Brigitte Muñoz-Liebowitz is staying with Sony…
The half-Colombian American television producer, director and writer has extended her overall deal with Sony Pictures Television.
Muñoz-Liebowitz is the executive producer and showrunner of Gordita Chronicles, the coming-of-age HBO Max comedy series, which premiered this past week.
Under the new multi-year pact, Muñoz-Liebowitz will continue to develop scripted comedy series across cable and streaming, as well as run Gordita Chronicles if the series, which is drawing solid early reviews, is renewed for a second season.
Muñoz-Liebowitz already has a number of projects in the works, including Birthright, which she is co-writing with Lindsay Golder.
Created by Claudia Forestieri, Gordita Chronicles is set in 1980s Miami and tells the story of the Castellis who move from the Dominican Republic in pursuit of the American dream.
In shepherding Gordita Chronicles, which Muñoz-Liebowitz executive produces alongside Forestieri as well as Josh Berman, Jennifer Robinson and Chris King of SPT-based Osprey Productions, Eva Longoria, who directed the pilot, and Zoe Saldana, Mariel Saldana and Cisely Saldana for Cinestar Pictures, she draws on her personal experience.
Muñoz-Liebowitz, who grew up in Santa Clarita, CA, is the daughter of a Colombian immigrant mother who came to the US when she was 12, and a New York Jew father. Raised by her mom, dad and her Colombian grandmother, who only spoke Spanish, in a predominantly white neighborhood, “I was one of the brownest people in my class and the only person with two Zs and a tilde in their name, and I had very much a feeling of being the weirdo outsider,” Muñoz-Liebowitz said. “A lot of the things I really connected to when I read the original script were those feelings, and I also really saw my own family in the story of the Castellis and Gordita Chronicles, so many of the stories my mom had told me about when she came to the United States were some of the same exact stories in the show.”
With a Florida immigrant family pursuing the American dream at the center and a story told through the eyes of a school-age child, Gordita Chronicles draws parallels to ABC’s Fresh Off the Boat. Besides the Castellis coming straight from their country of origin vs. Washington DC where the Huangs moved from with their U.S.-born children, “our tone is slightly different,” Muñoz-Liebowitz said. “We tried to, not speaking about content necessarily, but we really tried to go for a different sort of comedy style, which is a bit more cinematic, referencing a lot of the movies that we grew up watching in the 80s that we looked at and were aspiring to when we thought of the American dream, the John Hughes movies and Chris Columbus films.”
Those include 16 Candles, Pretty In Pink, Ferris Bueller’s Day Off, as well as Home Alone, which came out a few years later.
“The pacing also is quite a bit slower,” Muñoz-Liebowitz said, adding that Season 1 chronicles the family’s first few months in the new country.
Muñoz-Liebowitz says she’s always wanted to be a TV writer ever since she was a child. With an educator mother and a small business owner father, she didn’t have any connections in the business, so “I had to figure it all out for myself,” she sad.
She finished USC with a degree in screenwriting but then switched gears by going to graduate school at Columbia University for producing.
“I discovered after going to USC that at that time, the kinds of stories that I wanted to tell were not attractive to studios because they were stories about people of color, that my that kind of humor wasn’t really à la mode.”
She worked briefly as a line producer and a production manager in New York in indie film and commercials while taking comedy classes. Her first television job was as a script coordinator under Jonah Nolan and Greg Plageman on the pilot for Person Of Interest and then she became a writers assistant on the series, moving to Los Angeles.
“So I actually learned about TV writing from drama writers on a sci-fi procedural,” Muñoz-Liebowitz said.
During her time on the series, Muñoz-Liebowitz kept applying to the NBC Writers On the Verge program while taking classes at the Groundlings and Improv Olympic West. She got into the NBC program on her third try. Her first job out of that was on Brooklyn Nine-Nine, which led to a string of writing gigs on TBS’ People of Earth, NBC’s Abby’s, Disney+’s Diary of a Future President, HBO Max’s Love Life, and the Sony TV-produced One Day At a Time, on which she served as a Co-Executive Producer.
“One Day At a Time was a wonderful experience because it was, I think, the first really safe space to be able to be myself entirely as a woman Latinx comedy writer, and watching [co-creator/EP] Gloria Calderón Kellett just be herself and push for the show and the content that she wanted was really inspiring.”
Muñoz-Liebowitz’s work on One Day at a TIme also got the attention of Sony TV brass who signed her to her first overall deal in 2020.
“Brigitte was a superstar for us on One Day At A Time and we quickly made a development deal with her to solidify our relationship,” said Glenn Adilman, EVP Comedy Development, Sony Pictures Television. “She did an incredible job running the amazing first season of Gordita Chronicles for HBO Max, where she helped build a very strong room of diverse writers and supported creator Claudia Forestieri’s great vision. We are beyond excited to have Brigitte tell her stories and continue our wonderful relationship together.”
Those stories include Birthright, about a Latinx woman who converts to Judaism for her fiance, then gets dumped at the altar and has to decide, am I still Jewish?
“It’s a comedy about identity and the different spaces we can we can fit into in our lives,” said Muñoz-Liebowitz who produces the project with her co-writer Golder as well as Israeli company MA Productions.
While all of her existing projects in development are comedy, Muñoz-Liebowitz said that she loves watching dramas and is open to revisiting her TV beginnings by tackling a drama under her new deal with Sony TV.
“Sony has been so incredibly supportive of all the projects that I brought to them,” she said. “They’ve been such wonderful creative partners, I’ve just felt like they’ve had my back and supported my vision.”
