Guerra’s “Embrace of the Serpent” Sweeps Platino Ibero-American Film Awards

Ciro Guerra continues to slither his way to the awards stage…

The 35-year-old film director and screenwriter’s critically acclaimed Embrace of the Serpent, which earned an Academy Award nomination, swept the 3rd Platino Ibero-American Film Awards on Sunday night in Uruguay, taking home seven of the eight categories for which it was nominated.

Ciro Guerra's Embrace of the Serpent

Although the awards had no clear favorite, Embrace of the Serpent, with Ixcanul, had scored the most nominations and its plaudit sweep did not seem to surprise many.

Shot in widescreen in 35 mm and in black and white Serpent claimed best picture, director, editing (Etienne Boussac, Cristina Gallego), art direction (Angélica Perea), original music (Nascuy Linares), cinematography (the film was shot by David Gallego) and sound (Carlos García, Marco Salavarría).

The story of Karamakate, a shaman who is the last survivor of his tribe and asked, 30 years apart, by two explorers – based on the figures of Theodor Koch-Gruenberg and Richard Evans Schultes – to help them discover the yakuna plant, Embrace of the Serpent charts the devastation of the Amazon by colonial powers, whether Colombian rubber companies or a crazed Spanish priest, but more particularly the loss of indigenous knowledge as whole peoples disappeared under the influx of invasion.

“The ravages of colonialism cast a dark pall over the stunning South American landscape in Embrace of the Serpent, he latest visual astonishment from the gifted Colombian writer-director Ciro Guerra,” Variety wrote in its Cannes Film Festival review.

Ciro Guerre’s third movie has won a string of significant festival, Academy and pan Latin American awards, including a Mexican Silver Ariel, Fénix Film Awards, and plaudits at the Mar del Plata and Palm Springs fests, among others.

Platino acting awards went to two Argentine talents who most certainly deserve wider recognition, Dolores Fonzi, star of Santiago Mitre’s Cannes Critics’ Week winner Paulina, who plays a young lawyer who refuses to compromise her principles when raped while working as a rural teacher, and Guillermo Francella, who portrays a real-life family patriarch and psychopath in Pablo Trapero’s The Clan, who continues for personal profit Argentina’s Dirty War practice of kidnapping and murder after the fall of Argentina’s military junta.

A third Argentine actor, Ricardo Darin, took the Platino Lifetime Achievement Award.

“We have the talent. We just need to have confidence in ourselves,” Darin said on stage, receiving the plaudit. ”That’s why we and Ibero-America need these awards,” he added.

A searing but crafted indictment of the tribulations of a young pregnant and unmarried girl in rural Guatemala, Berlin Silver Bear winner Ixcanul, the feature debut of Jayro Bustamante, once more confirmed its audience appeal, at least with the who have seen it, taking the Platinos’ Audience Award, plus best first feature.

BEST PICTURE
“Embrace of the Serpent,” (Colombia, Argentina, Venezuela)

BEST DIRECTOR
Ciro Guerra (“Embrace of the Serpent”)

BEST ACTOR
Guillermo Francella (“The Clan,” Argentina, Spain)

BEST ACTRESS
Dolores Fonzi (“Paulina,” Argentina)

ORIGINAL MUSIC
Nascuy Linares (“Embrace of the Serpent”)

BEST ANIMATION MOVIE
“Capture the Flag,” (Enrique Gato, Spain)

BEST DOCU FEATURE
“The Pearl Button,” (Patricio Guzmán, Chile, Spain)

BEST SCREENPLAY
Pablo Larraín, Guillermo Calderón, Daniel Villalobos (“The Club”)

FIRST FEATURE
“Ixcanul” (Jayro Bustamante, Guatemala, France)

EDITING
Etienne Boussac, Cristina Gallego (“Embrace of the Serpent”)

ART DIRECTION
Angélica Perea (“Embrace of the Serpent”)

BEST CINEMATOGRAPHY
David Gallego (“Embrace of the Serpent”)

SOUND
Carlos García, Marco Salavarría (“Embrace of the Serpent”)

LIFETIME ACHIEVEMENT AWARD
Ricardo Darín

PLATINO AWARD FOR FILM AND EDUCATION IN VALUES
“The Second Mother,” (Anna Muylaert, Brazil)

AUDIENCE AWARDS

FEATURE
“Ixcanul,” (Guatemala, France)

ACTRESS
Penélope Cruz (“Ma ma,” Spain)

ACTOR
Ricardo Darín (“Truman,” Spain, Argentina)

Fonzi to Star in Horror Film “El diablo blanco”

Dolores Fonzi has landed a devilish role…

The 37-year-old Argentine actress is set to star in the horror film El diablo blanco, converting the project into one of the highest-profile genre offerings coming down the pike in Latin America.

Dolores Fonzi

Fonzi joins an Argentine A-list cast that includes Esteban Lamothe and Julieta Zylberberg.

Juan Pablo Gugliotta, co-founder of Buenos Aires’ Magma Cine, a pioneer in pan-Latin American co-production and auteur genre movies, will introduce the horror movie to potential co-production partners and sales agents at next week’s Bogota Audiovisual Market (BAM).

The screenplay allows the involvement of one or two actors from outside Argentina, Gugliotta said.

The feature debut of Ignacio Rogers, a theater actor-turned-filmmaker who is writing the screenplay, El diablo blanco kicks off with three male friends going off camping in the mountains. They meet three girls and immediately hit it off. Romance flowers as they decide to continue the trip together. One of them, Fernando, has a strange encounter with a mysterious man and suffers premonitory dreams of this man killing people, after which a once-carefree holiday trip turns into a ghastly nightmare.

El diablo blanco has its origins in classic American horror, but at least two factors set it apart, said Gugliotta. One is the presence of “deep Latin American roots, Argentine indigenous myths and legends.”

El diablo blanco’s friends are also not teens but adults in their mid-to-late-thirties, one a divorcee, another about to inherit local land, and two of the women qualified anthropologists, searching for traces of the mountains’ original indigenous settlers.

About 60% of “The White Devil’s” budget is covered between Magma Cine’s own financing and subsidy from Argentina’s Incaa film board, Gugliotta said.

Fonzi, Lamothe and Zylberberg have all broken through to international recognition this decade. Fonzi toplined Santiago Mitre’s Paulina, which won the Cannes Critics’ Week Grand Prize last year; Lamothe was the star of Mitre’s debut, The Student. Zylberberg co-starred in Anna Katz’s My Friend From the Park, a Sundance Film Festival 2016 best screenplay winner.

El diablo blanco is scheduled to shoot in the first quarter of 2017, during Argentina’s summer.

Mitre’s “Paulina” Wins Top Prize at the Beijing International Film Festival

Santiago Mitre is earning acclaim in China…

The 35-year-old Argentinian filmmaker’s latest thriller Paulina (aka La Patota) has won the Tiantan Award at the closing ceremony of the Beijing International Film Festival, which took place from April 16-23.

Paulina (aka La Patota)

The film centers on Paulina, who after moving back home to teach in a suburban high school, must deal with the disapproval of the people around her when she returns to work after being brutally assaulted by a gang.

The film, directed by Mitre, also picked up the best screenplay and best actress (Dolores Fonzi) awards at a ceremony held on Saturday night.

The best director award went to Denmark’s Christina Rosendahl for her film, The Idealist. Louis Hofman was named best actor for his role in another Danish film Land of Mine (aka Under Sandet.) China’s “Go Away, Mr Tumor” was given the best visual effects award.

The competitive section was announced only days before the festival began. It came as a surprise, as many in the industry had been led to believe that the BJIFF had become a non-competitive festival. The jury was headed by Brett Ratner.

The sixth edition of the festival again included a film market, a conference series and a project pitching section. The popularity of the pitching sessions continued to boom with the number of projects submitted increasing by half to 674.

Mitre, whose credits include The Student and Carancho, picked up four prizes for Paulina at the 2015 Toronto International Film Festival and two prizes at the 2015 Cannes Film Festival.