Tag Archives: El Último Tour del Mundo

Karol G Rises to No. 1 on Billboard’s Latin Songwriters Chart

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Karol G has the write stuff…

The 32-year-old Colombian singer/songwriter soars to No. 1 on Billboard‘s Latin Songwriters chart dated March 11, becoming just the second woman to rule the ranking.

Karol GKarol G leads for the first time due to an impressive 16 songwriting credits on the latest Hot Latin Songs chart, all via songs on her new LP Mañana Será Bonito.

The album debuted at No. 1 on the Billboard 200, making history as the first all-Spanish-language leader by a woman. The only other all-Spanish-language No. 1 albums are Bad Bunny’s El Último Tour del Mundo and Un Verano Sin Ti.

The only other woman to have hit No. 1 on Latin Songwriters is Regional Mexican teen sensation Yahritza Martinez, who tallied four weeks on top in April 2022 due to Yahritza y Su Esencia’s breakthrough single, “Soy El Unico.”

Here’s a recap of Karol G’s entries on the latest Hot Latin Songs chart:

Rank, Title
No. 1, “TQG,” with Shakira
No. 4, “X Si Volvemos,” with Romeo Santos
No. 8, “Mientras Me Curo del Cora”
No. 9, “Gucci Los Paños”
No. 10, “Tus Gafitas”
No. 11, “Gatúbela,” with Maldy
No. 13, “Cairo,” with Ovy on the Drums
No. 14, “Pero Tú,” with Quevedo
No. 16, “Ojos Ferrari,” with Justin Quiles & Ángel Dior
No. 17, “Besties”
No. 19, “Mañana Será Bonita,” with Carla Morrison
No. 24, “Amargura”
No. 25, “Karmika,” with Bad Gyal & Sean Paul
No. 26, “Mercurio”
No. 29, “Danamos Los Amistad”
No. 33, “Carolina”

In the history of the Hot Latin Songs chart, only Bad Bunny and Ozuna have charted at least 16 songs simultaneously. Bad Bunny holds the record for the most in one week: 24, on May 21, 2022, concurrent with the chart start for Un Verano Sin Ti.

Karol G Makes History as “Mañana Será Bonito” Debuts at No. 1 on Billboard 200 Albums Chart

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Karol G is celebrating a historic moment…

The 32-year-old Colombian singer and songwriter’s new album Mañana Será Bonito is making an unprecedented splash on the Billboard 200 albums chart dated March 11, as the set debuts atop the tally.

Karol GIt’s both the first No. 1 for the artist and the chart’s first No. 1 all-Spanish-language album by a female artist.

“I feel so very special. More than happiness I feel special,” Karol G tells Billboard, who spoke with her as the news was reported. “My last album did so well and had all those big hits, like ‘Bichota,’ so the bar was high. But I didn’t want to make music because I felt pressure. I wanted to make the music I wanted to make, and the fact that I’ve hit No. 1 with an album that is so personal is enormous.” 

Previously, only two all-Spanish albums led the list, both by Bad Bunny. (Un Verano Sin Ti in 2022 and El Ultimo Tour del Mundo in 2020).

Mañana Será Bonito earned 94,000 equivalent album units in the U.S. in the week ending March 2, according to Luminate. Its starting sum was largely powered by streaming activity.

Of Mañana Será Bonito’s 94,000 equivalent album units earned, SEA units comprise 83,000 (equaling 118.73 million on-demand official streams of the set’s 17 tracks), album sales comprise 10,000 and TEA units comprise 1,000. The album’s sales were largely powered by its digital download album (8,500), though there was a CD available in limited quantities, selling about 1,500 copies. The digital album was also offered in two alternative cover variants on Karol G’s official webstore.

Mañana Será Bonito logs the largest week, by equivalent album units earned, for a Latin album by a woman since the chart began measuring by units in December of 2014. (Latin albums are defined as those that have hit or are eligible for Billboard’s Top Latin Albums chart.) Further, as Mañana Será Bonito generated 118.73 million official on-demand streams for its songs, the set registers the biggest streaming week ever for a Latin album by a woman.

Mañana Será Bonito is also the first Latin album by a woman to reach No. 1 on the Billboard 200 since 1995, when Selena’s posthumously-released, mostly-Spanish effort Dreaming of You topped the list for one week. (The 13-song Dreaming of You album has six tracks in Spanish, five in English and two duets that blend English and Spanish.)

Only three mostly-non-English-language albums by women have reached No. 1 on the Billboard 200 – the all-Spanish Mañana Será Bonito, Dreaming of You and The Singing Nun’s all-French-language self-titled album in 1963.

Karol G made her Billboard chart debut in 2016 and has been a force on Billboard’s Latin genre charts ever since, notching 17 top 10 hits on the Hot Latin Songs chart – including five No. 1s (through the most recently published chart, dated March 4). On the Top Latin Albums list, she’s previously logged a trio of top two-charting sets, including one No. 1, her previous release, KG0516, in 2021.

Mañana Será Bonito is the fourth charting album for Karol G on the all-genre Billboard 200, but first to reach the top 10. She previously visited the list with KG0516 (No. 20 in 2021), Ocean (No. 54 in 2019) and Unstoppable (No. 192 in 2017). Preceding the release of the new album, Karol had logged five top 40-charting hit songs on the all-genre Billboard Hot 100, but with three of them coming in 2022: “Mamiii,” with Becky G (No. 15), “Provenza” (No. 25) and “Gatubela,” with Maldy (No. 37). Both “Mamiii” and “Provenza” became Karol’s first top 10-charting hits on the all-genre Streaming Songs chart, reaching Nos. 5 and 10, respectively. (Both “Provenza” and “Gatubela” are included on Mañana Será Bonito.)

With Karol G’s Mañana Será Bonito replacing SZA’s SOS at No. 1, it’s the first time a woman has replaced another woman atop the list in over a year. It last happened when a trio of leading ladies traded off the top spot from November 20, 2021-December 4, 2021. Summer Walker’s Still Over It debuted at No. 1 on the on November 20 chart, Taylor Swift’s Red (Taylor’s Version) then opened atop the list on November 27, and Adele’s 30 bowed at No. 1 on the December 4 chart.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Bad Bunny’s “Soy Peor” Music Video Becomes His 10th Video to Make YouTube’s One Billion Views Club

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It’s a perfect 10 for Bad Bunny. 

The 28-year-old Puerto Rican superstar has scored his tenth music video to hit one billion views on YouTube.

Bad BunnyOne of Bunny’s earliest hits, the 2016 trap anthem “Soy Peor,” was one of the songs that helped put him on the map. The track — produced by the artist himself — peaked at No. 19 on Billboard‘s Hot Latin Songs chart.

The official visual for the song is Bunny’s tenth video as lead, featured artist, or collaborator to achieve this milestone.

Elsewhere on YouTube, the chart-topping artist also has presence on the platform’s U.S. Top Songs chart thanks to the swooning “Ojitos Lindos” video, which rises to No. 25 as “Titi Me Preguntó” takes No. 4 and his collaboration with Arcángel “La Jumpa” comes in at No. 81.

Bad Bunny takes No. 2 on U.S. Top Artists and No. 5 on Global Top Artists.

Since “Soy Peor,” Bunny has catapulted to global success with albums YHLQMDLG, Las Que No Iban a Salir, El Último Tour del Mundo and Un Verano Sin Ti.

The latter two of those debuted at No. 1 on the Billboard 200, making him the only artist to top the tally with a Spanish-language album — not once, but twice.

Most recently, Bunny’s Un Verano Sin Ti won the IFPI Global Album Award, becoming the first Latin artist to ever win an IFPI global award, according to the organization. The set spent a total of 13 non-consecutive weeks atop the Billboard 200 and became the first Spanish-language album to be nominated for album of the year at the Grammy Awards.

Bad Bunny Makes Forbes List of ‘World’s 10 Highest-Paid Entertainers’

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Bad Bunny is makin’ money moves…

Forbes has revealed its list of the World’s 10 Highest-Paid Entertainers, who, combined, made more than $1.3 billion last year, with the 28-year-old Puerto Rican superstar making the list.

Bad BunnyBad Bunny came in at No. 10 with $88 million, and he can attribute much of his financial success to his massive El Último Tour Del Mundo and The World’s Hottest Tour, plus endorsements from Corona, Cheetos and Adidas.

Topping the list are Genesis and Sting, who made $230 million and $210 million, respectively, thanks to selling their music.

Among the other major artists on the list was Taylor Swift, James Cameron and Brad Pitt.

See the full list of the world’s highest-paid entertainers here.

Bad Bunny Wins Second Consecutive ‘Best Música Urbana Album’ Grammy

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More Grammys glory for Bad Bunny…

Even though the 28-year-old Puerto Rican actor didn’t take home the Grammy for Album of the Year for his acclaimed album Un Verano Sin Ti, which made history as the first Spanish-language album to earn a Grammy nomination in the top category, Bad Bunny didn’t leave empty-handed.

Bad BunnyFor the third year in a row, El Conjejo Malo took home a Grammy. He won the gramophone for Best Música Urbana Album for Un Verano Sin Ti.

It’s his second straight win in the category, which was launched at last year’s awards show. In 2022, Bad Bunny won for El Último Tour Del Mundo.

In 2021, Bad Bunny claimed the Grammy for Best Latin Pop or Urban Album for YHLQMDLG.

Rosalia has claimed her second Grammy.

The 30-year-old Spanish singer/songwriter picked up the award for Best Latin Rock or Alternative Album for her acclaimed album MOTOMAMI.

Arturo O’ Farrill has picked up his sixth Grammy…

The 62-year-old Mexican jazz musician won Best Latin Jazz Album for Fandango At The Wall In New York as part of the Arturo O’Farrill & The Afro Latin Jazz Orchestra featuring The Congra Patria Son Jarocho Collective.

Marc Anthony won the Best Tropical Latin Album Grammy for Pa’lla Voy, while Natalia Lafourcade took home the Best Regional Mexican Music Album (Including Tejano) award for Un Canto por México – El Musical and Ruben Blades alongside Boca Livre won the Best Latin Pop Album prize for Pasieros.

Meanwhile, Encanto claimed three Grammys.

The Disney animated film won for Best Compilation Soundtrack and Best Score Soundtrack (giving composer Germaine Franco her first career Grammy), while Best Song Written For Visual Media went to “We Don’t Talk About Bruno,” which was penned by Lin-Manuel Miranda. The chart-topping ensemble song beat out works from Beyoncé, Taylor Swift, Lady Gaga, Angélique Kidjo, and Billie Eilish and Finneas O’Connell.

Here are the winners at the 65th annual Grammy Awards:

Album of the Year

Harry’s House
Harry Styles

Best New Artist

Samara Joy

Record of the Year

About Damn Time
Lizzo

Song of the Year

Just Like That
Bonnie Raitt

Best Pop Solo Performance

Easy On Me
Adele

Best Dance/Electronic Music Album

Renaissance
Beyoncé

Best Rap Album

Mr. Morale & The Big Steppers
Kendrick Lamar

Best Música Urbana Album

Un Verano Sin Ti
Bad Bunny

Best Pop Duo/Group Performance

Unholy
Sam Smith & Kim Petras

Best Country Song

‘Til You Can’t
Cody Johnson

Best Country Album

A Beautiful Time
Willie Nelson

Best R&B Song

Cuff It
Beyoncé

Best Pop Vocal Album

Harry’s House
Harry Styles

Best Traditional Pop Vocal Album

Higher
Michael Bublé

Best Dance/Electronic Recording

Break My Soul
Beyoncé

Best Rock Performance

Broken Horses
Brandi Carlile

Best Metal Performance

Degradation Rules
Ozzy Osbourne Featuring Tony Iommi

Best Rock Song

Broken Horses
Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)

Best Rock Album

Patient Number 9
Ozzy Osbourne

Best Alternative Music Performance

Chaise Longue – Chaise Longue
Wet Leg

Best Alternative Music Album

Wet Leg
Wet Leg

Best R&B Performance

Hrs & Hrs
Muni Long

Best Traditional R&B Performance

Plastic Off the Sofa
Beyoncé

Best Progressive R&B Album

Gemini Rights
Steve Lacy

Best R&B Album

Black Radio III
Robert Glasper

Best Rap Performance

The Heart Part 5
Kendrick Lamar

Best Melodic Rap Performance

WAIT FOR U
Future Featuring Drake & Tems

Best Rap Song

The Heart Part 5
Kendrick Lamar

Best Country Solo Performance

Live Forever
Willie Nelson

Best Country Duo/Group Performance

Never Wanted To Be That Girl
Carly Pearce & Ashley McBryde

Best New Age, Ambient, or Chant Album

Mystic Mirror
White Sun

Best Improvised Jazz Solo

Endangered Species
Wayne Shorter & Leo Genovese, soloist

Best Jazz Vocal Album

Linger Awhile
Samara Joy

Best Jazz Instrumental Album

New Standards Vol. 1
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens

Best Large Jazz Ensemble Album

Generation Gap Jazz Orchestra
Steven Feifke, Bijon Watson, Generation Gap Jazz Orchestra

Best Latin Jazz Album

Fandango At The Wall In New York
Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective

Best Gospel Performance/Song

Kingdom
Maverick City Music & Kirk Franklin

Best Contemporary Christian Music Performance/Song

Fear Is Not My Future
Maverick City Music & Kirk Franklin

Best Contemporary Christian Music Album

Breathe
Maverick City Music

Best Gospel Album

One Deluxe
Maverick City Music & Kirk Franklin

Best Roots Gospel Album

The Urban Hymnal
Tennessee State University Marching Band

Best Latin Pop Album

Pasieros
Rubén Blades & Boca Livre

Best Latin Rock or Alternative Album

MOTOMAMI
Rosalía

Best Regional Mexican Music Album (Including Tejano)

Un Canto por México – El Musical
Natalia Lafourcade

Best Tropical Latin Album

Pa’lla Voy
Marc Anthony

Best Americana Performance

Made Up Mind
Bonnie Raitt

Best American Roots Performance

Stompin’ Ground
Aaron Neville With The Dirty Dozen Brass Band

Best American Roots Song

Just Like That
Bonnie Raitt

Best Americana Album

In These Silent Days
Brandi Carlile

Best Bluegrass Album

Crooked Tree
Molly Tuttle & Golden Highway

Best Traditional Blues Album

Get On Board
Taj Mahal & Ry Cooder

Best Contemporary Blues Album

Brother Johnny
Edgar Winter

Best Folk Album

Revealer
Madison Cunningham

Best Regional Roots Music Album

Live At The 2022 New Orleans Jazz & Heritage Festival
Ranky Tanky

Best Reggae Album

The Kalling
Kabaka Pyramid

Best Global Music Performance

Bayethe
Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode

Best Global Music Album

Sakura
Masa Takumi

Best Children’s Music Album

The Movement
Alphabet Rockers

Best Audio Book, Narration, and Storytelling Recording

Finding Me
Viola Davis

Best Spoken Word Poetry Album

The Poet Who Sat By The Door
J. Ivy

Best Comedy Album

The Closer
Dave Chappelle

Best Musical Theater Album

Into The Woods (2022 Broadway Cast Recording)

Best Compilation Soundtrack For Visual Media

Encanto
(Various Artists)

Best Score Soundtrack For Visual Media (Includes Film And Television)

Encanto

Best Score Soundtrack for Video Games and Other Interactive Media

Assassin’s Creed Valhalla: Dawn Of Ragnarok

Best Song Written For Visual Media

We Don’t Talk About Bruno [From Encanto]

Best Contemporary Instrumental Album

Empire Central
Snarky Puppy

Best Instrumental Composition

Refuge
Geoffrey Keezer, composer (Geoffrey Keezer)

Best Arrangement, Instrumental or A Cappella

Scrapple From The Apple
John Beasley, arranger (Magnus Lindgren, John Beasley & The SWR Big Band Featuring Martin Aeur)

Best Arrangement, Instruments and Vocals

Songbird (Orchestral Version)
Vince Mendoza, arranger (Christine McVie)

Best Recording Package

Beginningless Beginning
Chun-Tien Hsia & Qing-Yang Xiao, art directors (Tamsui-Kavalan Chinese Orchestra)

Best Boxed Or Special Limited Edition Package

In And Out Of The Garden: Madison Square Garden ’81 ’82 ’83
Lisa Glines, Doran Tyson & Dave Van Patten, art directors (The Grateful Dead)

Best Album Notes

Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)
Bob Mehr, album notes writer (Wilco)

Best Historical Album

Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)
Cheryl Pawelski & Jeff Tweedy, compilation producers; Bob Ludwig, mastering engineer (Wilco)

Songwriter of the Year, Non-Classical

Tobias Jesso Jr.

Best Engineered Album, Non-Classical

Harry’s House
Jeremy Hatcher, Oli Jacobs, Nick Lobel, Mark “Spike” Stent & Sammy Witte, engineers; Randy Merrill, mastering engineer (Harry Styles)

Producer Of The Year, Non-Classical

Jack Antonoff

Best Remixed Recording

About Damn Time (Purple Disco Machine Remix)
Purple Disco Machine, remixer (Lizzo)

Best Immersive Audio Album

Divine Tides
Eric Schilling, immersive mix engineer; Stewart Copeland, Ricky Kej & Herbert Waltl, immersive producers (Stewart Copeland & Ricky Kej)

Best Engineered Album, Classical

Bates: Philharmonia Fantastique – The Making Of The Orchestra
Shawn Murphy, Charlie Post & Gary Rydstrom, engineers; Michael Romanowski, mastering engineer (Edwin Outwater & Chicago Symphony Orchestra)

Producer Of The Year, Classical

Judith Sherman

Best Orchestral Performance

Works By Florence Price, Jessie Montgomery, Valerie Coleman
Michael Repper, conductor (New York Youth Symphony)

Best Opera Recording

Blanchard: Fire Shut Up In My Bones
Yannick Nézet-Séguin, conductor; Angel Blue, Will Liverman, Latonia Moore & Walter Russell III; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Choral Performance

Born
Donald Nally, conductor (Dominic German, Maren Montalbano, Rebecca Myers & James Reese; The Crossing)

Best Chamber Music/Small Ensemble Performance

Shaw: Evergreen
Attacca Quartet

Best Classical Instrumental Solo

Letters For The Future
Time For Three; Xian Zhang, conductor (The Philadelphia Orchestra)

Best Classical Solo Vocal Album

Voice Of Nature – The Anthropocene
Renée Fleming, soloist; Yannick Nézet-Séguin, pianist

Best Classical Compendium

An Adoption Story
Starr Parodi & Kitt Wakeley; Jeff Fair, Starr Parodi & Kitt Wakeley, producers

Best Contemporary Classical Composition

Puts: Contact
Kevin Puts, composer (Xian Zhang, Time for Three & The Philadelphia Orchestra)

Best Music Video

All Too Well: The Short Film
Taylor Swift
Taylor Swift, video director; Saul Germaine, video producer

Best Music Film

Jazz Fest: A New Orleans Story
(Various Artists)
Frank Marshall & Ryan Suffern, video directors; Frank Marshall, Sean Stuart & Ryan Suffern, video producers

Best Song for Social Change

Baraye
Shervin Hajipour

Daddy Yankee’s “La Ultima Vuelta World Tour” Becomes Biggest-Ever Tour of His Career

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Daddy Yankee has ended his touring career with a bang…

The 45-year-old Puerto Rican reggaeton superstar has played the final shows of his farewell tour, ending at Miami’s FTX Arena on Thursday, December 22.

Daddy YankeeAccording to figures reported to Billboard Boxscore, La Ultima Vuelta World Tour wrapped with $197.8 million and 1.9 million tickets sold over 83 shows in 2022. That makes it the biggest tour of his career, by a long shot.

The tour kicked off at Denver’s Ball Arena on July 25, and played 33 shows until finishing its first leg at Madison Square Garden. The U.S. and Canada run earned $61.6 million and sold 376,000 tickets before venturing to Latin America.

There, Daddy Yankee hit 22 Spanish-speaking markets and earned $112.7 million and sold 1.383 million tickets.

He then closed the tour with 12 additional American shows, adding $23.4 million and 143,000 tickets to the final count.

With something of a home-field (or language) advantage, Latin American shows averaged $3 million and 36,000 tickets in mostly stadiums, compared to $1.9 million and 12,000 tickets in mostly domestic arenas.

Daddy Yankee’s geographical divide is in contrast with that of the year’s other major Latin tour from Bad Bunny. With more significant crossover success in recent years, Bad Bunny paced a similar 40,000-plus attendance in both territories but earned nearly three times more per show in the U.S. and Canada because of more elastic ticket scaling.

Bad Bunny and Daddy Yankee played a major role in lifting promoter Cardenas Marketing Network to No. 3 on the year-end Top Promoters ranking. After the final show in Miami, Henry Cardenas reflected to Billboard via email on the impact of Daddy Yankee’s final tour and touring career that started on day one.

“It was an unforgettable tour for me and for the entire CMN team. Having produced the farewell tour of the icon and influencer of an entire generation is one of the greatest accomplishments that our company has achieved. In 2005 we were the producers of his first tour, Barrio Fino, and today we say goodbye to him in La Ultima Vuelta. I thank Raymond and Mireddys for giving us the opportunity to be part of this dream that is now a reality and for allowing us to be direct witnesses of their great legacy.”

The La Ultima Vuelta World Tour was 2022’s second-biggest tour in Latin America, besting Bad Bunny’s $80 million-plus total, but falling short of Coldplay’s $127.9 million from two separate legs of Music of the Spheres Tour.

Still, Daddy Yankee’s nearly $2 million average in the states on a robust 45-date routing made for a gargantuan global total. Excluding Latin American dates, La Ultima Vuelta World Tour represents a leap of more than 100% from his previous nightly best. All shows considered, he’s up by 162%.

Regardless of geography or genre, Daddy Yankee finished at No. 13 on the year-end Top Tours chart, ranking artists on their concert business between November 1, 2021-October 31, 2022.

On Billboard’s monthly Top Tours chart, he’s climbed from No. 22 in July to No. 9 to No. 5 and, for October and November, to No. 3 (December’s ranking will publish next month).

Further, in the calendar year of 2022, Daddy Yankee has the sixth-highest grossing tour worldwide, behind Bad Bunny, Elton John, Coldplay, Ed Sheeran and Harry Styles.

And even beyond his year-end achievements, La Ultima Vuelta World Tour finishes as the second-highest grossing Latin tour in Boxscore history, sandwiched between Bad Bunny’s World’s Hottest Tour ($314.1 million) and El Ultimo Tour Del Mundo ($116.8 million).

Bad Bunny Teases New Single He’ll Release “to Close the Year”

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Bad Bunny is ending the year with a banger…

Just five days before Christmas, the 28-year-old Puerto Rican superstar has unveiled a preview clip of a never-before-heard track on TikTok.

Bad Bunny“OK, now yes, check this out,” he said in the 50-second clip. “Let me play this for you. This is to close the year.”

Bunny’s sultry vocals are heard over a simple beat that soon transitions into a hard-hitting reggaeton track.

“He loves you and gives you everything/ But you’re the devil and you’re crazy for me/ You like the bad boys and are playing fire with me […] although you’re a sin, I’m going to hell following that big a–/ I’m on my way/ Today I’m picking you up after midnight,” he chants in the saucy snippet.

He teased fans some more in the caption. “Let me know if you want another preview,” he wrote, which has fans speculating in the comments that this could either mark the return of “Trap Bunny,” or that he might drop a whole new album before 2022 comes to an end.

As fans patiently wait for El Conejo Malo’s next big move, there’s no denying that Bad Bunny was the year’s biggest music star.

Bad Bunny ruled Billboard’s year-end Top Artists chart for the first time, while his Un Verano Sin Ti made history as the first all-Spanish album to hit No. 1 on the Billboard 200 year-end albums chart (and has spent 13 weeks at the top so far), and the album also became the first-ever all-Spanish release to earn a Grammy nomination for album of the year.

He also closed out the year with his record-breaking $435 million in tour grosses that combine more than 80 concerts from two separate tours (El Último Tour del Mundo and The World’s Hottest Tour). That amount became the highest gross for an artist in a calendar year since Billboard Boxscore launched in the late 1980s.

The unreleased track he teased on TikTok will follow his Arcangel-assisted “La Jumpa,” which debuted at No. 3 on the Hot Latin Songs chart dated December 10, 2022.

Bad Bunny Breaks Billboard Boxscore Record for Highest Gross for Artist in Calendar Year

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Bad Bunny is closing out the year with a bang…

The 28-year-old Puerto Rican superstar closed out his World’s Hottest Tour over the weekend in Mexico City, closing out a historic year on the Billboard Boxscore charts.

Bad BunnyUltimately, his 81 concerts in 2022 – culled from two separate tours –  combine for the highest gross for an artist in a calendar year ever, since Billboard Boxscore launched in the late 1980s.

Some may have thought there were no Boxscore records left to break for Bad Bunny.

His arena tour in the spring, titled El Ultimo Tour Del Mundo, grossed $116.8 million, according to figures reported to Billboard Boxscore.

This made it the highest grossing Latin tour of all time. On a city-by-city basis, he broke local revenue records in 13 North American markets.

He then launched World’s Hottest Tour, a stadium run that made him the first artist to ever mount separate $100-million-tours in the same year. That trek broke local records in 12 of its 15 domestic markets, ultimately earning $232.5 million in the U.S.

Its 11 shows in September grossed $123.7 million, breaking the record for the highest one-month gross since Billboard launched its monthly rankings in 2019.

Bad Bunny topped the year-end Top Tours chart with a $373.5 million take, though he was still in the middle of a Latin American leg when the year-end tracking period ended. (Year-End Boxscore charts are based on shows that played between Nov. 1, 2021 – Oct. 31, 2022.)

In doing so, he became the first Latin artist, and first artist to primarily perform in any language other than English, to crown the annual ranking.

Finally, Bad Bunny closed out World’s Hottest Tour with two shows at Mexico City’s Estadio Azteca on December 9-10, adding $10.3 million and 116,000 tickets to its total. The Latin American run spanned 21 shows in 15 cities, earning $81.7 million from 910,000 tickets sold. Mexico was the highlight – not only for its two CDMX concerts, but for the $17.1 million out of Monterrey’s Estadio BBVA.

Altogether, the tour grossed $314.1 million and sold 1.9 million tickets, re-setting the record for the biggest Latin tour ever.

Added to his arena tour, plus three hometown shows in San Juan in July that were not a proper part of either of his two tours, Bad Bunny grossed $434.9 million in 2022, narrowly eclipsing Ed Sheeran’s $434.4 million in 2018, for the highest calendar-year gross in Billboard Boxscore history.

Bad Bunny’s gigantic year on the road is just one piece of his 2022 puzzle. He was also named Billboard’s Top Artist of the year, bolstered by the success of Un Verano Sin Ti. Released in May, his seasonal smash spent 13 weeks atop the Billboard 200 and landed seven of its tracks on the year-end Billboard Hot 100 ranking.

That album, plus his two 2020 releases, brought Bad Bunny from arena-contender to stadium-conqueror. His previous touring cycle, 2019’s X100 PRE Tour, earned $45.8 million between two legs, averaging $1.1 million per night. World’s Hottest Tour went stratospheric, pacing $3.7 million per show in Latin America and $11.1 million in the U.S.

Dating back to a Rosemont Theater show in October 2017 — his first show reported to Billboard Boxscore as a headliner — Bad Bunny has grossed $508.7 million and sold 3.3 million tickets. That’s one more broken record — enough to make him the highest grossing Latin artist in Boxscore history.

Bad Bunny Becomes First Latin Act to Lead Billboard’s Year-End Top Tours Chart

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Bad Bunny is officially this year’s tour de force…

The 28-year-old Puerto Rican superstar has finished as the year’s top touring act (No. 1 on Top Tours) with total gross of $373.5 million from 1.8 million tickets across 65 shows.

Bad BunnyBad Bunny is the first Latin act, and first act who doesn’t perform in English, to finish atop Billboard’s year-end Top Tours chart. Beyond the historic nature of his win for genre and language, he is the only artist to mount separate $100-million tours in the same year.

Further, while Boxscore charts often favor older acts with deeper histories on the road, like 2020 and 2021 champs Elton John and The Rolling Stones, Bad Bunny’s win this year is a testament to the growing power of contemporary stadium acts.

In fact, he is just the third artist to simultaneously crown the year-end Top Tours and overall Top Artists charts, following Taylor Swift in 2015 and One Direction in 2014.

Bad Bunny’s year in touring breaks down into several parts. First, he played two hometown stadium shows at San Juan’s Hiram Bithorn Stadium, earning $6.5 million on December 10-11, 2021.

That was followed by El Ultimo Tour Del Mundo, an arena run named after his 2020 album that broke ground as the first all-Spanish-language set to top the weekly Billboard 200 chart.

On that trek, he earned $116.8 million from 35 shows, enough to set a record for the highest-grossing Latin tour in Boxscore history.

That tour broke local records in Inglewood, Calif., Miami, Houston, Seattle, and more, setting the stage for an even bigger fall in 2022.

After releasing Un Verano Sin Ti and spending most the summer at No. 1 on the Billboard 200, Bad Bunny played three Puerto Rico shows for a $4 million gross, and then properly embarked on World’s Hottest Tour, living up to its name at each stop.

The trek leveled Bad Bunny to stadiums and took in $232.5 million in North America, plus another $13.8 million from its first four Latin American shows. After setting arena records throughout the U.S. in the spring, he set revenue records in 12 of the 15 domestic markets he played in the fall.

While Daddy Yankee’s La Ultima Vuelta World Tour quickly stole Bunny’s all-time Latin tour record from earlier this year, World’s Hottest Tour re-sets the pace as the first pan-American stadium tour of its size.

All of that combines to $373.5 million during the twelve-month tracking period, amounting to a record-setting, historic No. 1 finish, eclipsing Elton John and Ed Sheeran at Nos. 2-3, each of whom was a previous year-end victor.

These men lead the most eye-popping Top Tours chart ever. Five acts grossed more than $200 million, beating the previous high of four in 2018, and 16 acts generated more than $100 million in ticket sales, nearly doubling the previous high of nine in 2017 and 2018.

Billboard’s Year-End Boxscore charts are based on figures reported to Billboard Boxscore for engagements that played between November 1, 2021-October 31, 2022.

Bad Bunny Makes History While Topping Billboard’s Top Artists of the Year Chart

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Bad Bunny is the musician of the moment…

The 28-year-old Puerto Rican superstar tops Billboard’s year-end Top Artists chart for the first time, while his blockbuster release Un Verano Sin Ti is the year-end No. 1 on the Billboard 200 Albums recap.

Bad BunnyIt’s both the first time that an act that primarily records in Spanish is the year’s top artist, and a mostly non-English-language set is the biggest album of the year. (Billboard began compiling the year-end Top Artists category in 1981, and albums in 1956.)

Bad Bunny, born Benito Antonio Martinez Ocasio, crowns the year-end Top Artists tally due largely to the extraordinary success of his second No. 1 album on the Billboard 200, the all-Spanish-language Un Verano Sin Ti, and its slew of hits on the Billboard Hot 100 songs chart.

Un Verano Sin Ti debuted at No. 1 on the Billboard 200 dated May 21 and spent 13 nonconsecutive weeks atop the chart – the most weeks at No. 1 since 2016. The set also never left the top two positions of the weekly list in its first 24 weeks – becoming the first album to spend its first six months in the top two.

Un Verano Sin Ti also marked just the second all-Spanish-language album to reach No. 1 on the weekly Billboard 200, following Bad Bunny’s own El Ultimo Tour del Mundo in 2020.

Bad Bunny also profited from the continued success of four of his other albums – YHLQMDLG, El Ultimo Tour del Mundo, X 100PRE and the boxed set Anniversary Trilogy – all of which charted on the Billboard 200 during the 2022 tracking year.

In total, Bad Bunny places four albums on the year-end Billboard 200 Albums chart – Un Verano Sin Ti (No. 1), YHLQMDLG (No. 36), El Ultimo Tour del Mundo (No. 69) and X 100PRE (No. 165).

Un Verano Sin Ti saw 22 of its 23 songs debut on the Hot 100 concurrent with the album’s release (the one album track that didn’t debut had already hit the list in 2019).

On the year-end Hot 100 Songs recap, Bad Bunny places seven titles, led by “Me Porto Bonito,” with Chencho Corleone, at No. 20. Fueled by the success of the 24 songs he placed on the Hot 100 during the chart year, Bad Bunny is No. 1 on Hot 100 Artists recap for 2022.

Bad Bunny is additionally 2022’s top male artist for the first time.

It’s Bad Bunny’s first time as the year’s top male.

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts dated November 20, 2021 through November 12, 2022. The rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology details, and the November-November time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate. The Top Artists and Top New Artists categories ranks the best-performing overall acts, and new acts, of the year based on activity on the Billboard 200 album and Billboard Hot 100 songs chart, as well as Billboard Boxscore (touring) data, for the 2022 tracking period.