symphony Orchestra – Mason Bates: Philharmonia Fantastique: The Making of the Orchestra
Pittsburgh Symphony Orchestra & Manfred Honeck – Beethoven & Stucky: Orchestral Works
Third Coast Percussion – Perspectives

Producer of the Year, Classical
Christoph Franke
Elaine Martone
James Ginsburg
Jonathan Allen
Judith Sherman

Best Orchestral Performance
Berlin Philharmonic & John Williams – John Williams: The Berlin Concert
Los Angeles Philharmonic & Gustavo Dudamel – Dvořák: Symphonies Nos. 7-9
New York Youth Symphony – Works by Florence Price, Jessie Montgomery, Valerie Coleman
Various Artists – Sila: The Breath of the World
Wild Up & Christopher Rountree – Stay on It

Best Opera Recording
Boston Modern Orchestra Project & Odyssey Opera Chorus – Anthony Davis: X: The Life and Times of Malcolm X
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – Blanchard: Fire Shut Up in My Bones
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – Eurydice

Best Choral Performance
The Crossing – Born
English Baroque Soloists & Monteverdi Choir – J.S. Bach: St. John Passion, BWV 245
The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus, Yannick Nézet-Séguin, Ailyn Pérez, Michelle DeYoung, Matthew Polenzani & Eric Owens – Verdi’s Requiem: The Met Remembers 9/11

Best Chamber Music/Small Ensemble Performance
Attacca Quartet – Caroline Shaw: Evergreen
Dover Quartet – Beethoven: Complete String Quartets, Vol. 2 – The Middle Quartets
Neave Trio – Musical Remembrances
Publiquartet – What Is American
Third Coast Percussion – Perspectives

Best Classical Instrumental Solo
Daniil Trifonov – Bach: The Art of Life
Hilary Hahn – Abels: Isolation Variation
Mak Grgić – A Night in Upper Town – The Music of Zoran Krajacic
Mitsuko Uchida – Beethoven: Diabelli Variations
Time for Three, The Philadelphia Orchestra & Xian Zhang – Letters for the Future

Best Classical Solo Vocal Album
Il Pomo d’Oro – Eden
Nicholas Phan, Brooklyn Rider, The Knights & Eric Jacobsen – Stranger – Works for Tenor by Nico Muhly
Renée Fleming & Yannick Nézet-Séguin – Voice of Nature: The Anthropocene
Sasha Cooke & Kirill Kuzmin – How Do I Find You
Will Liverman, Paul Sánchez & J’Nai Bridges – Shawn E. Okpebholo: Lord, How Come Me Here?

Best Classical Compendium
Christopher Tin, Voces8, Royal Philharmonic Orchestra & Barnaby Smith – The Lost Birds
Kitt Wakeley – An Adoption Story
The Metropolitan Opera Orchestra & Yannick Nézet-Séguin – A Concert for Ukraine
Seunghee Lee, JP Jofre & London Symphony Orchestra – Aspire

Best Contemporary Classical Composition
Andris Nelsons & Gewandhausorchester – Gubaidulina: The Wrath of God
Carlos Simon, MK Zulu, Marco Pavé & Hub New Music – Simon: Requiem for the Enslaved
Ian Rosenbaum & Dover Quartet – Akiho: Ligneous Suite
Jack Quartet – Bermel: Intonations
Time for Three, The Philadelphia Orchestra & Xian Zhang – Puts: Contact

Best Music Video
Adele – Easy on Me
BTS – Yet to Come
Doja Cat – Woman
Harry Styles – As It Was
Kendrick Lamar – The Heart Part 5
Taylor Swift – All Too Well: The Short Film

Best Music Film
Adele – Adele One Night Only
Billie Eilish – Billie Eilish Live at the O2
Justin Bieber – Our World
Neil Young & Crazy Horse – A Band a Brotherhood a Barn
Rosalía – Motomami (Rosalía TikTok Live Performance)
Various Artists – Jazz Fest: A New Orleans Story

Bad Bunny Has September’s Highest Grossing Tour with “World’s Hottest Tour”

Bad Bunny is back on top…

For the fourth time this year, the 28-year-old Puerto Rican superstar tops Billboards monthly Boxscore ranking with the highest grossing tour of September.

Bad BunnyIn February, he became the first Latin act to top the list since the monthly tally began in February 2019.

In March, he scored the highest monthly total for an arena tour since the charts launched. In August, when he bulked up to stadiums, he claimed the title for the largest monthly sum for a solo act.

With his September victory, Bad Bunny is running out of records to rewrite. Over 11 shows from September 1 to 30, World’s Hottest Tour earned $123.7 million and sold over 500,000 tickets, according to figures reported to Billboard Boxscore. That’s the highest one-month gross since the charts premiered, bypassing The Rolling Stones’ August 2019 haul of $95 million to become the first act to earn more than $100 million in a single month.

Bad Bunny’s September run included three markets each in Texas (Houston, San Antonio and Arlington) and California (Oakland, San Diego and Inglewood), plus two shows in Las Vegas and one in Phoenix. His September 30-October 1 double-header at Inglewood’s SoFi Stadium was the obvious highlight, earning $31.1 million from 99,816 tickets sold, even though half of that sum will count toward the October rankings.

Bad Bunny’s September (and one October) shows brings the North American total for World’s Hottest Tour to $232.5 million, aided by local records in four out of every five venues it played.

Further, his latest victory puts him in elite company, tying Elton John for the most months atop Top Tours. Each act has crowned four monthly editions – John three times in 2019 and once in 2020, and Bad Bunny all in 2022. Even more impressive for Bunny, he’s undefeated.

He claimed top honors in February and March, when El Ultimo Tour Del Mundo began, took much of the spring and summer off, and returned in August, when he regained the top spot (and again in September). He played a trio of shows in April and July, but if Bad Bunny was properly on tour in 2022, he’s been No. 1 on Top Tours.

Bad Bunny Notches Highest Grossing Latin Tour in Billboard Boxscore History with “World’s Hottest Tour”

Bad Bunny is rolling past an iconic group into the concert history books…

Earlier this year, the 28-year-old Puerto Rican superstar embarked on his massive tour, earning $116.8 million in North American arenas on El Ultimo Tour Del Mundo, according to figures reported to Billboard Boxscore.

Bad BunnyIt became the highest grossing Latin tour in Boxscore history and rewrote local records in more than half of the markets where he played.

Only six months later, Bad Bunny launched his second tour of 2022 and doubled the gross of his prior record-breaking trek – and he’s only just finished the first leg.

World’s Hottest Tour wrapped its U.S. leg in stadiums, grossing $232.5 million and selling 944,000 tickets from just 21 shows.

That averages out to $11.1 million and 45,000 tickets per show. Currently, World’s Hottest Tour boasts a bigger per-show average gross than any tour by any artist in any genre, in Boxscore history (dating back to the late 1980s).

The Rolling Stones previously paced $9.4 million on the No Filter Tour (2017-21), but have been bested by el Conejo Malo with the first tour to average more than $10 million per night. Inflation, dynamic pricing and platinum ticketing certainly give an advantage to more recent tours, but Bad Bunny’s unrelenting pace in the U.S., especially as a contemporary artist who doesn’t perform in English, makes World’s Hottest Tour one to watch, to say the least.

World’s Hottest Tour broke venue revenue records in 12 of the 15 U.S. markets that it played. Shows in Cumberland, Ga.; Miami; the Bronx; Houston; San Antonio; San Diego; and Phoenix were the highest grossing engagements in each venue’s history. Further, his shows in Orlando; Boston; Chicago; Washington, D.C.; and Oakland, Calif., were all-time highs among single-night performances.

Arlington, Texas; Las Vegas; and Inglewood, Calif., are the only markets where Bad Bunny didn’t set a record, coming in second in each. In the latter two cities, he was blocked by BTS, who played four shows at each stadium, compared to Bad Bunny’s two.

Breaking the record he set earlier this year, his latest trek is now the biggest tour by a Spanish-speaking performer in Boxscore history, giving Bad Bunny the top two positions on the all-time Latin breakout. But, again, his big year goes far beyond genre distinctions, as he is the only artist to ever launch two separate $100 million tours in the same calendar year.

Combined, and including three Puerto Rican shows in July that were not officially part of either tour, Bad Bunny has earned $353.2 million and sold 1.6 million tickets in 2022, all in North America. World’s Hottest Tour resumes on Oct. 21 in Santo Domingo, kicking off a 22-show run in Latin America before closing in Mexico City on Dec. 10.

Bad Bunny’s “World’s Hottest Tour” Named Top-Grossing Tour of August

Bad Bunny continues making history on the road…

The 28-year-old Puerto Rican superstar has conquered stadiums this summer with the top-grossing tour of August.

Bad BunnyWorld’s Hottest Tour – Bad Bunny’s second chart-topping trek of 2022 – grossed $91.1 million and sold 404,000 tickets during the month, according to figures reported to Billboard Boxscore.

Bad Bunny had previously mounted the biggest Latin tour in Billboard Boxscore history with $117 million on El Ultimo Tour del Mundo. Billboard began compiling Boxscore data in the late 1980s.

The total for Bad Bunny’s new tour, World’s Hottest Tour, is the second-highest one-month gross since the launch of Billboard’s monthly charts in February 2019.

Only The Rolling Stones have surpassed it in that time, grossing $95 million in August 2019.

Bunny had already claimed the all-time runner-up spot with his $65 million haul in March, though Coldplay snuck by with a $66.7 million take just last month. Now, he re-secures his standing with the highest one-month Boxscore gross for a solo act in the three years Billboard has been compiling monthly charts.

Bad Bunny only played nine shows in August, averaging a blistering $10.1 million and 45,000 tickets per show. While other artists near the top of the touring pack also played to massive crowds in stadiums around the U.S., their grosses are more reasonably head-spinning, between $5 million and $7 million each night.

World’s Hottest Tour, on the other hand, went stratospheric, pushing eight figures per show on the back of Un Verano Sin Ti, Bad Bunny’s summer-defining album that has logged 11 weeks (so far) atop the Billboard 200. Released on May 6, it impacted after the tour was sold out, though the added momentum of new music may have further affected resale demand.

There’s a saying that goes “your biggest competition is yourself.” If that’s true, Bad Bunny continues to win. He hit seven U.S. markets in August, improving upon the gross and attendance in each city from his Spring tour. That might sound obvious to the point of insignificance considering his upgrade to stadiums, but his arena tour played two or three shows in several markets and ultimately broke many local records.

Still, the Bad Bunny of February and March is no match for Bad Bunny of August. His $22.1 million run at Yankee Stadium August 27-28 nearly doubled the already-massive $11.1 million take in Brooklyn and Newark, N.J., combined. Grosses doubled, and then some, in Atlanta, Boston and Washington, D.C. His one show at Chicago’s Soldier Field earned $13.8 million and sold 51,791 tickets, besting a three-show run at the Allstate Arena ($11.2 million, 51,430 tickets) March 10-12.

August is Bad Bunny’s third month leading the Top Tours chart, following his gold medals in February and March. That ties him with The Rolling Stones for the second-most time atop the ranking, bested only by Elton John, who crowned four months in 2019-20.

Including a pair of September reports, World’s Hottest Tour has already grossed $122.5 million, eclipsing his previous run to become the highest grossing Latin tour in Boxscore history. It also makes him the first artist, in any genre, to mount two separate $100-million tours in the same year.

All seven plays on Bad Bunny’s August haul make the 30-position Top Boxscores chart, four of which crack the top 10. His shows help lift Soldier Field, Fenway Park and Yankee Stadium to the top five of Top Stadiums. And alongside Daddy Yankee, he helped push Cardenas Marketing Network to No. 3 on Top Promoters, earning $122.4 million, a record high for the Chicago-based company.

Bad Bunny’s “Un Verano Sin Ti” Overtakes “Encanto” Soundtrack as Most Popular Album of 2022

Bad Bunny isn’t talking about Bruno 

The 28-year-old Puerto Rican superstar’s smash album Un Verano Sin Ti has overtaken Lin-Manuel Miranda’s Encanto soundtrack as the most popular album of 2022, according to Luminate.

Bad BunnyReleased on May 6, Un Verano Sin Ti has now earned 1.606 million equivalent album units in the U.S., through the week ending July 21. It surpasses the Encanto soundtrack, which is now the year’s No. 2 most popular set, with 1.565 million units earned in 2022.

Earlier in July, when Luminate (whose data powers Billboard’s charts) released its midyear data (reflecting the tracking period of December 30, 2021-June 30, 2022), Encanto was the top album, while the all-Spanish-language Un Verano Sin Ti was the second-biggest set.

Equivalent album units comprise traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sales, or 10 individual tracks sold from an album, or 3,750 ad-supported on-demand official audio and video streams generated by songs from an album, or 1,250 paid/subscription on-demand official and audio streams generated by songs from an album.

Un Verano Sin Ti has spent six nonconsecutive weeks atop the weekly Billboard 200 albums chart, including the latest tally, dated July 30. Further, it has earned over 100,000 units in each of its first 11 weeks of release – the first album to do so since Adele’s 25 saw its first 14 weeks all exceed 100,000 units (December 12, 2015-March 12, 2016-dated charts).

Additionally, Un Verano Sin Ti has spent its first 11 weeks on the Billboard 200 chart in the top two, dating to its debut atop the May 21, 2022, tally. The last album to start off as strong was Drake’s Views, which spent its first 17 weeks in the top two (May 21-September 10, 2016-dated charts).

Notably, 25 and Views finished as the most popular albums of 2015 and 2016, respectively, by units earned.

Un Verano Sin Ti has also generated four top 10-charting songs on the all-genre Billboard Hot 100 chart (which blends streaming, airplay and sales data to rank the 100 most popular songs of the week in the U.S.). One of those four top 10 hits, “Me Porto Bonito,” with Chencho Corleone, hit No. 1 on the Streaming Songs chart dated July 30, becoming the first all-Spanish-language No. 1 in the chart’s nine-year history.

Meanwhile, Un Verano Sin Ti marks the second all-Spanish-language album to reach No. 1 on the 66-year-old chart. The first was Bad Bunny’s last LP, 2020’s El Último Tour del Mundo. As the latter led for a week, the former is the first such set to reign for multiple weeks.

The soundtrack to Disney’s Encanto debuted, at No. 197, on the Dec. 11, 2021-dated Billboard 200 and has spent nine weeks at No. 1, in January-March, and ranked in the chart’s top 40 each week starting with the January 8 ranking.

Bad Bunny’s “Un Verano Sin Ti” Returns to No. 1 on Billboard 200

Bad Bunny’s summer glow up continues…

The 28-year-old Puerto Rican superstar’s latest album Un Verano Sin Ti has returned to the No. 1 spot on the Billboard 200 albums chart dated June 18 for a second week on top (rising from No. 2), following its debut at No. 1 on the May 21-dated chart.

Bad BunnyAfter its chart-topping opening, the album sat in the No. 2 slot for the next three weeks. The set earned 137,000 equivalent album units (down 3%) in the U.S. in the week ending June 9, according to Luminate. 

Un Verano Sin Ti is the first album released in 2022 to exceed 100,000 equivalent album units earned in each of its first five weeks. (The last title to do so was Adele’s late 2021 release 30, on the December 4, 2021-January 1, 2022 charts.)

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Of Un Verano Sin Ti’s 137,000 equivalent album units earned, SEA units comprise 135,500 (down 3%; equaling 189.47 million on-demand official streams of the set’s tracks), album sales comprise 1,000 (down 9%) and TEA units comprise 500 (up 4%).

Notably, Un Verano Sin Ti marks the first all-Spanish-language album to spend multiple weeks at No. 1 in the Billboard 200’s 66-year history. Only one other such set has led for even one week: Bad Bunny’s last album, El Último Tour del Mundo, which arrived atop the December 12, 2020 tally.

Bad Bunny Helps Propel Streaming of Latin Music Past Country for First Time Ever in U.S.

Bad Bunny is helping push Latin music to new heights…

In a week where the 28-year-old Puerto Rican superstar’s Un Verano Sin Ti dominated the charts, the new album accounted for 18% of all U.S. Latin on-demand streams and pushed the genre’s streaming market share past country for the first time ever.

Bad Bunny

According to Luminate, last week (the week ending May 12) was the Latin genre’s highest streaming week to date with over 1.8 billion weekly ODA streams, largely driven by Bad Bunny’s new set.

It’s also greater than any weekly total for the country genre to date, according to the data company, making Latin the fourth most on-demand streamed genre, currently, in the U.S. (after hip-hop, rock and pop).

Additionally, of the top 50 streaming markets, cities like Orlando, Milwaukee and San Diego experienced significant Latin streaming increases.

On the Billboard charts, Bad Bunny’s 23-track set debuts at No. 1 on the Billboard 200Top Latin Albums and Latin Rhythm Albums charts.

Furthermore, every song from the album lands on the Hot Latin Songs chart, and 22 of those songs also debut on the all-genre Billboard Hot 100. With Un Verano Sin Ti released on May 6, Bad Bunny breaks a record with 274,000 equivalent album units earned in the U.S., marking the biggest week for any Latin music album by equivalent album units earned.

Un Verano Sin Ti becomes the second all-Spanish album to rule the Billboard 200 — the first one to sit atop the chart was Bad Bunny’s El Último Tour del Mundo in 2020.

Moreover, Bad Bunny’s new album isn’t the only Spanish set to enter the Billboard 200 this week. For the first time ever, two all-Spanish-language albums have placed in the top 10 simultaneously as Eslabon Armado’s Nostalgia debuts at No. 9 on the tally. The teenage group’s 14-track album makes history as the first top 10-charting regional Mexican album ever on the Billboard 200.

Bad Bunny and Eslabon Armado’s notable achievements reflect an enduring genre growth trend.

According to Luminate, Latin gained more than any other genre last year, growing its market share to 5.39% — up 9% from 4.95% of the market in 2019. Meanwhile, Country had a minor bump in the market share from 7.91% in 2019 to 8.09% in 2021. It’s worth noting that Latin’s growth is driven by streaming, which accounts for 97.2% of Latin music’s consumption activity, whereas Country’s streaming growth has been slower.

“While Bad Bunny’s new album was certainly a primary driver behind Latin’s record-setting numbers this week, we’ve been tracking the genre’s significant audio streaming growth since the start of the pandemic in March of 2020,” says Luminate CEO Rob Jonas. “Since then, Latin has cemented itself as one of the major genres in the US, alongside R&B/HipHop, Rock, Pop, and Country. We’re interested to see how it will continue to grow globally and how it will impact cultural trends and Latin music’s influence across markets.”

Bad Bunny Makes Massive Impression on Billboard Global 200 and Billboard Global Excl. U.S. Charts

Bad Bunny is livin’ the stream globally…

Following the release of his latest album Un Verano Sin Ti on May 6, the entire track list of the 28-year-old Puerto Rican rapper, singer, songwriter and record producer’s project has charted on the May 21-dated Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bad BunnyIn fact, Bad Bunny cracks the top 50 of each ranking with all 23 songs featured on the album

In total, Bad Bunny simultaneously charts with 28 songs on the Global Excl. U.S. tally, and 27 on the Global 200, including seven in the top 10 of each.

Both counts are record-setting on the former chart, surpassing Taylor Swift’s 24 entries on the November 27, 2021-dated list, and blowing by Drake, Olivia Rodrigo and Ed Sheeran, each of whom has logged three songs in the top 10 at once.

The wave of new Bad Bunny material is led by the album’s opening track, “Moscow Mule,” entering at No. 2 on both lists with 97.2 million global streams in the week ending May 12, according to Luminate. (On average, the album’s 23 songs rank three positions higher on the Global 200 than the Global Excl. U.S. survey.)

Songs from Un Verano Sin Ti drew 33.9% of their streams from the U.S. and 66.1% from outside. While not dramatically different, first-week streams for Bad Bunny’s previous studio album, 2020’s El Ultimo Tour Del Mundo, split 30.2% U.S. and 69.8% beyond.

The extra 3.7% of domestic listenership on streaming services for his newest release reinforces that Bad Bunny’s star has continued to rise and spread in the primarily English-language U.S. market (including his home of Puerto Rico), while he continues to be a dominant force in Latin America and beyond.

He tops Billboard‘s Hits of the World charts in Bolivia, Chile, Colombia, Ecuador, Mexico, Peru and Spain, placing anywhere from 18 to 23 songs on each of the 25-position rankings.

Cumulatively, songs from Un Verano Sin Ti generated 1.06 billion global streams in the tracking week. That marks a 104% increase from the opening-week activity for El Ultimo Tour Del Mundo (520.4 million).

And while his new album has more songs to accumulate more streams (23 vs. 15; Ultimo also includes a 16th track performed by Trio Vegabajeno), the average streaming sum among Un Verano Sin Ti ‘s tracks was 46.1 million, compared to 34.7 million for cuts on El Ultimo Tour Del Mundo.

Bad Bunny’s global takeover adds to his domination of Billboard‘s U.S.-based Latin charts and all-genre Billboard Hot 100 and Billboard 200 rankings.

Bad Bunny Breaks Two Spotify Records with New “Un Verano Sin Ti” Album’s First Day Streams

Bad Bunny is breaking streaming records with his latest album…

The 28-year-old Puerto Rican rapper, singer and record producer’s Un Verano Sin Ti  broke two Spotify records in its first day of release, Friday, May 6.

Bad BunnyBad Bunny’s Un Verano Sin Ti became the most-streamed album in 2022 so far.

He also reached the milestone of becoming the most-streamed artist globally in one day, with 183 million streams. Drake previously held this record, with 176.8 million streams.

On Friday, all 23 songs on Bad Bunny’s new album ranked in the top 30 of Spotify’s Daily Top Songs Global chart, with nine of those tracks finding their way to the top 10.

Bad Bunny, who was Spotify’s most-streamed artist worldwide in both 2020 and 2021, released Un Verano Sin Ti  — the follow-up to El Ultimo Tour Del Mundo, which in 2020 made history as the first Spanish-language album to hit No. 1 on the Billboard 200 — via Rimas Entertainment.

Sony Developing “El Muerto” Marvel Character Film with Bad Bunny Attached to Star

Bad Bunny is dying for an exciting new role…

Sony Pictures, looking to continue to expand and diversify its universe of Marvel characters, is developing an El Muerto movie with the 28-year-old Puerto Rican Grammy-winning singer attached to star.

Bad BunnyThe announcement was made at Cinemacon during Sony’s panel where Bad Bunny made a surprise appearance.

The character of El Muerto, aka Juan Carlos, was a super powered wrestler who originally fought Spider-Man in a charity wrestling match in which he nearly unmasked the webslinger before being stung by Spider-Man with a paralyzing poison. After his oppressor El Dorado came to claim his life, he was saved by Spider-Man, after which the two team up to defeat Dorado.

El Muerto would mark the first Latin superhero to get his own film in the universe of Marvel characters, coming right after Sony recently dated Madame Webwhich marked the first female character from the Spider-Man universe to get her own film.

Though El Muerto isn’t as popular as Venom or Kraven the Hunter, Sony’s rush to get this film into development has much to do with Bad Bunny’s persistence in finding that right superhero property for himself.

The superstar is set to make his major studio debut in the highly-anticipated action film Bullet Train on July 29, a project that led to Aaron Taylor-Johnson landing the lead role in Kraven the Hunter. 

The same situation looks to have happened with Bad Bunny with executives extremely high on the final Bad Bunny footage from the film.

Following recent meetings to figure out a starring vehicle for him, the multi-hyphenate took matters into his own hands and began mining the Spider-Man library for Latin characters that would suit him, eventually coming across El Muerto. The studio loved the idea and hopes to move quickly on the project given Bad Bunny’s busy touring and acting schedule.

Besides Bullet Train, he was also recently seen in Narcos: Mexico and has Cassandro coming out alongside Gael García Bernal. He also recently wrapped his arena tour El Ultimo Tour Del Mundo

El Muerto will come out on Jan. 12, 2024.

Benito Antonio Marinez Ocasio (aka Bad Bunny) said working on Bullet Train was “an amazing experience. David (Leitch) is awesome. I loved working with him on my first film and now with this opportunity to bring El Muerto to life. It’s amazing, it’s incredible. I love wrestling. I grew up watching wrestling and I’m a wrestler. I’m a former champion so this is why I love this character. I think it’s the perfect role to me and it will be epic.”