Kany Garcia Teams Up with Alejandro Sanz on New Single “Muero”

Kany Garcia is dying for a new collaboration…

The 39-year-old has joined voices with Alejandro Sanz for the new single “Muero,” released via Sony Music Latin.

Kany GarciaFor their first-ever collaboration, Garcia and Sanz’s new single is a soothing ballad where their power vocals harmonize and ooze emotion.

With honest penmanship, the song tells the story of a person who’s silently in love with someone else and dying on the inside.

“It’s a work of art, it is impossible not to break every time I hear it, every time our voices merge and become one,” Garcia said in a statement. “He, who keeps love to himself, who does not verbalize and share the wonders of emotion, is dying in the most difficult way; little by little.”

 

“Muero” previews Garcia’s upcoming album out on May 27.

Tini Working on “Mienteme” Remix

Tini is (re)mixing things up…

Less than a month after dropping her urban-infused cumbia “Mienteme,” in collaboration with Argentine newcomer Maria Becerra, the 24-year-old Argentine actress, singer, songwriter, dancer and model has revealed that she has a remix on the way.

Tini revealed the news during a Billboard Live interview via Instagram on Wednesday, saying, “Yes, a remix is coming at some point,” after being asked which artists would be ideal to jump on the song.

“If I said names it was going to be too obvious. So I prefer not to say anything at all and have it be a surprise,” she said.

After joining forces with artists like Alejandro Sanz, Karol G and Sebastian Yatra, Tini also announced that more collaborations are coming, including one with Manuel Turizo.

“These features mean so much to me because I’m growing a lot as an artist,” she noted.

Her dream collabs are Justin Bieber, Rauw Alejandro, Ariana Grande and Daddy Yankee, whom she’s been a fan of since she was little.

“Most probably a new album will drop this year. I have a lot of desire for that,” she added. “I don’t want time to pass because these songs that I’m writing represent the moment of my life that I’m living. The best thing would be to release them in an album and show my fans this new stage of my life.”

Ricky Martin Receives International Peace Honors Recognition from PeaceTech Lab 

Ricky Martin is celebrating a special honor…

PeaceTech Lab presented the International Peace Honors during a virtual celebration on Sunday night to unite and honor leaders and change agents working toward a more just and equitable future, including the 49-year-old Puerto Rican superstar.

Ricky Martin

Martin was saluted for his advocacy for human rights, tolerance and peace at the event, which was hosted by Natalia Jiménez.

“In addition to his artistic contributions, Ricky Martin has made notable strides in the social impact space,” said Sheldon Himelfarb, the president and CEO of PeaceTech Lab, in a press release. “He leverages his social networks to advocate for minority rights and promote civic engagement; through his foundation, he works to end human trafficking, especially of children; and in 2020, he galvanized support for frontline workers across the world. His contributions are invaluable, and it is a privilege for us to be able to recognize him during our International Peace Honors.”

Martin is well known for his activism. He’s the founder and president of the Ricky Martin Foundation, which rallies against human trafficking, protects children and vulnerable communities, and defends the human rights of millions.

But Martin wasn’t the only Latino nominee for the first-event International Peace Honors…

Ricardo Montaner was honored for his humanitarian efforts.

Other nominees included Dr. Anthony Fauci, Black Lives Matter co-founder Opal Tometi, Amazonian Chief Raoni and the “father of the internet” Vint Cerf.

Stephen CurryEva LongoriaSting and José Andrés were presenters, while former U.S. President Jimmy Carter delivered a special message.

Sting also delivered an intimate version of “Fragile,” while Alejandro Sanz performed “La Quiero a Morir,” Camilo and his wife Evaluna Montaner (whose father is one of the evening’s honorees) sang “Amen,” and Laura Pausini performed “Io Si,” the main theme of Netflix‘s The Life Ahead.

Natalia LaFourcade Among the Top Winners at This Year’s Latin Grammys

Natalia LaFourcade has her hands full…

The 36-year-old Mexican singer-songwriter proved to be one of the night’s big winners at the Latin Grammys awards show, taking home three prizes, including one of the top awards.

Natalia Lafourcade

LaFourcade, a Grammy and Latin Grammy darling, was nevertheless a surprise winner in the Album of the Year category with her Un Canto Por México, Vol. 1, a collection of songs dedicated to Mexico and arranged in traditional style.

LaFourcade also won best regional song for “Mi Religión” and best alternative song for “En Cantos,” alongside Ile and co-written with Ismael Cancel.

LaFourcade now raises her total of Latin Grammy wins to 14 after winning in every category she was nominated this year.

But she wasn’t the only top winner of the night…

Rosalía also took home three awards.

The 27-year-old Spanish singer won those awards due to two collaborations. “Yo x Ti Tu x Mi,” with Puerto Rican star Ozuna, won best urban fusion performance and best urban song, leading also to two Latin Grammy wins for Ozuna and one for Rosalía’s collaborator, El Guincho. And “TKN,” her collaboration with Travis Scott, won best short form video (directed by Nicolás Méndez, aka CANADA). She’s now an 8-time Latin Grammy winner.

Carlos Vives also claimed three awards.

The 59-year-old Colombian singer-songwriter’s “Canción para Rubén,” alongside Ruben Blades, won best tropical song while his album Cumbiana won best contemporary/tropical fusion album and the documentary El Mundo Perdido de Cumbiana won best long form video.

J Balvin, the top nominee of the evening, won the very competitive best urban album category for Colores, while Bad Bunny’s provocative “Yo Perreo Sola” won best reggaeton performance. The new category was one of the nods the Latin Recording Academy made this year toward appeasing a contingent of urban artists who felt neglected by the Latin Grammys.

The coveted record of the year award went to Alejandro Sanz’s “Contigo,” while song of the year went to Residente for his biographical beauty “René.”

In a surprise win, Mike Bahía took home the best new artist award, beating out some heavy competition, including Anuel AA, Nicky Nicole, Rauw Alejandro and Nathy Peluso.

“No, I didn’t expect this award,” he said backstage. “I’ve had beautiful career moments where awards, let’s say, haven’t really been with me. I didn’t think this would be the exception. But things happen for a reason, and I want to thank my colleagues for validating my work.”

Here’s the full winners list:

GENERAL FIELD:

Record Of The Year: “Contigo” — Alejandro Sanz
Album Of The Year: Un Canto Por México, Vol. 1 — Natalia Lafourcade
Song Of The Year: “René” — Residente, songwriter (Residente)
Best New Artist:
Mike Bahía
Best Pop Vocal Album
: Pausa — Ricky Martin
Best Traditional Pop Vocal Album: Compadres – Andrés Cepeda & Fonseca
Best Pop Song: “TuTu” – Camilo, Jon Leone & Richi López, songwriters (Camilo & Pedro Capó)
Best Urban Fusion/Performance: “Yo x Ti Tu x Mi” – Rosalía & Ozuna
Best Reggaeton Performance: “Yo Perreo Sola” — Bad Bunny
Best Urban Music Album:
Colores – J Balvin
Best Rap/Hip Hop Song:
“Antes Que El Mundo Se Acabe” – Residente, songwriter (Residente)
Best Urban Song: “Yo x Ti, Tu x Mi” – Pablo Diaz-Reixa “El Guincho”, Ozuna & Rosalía, songwriters (Rosalía & Ozuna)
Best Rock Album: “Dónde Jugarán Lxs Niñxs? – Molotov
Best Rock Song: “Biutiful” – Mon Laferte, songwriter (Mon Laferte)
Best Pop/Rock Album:
La Conquista del Espacio – Fito Paez
Best Pop/Rock Song: “La Canción de las Bestias” – Fito Páez, songwriter (Fito Páez)
Best Alternative Music Album: Sobrevolando – Cultura Profética
Best Alternative Song: “En Cantos” – Ismael Cancel, Ile & Natalia Lafourcade, songwriters (Ile & Natalia Lafourcade)
Best Salsa Album: 40 – Grupo Niche
Best Cumbia/Vallenato Album: Sigo Cantando Al Amor (Deluxe) – Jorge Celedón & Sergio Luis Rodríguez
Best Merengue/Bachata Album: Ahora – Eddy Herrera &
Larimar – Daniel Santacruz (Tie)
Best Traditional Tropical Album: Ícono – Orquesta Aragón
Best Contemporary/Tropical Fusion Album: Cumbiana — Carlos Vives
Best Tropical Song: “Canción Para Rubén” – Rubén Blades & Carlos Vives, songwriters (Carlos Vives & Rubén Blades)
Best Singer-Songwriter Album:
Mesa Para Dos – Kany García
Best Ranchero/Mariachi Album: Hecho en México — Alejandro Fernández Best Banda Album: Playlist – Chiquis
Best Tejano Album: Live In México – La Mafia
Best Norteño Album
: Los Tigres del Norte At Folsom Prison – Los Tigres del Norte
Best Regional Song: “Mi Religión” – Natalia Lafourcade, songwriter (Natalia Lafourcade)
Best Instrumental Album: Terra – Daniel Minimalia
Best Folk Album: A Capella – Susana Baca
Best Tango Album: Fuelle y Cuerda – Gustavo Casenave
Best Flamenco Album: Flamenco Son Fronteras – Antonio Rey
Best Latin Jazz/Jazz Album:
Puertos: Music from International Waters – Emilio Solla Tango Jazz Orchestra
Best Christian Album (Spanish Language): Soldados – Alex Campos
Best Portuguese Language Christian Album: Reino – Aline Barros
Best Portuguese Language Contemporary Pop Album: Apká! – Céu —
Best Portuguese Language Rock or Alternative Album: Amarelo – Emicida Best Samba/Pagode Album: Samba Jazz De Raiz, Claudio Jorge 70 – Cláudio Jorge
Best MPB (Musica Popular Brasileira) Album: Belo Horizonte – Toninho Horta & Orquestra Fantasma
Best Sertaneja Music Album: Origens [Ao Vivo Em Sete Lagoas, Brazil / 2019] – Paula Fernandes
Best Portuguese Language Roots Album: Veia Nordestina – Mariana Aydar — Best Portuguese Language Song: “Abricó-De-Macaco” — Francisco Bosco & João Bosco, songwriters (João Bosco)
Best Latin Children’s Album: Canta y Juega – Tina Kids
Best Classical Album: Eternal Gratitude – Paulina Leisring & Domingo Pagliuca; Samuel Pilafian, album producer
Best Classical Contemporary Composition
: “Sacre” – Carlos Fernando López & José Valentino, composers (Carlos Fernando López)
Best Arrangement: “La Flor de la Canela” – Lorenzo Ferrero, arranger (Afro-Peruvian Jazz Orchestra)
Best Recording Package: Soy Puro Teatro – Homenaje a La Lupe – Pedro Fajardo, art director (Mariaca Semprún)
Best Engineered Album: 3:33 – Daniel Bitrán Arizpe, Daniel Dávila, Justin Moshkevich, George Noriega, Erick Roman, Paul Rubinstein & JC Vertti, engineers; Miles Comaskey, Najeeb Jones & Tony Maserati, mixers; Dale Becker, mastering engineer (Debi Nova)
Producer of the Year: Andrés Torres, Mauricio Rengifo
Best Short Form Music Video: “TKN” – Rosalía & Travis Scott / Nicolás Méndez aka CANADA, video director; Oscar Romagosa & Laura Serra Estorch, video producers
Best Long Form Music Video:
El Mundo Perdido de Cumbiana – Carlos Vives / Carlos Felipe Montoya, video director; Isabel Cristina Vásquez, video producer

Aitana Teams Up with Sebastian Yatra on New Single “Corazón Sin Vida”

Aitana is sharing her soulless heart

The 21-year-old Spanish singer/songwriter has joined voices with Sebastian Yatra on the new single “Corazón Sin Vida.”

The emotive song, which features a fragment of Alejandro Sanz’s “Corazón Partió,” is for the broken-hearted person who has many unanswered questions.

“Why did you heal me when I was hurt, if today you leave me a lifeless heart again,” Aitana asks in the chorus.

Fusing their dulcet powerhouse vocals, Aitana and Yatra exchange their true feelings in this bluegrass-infused pop song.

On Instagram, Aitana expressed her gratitude to Sanz for allowing her to use part of his timeless hit and Yatra for jumping on the track.

J Balvin Earns 13 Latin Grammy Award Nominations, Including Two for Album of the Year

J Balvin is the man to beat…

The Latin Grammy Award nominations have been announced, with the 35-year-old Colombian reggaeton singer leading the pack of nominees with 13 nominations.

J Balvin

J Balvin’s nominations include two for album of the year and two for record of the year (“Rojo” & “China”).

Balvin has a chance to win his first album of the year prize — a category with 10 contenders — thanks to his fifth solo album “Colores” and “Oasis,” his collaborative project with Bad Bunny. Other nominees include Bad Bunny’s sophomore release “YHLQMDLG” as well as albums from Ricky Martin, Carlos Vives, Jesse & Joy, Kany García, Natalia Lafourcade, Camilo and Fito Paez.

Bad Bunny received nine nominations, including two for album of the year (YHLQMDLG & Oasis) and one for record of the year (“Vete”).

Ozuna has eight nominations, including one for record of the year (“China”).

For record of the year, which also has 10 nominees, contenders include popular hip-hop-flavored Latin songs that have dominated the Latin music charts and earned hundreds of millions plays on streaming services, with some even reaching the billion-mark on YouTube, including Karol G and Nicki Minaj’s global hit “Tusa” and “China” by Anuel AA, Daddy Yankee, Karol G, Ozuna, Balvin and Marco Masis. Other nominees include Balvin’s “Rojo” and Bad Bunny’s “Vete.”

“Tusa” is the sole Latin trap nominee in the song of the year category, where 11 tracks are in contention. It’s a departure for Karol G, who didn’t receive a single nomination last year and was part of the group of uber-successful Latin trap and reggaeton artists who were dissed in top categories like album, song and record of the year.

This year, the 29-year-old Colombian performer, who was named best new artist in 2018, has four nominations, including two shared with Minaj. Karol G’s fiance, Puerto Rican rapper-singer Anuel AA, marked a major breakthrough this year as a first-time nominee. He scored seven nominations, including a bid for best new artist.

“Over the last year, we continued engaging in discussions with our members to improve the awards process and actively encouraged diverse Latin music creators to join and participate,” Latin Academy President and CEO Gabriel Abaroa Jr. said in a statement, calling this year’s nominees “a group that reflects the constant evolution of Latin music.”

As a result of last year’s debacle social media exploded as Latin artists posted images of the Grammy logo with a large red “X″ across it, with words on the image reading in Spanish: “Without reggaeton, there’s no Latin Grammys.” Balvin even skipped the live show and Bad Bunny, who won best urban music album during the telecast, told the audience: “With all due respect, reggaeton is part of the Latin culture.”

To honor Latin rap and reggaeton performers, the Latin Grammys added new categories this year, including best reggaeton performance and best rap/hip-hop song.

Balvin’s 13 nominations includes several categories where he will compete with himself: Outside of album and record of the year, he’s a double nominee in the best urban music album, best urban fusion/performance and best reggaeton performance categories. Ozuna and Bad Bunny will also compete with themselves in several categories.

Others who scored multiple nominations include Juanes, Martin, Alejandro Sanz, Camilo, Carlos Vives, Kany García and Residente, the most decorated winner in the history of Latin Grammys. Rosalía, who won album of the year last year and became the first solo female performer to win the top honor since Shakira’s triumph in 2006, earned four nominations this year.

Apart from Minaj’s two nominations, other popular American artists who will compete for awards include rapper Travis Scott (best short form music video for “TKN” with Rosalía); jazz master Chick Corea and his Spanish Heart Band (best Latin jazz/jazz album for “Antidote”); DJ-producer Diplo (best urban song for “Rave de Favela” ); and rapper Tyga (best reggaeton performance for “Loco Contigo” with DJ Snake and Balvin). Justin Bieber’s right-hand songwriter, Jason Boyd aka Poo Bear, earned an album of the year nomination for his work on Jesse & Joy’s “Aire (Versión Día).”

The 21st annual Latin Grammy Awards will air live on November 19 on Univision. The nominees in the 53 categories were selected from more than 18,000 entries. Songs and albums released between June 1, 2019 through May 31, 2020 were eligible for nomination.

Click here to see the full Latin Grammy nominations.

Carlos Vives Launching “El Mundo Perdido de Cumbiana” Documentary in Partnership with Grammy Museum

Carlos Vives is celebrating Colombia’s indigenous roots in music in a special way…

The 59-year-old Colombian singer-songwriter is launching a special documentary, El Mundo Perdido de Cumbiana, this Friday, August 21 on the Grammy Museum’s digital museum.

Carlos Vives

In May, Vives released his 14th studio album, Cumbiana, which married Colombia’s past with the future. The album shed light on the indigenous roots of Colombian music in a 10-set production that includes collaborations with Jessie Reyez, Alejandro Sanz, Ruben Blades and others.

Vives decided to bring his extensive research and musical exploration to the masses via the documentary, which is directed by Carlos Felipe Montoya and produced by Isabel Cristina Vasquez from Mestiza Films.

Vives spotlights the history of the amphibian universe to better understand the origins of cumbia and vallenato music, the ancestral spirits that inspired his latest production, and the environmental challenges the Magdalena River ecosystem is facing.

“I discovered a lost world. That’s the truth,” Vives previously told Billboard.

“We’ve always spoken about our African heritage in music. We’ve always thought that the most uplifting elements of our music came from Africa or from European rhythms like polka. But it turns out it comes from Andean or indigenous music. This album highlights the joy of the fusion of African, European, and indigenous music.”

El Mundo Perdido de Cumbiana, which also elaborates on the creative process of Cumbiana, will be available at 1:00 pm PT on Friday, August 21 at the Grammy Museum website for 72 hours only.

Following the screening, Vives will attend an exclusive conversation with NPR Alt Latino’s Felix Contreras to further discuss the documentary.

Pitizion Named a Latin Artist on the Rise by Billboard

Pitizion isn’t letting the coronavirus pandemic slow her momentum…

The 28-year-old Colombian singer, whose real name is María del Pilar Pérez, started 2020 with a lot of promise, including a music video with Greeicy and touring with Alejandro Sanz as his opening act. 

Pitizion

Despite the pause caused by the global pandemic, Pitizion has kept creating music and getting her name out there, recently being named a Latin Artist of the Rise by Billboard.

Born in the Llanos Region, Pitizion got on the radar with her acting career, making her debut on the popular Nickelodeon Latinoamérica show Grachi. About three years ago, she decided to share her musical talent on social media because her “music never left her room.”

“My passion for music derives from my father’s passing when I was a child,” the now Miami-based artist tells Billboard. “I didn’t know how to express my feelings and my way of doing so was writing lyrics and singing for him.”

Pitizion was ultimately discovered by record producer Andres Saavedra, who not only believed in her project, but also took her music to Universal Music Latin, where she officially signed in early 2019.

“I’ll be honest: I never saw this dream come true. I never imagined myself signing with a record label. I don’t know if that’s good or bad, but I didn’t have a lot of vision back then,” she admits. “It’s incredibly and completely changed my life. The most beautiful part is saying that Universal and Andres have taught me to dream and believe in myself.”

Since joining the Universal family, Pitizion has released her debut single “Ella” on July 5, 2019, dropped an eight-track EP dubbed La Piti, and nabbed collaborations with artists like Greeicy (“No Pasa Nada”) and Rafa Pabon and Big Soto for the remix of “Ella.”

Though she does not like to be boxed in a genre, Piti describes herself as a modern singer-songwriter with pop-urban melodies and hints of rap. Her empowering, witty lyrics and bohemian, global fusions are primarily influenced by artists like Cuban rappers Los Aldeanos, Puerto Rican rapper Rene “Residente” Perez, Spanish artist Bebe and Colombian vallenato stars. 

“I grabbed a little bit of what I heard in life and created my own version,” she concludes.

She’s currently making the rounds with her single “,” which sends a powerful message about self-love and diversity. 

Jesse & Joy Release Star-Studded “Love (Es Nuestro Idioma)” Music Video in Support of LGBTI+ Community

Jesse & Joy are spreading the love with some all-star assistance…

The Mexican Latin Grammy-winning brother and sister duo has released the official music video for “Love (Es Nuestro Idioma)” and it features appearances by nearly 200 people from around the world, including artists like ThalíaJuanes and more.

Jesse & Joy

The music video speaks out against violence toward the LGBTI+ community and raises awareness about conversion therapies that to this day take place in Mexico and other parts of the world.

“Our music will always be there to remind you that you are beautiful just as you are,” the Mexican previously said about the song, included in their recently-released album Aire. “It’s called ‘Love’ and talks about love being the universal language, the language that all of us should speak.”

Toward the end of the video, the message is loud and clear: “A sexual orientation is nothing something that should be cured. Conversion therapies are acts of torture and violation of privacy.”

Featuring cameos by Latin artists like Mon Laferte, Natalia JiménezÁngela Aguilar, Alejandro SanzLaura PausiniKany GarcíaAna BárbaraTommy Torres, Sofía Reyes, Luis Fonsi, among others, the video was directed by Kacho López and Joy. 

The release coincides with the landmark ruling officially protecting LGBTQ people from workplace discrimination issued by the U.S. Supreme Court.

Profits from the video will be donated to the YAAJ MEXICO Foundation to help the organization continue their social work in Mexico and for their work supporting sexual violence young victims.

Carlos Vives Releases Indigenous Roots-Inspired Album “Cumbiana”

Carlos Vives is going back to his roots…

The 58-year-old Colombian singer-songwriter has released his latest album, Cumbiana, a search for the indigenous roots of Colombian music. 

Carlos Vives

The album has been described as “exuberant, soulful, beautiful and important without ever sounding overbearing,” by Billboard.

The album features duets with Jessie ReyezRuben Blades and Alejandro Sanz,and ittreads that line between what’s commercial and what’s artistic.

“I discovered a lost world. That’s the truth,” Vives simply states, speaking from his home in Bogota, where he’s been in lockdown for the past two months.

“We’ve always spoken about our African heritage in music,” he adds. “We’ve always thought that the most uplifting elements of our music came from Africa or from European rhythms like polka. But it turns out it comes from Andean, or indigenous music. This album highlights the joy of the fusion of African, European and indigenous music.”

Marrying Colombia’s past with the future, Cumbianahas already delivered a chart hit with “No Te Vayas.” Edgier still is current single “For Sale,” a mix of traditional beats with reggaeton, a touch of rap and Sanz’s flamenco strains. Of course, Vives wrote the rulebook for Colombian fusion.

His 1994 album, La Tierra Del Olvido, where he marries Colombia’s most traditional folk beats — vallenato, cumbiaporro— with rock guitars and drums and pop sensibility, is the original blueprint of the sound that would later define the work of acts like JuanesFonseca and even Shakira at times.

But Cumbiana expands its realm. So much so that this is the first of a three-album project.