Tag Archives: Aladdin

Adassa & Her “Encanto” Castmates Earn Second Week at No. 1 on Billboard Hot 100 with “We Don’t Talk About Bruno”

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It’s another week of pure enchantment for Adassa…

The 35-year-old Afro-Colombian American singer and her Encanto castmember’s “We Don’t Talk About Bruno” has registered a second week at No. 1 on the Billboard Hot 100 songs chart.

EncantoThe ensemble song – by Adassa, Carolina Gaitán, Mauro Castillo, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast (all singing as the characters that they voice in the movie) – becomes the first song from a Disney animated film to lead the Hot 100 for multiple weeks.

It one-ups the only other such song to have reigned: Peabo Bryson and Regina Belle’s Aladdin theme “A Whole New World,” which spent a week at No. 1 in 1993.

Meanwhile, “We Don’t Talk About Bruno” logs its highest weekly totals yet in streaming, sales and radio airplay, as it reaches its first airplay charts: Pop Airplay and Adult Pop Airplay.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data.

“We Don’t Talk About Bruno” drew new weekly bests of 37.6 million U.S. streams (up 8%), 3.6 million radio airplay audience impressions (up 132%) and 13,600 downloads sold (up 10%, aided by 69-cent discount pricing in the iTunes Store, and good for the Hot 100’s top Sales Gainer trophy for a second straight week) in the January 28-February 3 tracking week, according to MRC Data.

The track tops the Streaming Songs chart for a fifth week and rises 3-2 on Digital Song Sales, two weeks after it led the latter list.

As “We Don’t Talk About Bruno” crowns the Hot 100 for a second week, its parent album, the Encanto soundtrack, tops the Billboard 200 albums chart for a fourth week (and third in a row), with 113,000 equivalent album units (down 2%).

Encanto and “We Don’t Talk About Bruno” mark the first soundtrack and corresponding song to have led the Billboard 200 and Hot 100 simultaneously for multiple weeks in over 19 years, since 8 Mile and Eminem’s “Lose Yourself” ruled the respective rankings dated January 11 and 18, 2003. Before that, the last such multi-week double domination belonged to Titanic and Celine Dion’s “My Heart Will Go On,” on the charts dated February 28 and March 7, 1998.

Stephanie Beatriz & Her Encanto Cast Mates Earn First No. 1 on Billboard Hot 100 with “We Don’t Talk About Bruno”

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Stephanie Beatriz and her Encanto cast mates has the entire country talkin’ about Bruno…

The 40-year-old Colombian and Bolivian American actress’ “We Don’t Talk About Bruno,” from Disney’s animated hit film Encanto, has made history in its rise to No. 1 on the Billboard Hot 100 songs chart.

EncantoThe ensemble song – by Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Beatriz and the Encanto Cast – rises from the Hot 100’s runner-up spot and becomes just the second No. 1 ever from a Disney animated film.

“Bruno” also marks the first Hot 100 leader for the song’s sole writer, Lin-Manuel Miranda. He and Mike Elizondo co-produced it and earn their first and second trips to No. 1, respectively, in those roles.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data.

“Bruno” becomes the Hot 100’s 1,133rd No. 1 over the chart’s 63-year history.

It drew 34.9 million U.S. streams (up 8%) and 1.5 million radio airplay audience impressions (up 239%) and sold 12,300 downloads (up 32%, aided by 69-cent discount pricing in the iTunes Store, good for the Hot 100’s top Sales Gainer award) in the January 21-27 tracking week, according to MRC Data.

The track tops the Streaming Songs chart for a fourth week and ranks at No. 3 on Digital Song Sales, a week after it reached the summit.

“Bruno” rules the Hot 100 in its fifth week on the chart, after it debuted at No. 50 on the January 8 survey. Encanto arrived on December 24 on the Disney+ streaming service, after it premiered in U.S. theaters on November 24.

“Bruno” becomes only the second Hot 100 No. 1 from a Disney animated film. It follows Peabo Bryson and Regina Belle’s Aladdin theme “A Whole New World,” which topped the March 6, 1993, chart.

“Bruno” was released on Walt Disney Records, while “World” was released on Columbia Records. It’s the first Hot 100 No. 1 for Walt Disney Records. (The label formed in 1956, just before the Hot 100 began in 1958.)

Prior to “Bruno,” another collaborative song represented Walt Disney Records’ highest Hot 100 rank: “Breaking Free,” by Zac Efron, Andrew Seeley and Vanessa Anne Hudgens, from High School Musical, hit No. 4 on the February 11, 2006, chart. The label has also reached the top five via Idina Menzel’s “Let It Go,” from Frozen (No. 5, 2014).

(The Disney Music Group, which includes the Walt Disney Records and Hollywood Records labels, notched one prior Hot 100 No. 1: the latter label’s “Hey There Delilah” by Plain White T’s led for two weeks in 2007.)

“The [Encanto] rollout began with a fantastic film, incredible music and a strong marketing campaign,” Disney Music Group president Ken Bunt recently told Billboard, adding that one reason he feels that “Bruno,” specifically, has connected is that it “includes the entire Family Madrigal, which reflects the dynamics of so many families.”

“Bruno” was written by Lin-Manuel Miranda, who achieves his first No. 1 writing credit on the Hot 100. The Emmy, Grammy and Tony Award winner, among numerous other honors, previously reached a No. 20 best in October 2017 as both a recording artist and writer thanks to “Almost Like Praying,” his charity single featuring Artists for Puerto Rico.

“It’s been really amazing because ensemble numbers don’t usually get this kind of love,” Miranda mused of “Bruno” on Billboard‘s latest Pop Shop Podcast. “My job is to raise my hand and let this room of animators and incredibly creative people know what music can do.”

While one person wrote “Bruno,” the song, conversely, sets the record for the most credited recording artists ever on a Hot 100 No. 1.

The billing of Gaitán, Castillo, Adassa, Feliz, Guerrero, Beatriz and the Encanto cast outpaces the quintet of DJ Khaled featuring Justin Bieber, Quavo, Chance the Rapper and Lil Wayne, whose “I’m the One” topped the May 20, 2017, chart.

(Notably, the superstar-infused “We Are the World,” which topped the Hot 100 for four weeks in 1985, was billed as by USA for Africa.)

Gaitán, Castillo, Adassa, Feliz, Guerrero and Beatriz each lead the Hot 100 for the first time. They voice Encanto characters, and Madrigal family members, Pepa, Félix, Dolores, Camilo, Isabela and Mirabel, respectively.

Lin-Manuel Miranda Tops Billboard’s Hot 100 Songwriters Chart for First Time in His Career

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It’s a songwriting first for Lin-Manuel Miranda.

The 41-year-old Puerto Rican multi-hyphenate tops Billboard’s Hot 100 Songwriters chart dated January 15, reigning as the top songwriter in the U.S. for the first time due to his work on six songs on the latest Billboard Hot 100, all from the new smash Disney animated film Encanto.

Lin-Manuel Miranda Leading his haul is “We Don’t Talk About Bruno,” which soars from No. 50 to No. 5 on the Hot 100, becoming just the fifth song from a Disney animated film to reach the top five.

It follows Peabo Bryson and Regina Belle’s “A Whole New World” from Aladdin (No. 1, one week, 1993); Elton John’s “Can You Feel the Love Tonight” from The Lion King (No. 4, 1994); Vanessa Williams’ “Colors of the Wind” from Pocahontas (No. 4, 1994); and Idina Menzel’s “Let It Go” from Frozen (No. 5, 2014).

The song also earns the Emmy, Grammy and Tony winner, among Miranda’s numerous other career honors, his first top 10 on the Hot 100 as a songwriter (or in any capacity).

Here’s a look at all six of Miranda’s writing credits on the current Hot 100. Notably, he is the only credited writer on all six entries.

Rank, Artist Billing, Title
No. 5 (new high), Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, “We Don’t Talk About Bruno”
No. 14 (new high), Jessica Darrow, “Surface Pressure”
No. 62 (debut), Stephanie Beatriz, Olga Merediz & Encanto Cast, “The Family Madrigal”
No. 67 (debut), Diane Guerrero & Stephanie Beatriz, “What Else Can I Do?”
No. 82 (debut), Stephanie Beatriz, “Waiting on a Miracle”
No. 83 (debut), Sebastian Yatra, “Dos Oruguitas”

As four of the songs above debut on the latest Hot 100, Miranda has now written 13 Hot 100-charting hits. Prior to Encanto, he penned four Hot 100 entries from the Disney film Moana, two charity singles and a mash-up.

Here are all seven of Miranda’s Hot 100-charting songs, as a writer, outside of Encanto (ranked by peak position):

Peak Position, Artist Billing, Title (co-songwriters in addition to Lin-Manuel Miranda), Peak Year
No. 20, Lin-Manuel Miranda feat. Artists for Puerto Rico, “Almost Like Praying” (Leonard Bernstein, Stephen Sondheim), 2017
No. 41, Auli’i Cravalho, “How Far I’ll Go,” 2017
No. 49, Lin-Manuel Miranda & Ben Platt, “Found / Tonight” (Benj Pasek, Justin Paul), 2018
No. 56, Alessia Cara, “How Far I’ll Go,” 2017
No. 65, Dwayne Johnson, “You’re Welcome,” 2017
No. 72, Jennifer Lopez & Lin-Manuel Miranda, “Love Make the World Go Round” (Mike Molina, Melody Hernandez, John Mitchell, Nelson Kyle, Marcus Lomax, Jordan K. Johnson, Stefan Johnson, Jennifer Lopez), 2016
No. 93, Opetaia Foa’i & Lin-Manuel Miranda, “We Know the Way” (Opetaia Foa’i), 2016

The soundtracks for Miranda’s projects also have successful histories on Billboard‘s charts, with Encanto surging to No. 1 on the latest Billboard 200, up 76% to 72,000 equivalent album units in the tracking week ending January 6, according to MRC Data.

Additionally, Miranda ties at No. 3 on the latest Hot 100 Producers chart with collaborator Mike Elizondo, as the pair co-produced all six Hot 100-charting Encanto hits.

The weekly Hot 100 Songwriters and Hot 100 Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100; plus, genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).

Disney Bringing Lin-Manuel Miranda’s Hit Broadway Musical “Hamilton” to the Big Screen

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Lin-Manuel Miranda’s Broadwayhit is heading to the big screen. 

Disney will release a feature film of the original Tony Award-winning stage musical Hamilton, created by the 40-year-old Puerto Rican composer/lyricist, actor and creator, in the U.S. and Canada on October 15, 2021.

Hamilton

The studio is teaming with Miranda, Jeffrey Sellerand Thomas Kail on the project, which is billed as a “leap forward in the art of ‘live capture.’” It explains the live capture method as “combining the best elements of live theater and film,” resulting in “a cinematic stage performance that is a wholly new way to experience Hamilton.”

Producers for this version of Hamilton include Miranda, Seller and Kail, who also directs. 

The film was shot in June 2016 at the Richard Rodgers Theatreand reports began circulatingin 2018 that bidders were circling the film version of the stage production. Studios had to pledge not to release it until at least 2020.

The original Broadway cast of the record-smashing show will appear in the new film. Cast members include Miranda as Alexander Hamilton; Daveed Diggsas Marquis de Lafayette/Thomas Jefferson; Renée Elise Goldsberryas Angelica Schuyler; and Leslie Odom, Jr.as Aaron Burr. Also due to star are Christopher Jacksonas George Washington; Jonathan Groffas King George; Phillipa Sooas Eliza Hamilton; and Jasmine Cephas Jones as Peggy Schuyler/Maria Reynolds; Okieriete Onaodowanas Hercules Mulligan/James Madison; and Anthony Ramosas John Laurens/Philip Hamilton.

“Lin-Manuel Miranda created an unforgettable theater experience and a true cultural phenomenon, and it was for good reason that Hamiltonwas hailed as an astonishing work of art. All who saw it with the original cast will never forget that singular experience,” Disney CEO Bob Igersaid. “And we’re thrilled to have the opportunity to share this same Broadway experience with millions of people around the world.”

Miranda, who starred in an update of Mary Poppinsin 2018, affirmed his connection with Disney. “I fell in love with musical storytelling growing up with the legendary Howard Ashman–Alan MenkenDisney collaborations – The Little Mermaid, Beauty and The Beast, Aladdin,” he said. “I’m so proud of what Tommy Kail has been able to capture in this filmed version of Hamilton – a live theatrical experience that feels just as immediate in your local movie theater. We’re excited to partner with Disney to bring the original Broadway company of Hamilton to the largest audience possible.”

Kail added, “We are thrilled for fans of the show, and new audiences across the world, to experience what it was like on stage – and in the audience – when we shot this. … We wanted to give everyone the same seat, which is what this film can provide.”

According to sources, Disney beat out other suitors and paid $75 million for worldwide rights to the show that won 11 Tony Awards in 2016, as well as the Pulitzer Prizefor Drama. Disney won the deal with a commitment for a wide global theatrical release for the 2 hour, 40 minute movie, which was shot two weeks before the original cast left.

Miranda’s “Hamilton” Ends Year as Broadway’s Box Office Star

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Lin-Manuel Miranda’s Hamilton is the new king of the jungle…

The 36-year-old Puerto Rican actor, playwright, composer, rapper and writer’s Broadway musical nudged past Disney blockbuster The Lion King to top the Broadway box office end of the year chart.

Lin-Manuel Miranda's final Hamilton curtain call

Hamilton ended the year earning $105.5 million, besting The Lion King ($103.2 million) by a nose.

The show’s hugely profitable year comes as little surprise given the ultra-high demand for tickets and the rising prices of premium seats.

Over Thanksgiving, Hamilton became the first Broadway show to earn more than $3 million in a single eight-performance week.

Although Broadway bookkeeping mostly follows a season calendar that begins and ends in May, the year-end box office tallies nonetheless provide a good mid-season snapshot of the health of the Broadway industry. With box office measured in weekly increments that run Monday through Sunday, bookkeepers at the Broadway League are counting the week ending December 25 as the end of the 52-week year, with the 2017 calendar year beginning this week.

Hamilton and the 19-year-old Lion King, which had been the biggest earner on the street for the previous three calendar years, were the only two shows to earn more than $100 million in 2016.

Another of Broadway’s consistent hot tickets, Wicked ($89 million), followed them on the chart, with Disney’s Aladdin ($78.2 million) and The Book of Mormon ($70.6 million) rounding out the Top 5.