Peso Pluma is officially a global phenomenon…

The 23-year-old Mexican singer’s collaboration with Eslabon Armado “Ella Baila Sola” has surged to No. 1 on the Billboard Global 200 chart dated April 29.

It’s the first leader on the list for each act, as well as the first for the Regional Mexican genre.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” ascends 3-1 to crown the Billboard Global 200, with 95.2 million streams (up 27%) and 3,000 sold (up 74%) worldwide April 14-20.

It’s also the fourth all-Spanish-language leader on the list, following Karol G and Shakira’s “TQG,” which ruled for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (four weeks, 2022); and “Dákiti” by Bad Bunny and Jhay Cortez (now Jhayco; three, 2020).

“We didn’t expect for the song to make so much noise!” Pedro Tovar, Eslabon Armado lead singer and sole author of “Ella Baila Sola,” recently told Billboard of the track, which concurrently becomes the first regional Mexican top five hit ever on the Billboard Hot 100. “I really liked the song when I first wrote it, but I didn’t really expect it to be such a big hit. I previewed it on my stories on Instagram and, two days after, it went viral on TikTok, and that’s when I knew that the song was going to do big numbers.”

“Normally I don’t expect to chart with songs,” Peso Pluma marveled. “We just enjoyed the process of doing it.”

Meanwhile, marking more moves for Regional Mexican, Grupo Frontera and Bad Bunny’s “Un x100to” launches in the top five on the tally.

“Un x100to” blasts onto the Global 200 at No. 5 with 67.4 million streams and 4,000 sold worldwide in its first week. Regional Mexican sextet Grupo Frontera, from Texas, achieves its first top 10 on the chart, while Bad Bunny adds his 13th.

The Billboard Global 200 survey ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data, including the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.