Bruno Mars Notches Sixth Week at No. 1 on Billboard’s Global Charts with ROSÉ-Collaboration “APT.”

Bruno Mars’ latest single can’t be evicted…

The 39-year-old part-Puerto Rican Grammy-winning singer/songwriter’s hit ROSÉ-collaboration “APT.” continues to rule both the Billboard Global 200 and Billboard Global Excl. U.S. charts for the sixth consecutive week.

Bruno Mars, RoseThe song debuted as the stars’ second leader on each survey. 

“APT.” tops the Global 200 for a sixth week with 160.6 million streams (up 21% week-over-week) and 20,000 sold (up 49%) worldwide November 22-28.

The duet debuted with 224.5 million global streams and logged 207.5 million in its second frame, becoming the first title since the chart started to have amassed at least 200 million streams globally in multiple weeks.

“APT.” also now boasts six of the top seven streaming weeks on the Global 200 among songs released in 2024:

  • 5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2
  • 5 million, “APT.,” Nov. 9
  • 8 million, “Fortnight,” Taylor Swift feat. Post Malone, May 4
  • 2 million, “APT.,” Nov. 16
  • 6 million, “APT.,” Dec. 7
  • 4 million, “APT.,” Nov. 23
  • 7 million, “APT.,” Nov. 30

Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year, beginning in September. It drew 115.7 million streams (up 1%) worldwide Nov. 22-28 and has tallied over 100 million streams globally in each of the last 13 weeks, the longest such streak since the chart began.

“Die With a Smile” also holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1 starting in September.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

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