Cardi B’s “Bodak Yellow” Music Video Joins Billion Views Club on YouTube

Cardi B is makin’ bodak moves…

The official music video for the 28-year-old half-Dominican American rap superstar’s breakthrough single “Bodak Yellow (Money Moves)” has surpassed the 1 billion views mark on YouTube.

Cardi B, ELLE, September Issue

It’s an impressive accomplishment for Cardi B given the video cost only $15,000 to produce, according to the Grammy-winning rapper.

“Bodak Yellow” is Cardi B’s third video to log at least a billion views on YouTube, if we’re including guest spots: She first achieved the feat as the featured artist on Maroon 5‘s “Girls Like You” video, and then again in 2019 when her Bad Bunny and J Balvin collaboration “I Like It” joined the 1 billion views club on YouTube. All three songs previously topped the Billboard Hot 100.

Most recently, Cardi B slid into the top 15 of the Hot 100 via her featured verse on Normani‘s “Wild Side.” Normani stole the show in the music video for Cardi B and Megan Thee Stallion‘s “WAP,” and Cardi returned the favor by hopping on Normani’s Aaliyah-tipping “Wild Side” and appearing in the video, which boasts chains and killer choreography.

Cardi B’s “Up” Rises to No. 1 on Billboard Hot 100, A Historic Fifth Chart-Topper on the Chart

Things are still up for Cardi B

The 28-year-old half-Dominican American rap superstar’s latest single “Up” rises from No. 6 to No. 1 on the Billboard Hot 100 to spend its first week at the top of the chart.

Cardi B

The song, which becomes Cardi B’s fifth Hot 100 No. 1, debuted at No. 2 five weeks earlier and tallied three weeks at the runner-up spot before reaching the summit.

Cardi B performed “Up” as part of a medley, with Megan Thee Stallion, of their four-week 2020 Hot 100 No. 1 “WAP” on the 63rd annual Grammy Awards, broadcast on CBS, on March 14, which helped power the song’s ascent.

“Up” drew 22.7 million U.S. streams (down 5%) and 18,000 downloads sold (up 96%, good for the Hot 100’s top Sales Gainer award) in the week ending March 18, according to MRC Data. It also attracted 34.9 million radio airplay audience impressions (up 7%) in the week ending March 21.

The track rises 5-3 on the Streaming Songs chart, which it led for two weeks; 7-3 on Digital Song Sales, where it spent a week in the lead; and 17-14 on Radio Songs.

Here’s an updated look at Cardi B’s Hot 100 No. 1s:

Title, Weeks at No. 1, Date Reached No. 1
“Bodak Yellow (Money Moves),” three, Oct. 7, 2017
“I Like It,” with Bad Bunny & J Balvin, one, April 21, 2018
“Girls Like You,” Maroon 5 feat. Cardi B, seven, Sept. 29, 2018
“WAP,” feat. Megan Thee Stallion, four, Aug. 22, 2020
“Up,” one (to date) March 27, 2021

Cardi B extends her record for the most Hot 100 No. 1s among female rappers. (Of her five leaders, four have also topped the multi-metric Hot Rap Songs chart, all except Maroon 5‘s “Girls Like You,” on which she’s featured.)

Meanwhile, “Up” is Cardi B’s first Hot 100 No. 1 with no accompanying acts since “Bodak Yellow.” Thanks to the two leaders, Cardi B is the first female rapper with two Hot 100 No. 1s with no accompanying artists.

Dating to her first week atop the Hot 100 with “Bodak Yellow” (Oct. 7, 2017), Cardi B ties for the most No. 1s among all acts in the span since, matching the five each earned in that stretch by Drake and Ariana Grande.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data.

“Up” concurrently rebounds 5-1 and 4-1, respectively, for a fourth week each atop the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100.

“Up” is the first song by a solo female and no accompanying artists to top the Hot 100, Hot R&B/Hip-Hop Songs and Hot Rap Songs since Lizzo‘s “Truth Hurts” in 2019. Before that, Cardi B’s “Bodak Yellow” last earned the honor.

Cardi B Makes History as “Bodak Yellow” Receives RIAA Diamond Certification

Cardi B isn’t just makin’ money moves… She’s also making history.

The 28-year-old half-Dominican American rap superstar’s major-label debut single “Bodak Yellow (Money Moves)” has been certified diamond by the Recording Industry Association of America.

Cardi B

Cardi B is the first female rapper to achieve a diamond single award, according to the RIAA, meaning “Bodak Yellow” has moved 10 million units. According to the RIAA, one equivalent song unit is equal to a single digital song sale, or 150 on-demand audio and/or video streams. Cardi B reached the milestone on Monday, and her hit collaboration “WAP,” featuring Megan Thee Stallion, is halfway there with its 5x multi-platinum status as of March 3, according to the RIAA website.

Cardi B posted a video explaining how her label Atlantic Records surprised her with the plaque at a restaurant after a long, exhausting day of rehearsal.

“I just want to say thank you guys so much because without you guys, it wouldn’t have happened,” she told the Bardi Gang. “It really made my day. And it really uplifted me.”

E! Kicking Off “True Hollywood Story” Reboot with Cardi B Episode

Cardi B is kicking off E!’s iconic docuseries…

The entertainment network’s television docuseries True Hollywood Story will officially return on Monday, March 15, starting with an in-depth look at the 28-year-old half-Dominican American Grammy-winning rapper.

Cardi B

The first episode will track how the “Bodak Yellow (Money Moves)” rapper built herself from the ground up, including interviews with television producer Mona Scott-Young (VH1‘s Love & Hip Hop), “Bodak Yellow” music video director Picture Perfect and fellow New York rapper Maino.

The rest of the second season’s episodes will focus on the tragic deaths of Selena and Christina Grimmie at the hands of those obsessed with them (“Death of Innocence” will air March 29); the sisterhood bond that withstands the celebrity spotlight between Beyoncé and Solange KnowlesBritney and Jamie Lynn Spears, and Miley and Noah Cyrus (“Star Sisters” will air on April 10); trail-blazing billionaires like Jay-Z (“Billionaires: Fierce, Fearless & Filthy Rich” will premiere this summer); and Hollywood’s most talked-about and mysterious cases including Whitney Houston‘s death (“Hollywood Mysteries” will premiere in the fall).

Selena’s husband Chris Perez and Grimmie’s brother Marcus will share intimate stories during the “Death of Innocence” special.

Season two of E! True Hollywood Story will debut on Monday, March 15 at 10:00 pm ET.

Cardi B’s “Up” Debuts at No. 1 on Billboard’s Streaming Songs Chart

Things continue lookin’ up for Cardi B

For the fourth time, the 28-year-old half-Dominican American rap superstar has logged the No. 1 track on Billboard’s Streaming Songs chart.

Cardi B

Up,” Cardi B’s latest single, debuts atop the list dated February 20, with 31.2 million U.S. streams in the tracking week ending February 11, according to MRC Data.

Cardi B first ruled the Streaming Songs chart with the two-week No. 1 “Bodak Yellow (Money Moves)” in 2017, and followed it up with the Bruno Mars collaboration “Finesse” (one week, 2018) and the 10-week rule of “WAP,” featuring Megan Thee Stallion last year.

Cardi B now ties Taylor Swift for the most Streaming Songs No. 1s among women.

Cardi B Rewrites Her Own History as “WAP” Notches Fourth Week at No. 1 on Billboard Hot 100

Cardi B is rewriting her own history…

The 27-year-old half-Dominican American rap superstar’s smash collaboration with Megan Thee Stallion, “WAP,” is spending a fourth week at No. 1 on the Billboard Hot 100 songs chart, dated September 26.

Cardi B & Megan Thee Stallion

With its fourth week at No. 1 on the Hot 100, Cardi B rewrites her longest career domination as a lead artist, as “WAP” surpasses the three-week reign of her debut No. 1 “Bodak Yellow (Money Moves)” in October 2017. She has also led with “I Like It,” with Bad Bunny and J Balvin (one week, July 2018), and as featured on Maroon 5‘s “Girls Like You” (seven weeks, September-November 2018).

“WAP,” released on Atlantic Records, notches a fifth week at No. 1 on the Streaming Songs chart with 41.5 million U.S. streams (down 14%) in the week ending September 17, according to Nielsen Music/MRC Data.

On Digital Song Sales, which it led for two weeks, “WAP” drops 2-3 with 12,000 downloads sold (down 25%) in the same span. The collab climbs 27-21 on Radio Songs with 32.6 million airplay audience impressions (up 21%) in the week ending September 20.

“WAP” logs a sixth week at No. 1 on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same multi-metric methodology as the Hot 100.

Cardi B’s “WAP,” Featuring Megan Thee Stallion Reclaims No. 1 Spot on Billboard Hot 100

Grab a bucket and a mop… Cardi B‘s back at the top of the charts.

The 27-year-old half-Dominican American rap superstar’s smash single “WAP,” featuring Megan Thee Stallion, has rebounded for a third week at No. 1 on the Billboard Hot 100 songs chart.

Cardi B, Megan Thee Stallion, WAP

“WAP” has dethroned BTS‘ “Dynamite,” which spent its first two weeks on the Hot 100 at No. 1, at the top of the chart.

The Hot 100 blends all-genre U.S. streaming, radio airplay and sales data.

“WAP,” released on Atlantic Records, notches a fourth week at No. 1 on the Streaming Songs chart with 48.2 million U.S. streams (down 18%) in the week ending September 10, according to Nielsen Music/MRC Data.

On the Digital Song Sales chart, which it led for two weeks, “WAP” rises 3-2 with 16,000 downloads sold (down 20%) in the same span. The collab ascends 32-27 on the Radio Songs chart with 27.3 million radio airplay audience impressions (up 11%) in the week ending September 13.

With its third week at No. 1 on the Hot 100, Cardi B matches her longest career domination as a lead artist, as “WAP” ties the three-week reign of her debut No. 1 “Bodak Yellow (Money Moves)” in October 2017. She has also led with “I Like It,” with Bad Bunny and J Balvin (one week, July 2018), and as feature artist on Maroon 5‘s “Girls Like You” (seven weeks, September-November 2018).

“WAP” logs a fifth week at No. 1 on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same multi-metric methodology as the Hot 100.

Carlos Maza Named to Time Magazine’s List of the 25 Most Influential People on the Internet

Carlos Maza is making his influence felt…

Time has released the fifth annual roundup of the 25 most influential people on the Internet, with the Cuban-American Vox journalist/vlogger and video producer making the list of the personalities who have the biggest global impact on social media.

Carlos Maza

Maza is being recognized for speaking about being harassed online, and his quest to target the policy that empowered the culprits.

For two years, Maza was the focus of videos from popular right-wing commentator Steven Crowder, who repeatedly denigrated Maza’s sexual orientation and ethnicity—actions that appeared to violate YouTube’s terms of service. But when Maza reported Crowder, he says YouTube didn’t respond. So at the end of May, Maza went public with his struggles on Twitter. His thread quickly went viral, prompting a new wave of harassment from Crowder fans—and eventually, a pseudo-apology from Crowder and a response from YouTube, which demonetized Crowder’s channel. 

YouTube stopped short of banning Crowder outright, arguing initially that, while some of Crowder’s comments were hurtful, its policies were intended to protect free expression, which can include offensive opinions

In the days that followed Maza’s Twitter thread, YouTube did reveal plans to revisit its harassment policies. But Maza isn’t optimistic about systemic change. “Harassment is really good for engagement,” he tells Time.

But Maza isn’t the only Latino to make the list…

Cardi B’s rise to stardom can be traced back to Instagram, where she now has more than 47 million followers. 

As much as the 26-year-old half-Dominican American rap sensation’s life has changed since the success of “Bodak Yellow,” Cardi B’s online presence has stayed consistent—confessional videos and memes between red carpet shots, concert footage and political commentary

In January, Cardi B made headlines for posting a video criticizing President Donald Trump for not funding the government, “all for a f-cking wall.” That clip went viral, and even came to the attention of Sen. Chris Murphy and Sen. Brian Schatz, who publicly debated whether they should retweet the video. In the end, the lawmakers chose not to, but the video still racked up 20 million views on Instagram. 

Alexandria Ocasio-Cortez may be a junior member of the U.S. House of Representatives, but when it comes to social media aptitude, her superiority is practically unmatched. 

The 29-year-old Puerto Rican politician and activist, who is simply referred to by her Twitterhandle “AOC,” has nearly 4.8 million followers on the platform, more than most members of theU.S. Congress

In January, shortly after being sworn in as the youngest Congresswoman in U.S. history, Ocasio-Cortez co-hosted a session for her peers about social media best practices, explaining the importance of being “authentic.” And though she’s made some online missteps during her tenure on Capitol Hill— like identifying her Democratic colleague Rep. John Yarmuth as a Republican while slamming older male legislators — Ocasio-Cortez has also expertly harnessed viral tropes to draw attention to subcommittee hearings and granular policy debates that have typically been relegated to the confines of C-Span: an Instagram video of questions she asked at a hearing about cannabis in February has amassed over three million views. 

Germán Garmendia is being recognized for his personality…

Since uploading his first skit to YouTubein 2011, the 29-year-old Chilean YouTuber, comedian and writer has earned more than 13 billion views, making him the world’s most popular Spanish-language YouTuber. 

In his skits and over-the-top riffs, Garmendia mines humor from everyday topics; while describing how tough he is in a video about how to be sexy, for example, he noted that he only cried a little when Mufasa died in The Lion Kingand often pushes doors labeled “pull.” 

Production values have risen on YouTube in the years since he got his start, but despite competition from bigger-budget operations, Garmendia’s main draw as he comments on memes, viral videos, and video games is still his personality. 

As with many YouTubers, he has also provoked controversy, like when misogynistic comments he made in a 2014 gameplay video resurfaced in late 2018. But his subsequent apology was well-received, and his career hasn’t stalled: in fact, Garmendia released his first novel last year.

To see the complete list, click here.

Cardi B Proves She’s A Laugh Riot in Latest “Carpool Karaoke” Episode

Cardi Bproves she’s not the world’s best driver, but still a gas!

The 26-year-old half-Dominican American rap superstar joined James Corden for “Carpool Karaoke” on Monday’s episode of The Late Late Show.

Cardi B

The segment started with the rapper and host singing along to her chart-topping single “Bodak Yellow.” Cardi B even sang into a water bottle as if it was a microphone. She eventually rolled down the window and sang to other drivers who were stopped at a red light.

After the first song ended, Corden asked Cardi B about her many years of hard work before she made it big as a rapper.

“I used to be a stripper and everything, so when I got really popular on Instagram I was stripping throughout the United States and I was going around listening to what people was listening to,” she said. “A lot of people have different styles, so I was like, ‘What would be something that people from every coast would love and enjoy?’ And it was like boom.”

She added that many radio DJs didn’t play her music at the beginning of her career and were originally “sleeping” on her. “I had to keep on making music until I find the right one,” she said. The rapper also said that many people didn’t take her seriously because she was viewed as funny.

Cardi B and Corden took a break from talking to sing “Money.” The rapper continued to sing to other drivers on the street as the two danced and rapped the song.

“Stay in school! Listen to your mom or you won’t be getting no Christmas gifts,” she shouted to elementary school-age kids who were outside. “Go tell your moms to buy my new single.”

During the next break from singing, Cardi B revealed that she can’t drive but has five cars.  When Corden asked why she has the cars, she responded, “To take pictures with it.”

“You know how many things I can rap about now that I own these cars? I couldn’t rap about these cars because I didn’t own them, but now I can rap about it,” she explained.

Corden insisted that the rapper learn to drive, so he took her to a parking lot with traffic cones and flags. She took off her high heels before she got behind the wheel. After only a few seconds of driving, she ran into a cone. She later backed into multiple flags and made a left turn after the host instructed her to go right. “This car is very big for me,” she said.

Cardi B then backed into a camera when she attempted to parallel park. “I give up,” she said, before she returned to the passenger seat and the two performed her song “Drip.”

The rapper also discussed her childhood during the segment. “I grew up in what people would consider the ghetto. So yeah, there was a lot of gang-related things. There was a lot of violence, but I also had a lot of fun growing up,” she said. Cardi B then listed some of the fun activities she did during her childhood, like “hookie parties and getting chased by the police.”

Bartier Cardi” was the next song the pair rapped.

Cardi B also discussed her interest in ASMRvideos during a song break. She explained that the videos consist of people making sounds with their mouths and performing certain movements that help her fall asleep. Corden tried to make the sounds with his mouth, though Cardi B said that he sounded “nasty.”

After the two made a series of noises with their mouths, they sang along to “Be Careful.”

The rapper later shared a story about one of her most uncomfortable performances. “I did a Bar Mitzvahnot too long ago and I never performed in front of so many kids and then my DJ didn’t have the clean version of the songs and I just felt so awkward,” she said. “But those kids were having a good time and I had a good time, too.”

Corden asked if the rapper had ever performed for an older demographic and she said that she has not. To fix this, the host took her to a dance class at a senior center. 

The rapper and host danced with the class members as they performed her hit “I Like It.”

During the performance, Cardi B held onto a dancer named Gunter as they swayed back and forth. “Are you looking for a significant other?” he asked. After she laughed, she answered, “Sure.”

Cardi B Earns Five Grammy Nominations

Cardi B is this year’s Grammy querida

The 2019 Grammy nominees have been revealed, with the 26-year-old Dominican American rap sensation earning the most nods for a Hispanic artist with five.

Cardi B I Like It AMAs

Cardi B, who’d previously received two Grammy nominations for “Bodak Yellow,” earned two nods in the major categories. She’s up for Record of the Year for “I Like It,” her chart-topping collaboration with J Balvin and Bad Bunny. She’s also up for Album of the Year for her chart-topping debut album Invasion of Privacy. It’s the first Grammy nod for Bad Bunny and J Balvin.

In addition, Cardi B is nominated in the Best Pop Duo/Group Performance for her chart-topping collaboration with Maroon 5, “Girls Like You.” She’s also up for the Best Rap Performance prize for “Be Careful” and Best Rap Album.

Camila Cabello has earned the first two Grammy nominations of her career.

The 21-year-old Cuban and Mexican singer and former Fifth Harmony member is up for Best Pop Solo Performance for “Havana (Live),” as well Best Pop Vocal Album for her solo debut album Camila.

Christina Aguilera, a five-time Grammy winner, picked up two nods for her recent collaborations.

The half-Ecuadorian American singer and former Grammy Best New Artist, earned a nod in the Best Pop Duo/Group Performance category for her Demi Lovato duet,“Fall In Line,” as well as a nom in the Best Rap/Sung Performance category for “Like I Do” featuring Goldlink.

Miguel, a previous Grammy winner for his hit single “Adorn,” is up for two Grammys.

The 33-year-old half-Mexican American singer, whose full name is Miguel Jontel Pimentel, is nominated for Best Urban Contemporary Album for War & Leisure, as well as Best R&B Song for “Come Through and Chill,” featuring J. Cole & Salaam Remi.

But there’s another Miguel with two nods… Miguel Zenón.

The 41-year-old  Puerto Rican saxophonist, composer, band leader, music producer and educator is nominated in the Best Latin Jazz Album andBest Improvised Jazz Solo categories.

Other Latino nominees this year include Fred Armisen, Luis MiguelPablo Alboran, Natalia Lafourcade, Raquel Sofía, Carlos Vives, Monsieur Periné, Calibre 50 and Aida Cuevas.

The 61 Grammy Awards air Feb. 10 on CBS, broadcast live from the Staples Center in Los Angeles.

Here’s the complete list of 61st Grammy nominations list for recordings released during the eligibility year (October 1, 2017-September 30, 2018).

GENERAL FIELD

Record Of The Year:
“I Like It” — Cardi B, Bad Bunny & J Balvin
“The Joke” — Brandi Carlile
“This Is America” — Childish Gambino
“God’s Plan” — Drake
“Shallow” — Lady Gaga & Bradley Cooper
“All The Stars” — Kendrick Lamar & SZA
“Rockstar” — Post Malone Featuring 21 Savage
“The Middle” — Zedd, Maren Morris & Grey

Album Of The Year:
“Invasion Of Privacy” — Cardi B
“By The Way, I Forgive You” — Brandi Carlile
“Scorpion” — Drake
“H.E.R.” — H.E.R.
“Beerbongs & Bentleys” — Post Malone
“Dirty Computer” — Janelle Monáe
“Golden Hour” — Kacey Musgraves
“Black Panther: The Album, Music From And Inspired By” (Various Artists)

Song Of The Year:
“All The Stars” — Kendrick Duckworth, Solána Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA)
“Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai)
“God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)
“In My Blood” — Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton, songwriters (Shawn Mendes)
“The Joke” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
“The Middle” — Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael
Trewartha & Anton Zaslavski, songwriters (Zedd, Maren Morris & Grey)
“Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper)
“This Is America” — Donald Glover & Ludwig Goransson, songwriters (Childish Gambino)

Best New Artist:
Chloe x Halle
Luke Combs
Greta Van Fleet
H.E.R.
Dua Lipa
Margo Price
Bebe Rexha
Jorja Smith

POP FIELD 

Best Pop Solo Performance:
“Colors” — Beck
“Havana (Live)” — Camila Cabello
“God Is A Woman” — Ariana Grande
“Joanne (Where Do You Think You’re Goin’?)” — Lady Gaga
“Better Now” — Post Malone

Best Pop Duo/Group Performance:

“Fall In Line” — Christina Aguilera Featuring Demi Lovato
“Don’t Go Breaking My Heart” — Backstreet Boys
“‘S Wonderful” — Tony Bennett & Diana Krall
“Shallow” — Lady Gaga & Bradley Cooper
“Girls Like You” — Maroon 5 Featuring Cardi B
“Say Something” — Justin Timberlake Featuring Chris Stapleton
“The Middle” — Zedd, Maren Morris & Grey

Best Traditional Pop Vocal Album:

“Love Is Here To Stay” —Tony Bennett & Diana Krall
“My Way” — Willie Nelson
“Nat “King” Cole & Me” — Gregory Porter
4. Standards (DELUXE) —
Seal
5. THE MUSIC…THE MEM’RIES…THE MAGIC! —
Barbra Streisand

Best Pop Vocal Album:
“Camila” — Camila Cabello
“Meaning Of Life” — Kelly Clarkson
“Sweetener” — Ariana Grande
“Shawn Mendes” — Shawn Mendes
“Beautiful Trauma” — P!nk
“Reputation” — Taylor Swift

DANCE/ELECTRONIC FIELD 

Best Dance Recording:
“Northern Soul” — Above & Beyond Featuring Richard Bedford
“Ultimatum” — Disclosure (Featuring Fatoumata Diawara)
“Losing It” — Fisher
“Electricity” — Silk City & Dua Lipa Featuring Diplo & Mark Ronson
“Ghost Voices” — Virtual Self

Best Dance/Electronic Album:

“Singularity” —Jon Hopkins
“Woman Worldwide” — Justice
“Treehouse” — Sofi Tukker
“Oil of Every Pearl’s Un-Insides” — SOPHIE
“Lune Rouge” — TOKiMONSTA

CONTEMPORARY INSTRUMENTAL FIELD 

Best Contemporary Instrumental Album:

“The Emancipation Procrastination” — Christian Scott aTunde Adjuah “Steve Gadd Band” — Steve Gadd Band
“Modern Lore” — Julian Lage
“Laid Black” — Marcus Miller
“Protocol 4” — Simon Phillips

ROCK FIELD

Best Rock Performance:

“Four Out Of Five” —Arctic Monkeys
“When Bad Does Good” — Chris Cornell
“Made An America” — The Fever 333
“Highway Tune” — Greta Van Fleet
“Uncomfortable” — Halestorm

Best Metal Performance: 

“Condemned To The Gallows “— Between The Buried And Me
“Honeycomb” — Deafheaven
“Electric Messiah” — High On Fire
“Betrayer” — Trivium
“On My Teeth — Underoath

Best Rock Song:
“Black Smoke Rising” — Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel
Robert Wagner, songwriters (Greta Van Fleet)
“Jumpsuit” — Tyler Joseph, songwriter (Twenty One Pilots)
“MANTRA” — Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me
The Horizon)
“Masseduction” — Jack Antonoff & Annie Clark, songwriters (St. Vincent)
“Rats” — Tom Dalgety & A Ghoul Writer, songwriters (Ghost)

Best Rock Album: 

“Rainier Fog” — Alice In Chains
“M A N I A” — Fall Out Boy
“Prequelle — Ghost
“From The Fires” — Greta Van Fleet
“Pacific Daydream” — Weezer

ALTERNATIVE FIELD

Best Alternative Music Album:

“Tranquility Base Hotel + Casino” —Arctic Monkeys
“Colors” — Beck
“Utopia” — Björk
“American Utopia” — David Byrne
“Masseduction” — St. Vincent

R&B FIELD 

Best R&B Performance:

“Long As I Live” — Toni Braxton
“Summer” — The Carters
“Y O Y” — Lalah Hathaway
“Best Part” — H.E.R. Featuring Daniel Caesar
“First Began” — PJ Morton

Best Traditional R&B Performance:

“Bet Ain’t Worth The Hand” — Leon Bridges
“Don’t Fall Apart On Me Tonight” — Bettye LaVette
“Honest” — MAJOR.
“How Deep Is Your Love” — PJ Morton Featuring Yebba
“Made For Love” — Charlie Wilson Featuring Lalah Hathaway

Best R&B Song:

“Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai & Dijon
McFarlane, songwriters (Ella Mai)
“Come Through And Chill” — Jermaine Cole, Miguel Pimentel & Salaam Remi, songwriters (Miguel Featuring J. Cole & Salaam Remi)
“Feels Like Summer” — Donald Glover & Ludwig Goransson, songwriters (Childish Gambino)
“Focus” — Darhyl Camper Jr, H.E.R. & Justin Love, songwriters (H.E.R.)
“Long As I Live” — Paul Boutin, Toni Braxton & Antonio Dixon, songwriters (Toni Braxton)

Best Urban Contemporary Album:
“Everything Is Love” — The Carters
“The Kids Are Alright “— Chloe x Halle
“Chris Dave And The Drumhedz” — Chris Dave And The Drumhedz
“War & Leisure” — Miguel
“Ventriloquism” — Meshell Ndegeocello

Best R&B Album: 

“Sex & Cigarettes” — Toni Braxton
“Good Thing” — Leon Bridges
“Honestly” — Lalah Hathaway
“H.E.R.” — H.E.R.
“Gumbo Unplugged (Live)” — PJ Morton

RAP FIELD 

Best Rap Performance:

“Be Careful” — Cardi B
“Nice For What” — Drake
“King’s Dead” — Kendrick Lamar, Jay Rock, Future & James Blake
“Bubblin” — Anderson .Paak
“Sicko Mode” — Travis Scott, Drake, Big Hawk & Swae Lee

Best Rap/Sung Performance:

“Like I Do” — Christina Aguilera Featuring Goldlink
“Pretty Little Fears” — 6LACK Featuring J. Cole
“This Is America” — Childish Gambino
“All The Stars” — Kendrick Lamar & SZA
“Rockstar” — Post Malone Featuring 21 Savage

Best Rap Song:

“God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron
LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)
“King’s Dead” — Kendrick Duckworth, Samuel Gloade, James Litherland, Johnny McKinzie, Mark Spears, Travis Walton, Nayvadius Wilburn & Michael Williams II, songwriters (Kendrick Lamar, Jay Rock, Future &
James Blake)
“Lucky You” — R. Fraser, G. Lucas, M. Mathers, M. Samuels & J.
Sweet, songwriters (Eminem Featuring Joyner Lucas)
“Sicko Mode” — Khalif Brown, Rogét Chahayed, BryTavious Chambers, Mike Dean, Mirsad Dervic, Kevin Gomringer, Tim Gomringer, Aubrey Graham, John Edward Hawkins, Chauncey Hollis, Jacques Webster, Ozan Yildirim & Cydel Young, songwriters (Travis Scott, Drake, Big Hawk & Swae Lee)
“Win” — K. Duckworth, A. Hernandez, J. McKinzie, M. Samuels
& C. Thompson, songwriters (Jay Rock)

Best Rap Album:
“Invasion Of Privacy” — Cardi B
“Swimming” — Mac Miller
“Victory Lap” — Nipsey Hussle
“Daytona” — Pusha T
“Astroworld” — Travis Scott

COUNTRY FIELD

Best Country Solo Performance:

“Wouldn’t It Be Great?” — Loretta Lynn
“Mona Lisas And Mad Hatters” — Maren Morris
“Butterflies” — Kacey Musgraves
“Millionaire” — Chris Stapleton
“Parallel Line” — Keith Urban

Best Country Duo/Group Performance:

“Shoot Me Straight” — Brothers Osborne
“Tequila” — Dan + Shay
” When Someone Stops Loving You” — Little Big Town
“Dear Hate” — Maren Morris Featuring Vince Gill
“Meant To Be” — Bebe Rexha & Florida Georgia Line

Best Country Song:

“Break Up In The End” — Jessie Jo Dillon, Chase McGill & Jon Nite, songwriters (Cole Swindell)
“Dear Hate” — Tom Douglas, David Hodges & Maren Morris,
Songwriters (Maren Morris Featuring Vince Gill)
“I Lived It” — Rhett Akins, Ross Copperman, Ashley Gorley & Ben
Hayslip, songwriters (Blake Shelton)
“Space Cowboy” — Luke Laird, Shane McAnally & Kacey Musgraves,
songwriters (Kacey Musgraves)
“Tequila” — Nicolle Galyon, Jordan Reynolds & Dan Smyers, songwriters (Dan + Shay)
“When Someone Stops Loving You” — Hillary Lindsey, Chase McGill & Lori McKenna, songwriters (Little Big Town)

Best Country Album:
“Unapologetically” — Kelsea Ballerini
“Port Saint Joe” — Brothers Osborne
“Girl Going Nowhere” — Ashley McBryde
“Golden Hour” — Kacey Musgraves
“From A Room: Volume 2” — Chris Stapleton

NEW AGE FIELD

Best New Age Album:

“Hiraeth” — Lisa Gerrard & David Kuckhemann
“Beloved” — Snatam Kaur
“Opium Moon” — Opium Moon
“Molecules Of Motion” — Steve Roach
“Moku Maluhia – Peaceful Island” — Jim Kimo West

JAZZ FIELD

Best Improvised Jazz Solo:

“Some Of That Sunshine” — Regina Carter, soloist
“Don’t Fence Me In” — John Daversa, soloist
“We See” — Fred Hersch, soloists
“De-dah” — Brad Mehldau, soloist
“Cadenas” — Miguel Zenón, soloist

Best Jazz Vocal Album:
“My Mood Is You” — Freddy Cole
“The Questions” — Kurt Elling
“The Subject Tonight Is Love” — Kate McGarry With Keith Ganz & Gary Versace
“If You Really Want” — Raul Midón With The Metropole Orkest Conducted By Vince Mendoza
“The Window” — Cécile McLorin Salvant

Best Jazz Instrumental Album:

“Diamond Cut” — Tia Fuller
“Live In Europe” — Fred Hersch Trio
“Seymour Reads The Constitution!” — Brad Mehldau Trio
“Still Dreaming” — Joshua Redman, Ron Miles, Scott Colley & Brian Blade
“Emanon” — The Wayne Shorter Quartet

Best Large Jazz Ensemble Album:

“All About That Basie” — The Count Basie Orchestra Directed By Scotty
Barnhart
“American Dreamers: Voices Of Hope, Music Of Freedom” — John Daversa Big Band Featuring DACA Artists
“Presence” — Orrin Evans And The Captain Black Big Band
“All Can Work” — John Hollenbeck Large Ensemble
“Barefoot Dances And Other Visions” —  Jim McNeely & The Frankfurt Radio Big Band

Best Latin Jazz Album:

“Heart Of Brazil”— Eddie Daniels
“Back To The Sunset”— Dafnis Prieto Big Band
“West Side Story Reimagined”— Bobby Sanabria Multiverse Big Band
“Cinque”— Elio Villafranca
“Yo Soy La Tradición” — Miguel Zenón Featuring Spektral Quartet

GOSPEL/ CONTEMPORARY CHRISTIAN MUSIC FIELD

Best Gospel Performance/Song:

“You Will Win” — Jekalyn Carr; Allen Carr & Jekalyn Carr, Songwriters
“Won’t He Do It” — Koryn Hawthorne
“Never Alone” — Tori Kelly Featuring Kirk Franklin; Kirk Franklin & Victoria Kelly, Songwriters
“Cycles” Jonathan Mcreynolds Featuring Doe; Jonathan McReynolds, Songwriter
“A Great Work” — Brian Courtney Wilson; Aaron W. Lindsey, Alvin Richardson & Brian Courtney Wilson, Songwriters

Best Contemporary Christian Music Performance/Song:

“Reckless Love” — Cory Asbury; Cory Asbury, Caleb Culver & Ran Jackson, songwriters
“You Say” — Lauren Daigle; Lauren Daigle, Jason Ingram & Paul Mabury, songwriters
“Joy” — for King & Country; Ben Glover, Matt Hales, Stephen Blake Kanicka, Seth Moslely, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
“Grace Got You” — MercyMe Featuring John Reuben; David Garcia, Ben Glover, MercyMe, Solomon Olds & John Reuben, songwriters
“Known”— Tauren Wells; Ethan Hulse, Jordan Sapp & Tauren
Wells, songwriters

Best Gospel Album:
“One Nation Under God” — Jekalyn Carr
“Hiding Place” — Tori Kelly
“Make Room” — Jonathan McReynolds
“The Other Side” — The Walls Group
“A Great Work” — Brian Courtney Wilson

Best Contemporary Christian Music Album:

“Look Up Child” — Lauren Daigle
“Hallelujah Here Below” — Elevation Worship
“Living With a Fire” — Jesus Culture
“Surrounded” — Michael W. Smith
“Survivor: Live From Harding Prison” — Zach Williams

Best Roots Gospel Album:

“Unexpected” — Jason Crabb
“Clear Skies” — Ernie Haase & Signature Sound
“Favorites: Revisited By Request” — The Isaacs
“Still Standing” — The Martins
“Love Love Love” — Gordon Mote

LATIN FIELD 

Best Latin Pop Album:
“Prometo” — Pablo Alboran
“Sincera” — Claudia Brant
“Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos), Vol. 2” — Natalia Lafourcade
“2:00 AM” — Raquel Sofía
“Vives” — Carlos Vives

Best Latin Rock, Urban or Alternative Album:

“Clairoscura” — Aterciopelados
“Coastcity” — Coastcity
“Encanto Tropical” — Monsieur Periné
“Gourmet” — Orishas
“Aztlán” — Zoé

Best Regional Mexican Music Album (Including Tejano):

“Primero Soy Mexicana” — Angela Aguilar
“Mitad y Mitad” — Calibre 50
“Totalmente Juan Gabriel Vol. II” — Aida Cuevas
“Cruzando Borders” — Los Texmaniacs
“Leyendas De Mi Pueblo” — Mariachi Sol De Mexico De Jose Hernandez
“¡México Por Siempre!” — Luis Miguel

Best Tropical Latin Album:

“Pa’ Mi Gente” — Charlie Aponte
“Legado” — Formell Y Los Van Van
“Orquesta Akokán” — Orquesta Akokán
“Ponle Actitud” — Felipe Peláez
“Anniversary” — Spanish Harlem Orchestra

AMERICAN ROOTS MUSIC FIELD

Best American Roots Performance:

“Kick Rocks” — Sean Ardoin
“Saint James Infirmary Blues” — Jon Batiste
“The Joke”  Brandi Carlile
“All On My Mind” — Anderson East
“Last Man Standing” — Willie Nelson

Best American Roots Song:

“All The Trouble” — Waylon Payne, Lee Ann Womack & Adam Wright, songwriters (Lee Ann Womack)
“Build a Bridge” — Jeff Tweedy, songwriter (Mavis Staples)
“The Joke” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
“Knockin’ On Your Screen Door” — Pat McLaughlin & John Prine, songwriters (John Prine)
“Summer’s End” — Pat McLaughlin & John Prine, songwriters (John Prine)

Best Americana Album:
“By The Way, I Forgive You” — Brandi Carlile
“Things Have Changed” — Bettye LaVette
“The Tree Of Forgiveness” — John Prine
“The Lonely, The Lonesome & The Gone” — Lee Ann Womack
“One Drop Of Truth” — The Wood Brothers

Best Bluegrass Album:

“Portraits in Fiddles” — Mike Barnett
“Sister Sadie II” — Sister Sadie
“Rivers and Roads” — Special Consensus
“The Travelin’ McCourys” — The Travelin’ McCourys
“North of Despair” — Wood & Wire

Best Traditional Blues Album:

“Something Smells Funky ‘Round Here” — Elvin Bishop’s Big Fun Trio
“Benton County Relic” — Cedric Burnside
“The Blues Is Alive and Well” — Buddy Guy
“No Mercy in This Land” — Ben Harper And Charlie Musselwhite
“Don’t You Feel My Leg (The Naughty Bawdy Blues of Blue Lu Barker) — Maria Muldaur

Best Contemporary Blues Album:

“Please Don’t Be Dead” — Fantastic Negrito
“Here In Babylon” — Teresa James And The Rhythm Tramps
“Cry No More” — Danielle Nicole
“Out of The Blues” — Boz Scaggs
“Victor Wainwright and The Train” — Victor Wainwright And The Train

Best Folk Album:

“Whistle Down the Wind” — Joan Baez
“Black Cowboys” — Dom Flemons
“Rifles & Rosary Beads” — Mary Gauthier
“Weed Garden” — Iron & Wine
“All Ashore” — Punch Brothers

Best Regional Roots Music Album:

“Kreole Rock and Soul” — Sean Ardoin
“Spyboy” — Cha Wa
“Aloha From Na Hoa” — Na Hoa
“No ‘Ane’i” — Kalani Pe’a
“Mewasinsational – Cree Round Dance Songs” — Young Spirit

REGGAE FIELD 

Best Reggae Album:

“As The World Turns” — Black Uhuru
“Reggae Forever” — Etana
“Rebellion Rises” — Ziggy Marley
“A Matter of Time” — Protoje
“44/876” — Sting & Shaggy

WORLD MUSIC FIELD 

Best World Music Album:

“Deran” — Bombino
“Fenfo” — Fatoumata Diawara
“Black Times” — Seun Kuti & Egypt 80
“Freedom” — Soweto Gospel Choir
“The Lost Songs of World War II” — Yiddish Glory

CHILDREN’S FIELD

Best Children’s Album:

“All The Sounds” — Lucy Kalantari & The Jazz Cats
“Building Blocks” — Tim Kubart
“Falu’s Bazaar” — Falu
“Giants of Science” — The Pop Ups
“The Nation of Imagine” — Frank & Deane

SPOKEN WORD FIELD 

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling):

“Accessory to War (Neil Degrasse Tyson & Avis Lang)”  — Courtney B. Vance
“Calypso”  — David Sedaris
“Creative Quest” — Questlove
“Faith – A Journey For All” — Jimmy Carter
“The Last Black Unicorn” — Tiffany Haddish

COMEDY FIELD 

Best Comedy Album:
“Annihilation” — Patton Oswalt
“Equanimity & The Bird Revelation” — Dave Chappelle
“Noble Ape” — Jim Gaffigan
“Standup For Drummers” — Fred Armisen
“Tamborine” — Chris Rock

MUSICAL THEATER FIELD

Best Musical Theater Album:

“The Band’s Visit” — Etai Benson, Adam Kantor, Katrina Lenk & Ari’el
Stachel, principal soloists; Dean Sharenow & David
Yazbek, producers; David Yazbek, composer & lyricist
(Original Broadway Cast)

“Carousel” — Renee Fleming, Alexander Gemignani, Joshua Henry,
Lindsay Mendez & Jessie Mueller, principal soloists;
Steven Epstein, producer (Richard Rodgers, composer;
Oscar Hammerstein II, lyricist) (2018 Broadway Cast)
“Jesus Christ Superstar Live in Concert” — Sara Bareilles, Alice Cooper, Ben Daniels, Brandon
Victor Dixon, Erik Grönwall, Jin Ha, John Legend,
Norm Lewis & Jason Tam, principal soloists; Harvey
Mason, Jr., producer (Andrew Lloyd-Webber,
composer; Tim Rice, lyricist) (Original Television Cast)

“My Fair Lady” — Lauren Ambrose, Norbert Leo Butz & Harry
Hadden-Paton, principal soloists; Andre Bishop, Van
Dean, Hattie K. Jutagir, David Lai, Adam Siegel & Ted
Sperling, producers (Frederick Loewe, composer; Alan
Jay Lerner, lyricist) (2018 Broadway Cast)

“Once On This Island” — Phillip Boykin, Merle Dandridge, Quentin Earl
Darrington, Hailey Kilgore, Kenita R. Miller, Alex
Newell, Isaac Powell & Lea Salonga, principal soloists;
Lynn Ahrens, Hunter Arnold, Ken Davenport, Stephen
Flaherty & Elliot Scheiner, producers (Stephen
Flaherty, composer; Lynn Ahrens, lyricist) (New
Broadway Cast)

MUSIC FOR VISUAL MEDIA FIELD 

Best Compilation Soundtrack For Visual Media:

“Call Me By Your Name” — (Various Artists)
“Deadpool 2” — (Various Artists)
“The Greatest Showman” — (Various Artists)
“Lady Bird” — (Various Artists)
“Stranger Things” — (Various Artists)

Best Score Soundtrack For Visual Media:

“Black Panther” — Ludwig Göransson, composer
“Blade Runner 2049” — Benjamin Wallfisch & Hans Zimmer, composers
“Coco” — Michael Giacchino, composer
“The Shape of Water” — Alexandre Desplat, composer
“Star Wars: The Last Jedi” — John Williams, composer

Best Song Written For Visual Media:
“All The Stars” — Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA)
“Mystery Of Love” — Sufjan Stevens, songwriter (Sufjan Stevens)
“Remember Me” — Kristen Anderson-Lopez & Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade)
“Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper)
“This Is Me” — Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble)

COMPOSING/ ARRANGING FIELD

Best Instrumental Composition:

“Blut und Boden (Blood and Soil)” — Terence Blanchard, composer (Terence Blanchard)
“Chrysalis” — Jeremy Kittel, composer (Kittel & Co.)
“Infinity War” — Alan Silverstri, composer (Alan Silvestri)
“Mine Mission” — John Powell & John Williams, composers (John Powell & John Williams)
“The Shape of Water” — Alexandre Desplat, composer (Alexandre Desplat)

Best Arrangement, Instrumental or A Cappella:

“Batman Theme (TV)” —  Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Wynton Marsalis)
“Change The World” — Mark Kibble, arranger (Take 6)
“Madrid Finale” — John Powell, arranger (John Powell)
“The Shape of Water” — Alexandre Desplat, arranger (Alexandre Desplat)
“Stars and Stripes Forever” — John Daversa, arranger (John Daversa Big Band Featuring DACA Artists)

Best Arrangement, Instruments and Vocals:

“It Was a Very Good Year” — Matt Rollings & Kristin Wilkinson, arrangers (Willie Nelson)
“Jolene” — Dan Pugach & Nicole Zuraitis, arrangers (Dan Pugach)
“Mona Lisa” — Vince Mendoza, arranger (Gregory Porter)
“Niña” — Gonzalo Grau, arranger (Magos Herrera & Brooklyn Rider)
“Spiderman Theme” — Randy Waldman, arranger (Randy Waldman Featuring Take 6 & Chris Potter)

PACKAGE FIELD 

Best Recording Package:

“Be The Cowboy” — Mary Banas, art director (Mitski)
“Love Yourself: Tear” — HuskyFox, art director (BTS)
“Masseducation” — Willo Perron, art director (St. Vincent)
“The Offering” — Qing-Yang Xiao, art director (The Chairman)
“Well Kept Thing” — Adam Moore, art director (Foxhole)

Best Boxed Or Special Limited Edition Package:

“Appetite For Destruction (Locked N’ Loaded Box)” — Arian Buhler, Charles Dooher, Jeff Fura, Scott Sandler & Matt Taylor, art directors (Guns N’ Roses)
“I’ll Be Your Girl” — Carson Ellis, Jeri Heiden & Glen Nakasako, art directors (The Decemberists)
“Pacific Northwest ’73-74′: The Complete Recordings” — Lisa Glines, Doran Tyson & Roy Henry Vickers, art
directors (Grateful Dead)
“Squeeze Box: The Complete Works of ‘Weird Al’ Yankovic” — Meghan Foley, Annie Stoll & Al Yankovic, art directors (“Weird Al” Yankovic)
“Too Many Bad Habits” — Sarah Dodds & Shauna Dodds, art directors (Johnny Nicholas)

NOTES FIELD 

Best Album Notes:

“Alpine Dreaming: The Helvetia Records Story, 1920-1924” — James P. Leary, album notes writer (Various Artists)
“4 Banjo Songs, 1891-1897: Foundational Recordings of America’s Iconic Instrument” — Richard Martin & Ted Olson, album notes writers (Charles A. Asbury)
“The 1960 Time Sessions” — Ben Ratliff, album notes writer (Sonny Clark Trio)
“The Product of Our Souls: The Sound and Sway of James Reese Europe’s Society Orchestra” — David Gilbert, album notes writer (Various Artists)
“Trouble No More: The Bootleg Series Vol. 13 / 1979-1981” —  Amanda Petrusich, album notes writer (Bob Dylan)
“Voices of Mississippi: Artists and Musicians Documented by WIlliam Ferris” —  David Evans, album notes writer (Various Artists)

HISTORICAL FIELD 

Best Historical Album: 

“Any Other Way” — Rob Bowman, Douglas Mcgowan, Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton, mastering
engineer (Jackie Shane)
“At The Louisiana Hayride Tonight…” — Martin Hawkins, compilation producer; Christian Zwarg, mastering engineer (Various Artists)
“Battleground Korea: Songs and Sounds of America’s Forgotten War” — Hugo Keesing, compilation producer; Christian Zwarg,
mastering engineer (Various Artists)
“Rhapsody in Blue – The Extraordinary Life of Oscar Levant”  — Robert Russ, compilation producer; Andreas K. Meyer & Rebekah Wineman, mastering engineers (Oscar Levant)
“Voices of Mississippi: Artists and Musicians Documented by WIlliam Ferris” — William Ferris, April Ledbetter & Steven Lance
Ledbetter, compilation producers; Michael Graves, mastering engineer (Various Artists)

PRODUCTION, NON-CLASSICAL FIELD 

Best Engineered Album, Non-Classical:

“All The Things That I Did and All The Things That I Didn’t Do” — Ryan Freeland & Kenneth Pattengale, engineers; Kim
Rosen, mastering engineer (The Milk Carton Kids)
“Colors” — Julian Burg, Serban Ghenea, David “Elevator” Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp & Cassidy Turbin, engineers; Chris Bellman, Tom Coyne,
Emily Lazar & Randy Merrill, mastering engineers (Beck)
“Earthtones” — Robbie Lackritz, engineer; Philip Shaw Bova, mastering engineer (Bahamas)
“Head Over Heels” — Nathaniel Alford, Jason Evigan, Chris Galland, Tom Gardner, Patrick “P-Thugg” Gemayel, Serban Ghenea, John Hanes, Tony Hoffer, Derek Keota, Ian Kirkpatrick, David Macklovitch, Amber Mark, Manny Marroquin, Vaughn
Oliver, Chris “TEK” O’Ryan, Morgan Taylor Reid & Gian Stone, engineers; Chris Gehringer & Michelle Mancini, mastering engineers (Chromeo)
“Voicenotes” — Manny Marroquin & Charlie Puth, engineers; Dave Kutch, mastering engineer (Charlie Puth)

Producer Of The Year, Non-Classical:
Boi-1da
Larry Klein
Linda Perry
Kanye West
Pharrell Williams

Best Remixed Recording:

“Audio (CID Remix)” — CID, remixer (LSD)
“How Long (EDX’s Dubai Skyline Remix)” — Maurizio Colella, remixer (Charlie Puth)
“Only Road (Cosmic Gate Remix”) — Stefan Bossems & Claus Terhoeven, remixers (Gabriel & Dresden Featuring Sub Teal)
“Stargazing (Kaskade Remix)” — Kaskade, remixer (Kygo Featuring Justin Jesso)
“Walking Away (Mura Masa Remix)” — Alex Crossan, remixer (Haim)

SURROUND SOUND FIELD

Best Immersive Audio Album:

“Eye in The Sky – 35th Anniversary Edition” — Alan Parsons, surround mix engineer; Dave Donnelly, PJ Olsson & Alan Parsons, surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project)
“Folketoner” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Anne Karin Sundal-Ask & Det Norske Jentekor)
“Seven Words From The Cross” — Daniel Shores, surround mix engineer; Daniel Shores,
surround mastering engineer; Dan Merceruio, surround producer (Matthew Guard & Skylark)
“Sommerro: Ujamaa & The Iceberg” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Ingar Heine Bergby, Trondheim Symphony Orchestra & Choir)
“Symbol” — Prashant Mistry & Ronald Prent, surround mix engineers; Darcy Proper, surround mastering engineer; Prashant Mistry & Ronald Prent, surround producers (Engine-Earz Experiment)

PRODUCTION, CLASSICAL FIELD 

Best Engineered Album, Classical:

“Bates: The (R)evolution of Steve Jobs” — Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
“Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
“John Williams At The Movies” — Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin & Dallas Winds)
“Liquid Melancholy – Clarinet Music of James M. Stephenson” — Bill Maylone & Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh)
“Shostakovich: Symphonies Nos. 4 & 11” — Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)
“Visions and Variations” — Tom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry)

Producer Of The Year, Classical:

Blanton Alspaugh
David Frost
Elizabeth Ostrow
Judith Sherman
Dirk Sobotka

CLASSICAL FIELD 

Best Orchestral Performance:

“Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
“Nielsen: Symphony No. 3 & Symphony No. 4” — Thomas Dausgaard, conductor (Seattle Symphony)
“Ruggles, Stucky & Harbison: Orchestral Works” — David Alan Miller, conductor (National Orchestral Institute Philharmonic)
“Schumann: Symphonies Nos. 1-4” — Michael Tilson Thomas, conductor (San Francisco Symphony)
“Shostakovich: Symphonies Nos. 4 & 11” — Andris Nelsons, conductor (Boston Symphony Orchestra)

Best Opera Recording:

“Adams: Doctor Atomic” — John Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley & Brindley Sherratt; Friedemann Engelbrecht, producer (BBC Symphony Orchestra; BBC Singers)
“Bates: The (R)evolution of Steve Jobs” — Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edwards Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra)
“Lully: Alceste” — Christophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro & Judith
Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur)
“Strauss, R.: Der Rosenkavalier”  Sebastian Weigle, conductor; Renée Fleming, Elīna Garanča, Günther Groissböck & Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
“Verdi: Rigoletto” — Constantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky & Nadine Sierra; Vilius Keras &
Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir)

Best Choral Performance:

“Chesnokov: Teach Me Thy Statutes” — Vladimir Gorbik, conductor (Mikhail Davydov & Vladimir Krasov; PaTRAM Institute Male Choir)
“Kastalsky: Memory Eternal” — Steven Fox, conductor (The Clarion Choir)
“McLoskey: Zealot Canticles” — Donald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval & Mandy Wolman; The Crossing)
“Rachmaninov: The Bells” — Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana
Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)
“Seven Words From The Cross” — Matthew Guard, conductor (Skylark)

Best Chamber Music/Small Ensemble Performance:

Anderson, Laurie: Landfall” — Laurie Anderson & Kronos Quartet
“Beethoven, Shostakovich & Bach” — The Danish String Quartet
“Blueprinting” — Aizuri Quartet
“Stravinsky: The Rite of Spring Concerto For Two Pianos: — Leif Ove Andsnes & Marc-André Hamelin
“Visions and Variations” — A Far Cry

Best Classical Instrumental Solo:

“Bartók: Piano Concerto No. 2″ — Yuja Wang; Simon Rattle, conductor (Berliner Philharmoniker)
“Biber: The Mystery Sonatas” — Christina Day Martinson; Martin Pearlman, conductor (Boston Baroque)
“Bruch: Scottish Fantasy, Op. 46; Violin Concerto No. 1 in G Minor, Op. 26” — Joshua Bell (The Academy Of St. Martin In The Fields)
“Glass: Three Pieces in The Shape of a Square” — Craig Morris
“Kernis: Violin Concerto” — James Ehnes; Ludovic Morlot, conductor (Seattle Symphony)

Best Classical Solo Vocal Album:

“Arc” — Anthony Roth Costanzo; Jonathan Cohen, conductor (Les Violons Du Roy)
“The Handel Album” — Philippe Jaroussky; Artaserse, ensemble
“Mirages” — Sabine Devieilhe; François-Xavier Roth, conductor (Alexandre Tharaud; Marianne Crebassa & Jodie
Devos; Les Siècles)
“Schubert: Winterreise” — Randall Scarlata; Gilbert Kalish, accompanist
“Songs of Orpheus – Monteverdi, Caccini, D’India & Landi” — Karim Sulayman; Jeannette Sorrell, conductor; Apollo’s Fire, ensembles

Best Classical Compendium:

“Fuchs: Piano Concerto ‘Spiritualist’; Poems of Life; Glacier; Rush” — JoAnn Falletta, conductor; Tim Handley, producer
“Gold” — The King’s Singers; Nigel Short, producer
“The John Adams Edition” — Simon Rattle, conductor; Christoph Franke, producer
“John Williams At The Movies” — Jerry Junkin, conductor; Donald J. McKinney, producer
“Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade to Music; Flos Campi” — Peter Oundjian, conductor; Blanton Alspaugh, producer

Best Contemporary Classical Composition:

“Bates: The (R)evolution of Steve Jobs” — Mason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
“Du Yun: Air Glow” — Du Yun, composer (International Contemporary Ensemble)
“Heggie: Great Scott” — Jake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade,
Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
“Kernis: Violin Concerto” — Aaron Jay Kernis, composer (James Ehnes, Ludovic Morlot & Seattle Symphony)
“Mazzoli: Vespers For Violin” — Missy Mazzoli, composer (Olivia De Prato)

MUSIC VIDEO/FILM FIELD 

Best Music Video:

“APES***” — The Carters, Ricky Saiz, video director; Mélodie Buchris, Natan Schottenfels & Erinn Williams, video producers
“This Is America” — Childish Gambino, Hiro Murai, video director; Ibra Ake, Jason Cole & Fam Rothstein, video producers
“I’m Not Racist” Joyner Lucas & Ben Proulx, video directors; Joyner Lucas, video producer
“Pynk” —  Janelle Monáe, Emma Westenberg, video director; Justin Benoliel & Whitney Jackson, video producers
“Mumbo Jumbo” — Tierra Whack Marco Prestini, video director; Sara Nassim, video producer

Best Music Film:

“Life in 12 Bars”— Eric Clapton, Lili Fini Zanuck, video director; John Battsek, Scooter Weintraub, Larry Yelen & Lili Fini Zanuck, video producers
“Whitney” — (Whitney Houston), Kevin Macdonald, video director; Jonathan Chinn, Simon Chinn & Lisa Erspamer, video producers
“Quincy” — Quincy Jones Alan Hicks & Rashida Jones, video directors; Paula DuPré Pesmen, video producer
“Itzhak”— Itzhak Perlman, Alison Chernick, video director; Alison Chernick, video producer
“The King” — (Elvis Presley), Eugene Jarecki, video director; Christopher Frierson, Georgina Hill, David Kuhn & Christopher St. John, video producers