Karol G & Peso Pluma’s “Qlona” Rises to No. 1 on Billboard’s Latin Airplay Chart

Karol G and Peso Pluma’s smash collaboration is back atop the charts…

Five months after the 33-year-old Colombian Grammy-winning singer and 24-year-old Mexican Grammy-winning singer’s “Qlona” concluded its fifth week at No. 1 on Billboard’s Hot Latin Songs chart, the collaboration rises 2-1 to lead the Latin Airplay chart dated March 2.

Karol G & Peso Pluma“Qlona” lands at the summit with a 17% gain in audience impressions, to 9.54 million, earned in the U.S. in the week ending February 22, according to Luminate.

It ousts Myke Towers’ “La Falda” from the top after one week in charge, dropping 1-2 with a 10% dip in impressions, to 9.5 million.

As “Qlona” reaches the summit in its 23rd week on the list, it wraps the longest journey to the top spot this decade, passing the 22-week trek that two Towers’ songs needed to their reign in 2020: “Bandido,” with Juhn, and “Bésame,” with Luis Fonsi. (The last song to take longer to reach No. 1 was Pedro Capo and Farruko’s “Calma,” which hit the top in its 24th week, on the April 13, 2019 chart.)

With “Qlona” on top, Karol logs the 17th No. 1 in her Latin Airplay career. The new champ arrives five months after her own “Mi Ex Tenía Razón” reigned for two weeks last October.

Peso Pluma, meanwhile, picks up his third, after “Ella Baila Sola,” with Eslabon Armado, ruled for one week last June.

Elsewhere, “Qlona” wins a first term at No. 1 on Latin Rhythm Airplay, marking a 16th win for Karol. It’s the second Latin rhythmic crown for Pluma, after the four-week champ “La Bebe,” with Yng Lvcas, in 2023.

Thanks to its radio haul, “Qlona” rebounds 5-4 on the multimetric Hot Latin Songs chart — which blends airplay, streaming activity, and digital sales — after five weeks in charge.

Luis Figueroa’s “Bandido” Rises to No. 1 on Billboard’s Tropical Airplay Chart

Luis Figueroa is celebrating another chart-topper… 

The 34-year-old Puerto Rican singer and songwriter has notched his second No. 1 on Billboard’s Tropical Airplay chart as “Bandido” lifts to the top of the October 21-dated ranking.

Luis Figueroa“I am so excited with the reaction from everyone with this song … it has become a fan favorite!” Figueroa tells Billboard. “I am also proud to represent this new salsa movement. Salsa es lo que hay!”

“Bandido” rises to the summit with a 23% gain to 5.7 million audience impressions on reporting radio stations during the October 6-12 tracking week, according to Luminate. The song was released on August 17 via Magnus Media/Sony Music Latin, with Figueroa one of its six writers.

“It was amazing to work with so many talented musicians and lyricists on this song,” Figueroa adds. “I have been looking forward to putting this record out for a while, so for everyone to finally listen to it, and the reaction it has received, is so gratifying.”

Notably, “Bandido” becomes the first salsa track to crown Tropical Airplay among the five tropical tunes that have notched their first weeks at No. 1 in 2023. Let’s look at the winners, by core style:

Peak Date, Artist, Title (style)
February 4, Romeo Santos & Rosalia, “El Pañuelo” (bachata)
April 8, Marshmello & Manuel Turizo, “El Merengue” (merengue)
July 8, Prince Royce, “Me EnRD” (bachata)
August 5, Chayanne, “Bailando Bachata” (bachata)
October 21, Luis Figueroa, “Bandido” (salsa)

“Bandido” is the first salsa No. 1 on Tropical Airplay since Marc Anthony’s “Mala” in March 2022.

“Bandido” concurrently translates into a new No. 1 for Magnus Media. The label last ruled Tropical Airplay through another Figueroa song, “Hasta El Sol de Hoy,” for one week in July 2021.

Beyond its Tropical Airplay coronation, “Bandido” rebounds to its No. 18 high on the overall Latin Airplay chart. It became Figueroa’s second top 20 entry there, following the No. 15-peaking “Todavía Te Espero” in 2022.

Figueroa’s new achievement follows his first-time nomination for a Billboard Latin Music Award this year, for tropical artist of the year, solo.

Myke Towers’ “Lala” Rises to No. 1 on Billboard Argentina Hot 100

Myke Towers’ latest single is a hit in Argentina…

The 29-year-old Puerto Rican rapper, singer and songwriter captures his third No. 1 on the Billboard Argentina Hot 100 chart as his latest single, “Lala,” rises 2-1 to lead the August 5-dated ranking.

Myke TowersIt’s his first champ since “Bandido” ruled for seven weeks in 2021. Since then, the Puerto Rican artist has placed two other No. 2-peaking songs: “Ella No Es Tuya,” with Rochy RD and Nicki Nicole, and “Pareja del Año,” with Sebastián Yatra, during the same year.

“Lala” ejects “Los Del Espacio” by LIT KillahTiago Pzk, Duki, Emilia, RusherkingBig One and FMK from the lead, with a 1-3 dip, after its seven-week command.  

Meanwhile, Maria Becerra’s “Corazón vacío” rebounds 3-2 after its one week in charge (July 22-dated list).

A new top 10 arrives this week: Big One, Ulises Bueno and Rusherking’s “Mentiras | CROSSOVER #3” rallies 71-7 in its second week. With a 64-place climb, the song scores the Greatest Gainer honors and concurrently earns Bueno his first top 10 on his second try.

The Hot Shot Debut of the week goes to El Jordan 23 and Ugly Duck who both score their first entry with “Cabaña” at No. 58.

Myke Towers Earns First No. 1 on Billboard Global Excl. U.S. Chart with “LaLa”

Myke Towers is LaLa-loving life right now…

The 29-year-old Puerto Rican rapper’s latest single “LaLa” surges from No. 13 to No. 1 on the Billboard Global Excl. U.S. chart dated July 22, becoming his first leader on the list.

Myke TowersTowers’ track rockets to the top of the chart after logging 70.4 million streams outside the U.S. July 7-13, a 101% increase.

The profile of the reggaetón-powered Spanish-language song has recently swelled on TikTok, after the track was released in March.

The single becomes Towers’ first Global Excl. U.S. No. 1, following three top 10s: “Pareja Del Año,” with Sebastián Yatra (No. 9 peak, May 2021); “Bandido,” with Juhn (No. 6, February 2021); and “Caramelo,” with Ozuna and Karol G (No. 10, September 2020).

The Billboard Global Excl. U.S. charts, which started in September 2020, ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Ana Bárbara Becomes First Regional Mexican Songwriter to Receive BMI Icon Award

Ana Bárbara is celebrating a history-making win…

The 52-year-old Mexican singer, actress, television personality and model became the first regional Mexican songwriter to ever receive a BMI Icon Award.

Ana BárbaraAna Barbara received the award at the BMI Latin Awards, which took place on March 21 at the Beverly Wilshire Hotel in Los Angeles.

“As an iconic female Regional Mexican artist, whose body of work continues to be an indomitable inspiration for the creative community, we’re thrilled to name Ana Bárbara a BMI Icon,” Gonzalez said in a statement. “Dubbed as La Reina Grupera, she has forged a career that spans decades. Her artistic achievements have paved the way for the next generation of female songwriters in the genre and earned the respect of the industry at large as one of the most groundbreaking songwriters of all time. For that, we salute Ana as a true icon and look forward to celebrating all our top music creators behind some of today’s most-performed Latin songs.”

The “Bandido” singer joins an elite group of artists who have received BMI’s highest honor including Carlos SantanaGloria EstefanJuan Luis GuerraLos Tigres Del Norte and Los Lobos, among others. Throughout her 30-year career — which she kicked off in the early ’90s with her self-titled debut album in 1994 — Ana Bárbara has a total of 16 entries on Billboard‘s Hot Latin Songs, four of those are top 10 hits including “La Trampa” and “Me Asusta Pero Me Gusta.” On the Regional Mexican Airplay tally, she’s entered 21 songs, five of which hit the top 10.

Edgar Barrera, the prolific songwriter who seamlessly navigates between genres, was given the first ever Impact award for his remarkable presence and influence across the charts of many genres.

The evening — hosted by BMI President/CEO Mike O’Neill and BMI Vice President, Creative, Latin Jesus Gonzalez — was also evening of encores. Tainy won the contemporary songwriter of the year award for the second year in a row, and Horacio Palencia also repeated his regional Mexican songwriter of the year award, this time tying with Barrera.

Sony Music Publishing, home to Tainy and Barrera, took home the contemporary Latin publisher of the year award, marking the seventh time in 10 years that it does so.

Universal Music Publishing Group won Regional Mexican publisher of the year, and the smash “Pepas” — performed by Farruko and written by Víctor Cardenas VIIC, IAMCHINO, Axel Quezada “Ghetto” and Keriel K4G Quiróz — was named contemporary Latin song of the year. “Jugaste y Sufrí” by Daniel Balderrama Espinoza won the Regional Mexican song of the year.

But the belle of the ball was undoubtedly Aba Bárbara. The Mexican singer, resplendent in a shimmering dress with a pink feathered skirt, delivered a set of her own compositions, backed by a her band and ending with “Lo Busqué,” during which she accompanied herself on guitar. The performance was a reminder of just how prolific Ana Bárbara has been in her 30-year career, placing 16 hits on Billboard’s Hot Latin Songs chart and 14 on the Regional Mexican Airplay chart.

“Songwriting was something I didn’t always speak about,” Bárbara told Billboard earlier. “I was always shy about my songwriting, from the time I wrote [her first major hit] ‘Quise Olvidar,’ because composing wasn’t common among women. Now, I believe in all my songs, and I believe they’re all for me.”

Her inspirations, said Ana Bárbara, were the greats of Mexican music, including José Alfredo Jiménez; Joan Sebastian and Marco Antonio Solís, who both mentored her; and Ana Gabriel, also a singer and composer.

Now, Gabriel is also inspiring a new generation, as evidenced by the opening number of the night, a tribute to her music performed by young Mexican singers Adriana Ríos, Alisun Solís, Angélica Gallegos and Lupita Infante.

Myke Towers Earns Fifth No. 1 on Billboard Latin Airplay Chart with “Bandido,” Featuring Juhn

Myke Towers is celebrating his latest chart-topper…

The 27-year-old Puerto Rican rapper, singer and songwriter’s single “Bandido,” featuring Juhn, rises 10-1 on Billboard’s Latin Airplay chart dated June 19, earning Towers his fifth No. 1 and Juhn his first No. 1 on any Billboard chart.

Myke Towers

“Bandido” climbs with a 39% gain in audience impressions, to 9 million, earned in the U.S. in the week ending June 13, according to MRC Data.

Here’s a recap of his chart-topping collection:

Song Title, Artist (if other than Myke Towers), Weeks at No. 1, Peak Date
“Caramelo,” with Ozuna and Karol G, three, August 8, 2020
“Mi Niña,” with Los Legendarios & Wisin, one, Jan. 16
“La Nota,” with Manuel Turizo & Rauw Alejandro, one, Jan. 23
“Travesuras,” with Nio García, Casper Mágico, Ozuna, Wisin & Yandel, Flow La Movie, one, March 6
“Bandido,” with Juhn, June 19.

Beyond its Latin Airplay coronation, “Bandido” pushes 8-1 on the Latin Rhythm Airplay chart. Towers’ fifth leader there and also Juhn’s first.

“Bandido” also sees progress on the airplay-, digital sales- and streaming-blended Hot Latin Songs, climbing 10-9 with a 41% gain in sales and 4 million streams (up 1%) earned in the week ending June 10. Despite its streaming gain, the song dips 11-12 on Latin Streaming Songs.

“Bandido” is one of four tracks from Tower’s EP Para Mi Ex, which has not entered the Billboard charts.

Myke Towers Signs Joint Global Distribution Deal with Warner Latina & Warner Records

Myke Towers is going global…

After a two-year courtship, and rising above offers from multiple competing labels, Warner Latina and Warner Records have jointly signed an exclusive global distribution deal with the 27-year-old Puerto Rican rising star and his independent label, Whiteworld Music.

Myke Towers

The deal was spearheaded by Warner Music Latina president Iñigo Zabala, who brought Towers to the attention of Warner Records global heads at a time when music in Spanish is a global force, a fact highlighted by Towers’ remarkable success as an independent artist.

In the past 12 months alone, Towers, whose full name is Michael Anthony Torres Monge, has placed seven songs on the top 10 of Billboard’s Hot Latin Songs chart, two songs on Billboard’s Global Ex U.S. chart, six songs on the Spotify 200 chart (more than any other Latin act) and is currently No. 8 on YouTube’s Global artist chart while his video of “Bandido” with Juhn is No. 2 on the service’s Global chart this week.

No wonder that while Towers sings in Spanish, Warner sees him as a completely global act. “He is one of our most important signings of the past year,” Warner Records Co-Chairman & COO Tom Corson says bluntly.

That import has already been tested, most impactfully in “Me gusta,” the Anitta track released last September where Warner paired Towers with the Brazilian star and Cardi B.

As it turns out, Towers has been on Warner Latin’s sights since 2017, when he first started releasing music. But the label’s approach began in earnest in 2019, after he collaborated with Warner Music Latina group Piso 21.

“We formally contacted him in April 2019, when he released his single ‘Si Se Da,’” says Zabala, president of Warner Music Latin America & Iberia. “At that point, it was clear he was a very, very special artist. We always presented to them [Towers’ management] that we were the better partner to help them globalize Myke’s music. It’s been a long conversation, but it’s been very successful.”

Towers has risen quickly to fame at a time when Latin music is exploding in popularity at a global scale and consumption is at an all-time high. But it took him a beat to become coveted.

In 2018, after an initial stint with another indie, Towers approached Orlando “Jova” Cepeda and José “Tito” Reyes, partners in Whiteworld, a label, production and management company in Puerto Rico. “We gave him a hand and he decided to stay with us,” says Cepeda. “He was vastly underestimated; quiet, humble, the opposite of the genre. But we saw the originality in him.”

Towers was a rapper who shunned the more facile lyrics of reggaetón, opting for more heartfelt storytelling in his beginnings in 2016. But he also had a more melodic, commercial side to him, and quickly became highly sought-after for collaborations by big stars like Thalía and Becky G a couple of years later.

Whiteworld released Towers’ music through GLAD Empire, an indie distributor that’s known for achieving huge hits, like Anuel AA’s debut album. As Towers began to chart higher – by 2019, his “Si se da” peaked at No. 11 on the Hot Latin Songs chart — outside notice in him rose.

“But Warner were the only ones who initially had that interest,” says Reyes. In 2019, he says, Héctor Rivera, Warner Latina’s VP of A&R, showed up at Whiteworld’s studios in Puerto Rico.

“I told him, ‘Brother, truly, we’re not looking for anyone. But I’m paying attention because you’re here,’” recalls Reyes.  “Honestly, if they hadn’t come to see us that day at the studio, maybe we wouldn’t have made the deal.”

By then, many other people wanted a deal with Towers, but Warner won out. “Warner gave us respect,” says Cepeda. “They understood the project. I told Iñigo that if they wanted to sign Myke, it had to be global.”

Corson and Warner Records Co-Chairman & CEO Aaron Bay-Schuck both reached out to Towers and his team, signaling their commitment.

“Iñigo took the lead, but once the ball is rolling we’re working closely,” says Corson. “In this climate, with global playlisting, and genres meaning less and less, and records crossing over, language being less of a barrier, you have to be in each other’s business. It used to be much more one way: what could the U.S./Anglo labels export? Now, you’d be foolish to take that attitude and you would lose a lot of business if you weren’t in constant communication with your teams.”

As big as Towers has already become, “there’s still a major part of the globe who doesn’t know who he is,” says Bay-Schuck. “That’s where we’re going to come in and find the right ways to seed his music, collaborate with the right English speaking artists so Myke Towers becomes the same household name here that he is in the rest of the world. We’re  intentionally curating our roster […] and that means you can’t have a roster with 10 of the same things in it. I think Myke saw a massive opportunity to really be one of one and have the belief we were going to treat him like the priority he is.”

Max Lousada, Global CEO of Recorded Music, Warner Music Group added: “Myke is a distinctive songwriter, powerful performer, and incredible artist […] He’s at the forefront of a new generation of global talent that’s transcending languages, crossing boundaries, and disrupting genres. His possibilities are limitless.”