It’s five in a row for Bruno Mars.

The 39-year-old part-Puerto Rican Grammy-winning singer’s collaboration with ROSÉ, “APT.,” tops both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a fifth week.

The song debuted as the stars’ second leader on each list.

“APT.,” released October 18, rules the Global 200 for a fifth week with 132.7 million streams (down 9% week-over-week) and 13,000 sold (down 3%) worldwide November 15-21.=

The duet debuted with 224.5 million global streams and logged 207.5 million in its second frame, becoming the first title since the chart started to have drawn at least 200 million streams globally in multiple weeks.

“APT.” also now claims five of the top six streaming weeks on the Global 200 among songs released in 2024:

224.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2
207.5 million, “APT.,” Nov. 9
176.8 million, “Fortnight,” Taylor Swift feat. Post Malone, May 4
162.2 million, “APT.,” Nov. 16
146.4 million, “APT.,” Nov. 23
132.7 million, “APT.,” Nov. 30 

Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year. It drew 114 million streams (down 4%) worldwide November 15-21 and has tallied over 100 million streams globally in each of the last 12 weeks, the longest such streak since the chart began.

“APT.” concurrently commands Global Excl. U.S. for a fifth week, with 117.4 million streams (down 9%) and 9,000 sold (down 4%) outside the U.S. Nov. 15-21.

“Die With a Smile” holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States. 

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.