Tag Archives: Die With a Smile

Bruno Mars’s Rose-Collaboration “APT.” Notches Seventh Week at No. 1 on Billboard’s Global Charts

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It’s Lucky No. (Week) 7 for Bruno Mars…

The 39-year-old part-Puerto Rican Grammy-winning singer/songwriter’s hit ROSÉ-collaboration “APT.” leads the Billboard Global 200 and Billboard Global Excl. U.S. charts for a seventh week each.

Bruno Mars, RoseThe song debuted as the stars’ second leader on each survey.

“APT.” rules the Global 200 with 149.9 million streams (down 7%) and 18,000 sold (down 13%) worldwide November 29-December 5.

The hit now boasts seven of the top eight global streaming weeks among songs released in 2024:

224.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2
207.5 million, “APT.,” Nov. 9
176.8 million, “Fortnight,” Taylor Swift feat. Post Malone, May 4
162.2 million, “APT.,” Nov. 16
160.6 million, “APT.,” Dec. 7
149.9 million, “APT.,” Dec. 14
146.4 million, “APT.,” Nov. 23
132.7 million, “APT.,” Nov. 30

“APT.” concurrently tops Global Excl. U.S. with 132.6 million streams (down 6%) and 12,000 sold (down 7%) outside the U.S. November 29-December 5.

Mars and Lady Gaga’s “Die With a Smile” holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1 starting in September.

 

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Notches Sixth Week at No. 1 on Billboard’s Global Charts with ROSÉ-Collaboration “APT.”

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Bruno Mars’ latest single can’t be evicted…

The 39-year-old part-Puerto Rican Grammy-winning singer/songwriter’s hit ROSÉ-collaboration “APT.” continues to rule both the Billboard Global 200 and Billboard Global Excl. U.S. charts for the sixth consecutive week.

Bruno Mars, RoseThe song debuted as the stars’ second leader on each survey. 

“APT.” tops the Global 200 for a sixth week with 160.6 million streams (up 21% week-over-week) and 20,000 sold (up 49%) worldwide November 22-28.

The duet debuted with 224.5 million global streams and logged 207.5 million in its second frame, becoming the first title since the chart started to have amassed at least 200 million streams globally in multiple weeks.

“APT.” also now boasts six of the top seven streaming weeks on the Global 200 among songs released in 2024:

  • 5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2
  • 5 million, “APT.,” Nov. 9
  • 8 million, “Fortnight,” Taylor Swift feat. Post Malone, May 4
  • 2 million, “APT.,” Nov. 16
  • 6 million, “APT.,” Dec. 7
  • 4 million, “APT.,” Nov. 23
  • 7 million, “APT.,” Nov. 30

Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year, beginning in September. It drew 115.7 million streams (up 1%) worldwide Nov. 22-28 and has tallied over 100 million streams globally in each of the last 13 weeks, the longest such streak since the chart began.

“Die With a Smile” also holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1 starting in September.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Logs Fifth Week at No. 1 on Billboard’s Global Charts with ROSÉ-Collaboration “APT.”

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It’s five in a row for Bruno Mars.

The 39-year-old part-Puerto Rican Grammy-winning singer’s collaboration with ROSÉ, “APT.,” tops both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a fifth week.

 

The song debuted as the stars’ second leader on each list.

“APT.,” released October 18, rules the Global 200 for a fifth week with 132.7 million streams (down 9% week-over-week) and 13,000 sold (down 3%) worldwide November 15-21.=

The duet debuted with 224.5 million global streams and logged 207.5 million in its second frame, becoming the first title since the chart started to have drawn at least 200 million streams globally in multiple weeks.

“APT.” also now claims five of the top six streaming weeks on the Global 200 among songs released in 2024:

224.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2
207.5 million, “APT.,” Nov. 9
176.8 million, “Fortnight,” Taylor Swift feat. Post Malone, May 4
162.2 million, “APT.,” Nov. 16
146.4 million, “APT.,” Nov. 23
132.7 million, “APT.,” Nov. 30 

Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year. It drew 114 million streams (down 4%) worldwide November 15-21 and has tallied over 100 million streams globally in each of the last 12 weeks, the longest such streak since the chart began.

“APT.” concurrently commands Global Excl. U.S. for a fifth week, with 117.4 million streams (down 9%) and 9,000 sold (down 4%) outside the U.S. Nov. 15-21.

“Die With a Smile” holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States. 

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

 

Bruno Mars Earns Third Week at No. 1 on Billboard’s Global Charts with ROSÉ-Collaboration “APT.”

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Bruno Mars hasn’t left the penthouse just yet…

The 39-year-old part-Puerto Rican Grammy-winning artist’s ROSÉ-collaboration “APT.” remains at the summit on both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a third week.

Bruno Mars, RoseTwo weeks earlier, the song debuted as each artist’s second leader on each ranking. 

“APT.,” released October 18, tops the Global 200 for a third week with 162.2 million streams (down 22% week-over-week) and 14,000 sold (down 21%) worldwide November 1-7.

The week before, the duet logged 207.5 million streams, a frame after it debuted with 224.5 million, becoming the first title since the chart started to have logged at least 200 million streams globally in multiple weeks.

The song introduces ROSÉ’s solo studio album, rosie, due December 6.

Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year. It drew 119.6 million streams (down 5%) worldwide Nov. 1-7 and has tallied over 100 million streams globally in each of the last 10 weeks – surpassing The Kid LAROI and Justin Bieber’s “Stay” (nine straight triple-digit weeks in August-October 2021) for the longest such streak since the chart began.

“APT.” concurrently rules Global Excl. U.S. for a third week, with 145.1 million streams and 10,000 sold (down 22% in each metric) outside the U.S. November 1-7.

As on the Global 200, “Die With a Smile” holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 16, 2024) will update on Billboard.com tomorrow, Nov. 12. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Kehlani Leads Pack of Latino Grammy Nominees with Three Nods

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Kehlani tops the list of this year’s Latino/a Grammy nominees…

The nominees for the 2025 Grammy Awards have been announced with the 29-year-old part-Mexican American singer-songwriter and R&B superstar earning three nods, raising her career total to five nominations.

KehlaniKehalni is up for Best R&B Song for “After Hours,” Best Progressive R&B Album for Crash and Best Melodic Rap Performance for her collaborating with Jordan Adetunji on “Kehlani (Remix).”

Bruno Mars, a 15-time Grammy winner, has earned two nods this year.

The 39-year-old part-Puerto Rican singer-songwriter is nominated for Song of the Year and Best Pop Duo/Group Performance for his global hit Lady Gaga-collaboration “Die with a Smile.”

Gustavo Dudamel, a 5-time Grammy-winner, has earned two Grammy nods.

The 43-year-old Venezuelan conductor is nominated for Best Orchestral Performance and Best Classical Compendium for conducting the Los Angeles Philharmonic’s performance of Revolución Diamantina.

Madi Diaz has earned her first-ever Grammy nominations.

The 38-year-old half-Peruvian American singer-songwriter and musician earned nods for Best Folk Album for Weird Faith and Best Americana Performance for her Kacey Musgraves-collaboration “Don’t Do Me Good.”

Sheila E. has picked up two nods.

The 66-year-old half-Mexican American Grammy-nominated percussionist and singer, who raises her career Grammy nominations total to six, is up for Best Tropical Latin Album for Bailar and Best Global Music Performance for Bemba Colorá, which she performs alongside Gloria Estefan and Mimy Succar, a two time nominee this year.

Other Latino/a artists earning Grammy nods this year include Shakira, Bad Bunny, Edgar Barrera, Roberto Trujillo (Metallica), Jhene Aiko, Cardi B, Anitta, Miguel Zendon, Kali Uchis, Luis Fonsi, Kany Garcia, Peso Pluma, J Balvin and more.

The winners will be revealed at the Grammy awards show in Los Angeles on February 2.

Here’s the complete list of this year’s Grammy nominees:

Record of the Year
The Beatles – Now and Then
Beyoncé – Texas Hold ’Em
Billie Eilish – Birds of a Feather
Chappell Roan – Good Luck, Babe!
Charli XCX – 360
Kendrick Lamar – Not Like Us
Sabrina Carpenter – Espresso
Taylor Swift Featuring Post Malone – Fortnight

Album of the Year
André 3000 – New Blue Sun
Beyoncé – Cowboy Carter
Billie Eilish – Hit Me Hard and Soft
Chappell Roan – The Rise and Fall of a Midwest Princess
Charli XCX – Brat
Jacob Collier – Djesse Vol. 4
Sabrina Carpenter – Short n’ Sweet
Taylor Swift – The Tortured Poets Department

Song of the Year
Beyoncé – Texas Hold ’Em
Billie Eilish – Birds of a Feather
Chappell Roan – Good Luck, Babe!
Kendrick Lamar – Not Like Us
Lady Gaga & Bruno Mars – Die With a Smile
Sabrina Carpenter – Please Please Please
Shaboozey – A Bar Song (Tipsy)
Taylor Swift Featuring Post Malone – Fortnight

Best New Artist
Benson Boone
Doechii
Chappell Roan
Khruangbin
Raye
Sabrina Carpenter
Shaboozey
Teddy Swims

Producer of the Year, Non-Classical
Alissia
Daniel Nigro
Dernst “D’Mile” Emile II
Ian Fitchuk
Mustard

Songwriter of the Year, Non-Classical
Amy Allen
Edgar Barrera
Jessi Alexander
Jessie Jo Dillon
Raye

Best Pop Solo Performance
Beyoncé – Bodyguard
Billie Eilish – Birds of a Feather
Chappell Roan – Good Luck, Babe!
Charli XCX – Apple
Sabrina Carpenter – Espresso

Best Pop Duo/Group Performance
Ariana Grande, Brandy & Monica – The Boy Is Mine – Remix
Beyoncé Featuring Post Malone – Levii’s Jeans
Charli XCX & Billie Eilish – Guess Featuring Billie Eilish
Gracie Abrams Featuring Taylor Swift – Us.
Lady Gaga & Bruno Mars – Die With a Smile

Best Pop Vocal Album
Ariana Grande – Eternal Sunshine
Billie Eilish – Hit Me Hard and Soft
Chappell Roan – The Rise and Fall of a Midwest Princess
Sabrina Carpenter – Short n’ Sweet
Taylor Swift – The Tortured Poets Department

Best Dance/Electronic Recording
Disclosure – She’s Gone, Dance On
Four Tet – Loved
Fred Again.. & Baby Keem – Leavemealone
Justice & Tame Impala – Neverender
Kaytranada Featuring Childish Gambino – Witchy

Best Dance Pop Recording
Ariana Grande – Yes, And?
Billie Eilish – L’Amour de Ma Vie [Over Now Extended Edit]
Charli XCX – Von Dutch
Madison Beer – Make You Mine
Troye Sivan – Got Me Started

Best Dance/Electronic Music Album
Charli XCX – Brat
Four Tet – Three
Justice – Hyperdrama
Kaytranada – Timeless
Zedd – Telos

Best Remixed Recording
Charli XCX – Von Dutch A. G. Cook Remix Featuring Addison Rae
Doechii & Kaytranada Featuring JT – Alter Ego (Kaytranada Remix)
Julian Marley & Antaeus – Jah Sees Them (Amapiano Remix)
Sabrina Carpenter – Espresso (Mark Ronson x FNZ Working Late Remix)
Shaboozey & David Guetta – A Bar Song (Tipsy) (Remix)

Best Rock Performance
The Beatles – Now and Then
The Black Keys – Beautiful People (Stay High)
Green Day – The American Dream Is Killing Me
Idles – Gift Horse
Pearl Jam – Dark Matter
St. Vincent – Broken Man

Best Metal Performance
Gojira, Marina Viotti & Victor le Masne – Mea Culpa (Ah! Ça ira!)
Judas Priest – Crown of Horns
Knocked Loose Featuring Poppy – Suffocate
Metallica – Screaming Suicide
Spiritbox – Cellar Door

Best Rock Song
The Black Keys – Beautiful People (Stay High)
Green Day – Dilemma
Idles – Gift Horse
Pearl Jam – Dark Matter
St. Vincent – Broken Man

Best Rock Album
The Black Crowes – Happiness Bastards
Fontaines D.C. – Romance
Green Day – Saviors
Idles – Tangk
Jack White – No Name
Pearl Jam – Dark Matter
The Rolling Stones – Hackney Diamonds

Best Alternative Music Performance
Cage the Elephant – Neon Pill
Fontaines D.C. – Starburster
Kim Gordon – Bye Bye
Nick Cave & the Bad Seeds – Song of the Lake
St. Vincent – Flea

Best Alternative Music Album
Brittany Howard – What Now
Clairo – Charm
Kim Gordon – The Collective
Nick Cave & the Bad Seeds – Wild God
St. Vincent – All Born Screaming

Best R&B Performance
Chris Brown – Residuals
Coco Jones – Here We Go (Uh Oh)
Jhené Aiko – Guidance
Muni Long – Made for Me (Live on BET)
SZA – Saturn

Best Traditional R&B Performance
Kenyon Dixon – Can I Have This Groove
Lalah Hathaway Featuring Michael McDonald – No Lie
Lucky Daye – That’s You
Marsha Ambrosius – Wet
Muni Long – Make Me Forget

Best R&B Song
Coco Jones – Here We Go (Uh Oh)
Kehlani – After Hours
Muni Long – Ruined Me
SZA – Saturn
Tems – Burning

Best Progressive R&B Album
Avery*Sunshine – So Glad to Know You
Childish Gambino – Bando Stone and the New World
Durand Bernarr – En Route
Kehlani – Crash
NxWorries – Why Lawd?

Best R&B Album
Chris Brown – 11:11 (Deluxe)
Lalah Hathaway – Vantablack
Lucky Daye – Algorithm
Muni Long – Revenge
Usher – Coming Home

Best Rap Performance
Cardi B – Enough (Miami)
Common & Pete Rock Featuring Posdnuos – When the Sun Shines Again
Doechii – Nissan Altima
Eminem – Houdini
Future, Metro Boomin & Kendrick Lamar – Like That
Glorilla – Yeah Glo!
Kendrick Lamar – Not Like Us

Best Melodic Rap Performance
Beyoncé, Linda Martell & Shaboozey – Spaghettii
Future, Metro Boomin & The Weeknd – We Still Don’t Trust You
Jordan Adetunji Featuring Kehlani – Kehlani (Remix)
Latto – Big Mama
Rapsody Featuring Erykah Badu – 3:AM

Best Rap Song
Future, Metro Boomin & Kendrick Lamar – Like That
Glorilla – Yeah Glo!
Kendrick Lamar – Not Like Us
Rapsody & Hit-Boy – Asteroids
¥$, Kanye West, Ty Dolla $ign & Rich the Kid Featuring Playboi Carti – Carnival

Best Rap Album
Common & Pete Rock – The Auditorium Vol. 1
Doechii – Alligator Bites Never Heal
Eminem – The Death of Slim Shady (Coup de Grâce)
Future & Metro Boomin – We Don’t Trust You
J. Cole – Might Delete Later

Best Spoken Word Poetry Album
Malik Yusef – Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In the Beginning Was the Word
Omari Hardwick – Concrete & Whiskey Act II Part 1: A Bourbon 30 Series
Queen Sheba – Civil Writes: The South Got Something to Say
Skillz – The Seven Number Ones
Tank and the Bangas – The Heart, the Mind, the Soul

Best Jazz Performance
The Baylor Project – Walk With Me, Lord (Sound | Spirit)
Chick Corea & Béla Fleck – Juno
Dan Pugach & Nicole Zuraitis Featuring Troy Roberts – Little Fears
Lakecia Benjamin Featuring Randy Brecker, Jeff “Tain” Watts & John Scofield – Phoenix Reimagined (Live)
Samara Joy Featuring Sullivan Fortner – Twinkle Twinkle Little Me

Best Jazz Vocal Album
Catherine Russell & Sean Mason – My Ideal
Christie Dashiell – Journey in Black
Kurt Elling & Sullivan Fortner – Wildflowers Vol. 1
Milton Nascimento & Esperanza Spalding – Milton + Esperanza
Samara Joy – A Joyful Holiday

Best Jazz Instrumental Album
Ambrose Akinmusire – Owl Song
Chick Corea & Béla Fleck – Remembrance
Kenny Barron – Beyond This Place
Lakecia Benjamin – Phoenix Reimagined (Live)
Sullivan Fortner – Solo Game

Best Large Jazz Ensemble Album
The Clayton-Hamilton Jazz Orchestra – And So It Goes
Dan Pugach – Bianca Reimagined
John Beasley Featuring Frankfurt Radio Big Band – Returning to Forever
Miguel Zenón – Golden City
Orrin Evans & The Captain Black Big Band – Walk a Mile in My Shoe

Best Latin Jazz Album
Donald Vega Featuring Lewis Nash, John Patitucci & Luisito Quintero- As I Travel
Eliane Elias – Time and Again
Hamilton de Holanda & Gonzalo Rubalcaba – Collab
Horacio ‘El Negro’ Hernandez, John Beasley & Jose Gola – El Trio: Live in Italy
Michel Camilo & Tomatito – Spain Forever Again
Zaccai Curtis – Cubop Lives!

Best Alternative Jazz Album
Arooj Aftab – Night Reign
André 3000 – New Blue Sun
Keyon Harrold – Foreverland
Meshell Ndegeocello – No More Water: The Gospel of James Baldwin
Robert Glasper – Code Derivation

Best Traditional Pop Vocal Album
Aaron Lazar – Impossible Dream
Cyrille Aimée – À Fleur de Peau
Gregory Porter – Christmas Wish
Lake Street Dive – Good Together
Norah Jones – Visions

Best Contemporary Instrumental Album
Béla Fleck – Rhapsody in Blue
Bill Frisell – Orchestras (Live)
Julian Lage – Speak to Me
Mark Guiliana – Mark
Taylor Eigsti – Plot Armor

Best Musical Theater Album
Hell’s Kitchen
Merrily We Roll Along
The Notebook
The Outsiders
Suffs
The Wiz

Best Country Solo Performance
Beyoncé – 16 Carriages
Chris Stapleton – It Takes a Woman
Jelly Roll – I Am Not Okay
Kacey Musgraves – The Architect
Shaboozey – A Bar Song (Tipsy)

Best Country Duo/Group Performance
Beyoncé & Miley Cyrus – II Most Wanted
Brothers Osborne – Break Mine
Dan + Shay – Bigger Houses
Kelsea Ballerini & Noah Kahan – Cowboys Cry Too
Post Malone Featuring Morgan Wallen – I Had Some Help

Best Country Song
Beyoncé – Texas Hold ’Em
Jelly Roll – I Am Not Okay
Kacey Musgraves – The Architect
Post Malone Featuring Morgan Wallen – I Had Some Help
Shaboozey – A Bar Song (Tipsy)

Best Country Album
Beyoncé – Cowboy Carter
Chris Stapleton – Higher
Kacey Musgraves – Deeper Well
Lainey Wilson – Whirlwind
Post Malone – F-1 Trillion

Best American Roots Performance
The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb’ Mo’, Taj Mahal & Mick Fleetwood – Nothing in Rambling
Rhiannon Giddens – The Ballad of Sally Anne
Shemekia Copeland – Blame It on Eve
Sierra Ferrell – Lighthouse

Best Americana Performance
Beyoncé – Ya Ya
Gillian Welch & David Rawlings – Empty Trainload of Sky
Madi Diaz & Kacey Musgraves – Don’t Do Me Good
Madison Cunningham – Subtitles
Sarah Jarosz – Runaway Train
Sierra Ferrell – American Dreaming

Best American Roots Song
Aoife O’Donovan – All My Friends
Iron & Wine & Fiona Apple – All in Good Time
Mark Knopfler – Ahead of the Game
Shemekia Copeland – Blame It on Eve
Sierra Ferrell – American Dreaming

Best Americana Album
Charley Crockett – $10 Cowboy
Maggie Rose – No One Gets Out Alive
Sarah Jarosz – Polaroid Lovers
Sierra Ferrell – Trail of Flowers
T Bone Burnett – The Other Side
Waxahatchee – Tigers Blood

Best Bluegrass Album
Billy Strings – Live Vol. 1
Bronwyn Keith-Hynes – I Built a World
Dan Tyminski – Dan Tyminski: Live From the Ryman
The Del McCoury Band – Songs of Love and Life
Sister Sadie – No Fear
Tony Trischka – Earl Jam

Best Traditional Blues Album
Cedric Burnside – Hill Country Love
The Fabulous Thunderbirds – Struck Down
Little Feat – Sam’s Place
Sue Foley – One Guitar Woman
Taj Mahal – Swingin’: Live at the Church in Tulsa

Best Contemporary Blues Album
Antonio Vergara – The Fury
Joe Bonamassa – Blues Deluxe Vol. 2
Ruthie Foster – Mileage
Shemekia Copeland – Blame It on Eve
Steve Cropper & The Midnight Hour – Friendlytown

Best Folk Album
Adrianne Lenker – Bright Future
American Patchwork Quartet – American Patchwork Quartet
Aoife O’Donovan – All My Friends
Gillian Welch & David Rawlings – Woodland
Madi Diaz – Weird Faith

Best Regional Roots Music Album
Big Chief Monk Featuring J’wan Boudreaux – Live at the 2024 New Orleans Jazz & Heritage Festival
Kalani Pe’a – Kuini
New Breed Brass Band Featuring Trombone Shorty – Live at the 2024 New Orleans Jazz & Heritage Festival
The Rumble – Stories From the Battlefield
Sean Ardoin & Kreole Rock and Soul – 25 Back to My Roots

Best Gospel Performance/Song
Doe – Holy Hands
Melvin Crispell III – Yesterday
Ricky Dillard – Hold On (Live)
Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr – One Hallelujah
Yolanda Adams – Church Doors

Best Contemporary Christian Music Performance/Song
Bethel Music, Jenn Johnson Featuring CeCe Winans – Holy Forever (Live)
CeCe Winans – That’s My King
Elevation Worship Featuring Brandon Lake, Chris Brown & Chandler Moore – Praise
Honor & Glory & Disciple – Firm Foundation (He Won’t)
Jwlkrs Worship & Maverick City Music Featuring Chandler Moore – In the Name of Jesus
Maverick City Music, Naomi Raine & Chandler Moore Featuring Tasha Cobbs Leonard – In the Room

Best Gospel Album
CeCe Winans – More Than This
Karen Clark Sheard – Still Karen
Kirk Franklin – Father’s Day
Melvin Crispell III – Covered Vol. 1
Ricky Dillard – Choirmaster II (Live)

Best Contemporary Christian Music Album
Brandon Lake – Coat of Many Colors
Doe – Heart of a Human
Elevation Worship – When Wind Meets Fire
Forrest Frank – Child of God
Maverick City Music, Chandler Moore & Naomi Raine – The Maverick Way Complete

Best Roots Gospel Album
Authentic Unlimited – The Gospel Sessions, Vol. 2
Cory Henry – Church
The Harlem Gospel Travelers – Rhapsody
Mark D. Conklin – The Gospel According to Mark
The Nelons – Loving You

Best Latin Pop Album
Anitta – Funk Generation
Kali Uchis – Orquídeas
Kany García – García
Luis Fonsi – El Viaje
Shakira – Las Mujeres Ya No Lloran

Best Música Urbana Album
Bad Bunny – Nadie Sabe Lo Que Va a Pasar Mañana
Feid – Ferxxocalipsis
J Balvin – Rayo
Residente – Las Letras Ya No Importan
Young Miko – Att.

Best Latin Rock or Alternative Album
Cimafunk – Pa’ Tu Cuerpa
El David Aguilar – Compita del Destino
Mon Laferte – Autopoiética
Nathy Peluso – Grasa
Rawayana – ¿Quién Trae las Cornetas?

Best Música Mexicana Album (Including Tejano)
Carín León – Boca Chueca, Vol. 1
Chiquis – Diamantes
Jessi Uribe – De Lejitos
Peso Pluma – Éxodo

Best Tropical Latin Album
Juan Luis Guerra 4.40 – Radio Güira
Kiki Valera – Vacilón Santiaguero
Marc Anthony – Muevense
Sheila E. – Bailar
Tony Succar & Mimy Succar – Alma, Corazón y Salsa (Live at Gran Teatro Nacional)

Best Global Music Performance
Angélique Kidjo & Soweto Gospel Choir – Sunlight to My Soul
Arooj Aftab – Raat Ki Rani
Jacob Collier Featuring Anoushka Shankar & Varijashree Venugopal – A Rock Somewhere
Masa Takumi Featuring Ron Korb, Noshir Mody & Dale Edward Chung – Kashira
Rocky Dawuni – Rise
Sheila E. Featuring Gloria Estefan & Mimy Succar – Bemba Colorá

Best African Music Performance
Asake & Wizkid – MMS
Burna Boy – Higher
Chris Brown Featuring Davido & Lojay – Sensational
Tems – Love Me JeJe
Yemi Alade – Tomorrow

Best Global Music Album
Antonio Rey – Historias de un Flamenco
Ciro Hurtado – Paisajes
Matt B & Royal Philharmonic Orchestra – Alkebulan II
Rema – Heis
Tems – Born in the Wild

Best Reggae Album
Collie Buddz – Take It Easy
Shenseea – Never Gets Late Here
Various Artists – Bob Marley: One Love – Music Inspired By the Film (Deluxe)
Vybz Kartel – Party With Me
The Wailers – Evolution

Best New Age, Ambient, or Chant Album
Anoushka Shankar – Chapter II: How Dark It Is Before Dawn
Chris Redding – Visions of Sounds De Luxe
Radhika Vekaria – Warriors of Light
Ricky Kej – Break of Dawn
Ryuichi Sakamoto – Opus
Wouter Kellerman, Éru Matsumoto & Chandrika Tandon – Triveni

Best Children’s Music Album
Divinity Roxx & Divi Roxx Kids – World Wide Playdate
John Legend – My Favorite Dream
Lucky Diaz and the Family Jam Band – ¡Brillo, Brillo!
Lucy Kalantari & the Jazz Cats – Creciendo
Rock for Children – Solid Rock Revival

Best Comedy Album
Dave Chappelle – The Dreamer
Jim Gaffigan – The Prisoner
Nikki Glaser – Someday You’ll Die
Ricky Gervais – Armageddon
Trevor Noah – Where Was I

Best Audio Book, Narration, and Storytelling Recording
Barbra Streisand – My Name Is Barbra
Dolly Parton – Behind the Seams: My Life in Rhinestones
George Clinton – …And Your Ass Will Follow
Jimmy Carter – Last Sundays in Plains: A Centennial Celebration
Various Artists – All You Need Is Love: The Beatles in Their Own Words

Best Compilation Soundtrack for Visual Media
London Symphony Orchestra, Yannick Nézet-Séguin & Bradley Cooper – Maestro: Music by Leonard Bernstein
Various Artists – The Color Purple
Various Artists – Deadpool & Wolverine
Various Artists – Saltburn
Various Artists – Twisters: The Album

Best Score Soundtrack for Visual Media (Includes Film and Television)
Kris Bowers – The Color Purple
Hans Zimmer – Dune: Part Two
Laura Karpman – American Fiction
Nick Chuba, Atticus Ross & Leopold Ross – Shōgun
Trent Reznor & Atticus Ross – Challengers

Best Score Soundtrack for Video Games and Other Interactive Media
Bear McCreary – God of War Ragnarök: Valhalla
John Paesano – Marvel’s Spider-Man 2
Pinar Toprak – Avatar: Frontiers of Pandora
Wilbert Roget II – Star Wars Outlaws
Winifred Phillips – Wizardry: Proving Grounds of the Mad Overlord

Best Song Written for Visual Media
Barbra Streisand – Love Will Survive (From The Tattooist of Auschwitz)
Jon Batiste – It Never Went Away (From the Netflix Documentary “American Symphony”)
Luke Combs – Ain’t No Love in Oklahoma (From Twisters: The Album)
*NSync & Justin Timberlake – Better Place (From Trolls Band Together)
Olivia Rodrigo – Can’t Catch Me Now (From The Hunger Games: The Ballad of Songbirds & Snakes)

Best Music Video
A$AP Rocky – Tailor Swif
Charli XCX – 360
Eminem – Houdini
Kendrick Lamar – Not Like Us
Taylor Swift Featuring Post Malone – Fortnight

Best Music Film
Jon Batiste – American Symphony
June Carter Cash – June
Run-DMC – Kings From Queens
Steven Van Zandt – Stevie Van Zandt: Disciple
Various Artists – The Greatest Night in Pop

Best Recording Package
The Avett Brothers – The Avett Brothers
Charli XCX – Brat
iWhoiWhoo – Pregnancy, Breakdown, and Disease
Kate Bush – Hounds of Love (Baskerville Edition)
The Muddy Basin Ramblers – Jug Band Millionaire
Post Malone – F-1 Trillion
William Clark Green – Baker Hotel

Best Boxed or Special Limited Edition Package
Alpha Wolf – Half Living Things
John Lennon – Mind Games
Kate Bush – Hounds of Love (The Boxes of Lost at Sea)
Nirvana – In Utero
Unsuk Chin & Berliner Philharmoniker – Unsuk Chin
90 Day Men – We Blame Chicago

Best Album Notes
Alice Coltrane – The Carnegie Hall Concert (Live)
Ford Dabney’s Syncopated Orchestras – After Midnight
John Culshaw – John Culshaw – The Art of the Producer – The Early Years 1948-55
King Oliver’s Creole Jazz Band & Various Artists – Centennial
Various Artists – SONtrack Original de la Película “Al Son de Beno”

Best Historical Album
King Oliver’s Creole Jazz Band & Various Artists – Centennial
Paul Robeson – Paul Robeson – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings
Pepe de Lucía & Paco de Lucía – Pepito y Paquito
Prince & the New Power Generation – Diamonds and Pearls (Super Deluxe Edition)
Rodgers & Hammerstein & Julie Andrews – The Sound of Music (Original Soundtrack Recording) (Super Deluxe Edition)

Best Engineered Album, Non-Classical
Charlotte Day Wilson – Cyan Blue
Kacey Musgraves – Deeper Well
Lucky Daye – Algorithm
Peter Gabriel – I/O
Sabrina Carpenter – Short n’ Sweet
Willow – Empathogen

Best Engineered Album, Classical
Los Angeles Philharmonic, Gustavo Dudamel & María Dueñas – Gabriela Ortiz: Revolución Diamantina
Los Angeles Philharmonic, John Adams & Los Angeles Master Chorale – John Adams: Girls of the Golden West
Pittsburgh Symphony Orchestra & Manfred Honeck – Bruckner: Symphony No. 7 – Bates: Resurrexit (Live)
Skylark Vocal Ensemble & Matthew Guard – Clear Voices in the Dark
Timo Andres, Andrew Cyr & Metropolis Ensemble – Timo Andres: The Blind Banister

Producer of the Year, Classical
Christoph Franke
Dirk Sobotka
Dmitriy Lipay
Elaine Martone
Erica Brenner
Morten Lindberg

Best Immersive Audio Album
Ensemble 96, Current Saxophone Quartet & Nina T. Karlsen – Pax
Peter Gabriel – I/O (In-Side Mix)
Ray Charles & Various Artists – Genius Loves Company
Roxy Music – Avalon
Trondheim Symphony Orchestra & Nick Davies – Henning Sommerro: Borders

Best Instrumental Composition
Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman – Strands
André 3000 – I Swear, I Really Wanted to Make a “Rap” Album but This Is Literally the Way the Wind Blew Me This Time
Chick Corea & Béla Fleck – Remembrance
Christopher Zuar Orchestra – Communion
Shelly Berg – At Last

Best Arrangement, Instrumental or A Cappella
Béla Fleck – Rhapsody in Blue(Grass)
Henry Mancini & Snarky Puppy – Baby Elephant Walk (Encore)
Jacob Collier Featuring John Legend & Tori Kelly – Bridge Over Troubled Water
Säje – Silent Night
Scott Hoying Featuring Säje & Tonality – Rose Without the Thorns

Best Arrangement, Instruments and Vocals
Cody Fry Featuring Sleeping at Last – The Sound of Silence
John Legend – Always Come Back
Säje Featuring Regina Carter – Alma
Willow – Big Feelings
The 8-Bit Big Band Featuring Jonah Nilsson & Button Masher – Last Surprise (From “Persona 5”)

Best Orchestral Performance
Buffalo Philharmonic Orchestra & JoAnn Falletta – Kodály: Háry János Suite, Nyári este & Symphony in C Major
Esa-Pekka Salonen & San Francisco Symphony – Stravinsky: The Firebird
Los Angeles Philharmonic, Gustavo Dudamel & María Dueñas – Gabriela Ortiz: Revolución Diamantina
ORF Vienna Radio Symphony Orchestra & Marin Alsop – John Adams: City Noir, Fearful Symmetries & Lola Montez Does the Spider Dance
Susanna Mälkki & Helsinki Philharmonic Orchestra – Sibelius: Karelia Suite, Rakastava & Lemminkäinen

Best Opera Recording
Los Angeles Philharmonic, John Adams & Los Angeles Master Chorale – John Adams: Girls of the Golden West
Lyric Opera of Kansas City & Gerard Schwarz – Moravec: The Shining
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – Catán: Florencia en el Amazonas
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – Puts: The Hours
San Francisco Symphony Chorus & San Francisco Symphony – Saariaho: Adriana Mater

Best Choral Performance
Apollo’s Fire & Jeannette Sorrell – Handel: Israel in Egypt, HWV 54
The Choir of Trinity Wall Street, Artefact Ensemble & Novus NY – Sheehan: Akathist
The Crossing, Donald Nally & Dan Schwartz – Ochre
Skylark Vocal Ensemble & Matthew Guard – Clear Voices in the Dark
True Concord Voices & Orchestra, Jeffrey Biegel & Eric Holtan – A Dream So Bright: Choral Music of Jake Runestad

Best Chamber Music/Small Ensemble Performance
Caroline Shaw & Sō Percussion – Rectangles and Circumstance
JACK Quartet – John Luther Adams: Waves & Particles
Lorelei Ensemble & Christopher Cerrone – Christopher Cerrone: Beaufort Scales
Miró Quartet – Home
Yo-Yo Ma, Leonidas Kavakos & Emanuel Ax – Beethoven for Three: Symphony No. 4 and Op. 97 “Archduke”

Best Classical Instrumental Solo
Andy Akiho – Akiho: Longing
Curtis J Stewart, James Blachly & Experiential Orchestra – Perry: Concerto for Violin and Orchestra
Mak Grgić & Ensemble Dissonance – Entourer
Seth Parker Woods – Eastman The Holy Presence of Joan d’Arc
Víkingur Ólafsson – J. S. Bach: Goldberg Variations

Best Classical Solo Vocal Album
Fotina Naumenko – Bespoke Songs
Joyce DiDonato, Il Pomo d’Oro & Maxim Emelyanychev – Wagner: Wesendonck Lieder
Karen Slack & Michelle Cann – Beyond the Years
Nicholas Phan, Farayi Malek & Palaver Strings – A Change Is Gonna Come
Will Liverman & Jonathan King – Show Me the Way

Best Classical Compendium
Amy Porter, Nikki Chooi, Buffalo Philharmonic Orchestra & JoAnn Falletta – Lukas Foss: Symphony No. 1 & Renaissance Concerto
Andy Akiho & Imani Winds – BeLonging
Danaë Xanthe Vlasse, Royal Philharmonic Orchestra & Michael Shapiro – Mythologies II
Experiential Orchestra, James Blachly & Curtis J Stewart – American Counterpoints
Los Angeles Philharmonic, Gustavo Dudamel & María Dueñas – Gabriela Ortiz: Revolución Diamantina

Best Contemporary Classical Composition
Andrea Casarrubios – Casarrubios: Seven for Solo Cello
Decoda – Coleman: Revelry
Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo & San Francisco Symphony Chorus & Orchestra – Saariaho: Adriana Mater
Eighth Blackbird – Lang: Composition as Explanation
Los Angeles Philharmonic, Gustavo Dudamel & Los Angeles Master Chorale – Ortiz: Revolución Diamantina

Bruno Mars & Lady Gaga’s “Die With a Smile” Tops Billboard’s Global 200 Charts for Eighth Week

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Bruno Mars officially has the world’s biggest hit of the year…

The 39-year-old part-Puerto Rican Grammy-winning artist and Lady Gaga’s smash “Die With a Smile” rules both the Billboard Global 200 and Billboard Global Excl. U.S. charts for an eighth week.

Bruno MarsThe ballad now solely claims the longest Global 200 reign of 2024, surpassing the seven weeks that Benson Boone’s “Beautiful Things” posted at No. 1 in February-April.

It also equals the longest Global Excl. U.S. command in 2024, tying the eight-week stays for “Beautiful Things” (February-April) and Sabrina Carpenter’s “Espresso” (May-July).

“Die With a Smile” leads the Global 200 with 110.3 million streams and 8,000 sold (down 5% week-over-week in each metric) worldwide October 11-17. The song, which became Lady Gaga and Bruno Mars’ first No. 1 each since the chart began, has drawn over 100 million streams globally in each of the last seven weeks, the most such frames in a row since Miley Cyrus’ “Flowers” also linked seven triple-digit weeks from its chart start in January 2023.

“Die With a Smile” tops Global Excl. U.S. with 89.7 million streams (down 4%) and 4,000 sold (down 7%) outside the U.S. October 11-17. As on the Global 200, the ballad became Gaga and Mars’ first No. 1 each since the survey launched.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

The chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Teams Up with Rosé to Release New Pop-Punk Single “Apt.”

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Bruno Mars is back with a new banger…

The 39-year-old part-Puerto Rican Grammy-winning artist has teamed up with BLACKPINK’s ROSÉ to release the new single “APT.,” a slick pop confection full of clap-along refrains that will inspire wide-ranging shimmying if it ever gets a proper live performance.

Bruno Mars, RoseThe song arrived on Friday, October18, just a day after the duo announced it, taking to Instagram to share the collaboration’s cover art. In the artwork, the BLACKPINK superstar lounges in front of a drum set, with the “Locked Out of Heaven” singer sitting behind it, holding the drumsticks. The pair, who are in black-and-white against a bright pink foreground, are matching in leather jackets and white t-shirts.

They’ve also been spending a lot of quality time together. Just hours before “Apt.” dropped, ROSÉ took to her Instagram Stories to share a video of the duo attending a soccer game.

Meanwhile, Mars told a hilariously wild version of a story on his Instagram page that involved ROSÉ getting him “saucy” while teaching him how to play a Korean drinking game.

“Soon after, she tried to kiss me, and I was like ‘woah Rosie! what part of the game is this?’ She was like, ‘I ain’t playin games wit you anymore lil boy! Big Rosie bout that BIDNESS!’ Shaken, I replied ‘stop Rosie, I’m scared!’ But other than that, super chill night,” he playfully wrote in the caption, to which ROSÉ replied in the comments, “what’s wrong with uuuu.”

“Apt.” will mark the K-pop star’s first release since announcing her December-slated 12-track album rosie earlier this month, and Mars’ first release since teaming up with Lady Gaga on the hit summer duet, “Die With a Smile,” which reached No. 3 on the Billboard Hot 100 and topped the Billboard Global 200 chart for seven weeks.

Bruno Mars Logs Fifth Week at No. 1 on Billboard’s Global Charts with Lady Gaga-Collab “Die With a Smile”

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Bruno Mars is still celebrating a global hit…

The 38-year-old part-Puerto Rican Grammy-winning artist’s collaboration with Lady Gaga, “Die With a Smile,” has tallied a fifth total and consecutive week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno MarsThe song is a stand-alone single by Mars and Gaga.

“Die With a Smile” rules the Global 200 with 117.8 million streams (up less than 1% week-over-week) and 9,000 sold (down 2%) worldwide September 20-26. The song is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began.

Notably, the duet has drawn over 100 million streams globally in each of the last four weeks – the most such frames for a song this year; it one-ups Sabrina Carpenter’s “Please Please Please” (three weeks, June-July) and Kendrick Lamar’s “Not Like Us” (three, May-July).

Plus, “Die With a Smile” has gained in streams in each of its six Global 200 chart weeks, having started (at No. 2) with 75.2 million worldwide on the Aug. 31 survey and rising, respectively each week, to 97.2 million, 105.8 million, 111.4 million, 117.4 million and 117.8 million. It’s the first non-holiday song to link as many as four consecutive weeks of 100 million streams with gains in each week since The Kid LAROI and Justin Bieber’s “Stay” did so for four frames in August-September 2021.

“Die With a Smile” leads Global Excl. U.S. with 93.9 million streams (up 1%) and 5,000 sold (down 2%) outside the U.S. September 20-26.

As on the Global 200, the team-up became Lady Gaga and Bruno Mars’ first No. 1 each since the list launched.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Scores Fourth Week at No. 1 on Billboard Global 200 & Billboard Global Excl. U.S. Charts with Lady Gaga-Collab “Die With a Smile”

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Bruno Mars is still smiling at top the charts…

The 38-year-old part-Puerto Rican Grammy-winning artist’s collaboration with Lady Gaga, “Die With a Smile,” has notched a fourth total and consecutive week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno Mars“Die With a Smile” tops the Global 200 with 117.4 million streams (up 5% week-over-week) and 9,000 sold (up 1%) worldwide September 13-19. The ballad, released August 16, is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began in September 2020.

Notably, the duet has drawn over 100 million streams globally in each of the last three weeks. It joins only Sabrina Carpenter’s “Please Please Please” (three weeks, June-July) and Kendrick Lamar’s “Not Like Us” (three, May-July) as the only songs to achieve three such weeks this year.

Plus, “Die With a Smile” has gained in each of its chart weeks, having started with 75.2 million on the August 31 survey and rising, respectively each week, to 97.2 million, 105.8 million, 111.4 million and 117.4 million; it’s the first non-holiday song to link at least three consecutive weeks of 100 million streams with gains in each week since The Kid LAROI and Justin Bieber’s “Stay” did so for four straight frames in August-September 2021.

“Die With a Smile” leads Global Excl. U.S. with 92.9 million streams (up 8%) and 6,000 sold (up 2%) outside the U.S. September 13-19. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

“Die With a Smile” leads Global Excl. U.S. with 92.9 million streams (up 8%) and 6,000 sold (up 2%) outside the U.S. Sept. 13-19. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Remans at No. 1 on Billboard Global Charts with Lady Gaga-Collab “Die With a Smile”

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Bruno Mars is still smiling atop the charts…

The 38-year-old part-Puerto Rican Grammy-winning superstar and Lady Gaga’s “Die With a Smile” has scoree a second week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno MarsTwo weeks earlier, the duet debuted at the runner-up rank on each list.

“Die With a Smile” tops the Global 200 with 105.8 million streams, up 9% week-over-week, and 10,000 sold (down 13%) worldwide August 30-September 5. The ballad, released August 16, is Lady Gaga and Mars’ first No. 1 each since the chart began.

“Die With a Smile” concurrently leads Global Excl. U.S. with 79.2 million streams, up 18%, and 5,000 sold (down 7%) outside the U.S. August 30-September 5. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.