Peso Pluma Earns Third No. 1 on Billboard’s Hot Latin Songs Chart with Gabito Ballesteros & Junior H Collab “Lady Gaga”

Peso Pluma has another chart-topper…

The 24-year-old Mexican singer-songwriter’s “Lady Gaga,” his collaboration with Gabito Ballesteros and Junior H, rises 3-1 on Billboard’s Hot Latin Songs chart dated September 30.

Peso PlumaThe song, one of 17 tracks from Peso Pluma’s Top Latin Albums No. 1 Génesis, gives Ballesteros and Junior H their first champ on the chart.

“Lady Gaga” advances to No. 1 on the multi-metric tally fueled by a streaming surge during the September 15-21 tracking week. According to Luminate, the song registered 13 million U.S. official streams; a 23% gain from the week prior. The gain pushes the song from No. 36 to No. 25 on the overall Streaming Songs chart and No. 2-1 on Latin Streaming Songs.

Sales also helped push the song up Hot Latin Songs: “Lady Gaga” gained a 33% in digital sales, to a little over 500 downloads sold, jumping 7-6 on Latin Digital Songs. Hot Latin Songs blends streaming data, digital sales, and airplay.

Ballesteros and Junior H nab their first No. 1s on Hot Latin Songs. Ballesteros previously reached No. 6 through the three-way collab “AMG,” also with Peso Pluma and Natanael Cano, in February. Junior H’s highest peaking song arrived with the co-billed “Luna,” likewise with Peso Pluma (chart dated July 8).

Pluma, meanwhile, claims his third champ and replaces himself at No. 1 as “Qlona,” with Karol G, drops 1-2, while “Ella Baila Sola,” with Eslabon Armado, falls 2-3.

Beyond its coronation on Hot Latin Songs, “Lady Gaga” rebounds 53-37 on the all-genre Billboard Hot 100 after its debut and peak at No. 35 in July, while concurrently ascends to a new peak on Billboard Global Excl. U.S. chart, from No. 24-16 on the current chart.

Bad Bunny Releasing New Single Tonight

Bad Bunny is ready to release new music… 

The 29-year-old Puerto Rican Grammy-winning superstar is releasing a new single tonight, September 25.

Bad BunnyBad Bunny shared the news on his WhatsApp channel, where he boasts more than 12 million followers.

“I don’t know if this will make you happy, but I’m going to release one more song this year, and it’ll be out before September ends,” he previously shared on September 20.

Finally, on Sunday afternoon (September 24), the artist born Benito Martínez Ocasio posted a 17-second snippet on the channel, and wrote in Spanish, “In case you like it and are interested to know, [the song] comes out tomorrow Monday at 8 p.m. Puerto Rico time.”

The clip shows a blurred photo of the artist wearing a white tee and blue baseball cap and part of the audio. The untitled song kicks off with a dramatic organ synth melody and Bad Bunny’s distinct vocals singing, “Baby yo se que cuando te atrevas yo me voy a enamorar…”

The forthcoming track comes on the heels of Bad Bunny’s “Where She Goes,” which he released in May. The Jersey Club-inspired beat (a hybrid of house and hip-hop) reached No. 1 on the Billboard Global 200 chart and Latin Airplay.

Earlier this year, Bad Bunny also teamed up with Grupo Frontera on “un x100to,” which marked his first time dipping his toes in the norteño-cumbia realm. The song earned Grupo Frontera its highest debut on Billboard’s Hot Latin Songs chart, entering at No. 3 on the April 29-dated ranking, and later hitting No. 1 on both the Latin Airplay chart and Billboard Global Excl. U.S. chart.

Myke Towers Earns First No. 1 on Billboard Global Excl. U.S. Chart with “LaLa”

Myke Towers is LaLa-loving life right now…

The 29-year-old Puerto Rican rapper’s latest single “LaLa” surges from No. 13 to No. 1 on the Billboard Global Excl. U.S. chart dated July 22, becoming his first leader on the list.

Myke TowersTowers’ track rockets to the top of the chart after logging 70.4 million streams outside the U.S. July 7-13, a 101% increase.

The profile of the reggaetón-powered Spanish-language song has recently swelled on TikTok, after the track was released in March.

The single becomes Towers’ first Global Excl. U.S. No. 1, following three top 10s: “Pareja Del Año,” with Sebastián Yatra (No. 9 peak, May 2021); “Bandido,” with Juhn (No. 6, February 2021); and “Caramelo,” with Ozuna and Karol G (No. 10, September 2020).

The Billboard Global Excl. U.S. charts, which started in September 2020, ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bizarrap Announces Rauw Alejandro-Collaboration, “Bzrp Music Sessions, Vol. 56,” Due This Week

Bizarrap is back with another all-star collaboration…

The 24-year-old Argentine DJ and record producer has partnered with Rauw Alejandro on his latest collaboration, “Bzrp Music Sessions, Vol. 56,” due out this week.

Bizarrap,The track arrives only three weeks after Bizarrap released “Bzrp Music Sessions, Vol. 55” with Peso Pluma

“What a joy it gives me to finally release music together my brother,” Biza expressed on his Instagram stories, tied to a short video announcement where Biza is seen surprising a select group of fans who are listening to the track for the first time in a booth in Madrid, Spain.

“Rauw Alejandro: Bzrp Music Sessions, Vol. 56″—filmed in Biza’s blue-hued recording studio—is a catchy techno track where the Puerto Rican artist sings about two people who are single and desire each other.

“I’m alone and you’re alone / you want to taste me and I want to eat you all,” he chants in the sensual chorus. At the end of the track, the artists hint that a second collaborative effort is dropping this week.

“Rauw Alejandro x Bizarrap, ‘Baby Hello,’” reads the text with the June 23 date.

The new session comes on the heels of Biza and Peso’s heartbreak corrido that hit No. 1 on the Billboard Global Excl. U.S. chart dated June 17 and No. 5 on the Hot Latin Songs chart that same week.

Earlier this year, Biza earned his first No. 1 hit with the Shakira-assisted “Bzrp Music Sessions, Vol. 53,” a powerful EDM track where the Colombian artist didn’t hold back and is as blunt as ever about her ex, Spanish soccer star Gerard Piqué.

The dis track also peaked at  No. 9 on the Billboard Hot 100.

Rauw now joins a star-studded roster of artists who have dropped Bzrp Music Sessions including Arcángel, Nicky Jam, Residente, Nicki Nicole, Nathy Peluso, and Anuel AA, to name a few.

Keityn Named Songwriter of the Year at ASCAP Latin Music Awards

(Te) Felicito-ciones are in order for Keityn

The Colombian songwriter and musical artist who co-wrote Karol G’s “Provenza” and Shakira and Rauw Alejandro’s “Te Felicito,” was named songwriter of the year at the 2023 ASCAP Latin Music Awards.

Keityn

Me Porto Bonito” — performed by Bad Bunny & Chencho Corleone and co-written by ASCAP songwriter Master Joe — won song of the year, while Universal Music Publishing Music Group took the publisher of the year honor.

Winners at the American Society of Composers, Authors and Publishers’ annual awards — which recognize the songwriters, producers and publishers behind Latin music’s biggest hits — where announced on May 3 at an invitation-only event in San Juan, Puerto Rico.

A first-time ASCAP winner, Keityn (real name: Kevyn Mauricio Cruz Moreno) has also been behind chart-topping hits such as “Tusa” by Karol G and Nicki Minaj, Maluma‘s “Hawái” and J Balvin and Tainy’s “Agua,” to name a few.

In October 2021, he signed an exclusive deal with Warner Music Latina, and since then, he has released songs as a performer like “El Egoísmo” with Mike Bahía and Dekko, “Anoche” and “Nueva Versión.”

Song of the year honoree “Me Porto Bonito” — a reggaetón track infused with Latin pop and sandungueo, in which two men promise to behave nicely if the woman they’re after asked them to — spent 20 weeks at the top of Billboard’s Hot Latin Songs chart. It also reached No. 1 on Latin Airplay, peaked at No. 2 on the Billboard Global 200 and Billboard Global Excl. U.S. charts, and hit the top 10 of the Billboard Hot 100.

Universal Music Publishing Music Group was recognized as publisher of the year for hits including “Después de la Playa,” “Efecto,” “La Corriente,” “Me Porto Bonito,” “Moscow Mule,” “Neverita,” “Ojitos Lindos,” “Party,” “Tarot,” “Tití Me Preguntó” and “Un Ratito” — all part of Bad Bunny’s uber-successful Un Verano Sin Ti, the second album in Spanish to ever top the Billboard 200.

Other 2023 ASCAP Latin Music Award-winning songwriters include Daddy Yankee (“Remix”), Jhayco (“Sensual Bebé”), Marc Anthony (“Mala”), Marco Antonio Solís (“Si Te Pudiera Mentir”), GALE (her first ASCAP Latin Award for “Ley Seca”) and Lin-Manuel Miranda (“Dos Oruguitas”).

Bad Bunny Earns Second No. 1 on Billboard Global 200 and Billboard Global Excl. U.S. Charts with Grupo Frontera-Collab “Un x100to”

Bad Bunny is back atop the global charts…

The 29-year-old Puerto Rican superstar’s Grupo Frontera-collaboration “Un x100to” rises to No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts dated May 6.

Bad Bunny x Grupo FronteraIt’s the second leader for Bad Bunny on each list and the first for Grupo Frontera.

The track is the second Global 200 No. 1 and first Global Excl. U.S. leader for the Regional Mexican genre — as it dethrones the first such No. 1 on the former chart: Eslabon Armado and Peso Pluma’s “Ella Baila Sola” jumped to the top of the Global 200 a week earlier.

Meanwhile, thanks to “Un x100to,” “Ella Baila Sola” and Yng Lvcas and Peso Pluma’s “La Bebe,” Regional Mexican (and Spanish-language) songs rank at Nos. 1, 2 and 3 simultaneously on both charts for the first time since the surveys began in September 2020.

Grupo Frontera and Bad Bunny’s “Un x100to” leaps from No. 5 to No. 1 on the Billboard Global 200, with 110.2 million streams (up 64%) and 4,000 sold (down 13%) worldwide April 21-27.

Bad Bunny adds his second, after “Dákiti,” with Jhay Cortez (now Jhayco), led for three weeks in November-December 2020.

It’s also the fifth all-Spanish-language leader on the list, after “Ella Baila Sola”; Karol G and Shakira’s “TQG,” which ruled for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (four weeks, 2022); and “Dakiti.”

“Ella Baila Sola” drops to No. 2 on the Global 100, although up 9% to 104.2 million streams and 5% to 3,000 sold worldwide.

Yng Lvcas and Peso Pluma’s “La Bebe” holds at its No. 3 Global 200 best.

Grupo Frontera and Bad Bunny’s “Un x100to” concurrently climbs 4-1 on the Billboard Global Excl. U.S. chart, with 82.3 million streams (up 73%) and 1,000 sold (up 17%) outside the U.S. April 21-27.

Grupo Frontera earns its first Global Excl. U.S. No. 1, while Bad Bunny tallies his second, after “Dakiti” (five weeks, November-December 2020).

“Un x100to” becomes the Global Excl. U.S. chart’s first Regional Mexican No. 1.

It’s additionally the sixth all-Spanish-language leader on the ranking, after Karol G and Shakira’s “TQG,” which reigned for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (six weeks, 2022); Anitta’s “Envolver” (one, 2022); “Dakiti”; and Maluma and The Weeknd’s “Hawái” (one, 2020).

Peso Pluma ranks at Nos. 2 and 3 on Global Excl. U.S.: “Ella Baila Sola,” with Eslabon Armado, holds at its No. 2 high and “La Bebe,” with Yng Lvcas, keeps at No. 3, also after reaching No. 2.

As on the Global 200, thanks to “Un x100to,” “Ella Baila Sola” and “La Bebe,” Regional Mexican, and Spanish-language, songs rank at Nos. 1-3 simultaneously for the first time since the Global Excl. U.S. chart originated.

The Billboard Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Feid Earns First No. 1 on Billboard’s Hot Trending Songs Chart with “Remix Exclusivo”

Feid is officially on trend

The 30-year-old Colombian singer and songwriter’s “Remix Exclusivo” debuts at No. 1 on Billboard’s Hot Trending Songs chart dated April 1.

FeidBillboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days.

A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running March 17-23.

“Remix Exclusivo” bows as Feid’s first No. 1 on Hot Trending Songs. Previously, he reached No. 14 with “Si Te La Encuentras Por Ahi” in March.

“Remix Exclusivo” premiered March 16 as Feid’s first release of 2023, following 2022 album Feliz Cumpleanos Ferxxo Te Pirateamos El Album and EP Sixdo.

Concurrently, the song earned 2.8 million official U.S. streams March 17-23 en route to a No. 38 debut on the Hot Latin Songs chart. Internationally, it starts at Nos. 78 and 102 on the Billboard Global Excl. U.S. and Billboard Global 200 lists, respectively.

“Remix Exclusivo” reigns over Salman Khan’s new release, “Jee Rahe the Hum (Falling in Love),” from the upcoming Hindi-language film Kisi Ka Bhai Kisi Ki Jaan, at No. 2. Khan is also a star of the film, set for release April 21.

Karol G & Shakira Earn First No. 1 on Billboard Global 200 & Billboard Global Excl. U.S. Charts with “TQG”

Karol G is a global sensation…

The 32-year-old Colombian singer’s Shakira-collab “TQG” has launched as the biggest song in the world, debuting at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts dated March 11.

Shakira & Karol GThe song is Karol G and Shakira’s first No. 1 on the rankings.

Karol G and Shakira’s “TQG” debuts at No. 1 on the Billboard Global 200, with 158.4 million streams and 10,000 sold worldwide in the February 24-March 2 tracking week. The collaboration is from Karol G’s new album Mañana Será Bonito, which debuts at No. 1 on the U.S.-based Billboard 200, becoming the first all-Spanish-language leader by a woman in the chart’s history.

Notably, the song starts with the ninth-best streaming week since the Global 200 began (with seven of the top 10 such frames by female acts).

Biggest Worldwide Streaming Weeks in Global 200 History:
289.2 million, “Butter,” BTS, June 5, 2021
217.1 million, “Flowers,” Miley Cyrus, Feb. 4, 2023
212.1 million, “Pink Venom,” BLACKPINK, Sept. 3, 2022
185.6 million, “Flowers,” Miley Cyrus, Feb. 11, 2023
179.1 million, “Flowers,” Miley Cyrus, Jan. 28, 2023
178.2 million, “Easy on Me,” Adele, Oct. 30, 2021
170.8 million, “Permission To Dance,” BTS, July 24, 2021
169.8 million, “Butter,” BTS, June 12, 2021
158.4 million, “TQG,” Karol G & Shakira, March 11, 2023
152.8 million, “Shut Down,” BLACKPINK, Oct. 1, 2022

Karol G claims her first Global 200 No. 1 among four top 10s, following “Provenza” (No. 6, May 2022); “MAMIII,” with Becky G (No. 4, March 2022); and “Bichota” (No. 7, January 2021).

Shakira also scores her first Global 200 leader since the list began, after her and Bizarrap’s “Bzrp Music Sessions, Vol. 53” debuted at its No. 2 peak (where it ranked for three weeks) in January, marking her first top 10; it slips 5-7 on the latest list.

Karol G and Shakira are the third and fourth artists from Colombia to top the Global 200; Carolina Gaitán and Mauro Castillo are among the seven credited acts on Disney’s Encanto smash “We Don’t Talk About Bruno,” which led for three weeks beginning in February 2022.

As on the Global 200, Karol G and Shakira’s “TQG” debuts at No. 1 on the Billboard Global Excl. U.S. chart, with 129.7 million streams and 3,000 sold outside the U.S. Feb. 24-March 2. It’s likewise each act’s first Global Excl. U.S. leader, among five and three top 10s, respectively.

Karol G and Shakira are the second and third acts from Colombia to command Global Excl. U.S.; Maluma led, with The Weeknd, on “Hawái,” the week that the chart began in 2020.

The Billboard Global 200 and Billboard Global Excl. U.S. surveys, which launched in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Selena Gomez Tops Billboard Global Excl. U.S. Chart for Second Week with Rema-Collab “Calm Down”

Make it two in a row for Selena Gomez

The 30-year-old Mexican American actress/singer’s Rema-collaboration “Calm Down” leads the Billboard Global Excl. U.S. survey for a second week.

Selena Gomez

Rema and Selena Gomez’s “Calm Down” stays at No. 1 with 53.5 million streams (essentially even week-over-week) and 4,000 downloads sold (down 2%) in territories outside the U.S. January 6-12.

The Billboard Global Excl. U.S. charts, which began in September 2020, ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Selena Gomez Earns First No. 1 on Billboard Global Excl. U.S. Chart with Rema-Collab “Calm Down”

Selena Gomez is celebrating a global first…

The 30-year-old Mexican American singer/actress and Rema’s single “Calm Down” has claimed the No. 1 spot on the Billboard Global Excl. U.S. chart, jumping from No. 8 and marking each act’s first leader on the list.

Selena GomezGomez and Rema’s “Calm Down” jumps from No. 8, besting its prior No. 4 high set in September, to No. 1 on the Billboard Global Excl. U.S. chart, with 53.3 million streams (essentially even week-over-week) and 4,000 downloads sold (up 18%) in territories outside the U.S. December 30-January 5.

Nigeria native Rema (real name: Divine Ikubor) released the original version of the song last February as the second single from his debut solo LP, Rave & Roses. Its remix with Gomez arrived August 26, and that version’s official video premiered September 7.

Gomez lands her first leader, among two top 10s since the chart began, after “Ice Cream,” with BLACKPINK, ranked at its No. 6 high on the inaugural list in 2020.

Rema tops Global Excl. U.S. in his first appearance on the chart – and becomes the first act from Africa to reign.

The Billboard Global Excl. U.S. chart, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.