Madi Diaz is feeling Libera-rated…
The 2022 A2IM Libera Awards have been doled out, with the 36-year-old half-Peruvian American singer-songwriter and musician among the winners.
Diaz received the award for Best Americana Record for her acclaimed album History of a Feeling.
The Best Latin Record award went to Helado Negro.
The Ecuadorian American musician, whose real name is Roberto Carlos Lange, won the award for his album Far In.
Mexican & Asian rock group The Linda Lindas won the award for Best Punk Record for their viral hit single “Racist, Sexist Boy” (Live at LA Public).
U.S. Congresswoman Linda Sánchez (D-CA) received the Congressional Independent Music Guardian award for her continued support of indie music.
The awards were presented at Webster Hall in New York City on Thursday, June 16, and also, in a different format, online on A2IM’s official YouTube channel.
The American Association of Independent Music (A2IM) sponsors the Libera Awards. A2IM is a not-for-profit trade organization headquartered in New York City that works to support the independent recorded music sector. Membership includes nearly 700 independently-owned American music labels.
Here’s the full list winners from the 2022 A2IM Libera Awards:
Record of the year: Japanese Breakfast – Jubilee (Dead Oceans)
Self-released record of the year: Cautious Clay – Deadpan Love (Cautious Clay)
Video of the year: Wet Leg – “Chaise Longue” (Domino Recording Co.)
Label of the year (big) (tie): mom+pop music; Matador Records
Label of the year (medium): Sacred Bones Records
Label of the year (small): Oh Boy Records
A2IM humanitarian award: Common
Best alternative rock record: Japanese Breakfast – Jubilee (Dead Oceans)
Best Americana record: Madi Diaz – History of a Feeling (ANTI-)
Best blues record (tie): Cedric Burnside – I Be Trying (Single Lock Records); Christone “Kingfish” Ingram – 662 (Alligator Records)
Best classical record: Bryce Dessner, Australian String Quartet, Sydney Dance Company – Impermanence/Disintegration (37d03d)
Best country record: Sturgill Simpson – The Ballad of Dood & Juanita (High Top Mountain Records / Thirty Tigers)
Best dance record: Jungle – Loving In Stereo (AWAL)
Best electronic record: 박혜진 Park Hye Jin – Before I Die (Ninja Tune)
Best folk/bluegrass record (tie): Hand Habits – Fun House (Saddle Creek); Jose Gonzalez – Local Valley (Mute)
Best heavy record: Deafheaven – Infinite Granite (Sargent House)
Best hip-hop/rap record: Little Simz – Sometimes I Might Be Introvert (AWAL)
Best jazz record: BADBADNOTGOOD – Talk Memory (XL Recordings/Innovative Leisure)
Best Latin record: Helado Negro – Far In (4AD)
Best live/livestream act: Mdou Moctar – “Live at the Niger River”
Best outlier record: L’Rain – Fatigue (Mexican Summer)
Best pop record: Arlo Parks – Collapsed in Sunbeams (Transgressive/[PIAS])
Best punk record: The Linda Lindas – “Racist, Sexist Boy” (Live at LA Public Library) (Epitaph)
Best R&B record: Hiatus Kaiyote – Mood Valiant (Brainfeeder (Ninja Tune))
Best reissue: Radiohead – Kid A Mnesia (XL Recordings)
Best rock record: IDLES – CRAWLER (Partisan Records)
Best spiritual record: Blind Boys of Alabama feat. Bela Fleck – “I Wish I Knew How It Would Feel to Be Free” (Single Lock Records)
Best sync usage: Phoebe Bridgers – “I Know the End” – Ep 106 Mare of Easttown (Dead Oceans)
Best world record: Mdou Moctar – Afrique Victime (Matador Records)
Breakthrough artist/release: Wet Leg – Chaise Longue (Domino Recording Co.)
Creative packaging: Japanese Breakfast – Jubilee (Dead Oceans)
Independent champion: Bandcamp
Marketing genius: Japanese Breakfast – Jubilee (Dead Oceans)
Excellence in advocacy: Dionne Warwick
Congressional independent music guardian: Congresswoman Linda Sánchez (D-CA)
Innovation in sustainability: IMPALA Sustainability Task Force