Bruno Mars is still celebrating a global hit…

The 38-year-old part-Puerto Rican Grammy-winning artist’s collaboration with Lady Gaga, “Die With a Smile,” has tallied a fifth total and consecutive week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

The song is a stand-alone single by Mars and Gaga.

“Die With a Smile” rules the Global 200 with 117.8 million streams (up less than 1% week-over-week) and 9,000 sold (down 2%) worldwide September 20-26. The song is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began.

Notably, the duet has drawn over 100 million streams globally in each of the last four weeks – the most such frames for a song this year; it one-ups Sabrina Carpenter’s “Please Please Please” (three weeks, June-July) and Kendrick Lamar’s “Not Like Us” (three, May-July).

Plus, “Die With a Smile” has gained in streams in each of its six Global 200 chart weeks, having started (at No. 2) with 75.2 million worldwide on the Aug. 31 survey and rising, respectively each week, to 97.2 million, 105.8 million, 111.4 million, 117.4 million and 117.8 million. It’s the first non-holiday song to link as many as four consecutive weeks of 100 million streams with gains in each week since The Kid LAROI and Justin Bieber’s “Stay” did so for four frames in August-September 2021.

“Die With a Smile” leads Global Excl. U.S. with 93.9 million streams (up 1%) and 5,000 sold (down 2%) outside the U.S. September 20-26.

As on the Global 200, the team-up became Lady Gaga and Bruno Mars’ first No. 1 each since the list launched.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.